1TB USB Drives - $129
[Date Prev][Date Next][Thread Prev][Thread Next][Date Index][Thread Index]
[bomp] Ed Thrasher
- To: Brown <stebro8@xxxxxxx>
- Subject: [bomp] Ed Thrasher
- From: Marc Miller <marmilmjd66@xxxxxxxxx>
- Date: Mon, 28 Aug 2006 20:56:32 -0700 (PDT)
- Domainkey-signature: a=rsa-sha1; q=dns; c=nofws; s=s1024; d=yahoo.com; h=Message-ID:Received:Date:From:Subject:To:MIME-Version:Content-Type:Content-Transfer-Encoding; b=iUXSW17SrOiPZlth8EWvnoQztGyntUCnCA834X/WZYJWdKLTvJjV3JlBCsf6DAQeuv9e5S0bAZYJTdnPZa3Kt28HXcG5UBP3zWjO6VhOcq1t2F34Rh7FFW5yvIgse+EToQl3icOGDTH9MQB0SGwMqGvM89mImUL/vqYj/y2EWVg= ;
- Reply-to: bomp@xxxxxxxxx
- Sender: owner-bomp@xxxxxxxxx
Ed Thrasher, an art director and photographer who designed
defining album covers for Jimi Hendrix, Frank Sinatra and
the Beach Boys, and helped shape the enduring image of rock
and pop in the 19609s and 709s, died on Aug. 5 at his home
in Big Bear Lake, Calif. He was 74. The cause was cancer,
said his son, Jeff.
When Mr. Thrasher became art director at Warner Brothers
Records in Los Angeles in 1964, the label9s roster included
some of the era9s most exciting artists. Album design at the
time was being radically transformed as the so-called big
idea approach took over from the bland packaging of the late
509s and early 609s. The new style came to reflect the music
of acts like Cream, Van Morrison, the Yardbirds and Country
Joe and the Fish, which dominated progressive FM radio in
the 19609s. It was no longer enough to show a staid studio
photograph of a recording artist; the new generation wanted
more inventive, quirky pictorial representations and
decorative logos, signs that would brand them as part of the
youth culture.
So bold and emblematic were many of these LP covers, on their
generous 12-by-12-inch canvases, that fans identified as much
with the art as with the music. Many remain quite memorable;
and some of the most remembered were conceived or
photographed by Mr. Thrasher. 3His covers were the best of
their kind, for he defined the West Coast style of big-idea
art direction,2 said Paula Scher, who designed albums in the
19709s for Columbia Records.
Mr. Thrasher9s work proved integral to the success of many of
these albums and helped define the look of rock. His overall
art direction included commissioning photographers,
typographers and illustrators for albums including the Jimi
Hendrix Experience9s 3Are You Experienced,2 Van Morrison9s
3Astral Weeks,2 the Grateful Dead9s 3Anthem of the Sun,2 the
Doobie Brothers9 3Toulouse Street2 and even Tiny Tim9s
purposely cheesy 3God Bless Tiny Tim.2 An expressively moody
self-portrait of Joni Mitchell, appearing on the cover of her
1969 album 3Clouds,2 also started a small trend for musicians
to create the art for their own records.
In 1973, when Sinatra emerged from retirement with his
comeback album, Mr. Thrasher shot candid photographs for the
cover. He also devised the title, 3Ol9 Blue Eyes Is Back,2
which was also used in advertising Sinatra9s return to the
concert circuit. Besides directing album covers, Mr. Thrasher
produced many of Warner Brothers ads and posters from 1964 to
1979.
Edward Lee Thrasher Jr. was born in 1932 in Glendale, Calif.
His father was a Los Angeles city councilman from 1931 to
1943. After serving in the Navy during the Korean war, the
younger Mr. Thrasher attended Los Angeles Trade Tech College
to study art and illustration. In 1957 he took a job as an
assistant in the Capitol Records art department, rising to
become art director and photographer. He moved to Warner
Brothers as head art director and also worked with the
architect A. Quincy Jones in designing the Warner Brothers
Records building at 3300 Warner Boulevard in Los Angeles.
Mr. Thrasher received more than a dozen Grammy Award
nominations for album design; with Christopher Whorf as
co-art director, he won the Grammy for best package design
for Mason Proffit9s 1974 album 3Come & Gone.2 After leaving
Warner Brothers Records, he pursued a successful photography
career and amassed a well-used stock of portraits of Sinatra,
Barbra Streisand, Dionne Warwick, Dolly Parton and dozens of
609s-era rock stars. He also founded Ed Thrasher and
Associates, an advertising company, at which he created
posters for films, including Prince9s 3Purple Rain2 (he also
did the famous album cover) and 3Mad Max Beyond Thunderdome.2
His 22-year marriage to Linda Gray ended in divorce; she went
on to star as Sue Ellen Ewing on the television hit 3Dallas.2
He is survived by two children from that marriage, his son,
Roger, and his daughter, Kehly Gray Sloane, both of Los
Angeles; a sister, Marilyn Ball, and two grandchildren.
---------------------------------
How low will we go? Check out Yahoo! Messengers low PC-to-Phone call rates.
===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===