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Subject: bomp-digest V1 #40
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bomp-digest         Friday, February 14 1997         Volume 01 : Number 040




----------------------------------------------------------------------

Date: Fri, 14 Feb 1997 01:22:32 -0800
From: gary mollica <garym@earthlink.net>
Subject: Re: Cool Commercials

mlawren1@explorer.csc.com wrote:
> 
> The cd release of the Yardbirds' Little Games features an English
> desert/breakfast mush (product name eludes)plug by the lads to the tune
> of Over Under Sideways Down. Thankfully, it's the last track on the
> disk.

Sorry, but it was MOST American - Great Shakes. I think they used to 
advertise on Shindig & I remember the product well. You'd get a 2 part 
thing kinda like a cocktail shaker. You'd fill to the line with milk, 
then fill the rest with flavored powder (Vanilla, chocolate, 
strawberry), put the top on, & shake until ya got a "milkshke". A few 
different bands did the ads.
"Anyplace can be a soda fountain, now/
With Great Shakes, new Great Shakes"

now does anybody have
1)the 7-up commercials to the tune "Cola hearted Woman", especially the 
video version (7-up glass with a light-show)

2)even more importan, there was a precursor to cassettes called play 
tape, which was a 4-track player from the mid 60s. Pepsi had a promotion 
to send in so many bottle-tops (remember those!!) & get a free Play Tape 
plyer. There were a few bands that did ads (I think Jeff Airplanes have 
been released) & would love ANY of them, but ESPECIALLY want Ultimate 
Spinach's version "Pepsi can move you/And Pepsi can groove you/And give 
you a Play Tape Machine"

Thanks,
GaryM

------------------------------

Date: Fri, 14 Feb 1997 08:51:03 +0100
From: Pierre GURDJOS <gurdjos@irit.fr>
Subject: Re: Pardon my French.

> Anybody got info on a band called (and I'm really messing up this
> spelling) Fleur de Lys from the 70s. 

Hi,
Thanks to the Delerium's Psychedelic Web, here is listed below
the entry for Fleur de Lys from the UK 1963 - 1976 Psychedelic Archive.
Try it out at
	http://www.delerium.co.uk/archive/uk6070s/uk60stop.html
Pierre
PS: I think the compilation Cd they talked about in the NB is now out.

- ----------------------------------------------------------------------------

The Fleur de Lys     

Personnel:

   * ALEX CHAMBERLAIN organ A
   * GARY CHURCHILL bs A
   * KEITH GUSTER drms A B C D E F G H I
   * FRANK SMITH gtr, vcls A
   * GORDON HASKELL bs B C D E F
   * PHIL SAWYER gtr B C
   * PETE SEARS keyb'ds B C
   * CHRIS ANDREWS vcls C D E
   * BRYN HAWORTH gtr E F G H
   * TAGO BYERS bs G H I
   * TONY HEAD vcls G H I
   * GRAHAM MAITLAND gtr I

45s:

  1. Moondreams/Wait For Me (Immediate IM 20) 1965
  2. Circles/So Come On (Immediate IM 32) 1966
  3. Mud In Your Eye/I've Been Trying (Polydor 56124) 1966
  4. I Can See A Light/Prodigal Son (Polydor 56200) 1967
  5. Gong With The Luminous Nose/Hammer Head (Polydor 56251) 1968
  6. Stop Crossing The Bridge/Brick By Brick (Stone By Stone) (Atlantic
584
     193) 1968
  7. You're Just A Liar/One City Girl (Atlantic 584 243) 1969

NB: A CD compilation is due soon compiling material from these 45s and
other
related projects.

The Fleur de Lys were one of the most talented underground guitar bands
of
the sixties and deserve far more recognition than they have received to
date. They underwent many line-up changes and their story is a complex
one.

They originally formed (line-up A) as Les Fleur de Lys in Southampton
during
the Autumn of 1964. They established a small following locally, playing
at
youth clubs, parties and pubs, but were signed by Immediate in 1965
after
being spotted at a London gig. With a young Jimmy Page in charge of
their
recording sessions, the outcome was a beat version of Buddy Holly's
Moondreams. It made little impression and disillusioned, the group
disintegrated, leaving Keith Guster (the only ever-present member in
their
various line-ups) to reform the band with line-up (B). Phil Sawyer had
previously been in The Cheynes and Shotgun Express. With this new
line-up
and Page again producing, they recorded a superb version of Pete
Townshend's
Circles, which was notable for some fine psychedelic guitar work from
Sawyer. It can also be heard on Chocolate Soup For Diabetics, Vol. 2,
The
Chocolate Soup (CD) and Broken Dreams, Vol. 1, which also includes its
flip
side. By now the group were known as The Fleur de Lys and they were
building
up a good reputation on the club circuit. Indeed The Animals' Hilton
Valentine got them involved in a session he was producing with fellow
Animals' recent discovery Jimi Hendrix. Two tracks were put down, one
was a
cover of The Impressions' Amen, but they weren't used, although Pete
Sears
has a copy of the recordings in his own collection.

To give the group an up-front vocalist Chris Andrews, who'd been a child
actor (his roles included The Artful Dodger in the London production of
'Oliver' in 1964), was added to the line-up (C) and the group signed to
Polydor in the Summer of 1966. Pete Sears left soon after to join The
Sam
Gopal Dream. He later went to the US West Coast and progressed through
Stoneground, Silver Metre and Copperhead finally ending up in Jefferson
Starship. Phil Sawyer joined the new-look Spencer Davis Group and,
briefly,
the group were a three-piece prior to Bryn Haworth being recruited. He'd
previously played with a number of local bands in Darwin (near
Blackburn),
including The Mustangs, The Railroaders and The Mike Taylor Combo, but
none
of them made it onto vinyl. With line-up (E) Mud In Your Eye was
recorded,
featuring Haworth's fine guitar work. This later got a further airing on
Chocolate Soup For Diabetics, Vol. 3 and The Chocolate Soup (CD).

A chance meeting with producer/manager Frank Fenter led to the group
backing
young South African singer Sharon Tandy on studio and live work. As a
session group they also toured Holland with Aretha Franklin, backed
Isaac
Hayes and recorded and album with Barney Kessel in this era. It was also
Fenter who arranged for the group to embark on a new psychedelic
project,
Rupert's People. With friend and guitarist Rod Lynton they wrote and
recorded Hold On. Lynton came up with the Procol Harum-influenced
Reflections Of Charles Brown to accompany it, but only Chris Andrews
liked
the song so he left to continue with the Rupert's People project and the
band continued as a three-piece.

Line-up (F) re-cut Hold On in the studio, with Sharon Tandy on vocals.
They
also recorded Daughter Of The Sun at the same session. Hold On figured
as
the 'B' side to her next single but both songs were coupled on a 1968
45.
There's no Sharon Tandy entry in this book so here's the discographical
details of this line-up's involvement with her:-

45s:

  1. Stay With Me/Hold On (Atlantic 584 124) 1967
  2. Hold On/Daughter Of The Sun (Atlantic 584 219) 1968

The band guested on John Peel's 'Top Gear' radio programme in October
1967,
along with Sharon Tandy. The Fleur de Lys performed Neighbour,
Neighbour, Go
Go Power and Cross Cut Saw and backed Sharon Tandy on Always Something
There
To Remind Me, Our Day Will Come and a belting version of Hold On.

Line-up F's other recordings were the I Can See A Light 45 (with Bryn
Haworth on vocals) and a 45 under the pseudonym of Shyster (Tick-Tock),
both
in September 1967.

In 1968 they started work on an album. Their next 45, Gong With The
Luminous
Nose, a Gordon Haskell song based on the famous nonsense rhyme of Edward
Lear, came from this session, with Haskell handling the vocals. Again
featuring ace guitar work from Haworth, this 45 has subsequently
resurfaced
on Electric Sugarcube Flashbacks, Vol. 4 and Freakbeat Fantoms. The
'album'
included many cover versions from Ray Charles to The Young Rascals, but
it
was never issued and the tapes have never been relocated. The group did,
however, complete an album with John Bromley, backed Donnie Elbert on an
album and worked with William E. Kimber on a rare and beautiful single
as
Waygood Ellis (which may be another pseudonym).

Gordon Haskell left the group during 1968, eventually joining King
Crimson
in late 1969. He also cut a solo album in 1970. The Fleur de Lys, now
with
line-up (G), switched to Atlantic and released a Stax-style 45 Stop
Crossing
That Bridge. Shortly after, they released a second 45, Butchers And
Bakers,
under yet another pseudonym, Chocolate Frog. There was also a version by
The
Staccatos (which may have been The Creation in disguise), but the song
wasn't too good and both versions sold poorly. Line-up (G) also backed
Sharon Tandy on some of her 45s and a Tony and Tandy collaboration, Two
Can
Make It Together (Atlantic 584 262) 1969. The Fleur de Lys are credited
on
its 'B' side, The Bitter And The Sweet. The 'Tony' in question here was
Fleur de Lys' Tony Head.

The Fleur de Lys' final 45, You're Just A Liar, penned by Haworth and
Polydor songwriter Brian Potter, saw them go out on a high in a haze of
hot
guitar work. This can also be heard on The Perfumed Garden II and on The
Perfumed Garden II (CD), which also features Mud In Your Eye. Haworth
left
and headed for America's West Coast, where he formed a band with ex-Blue
Cheer member Leigh Stephens, recording an album which was never
released.
Former Scots Of St. James' member Graham Maitland joined the band in its
final days and he was later in Five Day Rain.

Watch out for a new (and long awaited) CD compilation of their
recordings.
It also includes Sugar Love and So Many Things recorded with John
Bromley;
Hold On and Daughter Of The Sun with Sharon Tandy; Tick Tock recorded
using
The Shyster pseudonym; both sides of The Chocolate Frog 45; both sides
of
the first Rupert's People 45 and I Like What I'm Trying To Do by Waygood
Ellis.
- ----------------------------------------------------------------------------

------------------------------

Date: Fri, 14 Feb 1997 01:11:42 -0800
From: gary mollica <garym@earthlink.net>
Subject: Re: Cool Commercials

ccarlson@valsmtp.riag.com wrote:
> 
>           Keith wrote:
> 
>      along with the American Breed and Boyce and Hart's Coke spots.
> 
>           The American Breed's Coke ad is on the "Oh Yeah! - Dunwich
>           Records Story" CD, but the prize goes to H.P Lovecraft's Ban
>           Roll-on spot. Those hippies.
>
My fave is still the ultra-heavy version by Iron Butterfly

"Ban won't wear off/ As the day wears AHHHHNNNNNN"

best,
GaryM

------------------------------

Date: Fri, 14 Feb 97 8:24:30 -0700
From: MENACHEM TURCHICK <mturchi@igate.iscg.pima.gov>
Subject: Re: Pardon my French.

pHIL asks:

>Anybody got info on a band called (and I'm really messing up this
>spelling) Fleur de Lys from the 70s.  Jimmy Page produced something for
>them acc. to a local college radio stn.

You can read a very detailed history of the band at:

	www.delerium.co.uk/archive/uk6070s/f6.html#The Fleur de Lys

I don't have time to summarize much of it, but Page produced their first 
two singles for Immediate in 1966. The CD mentioned at the end has just 
been released!  Most of the tracks have been reissued before, but the 
sound quality is excellent, and there are maybe 10 songs that rank among 
the finest freakbeat/psych to come out of Britain.
There was another band called Fleur de Lys from some Scandinavian country 
in the early 70s, but I don't know of any Jimmy Page involvement. At that 
point he was too busy wallowing in rock star excess, or something.

Menachem

------------------------------

Date: Fri, 14 Feb 1997 01:22:32 -0800
From: gary mollica <garym@earthlink.net>
Subject: Re: Cool Commercials

mlawren1@explorer.csc.com wrote:
> 
> The cd release of the Yardbirds' Little Games features an English
> desert/breakfast mush (product name eludes)plug by the lads to the tune
> of Over Under Sideways Down. Thankfully, it's the last track on the
> disk.

Sorry, but it was MOST American - Great Shakes. I think they used to 
advertise on Shindig & I remember the product well. You'd get a 2 part 
thing kinda like a cocktail shaker. You'd fill to the line with milk, 
then fill the rest with flavored powder (Vanilla, chocolate, 
strawberry), put the top on, & shake until ya got a "milkshke". A few 
different bands did the ads.
"Anyplace can be a soda fountain, now/
With Great Shakes, new Great Shakes"

now does anybody have
1)the 7-up commercials to the tune "Cola hearted Woman", especially the 
video version (7-up glass with a light-show)

2)even more importan, there was a precursor to cassettes called play 
tape, which was a 4-track player from the mid 60s. Pepsi had a promotion 
to send in so many bottle-tops (remember those!!) & get a free Play Tape 
plyer. There were a few bands that did ads (I think Jeff Airplanes have 
been released) & would love ANY of them, but ESPECIALLY want Ultimate 
Spinach's version "Pepsi can move you/And Pepsi can groove you/And give 
you a Play Tape Machine"

Thanks,
GaryM

------------------------------

Date: Fri, 14 Feb 1997 08:51:03 +0100
From: Pierre GURDJOS <gurdjos@irit.fr>
Subject: Re: Pardon my French.

> Anybody got info on a band called (and I'm really messing up this
> spelling) Fleur de Lys from the 70s. 

Hi,
Thanks to the Delerium's Psychedelic Web, here is listed below
the entry for Fleur de Lys from the UK 1963 - 1976 Psychedelic Archive.
Try it out at
	http://www.delerium.co.uk/archive/uk6070s/uk60stop.html
Pierre
PS: I think the compilation Cd they talked about in the NB is now out.

- ----------------------------------------------------------------------------

The Fleur de Lys     

Personnel:

   * ALEX CHAMBERLAIN organ A
   * GARY CHURCHILL bs A
   * KEITH GUSTER drms A B C D E F G H I
   * FRANK SMITH gtr, vcls A
   * GORDON HASKELL bs B C D E F
   * PHIL SAWYER gtr B C
   * PETE SEARS keyb'ds B C
   * CHRIS ANDREWS vcls C D E
   * BRYN HAWORTH gtr E F G H
   * TAGO BYERS bs G H I
   * TONY HEAD vcls G H I
   * GRAHAM MAITLAND gtr I

45s:

  1. Moondreams/Wait For Me (Immediate IM 20) 1965
  2. Circles/So Come On (Immediate IM 32) 1966
  3. Mud In Your Eye/I've Been Trying (Polydor 56124) 1966
  4. I Can See A Light/Prodigal Son (Polydor 56200) 1967
  5. Gong With The Luminous Nose/Hammer Head (Polydor 56251) 1968
  6. Stop Crossing The Bridge/Brick By Brick (Stone By Stone) (Atlantic
584
     193) 1968
  7. You're Just A Liar/One City Girl (Atlantic 584 243) 1969

NB: A CD compilation is due soon compiling material from these 45s and
other
related projects.

The Fleur de Lys were one of the most talented underground guitar bands
of
the sixties and deserve far more recognition than they have received to
date. They underwent many line-up changes and their story is a complex
one.

They originally formed (line-up A) as Les Fleur de Lys in Southampton
during
the Autumn of 1964. They established a small following locally, playing
at
youth clubs, parties and pubs, but were signed by Immediate in 1965
after
being spotted at a London gig. With a young Jimmy Page in charge of
their
recording sessions, the outcome was a beat version of Buddy Holly's
Moondreams. It made little impression and disillusioned, the group
disintegrated, leaving Keith Guster (the only ever-present member in
their
various line-ups) to reform the band with line-up (B). Phil Sawyer had
previously been in The Cheynes and Shotgun Express. With this new
line-up
and Page again producing, they recorded a superb version of Pete
Townshend's
Circles, which was notable for some fine psychedelic guitar work from
Sawyer. It can also be heard on Chocolate Soup For Diabetics, Vol. 2,
The
Chocolate Soup (CD) and Broken Dreams, Vol. 1, which also includes its
flip
side. By now the group were known as The Fleur de Lys and they were
building
up a good reputation on the club circuit. Indeed The Animals' Hilton
Valentine got them involved in a session he was producing with fellow
Animals' recent discovery Jimi Hendrix. Two tracks were put down, one
was a
cover of The Impressions' Amen, but they weren't used, although Pete
Sears
has a copy of the recordings in his own collection.

To give the group an up-front vocalist Chris Andrews, who'd been a child
actor (his roles included The Artful Dodger in the London production of
'Oliver' in 1964), was added to the line-up (C) and the group signed to
Polydor in the Summer of 1966. Pete Sears left soon after to join The
Sam
Gopal Dream. He later went to the US West Coast and progressed through
Stoneground, Silver Metre and Copperhead finally ending up in Jefferson
Starship. Phil Sawyer joined the new-look Spencer Davis Group and,
briefly,
the group were a three-piece prior to Bryn Haworth being recruited. He'd
previously played with a number of local bands in Darwin (near
Blackburn),
including The Mustangs, The Railroaders and The Mike Taylor Combo, but
none
of them made it onto vinyl. With line-up (E) Mud In Your Eye was
recorded,
featuring Haworth's fine guitar work. This later got a further airing on
Chocolate Soup For Diabetics, Vol. 3 and The Chocolate Soup (CD).

A chance meeting with producer/manager Frank Fenter led to the group
backing
young South African singer Sharon Tandy on studio and live work. As a
session group they also toured Holland with Aretha Franklin, backed
Isaac
Hayes and recorded and album with Barney Kessel in this era. It was also
Fenter who arranged for the group to embark on a new psychedelic
project,
Rupert's People. With friend and guitarist Rod Lynton they wrote and
recorded Hold On. Lynton came up with the Procol Harum-influenced
Reflections Of Charles Brown to accompany it, but only Chris Andrews
liked
the song so he left to continue with the Rupert's People project and the
band continued as a three-piece.

Line-up (F) re-cut Hold On in the studio, with Sharon Tandy on vocals.
They
also recorded Daughter Of The Sun at the same session. Hold On figured
as
the 'B' side to her next single but both songs were coupled on a 1968
45.
There's no Sharon Tandy entry in this book so here's the discographical
details of this line-up's involvement with her:-

45s:

  1. Stay With Me/Hold On (Atlantic 584 124) 1967
  2. Hold On/Daughter Of The Sun (Atlantic 584 219) 1968

The band guested on John Peel's 'Top Gear' radio programme in October
1967,
along with Sharon Tandy. The Fleur de Lys performed Neighbour,
Neighbour, Go
Go Power and Cross Cut Saw and backed Sharon Tandy on Always Something
There
To Remind Me, Our Day Will Come and a belting version of Hold On.

Line-up F's other recordings were the I Can See A Light 45 (with Bryn
Haworth on vocals) and a 45 under the pseudonym of Shyster (Tick-Tock),
both
in September 1967.

In 1968 they started work on an album. Their next 45, Gong With The
Luminous
Nose, a Gordon Haskell song based on the famous nonsense rhyme of Edward
Lear, came from this session, with Haskell handling the vocals. Again
featuring ace guitar work from Haworth, this 45 has subsequently
resurfaced
on Electric Sugarcube Flashbacks, Vol. 4 and Freakbeat Fantoms. The
'album'
included many cover versions from Ray Charles to The Young Rascals, but
it
was never issued and the tapes have never been relocated. The group did,
however, complete an album with John Bromley, backed Donnie Elbert on an
album and worked with William E. Kimber on a rare and beautiful single
as
Waygood Ellis (which may be another pseudonym).

Gordon Haskell left the group during 1968, eventually joining King
Crimson
in late 1969. He also cut a solo album in 1970. The Fleur de Lys, now
with
line-up (G), switched to Atlantic and released a Stax-style 45 Stop
Crossing
That Bridge. Shortly after, they released a second 45, Butchers And
Bakers,
under yet another pseudonym, Chocolate Frog. There was also a version by
The
Staccatos (which may have been The Creation in disguise), but the song
wasn't too good and both versions sold poorly. Line-up (G) also backed
Sharon Tandy on some of her 45s and a Tony and Tandy collaboration, Two
Can
Make It Together (Atlantic 584 262) 1969. The Fleur de Lys are credited
on
its 'B' side, The Bitter And The Sweet. The 'Tony' in question here was
Fleur de Lys' Tony Head.

The Fleur de Lys' final 45, You're Just A Liar, penned by Haworth and
Polydor songwriter Brian Potter, saw them go out on a high in a haze of
hot
guitar work. This can also be heard on The Perfumed Garden II and on The
Perfumed Garden II (CD), which also features Mud In Your Eye. Haworth
left
and headed for America's West Coast, where he formed a band with ex-Blue
Cheer member Leigh Stephens, recording an album which was never
released.
Former Scots Of St. James' member Graham Maitland joined the band in its
final days and he was later in Five Day Rain.

Watch out for a new (and long awaited) CD compilation of their
recordings.
It also includes Sugar Love and So Many Things recorded with John
Bromley;
Hold On and Daughter Of The Sun with Sharon Tandy; Tick Tock recorded
using
The Shyster pseudonym; both sides of The Chocolate Frog 45; both sides
of
the first Rupert's People 45 and I Like What I'm Trying To Do by Waygood
Ellis.
- ----------------------------------------------------------------------------

------------------------------

Date: Fri, 14 Feb 1997 16:08:58 -0800
From: kris verreth <demderby@tornado.be>
Subject: new demolition derby releases

NITROO7 V/A SEVENTEEN AND A HALF IS STILL JAILBAIT (punkrock comp) lp/cd
Electric Frankenstein : frustration /the Grey Spikes : in the red/
Shock treatment(sp) : modern machine/Basement Brats : i'm down/Boyz
nex' door : get me out/los cacahuetes : drunk and disorderly/That we
are : China in Memphis/the Abusers : stuff you/ Panty Boy : live fast
or die/NCC : solo tu,solo yo/Bonk : comfort with a soul/Anal Babes :
neighbour's dog/Senor No : no hay amor/Fabian : mad cow blues/Dammit :
so much to do/Brand of shame : stupid and wild /the Grey Spikes : black
clouds/the Dry Heaves : fuck everything

NITROO9 les Vice Barons : steel blue moods lp/cd
Surfsploitation/like weird/Shaft in Matongue/timebomb/big head/no 
way to behave (featuring Burt Vegas)/9.1/Fuel Injection/Werwolf/
Hangover special/Unabomber/the persuaders

each lp : $ 9 each cd $ 12
postage per lp : $ 5 per cd : $ 3
postage for 2 lp's : $ 7 for 2 cd's : $ 5
any other combination,or for combined order with other demolition derby
releases,mail me first for rates.

well hidden cash only to :
kris verreth
tervuursestwg 217
1820 Perk
Belgium

or get it from any good recordstore/mailorder in yr neighbourhood

------------------------------

Date: Fri, 14 Feb 1997 09:34:13 -0500
From: Don Smith <dsmith@health.org>
Subject: commercials

>Has anyone on this list heard of Sasha Borland?  He did a
>novelty album in the 60's called "The Nutty Squirrels?"

There was a veiled reference to the Nutty Squirrels in the Simpsons 
maybe 2-3 years ago, a swap meet find brings up a discussion of the 
early 60s "Rodent Invasion."

Of course, if someone can explain the post-Happy Days "Shirley, 
Squirrelly and Melvin" that would be fine too.

There are actually two coke commercial CDs, one with a yellow and 
black monster-type drawing and another one which is different and I 
believe an Import.  I have the cheaper one and it is excellent, though 
too poppy.  Many bands who did the coke commercials have tacked them 
on CD- like the Easybeats, Who (I think that Great Shakes spot turns 
up on a reissue), etc.

There was a dude maybe 7 years ago who released 7" boots of 60s 
commercial jingles, coke commercials, Great Shakes commercials, etc. 
 Apparently he is the same guy who compiled them all into the 
brilliant blue vinyl comp of commercials and DJ spots from air checks. 
 Really great stuff.  Back in the day a radio show wouldn't go by when 
I wouldn't play tracks 4 or 5 times.  While I have found some pretty 
wild things in my day, Partridge Family Fan club spots, a reel to reel 
of coke commercials, Leave it Beaver PSAs, the bootleg collections are 
worth their weight in gold.

Of course, if someone can get me a comp of 1970s fast food 
commercials, then we can start talking about the weight of gold...

Don

------------------------------

Date: Fri, 14 Feb 1997 11:37:31 -0600 (CST)
From: dothepop@ix.netcom.com (Lisa Lindstrom)
Subject: Re: bomp-digest V1 #39

A little while ago people were talking about Echo & the Bunnymen on 
this group. Well, stop it! Just kidding... I thought I'd post this 
because someone said they were back together then someone else said 
that was untrue because of Electrafixion. Well, it's true. They're back 
together, or at least Ian, Will and Les with a new drummer are. They've 
been signed to London records after a bidding war between London and 
Atco. I read this in CMJ at work last night, and I guess they're 
working on a new album. Wonder if it'll sound like old Echo or 
Electrafixion? 

Alan W. 

------------------------------

Date: Fri, 14 Feb 1997 11:38:46 -0600 (CST)
From: dothepop@ix.netcom.com (Lisa Lindstrom)
Subject: Re: Time Machine

I just got a copy or three of the new CD compilation "Time Machine: The
History of Canadian '60s Garage Punk and Surf (1985-95)." There are 28
tracks on this monster, and it's a killer comp. of the cream of the
cadian "scene" over the last ten years. It was compiled by Bobby Beaton
(Gruesomes, Platon at les Caves, Frat Kings, etc.) and Jordan Tarlowe
(Cryptics). Without wanting to toot my own horn (he said, as if to
sound humble), two of my former combos are on here: The 14th Wray and
Thee Upper Crust (not the lame band on Upstart!), and I was quite
thrilled to hear how good these sounded (esp. the 14th Wray tune, which
previously appeared only on vinyl and tape) on the CD. The tracks
selection is excellent and the whole thing rocks. Check out some of the
bands: Mongrols, Astronuts, Chessmen, Fiends (their tune,
"Gravedigger," featuring ex-14th Wray guitarist Greg Watson simply
shreds!), Worst, Surfdusters, Sherlocks, Minstrels, Shadowy Men,
Smugglers, Huevos Rancheros, Vidicators, and many more. A few of the
songs (like the UC) are unreleased, too. Cool liner notes, pics,
recording details, etc. make for a great package with cover art by
Darren Merinuk (Estrus, Dionysus, etc.).

Stomp Records: 370 Putney, St. Lambert, Quebec, Canada, J4P 3B6.
BH28@musicb.mcgil.ca

Alan W.    

------------------------------

Date: Fri, 14 Feb 1997 10:41:40 -0800
From: gary mollica <garym@earthlink.net>
Subject: Re: Pardon my French.

Phil Lerman wrote:
> 
> Anybody got info on a band called (and I'm really messing up this
> spelling) Fleur de Lys from the 70s.  Jimmy Page produced something for
> them acc. to a local college radio stn.

Actually, FdL also have cult-ish status because it included Pete Sears 
on guitar, who was later in Jefferson Starship, Gordon Haskell on bass, 
who for awhile was a lead singer for King Crimson, & Bryn Haworth who 
had a long solo career as well as being sessioner for everyone from John 
Cale to Joan Armatrading. 4th member was drummer Keith Guster. They did 
a great cover of The Who's Circles, which I think was the tune produced 
by Pagey

Best,
GaryM

------------------------------

Date: Fri, 14 Feb 1997 09:37:06 -0500
From: ccarlson@valsmtp.riag.com
Subject: Obvious Pun

          Gary M:
     
     My fave is still the ultra-heavy version by Iron Butterfly
     
     "Ban won't wear off/ As the day wears AHHHHNNNNNN"
          
          Iron Butts, HP Lovecraft, are there enough for a Rock and Roll-on 
          comp?
          
          Sorry,
          Craig

------------------------------

Date: Fri, 14 Feb 1997 12:16:22 -0800
From: David Bash <bashpop@wavenet.com>
Subject: Fleur de Lys

<Date: Fri, 14 Feb 1997 01:35:06 -0500 (EST)
<From: Phil Lerman <phil@picante.com>
<Subject: Pardon my French.

<Anybody got info on a band called (and I'm really messing up this
<spelling) Fleur de Lys from the 70s.  Jimmy Page produced something for
<them acc. to a local college radio stn.

 Hi Phil,

 Well first off, you got the spelling absolutely correct!  There is tons
of info on this U.K. sixties band in the fine book "The Tapestry Of
Delights" by Vernon Joynson.  According to the book, these guys had 7
45s on Immediate, Polydor, and Atlantic from 1965-1969, and went through
several lineup changes.  One of the members of the band, Gordon Haskell,
went on to join King Crimson.  The one song by The Fleur de Lys that I
know is their cover of the Who's "Circles", which is a fine version. 
Several of their songs have shown up on Psychedelic compilations from
various countries, and according to "The Tapestry Of Delights", there is
a CD forthcoming which will compile all of their singles plus related
projects.

I hope that helps.
- -- 
Pop Rules!!!!!
Take Care,
David

------------------------------

Date: Fri, 14 Feb 1997 16:21:42 -0500 (EST)
From: SSamSS@aol.com
Subject: Mondo Topless East Coast mini-tour

That's right, Kiddies!!  Mondo Topless, Philadelphia, PA's sole purveyors of
garage-trash mayhem, are piling into the Dodge (engineered Ram-tough, or so
they say) for a little baby tour of the East Coast.  Here are the dates:

Sunday, February 16th - New York, NY - at the Continental
with: 360 Twist Labelmates the Element 79 and the Hectics

Monday, February 17th - Philadelphia, PA - Upstairs at Nick's 
with: the Element 79, the Hectics, and local Philly faves the Three 4 Tens

Tuesday, February 18th - nothing, OK? Gimme a break...

Wednesday, February 19th - Wilmington, NC - The Junkyard (we need gas money)

Thursday, February 20th - Chapel Hill, NC - The Local 506
Home of the almighty Sleazefest
with: Frog Legs (hmmm.....)

Friday, February 21st - Athens, GA - The Atomic
with: The Hate Bombs (yay!)

Saturday, February 22nd - Orlando, FL - The Go Lounge
with: The Hate Bombs (double yay!)

As always, copies of our new 360 Twist CD/LP, 'Fifty Thousand Dollar Hand
Job', will be available for sale at all shows.  Come check us out!!!

------------------------------

Date: Fri, 14 Feb 1997 15:45:11 -0600 (CST)
From: Indulis R Rutks <Indulis.R.Rutks-3@tc.umn.edu>
Subject: Re: Obvious Pun

On Fri, 14 Feb 1997 ccarlson@valsmtp.riag.com wrote:

>           Gary M:
>      
>      My fave is still the ultra-heavy version by Iron Butterfly
>      
>      "Ban won't wear off/ As the day wears AHHHHNNNNNN"
>           
>           Iron Butts, HP Lovecraft, are there enough for a Rock and Roll-on 
>           comp?
>           
>           Sorry,
>           Craig

Yecch! That was the pits!

Hee hee,
Indy Rutks (rutks002@tc.umn.edu)

------------------------------

Date: Fri, 14 Feb 1997 14:04:50 -0800
From: gary mollica <garym@earthlink.net>
Subject: Re: Obvious Pun

ccarlson@valsmtp.riag.com wrote:
> 
>           Gary M:
> 
>      My fave is still the ultra-heavy version by Iron Butterfly
> 
>      "Ban won't wear off/ As the day wears AHHHHNNNNNN"
> 
>           Iron Butts, HP Lovecraft, are there enough for a Rock and Roll-on
>           comp?

There WAS a boot LP years ago with stuff like the Butterfly's ad, Great 
Shakes, Cream's falstaff Ale ad, etc!!

I also have one ot the Coke ad CDs

If anyone has any more, let me know!

------------------------------

Date: Fri, 14 Feb 1997 22:45:03 -0500 (EST)
From: Frank Uhle <franku@umich.edu>
Subject: Re: Cool Commercials

On Fri, 14 Feb 1997, gary mollica wrote:

> now does anybody have
> 1)the 7-up commercials to the tune "Cola hearted Woman", especially the 
> video version (7-up glass with a light-show)

This is news to me and bends my mind to think about!

> 2)even more importan, there was a precursor to cassettes called play 
> tape, which was a 4-track player from the mid 60s. Pepsi had a promotion 
> to send in so many bottle-tops (remember those!!) & get a free Play Tape 
> plyer. There were a few bands that did ads (I think Jeff Airplanes have 
> been released) & would love ANY of them, but ESPECIALLY want Ultimate 
> Spinach's version "Pepsi can move you/And Pepsi can groove you/And give 
> you a Play Tape Machine"

I don't have any of the advertising, but I have a functional Play Tape
player and some of the tapes!  The player is a nifty white plastic thing
with a chromed volume knob, it looks just like an 8-track player.  The
tapes are like baby 8-tracks, about half the size and real skinny, with
only 4 songs per tape.  I have Beatles, Beach Boys, Supremes, and more,
they all look to be from ca. '65-66.  It's amazing that this product
lasted until the day of Ultimate Spinach, as it is pretty obscure and must
have been eclipsed by 4- and 8-tracks containing more songs pretty
quickly.

Frank

------------------------------

Date: Sat, 15 Feb 1997 00:27:37 -0500 (EST)
From: Mattdietr@aol.com
Subject: Black Monk Time

After all the discusion of the Monks' "Black Monk Time" over the last few
weeks I picked it up as soon as it arrived this week. I must say that it's
something everyone on this list should have. Not only were these robed
soldiers wild punks, but they're pretty damn smart and funny as well. Great
sound and a booklet that's just terrific to boot. And of course, lots of
ORGAN! (Plus seven bonus tracks.)

Incidentally, for those who have the earlier import CD or original vinyl and
won't be buying the new one, the liners say you can order autographed copies
of the book "Black Monk Time" from Carson Street Publishing, 205 E. John St.,
Carson City, NV, 89706 (carsonst@sierra.net). The "Don't Ha Ha" single (not
on the new CD) can be had through Day Records, 201 Thomas Ave. SW, Renton,
WA, 98055 (fax 206-255-3613)

Matt

------------------------------

End of bomp-digest V1 #40
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