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[bomp] PRIME MOVERS BON VOYAGE BASH AT BOSTON'S BASEBALL TAVERN 9/7
Hey! Come out and wish your friendly neighborhood rockers a kick ass European tour?at BBT's BASEMENT tonight. Also for your rocking pleasure are THE KILLER ABS/APPLE BETTY/THE MESS ME UPS/THE RADIO KNIVES with THE PRIME MOVERS? closing. Cover is nine bucks,but five great bands plus JOEY BOY of Red Invasion doing his DJ thang-well?that's sum bargain y'all!!! Luv, Nancy Neon
?
-----Original Message-----
From: bomp-digest <owner-bomp-digest@xnet2.com>
To: bomp-digest@xnet2.com
Sent: Fri, 7 Sep 2007 5:00 am
Subject: bomp-digest V2003 #1976
bomp-digest Friday, September 7 2007 Volume 2003 : Number 1976
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[bomp] Riot in Pasadena, California w/ cool '66 guests! (Saturday)
ItsBoss9@aol.com
Re: [bomp] Elvis etc.
jumpinginthenight <jumpinginthenight@yahoo.com>
----------------------------------------------------------------------
Date: Thu, 6 Sep 2007 20:20:19 EDT
From: ItsBoss9@aol.com
Subject: [bomp] Riot in Pasadena, California w/ cool '66 guests! (Saturday)
Riot in Pasadena, California w/ cool '66 guests! (Saturday) Riot on
Sunset Strip: Rock 'n' Roll's Last Stand in Hollywood will make its return to
the Greater Los Angeles area this Saturday afternoon, from 4-6 p.m. at
Vroman's Bookstore, 695 E. Colorado Boulevard, Pasadena, California.
Special guests will be:
East Los Angles musician and historian Mark Guerrero (Mark & the Escorts'
"Get Your Baby"), plus surprise cameo appearances by members of a few prominent
East L.A. bands of the '60s (possible Premiers, Jaguars and El Chicano guys
pitching in).
John "Chris" Christensen from Long Beach garage combo Opus 1 ("Backseat '38
Dodge"), a record based on the Ed Keinholz assemblage art piece that was
banned from The Los Angeles County Museum of Art in 1966 amid much controversy.
The 1960s proprietor of The Ice House (then, a music venue), Bob Stane.
House bands at The Ice House included The Association ("Along Comes Mary") and
The Deep Six ("Rising Sun"). Many of the artists featured on The Smothers
Brothers Comedy Hour, including musical arranger Mason Williams ("Classical
Gas")
comedian Pat Paulsen, and The Nitty Gritty Dirt Band all called The Ice House
home back in the day.
Vroman's has been in Pasadena since 1894... you can reach them at (626)
449-5320, or on their website: www.vromansbookstore.com
It's real easy to get to, from the 210 Freeway, take the Lake Avenue exit
South to Colorado Boulevard, then head West for a few blocks. Vroman's is on
the North side of the street. The San Gabriel Mountains will be in the
background as you face the store from Colorado Boulevard.
- - Domenic Priore
************************************** Get a sneak peek of the all-new AOL at
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------------------------------
Date: Thu, 6 Sep 2007 18:30:21 -0700 (PDT)
From: jumpinginthenight <jumpinginthenight@yahoo.com>
Subject: Re: [bomp] Elvis etc.
And now Lynch's expertise extends to Elvis too! Arrgh!!!
Immortal Porpoises <immortalporpoises@earthlink.net> wrote:
And "If I Can Dream," the greatest gospel/social consciousness anthem of its
generation, possibly of all time.
- ----- Original Message -----
From:
To:
Sent: Tuesday, September 04, 2007 6:18 AM
Subject: [bomp] Elvis etc.
>
> In a message dated 9/4/07 5:04:42 A.M. Eastern Daylight Time,
> owner-bomp-digest@xnet2.com writes:
>
> > I was thinking of the recordings around the comeback
> > special, especially
> > "Suspicious Minds," "Kentucky Rain" and "Burning
> > Love" (I think that was a
> > bit later, though). In a way, it was the same thing
> > he always did, mixing
> > country and R&B, except the country and R&B (or
> > soul) was updated.
> >
> Very true. The quality of his recordings had been
> going up even before the comeback special, e.g. "Big
> Boss Man" and "US Male" - those were recorded in '67
> but released in '68. Elvis must have sensed the poor
> quality of most of his mid sixties work and gotten a
> clue even before the TV special....
>
>
>
>
> Also, and importantly, after all those years of making rushed trips to the
> recording studios between his hectic movie shooting schedule, to quickly
apply
> vocals to hastily-recorded backing tracks of lame songs written for the
> films, those early 1969 sessions (by which time his movie career was just
about
> winding down) were the first time in years Elvis had ample time to really
work
> with his musicians and producers on finding the right songs, and the right
> approach/arrangements for the songs, and put proper thought and care into
the
> records he was releasing.
>
>
>
> ************************************** Get a sneak peek of the all-new AOL
at
> http://discover.aol.com/memed/aolcom30tour
>
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End of bomp-digest V2003 #1976
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