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To: bomp-digest@Bolis.com
Subject: bomp-digest V98 #38
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bomp-digest         Saturday, January 24 1998         Volume 98 : Number 038




----------------------------------------------------------------------

Date: Sat, 24 Jan 1998 07:39:09 EST
From: PETEP <PETEP@aol.com>
Subject: Why Did Kids Of the 50's and 60's Have Better Bands?

Why was a lot of the really great music of the 50's and 60's being made by
youth(under 25?) Why are the best bands of today all mostly well over 25?
That is a major difference in music.  Some have stated on this list that if
these 18 year olds are into watered down music now, maybe they will get into
real rock 'n' roll in the future. But why is this so. Why were the cool surf,
garage, and rockabilly cats all in their teens or early 20's back in the 50's
and 60's? They didn't need to get educated, like today's kids, they had it all
along.
          I'll tell you why. It's because back then, it was the formation of
rocknroll. That is the music you heard when you were a kid and turned on top
40 radio. Real rocknroll was all around, so the kids couldn't be helped but be
into Elvis, Bo Diddley, Chuck Berry, etc. The young rockabilly kids wanted to
emulate Elvis, the young garage bands did their best
Stones/Beatles/Byrds/Zombies/etc.  
      The influences were real rocknroll, therefore you had more great music
being created. Nowadays, the kids never heard of these acts, and they are
being influenced by acts from the eighties or early nineties. So it's no
wonder that the music is watered down. The further in years we get removed
from the  50's sound, the harder it will be for people to understand real
rocknroll.    So don't just blame the kids, it's not their fault. They don't
have the exposure to the real stuff. Some who hear the real stuff will
understand, while most never will care enough to wanna know the difference.
                                                Pete
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Date: Fri, 23 Jan 1998 23:59:51 -0800
From: rckshift@juno.com (Timothy G Hayes)
Subject: Re: Are the kids REALLY alright?

man, i'm here to tell ya(i'm sure ya know already). jon horne used to
tell me stories o' the parties the chalmers family had @ the beach a few
years ago. he said he almost drowned trying to grab the keg floating in
the cold water, sitting by the keg tryin' to make sure the beer wouldn't
sink. me him & his brother joel would go on & on for hours witha few
homebrews down in texas playing their collection of silvertones and
passing out in the garage. sure do miss those fuckers. do the chalmers
still have their summer gathering?    who loves ya babe?     .......tim


On Fri, 23 Jan 1998 07:50:06 -0500 (EST) Blair Buscareno
<blairb1@idt.net> writes:
>
>
>On Fri, 23 Jan 1998, Kenne Highland wrote:
>
>> are we talking the chalmers brothers of portland maine? all i know 
>from
>> my last portland gig is that kristen chalmers is back on keyboards 
>in
>> the brood and i WILL be doing more brood gigs!(it was our new years
>> resolutuion!)the brothers seem to be hopelessly obscure-maybe ill 
>ask
>> their mother!
>
>	Same Chalmers Brothers.  And their mom, Nancy, is an absolute
>blast.  When she comes down to NYC we all have a great time.
>
>		Blair
>
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Date: Sat, 24 Jan 1998 08:09:15 -0500
From: kennehighland@webtv.net (Kenne Highland)
Subject: the rat lives!

as i sit here hungover as hell and listening to coffee and smokes i may
as well tell those of you in boston what you all missed last night.night
opened with dogmeats own varmints which is 3/4 classic ruins with an
ex-jumper cable;ex-real kid and drummer pete taylor who also plays with
me.then the knee tremblers-two dogmatics/one ohalloran and a
stranglehold(VERY 80s!)then deniros-john of boys life with drummer from
last stand.band 19-yes riche of unatural axe.last-the eaters-steve
cataldo;alpo(real kids!) on bass and billy boomboom loosigian on
guitar.clebrities in the audience=A0at this night of rat rock were the
bristols(inspiration for behind the wall of sleep)gang greens
chris=A0doherty ex-gizmo billy nightshade myself and tommy stinson from
replacements(i told him=A0he  should write a song called kenne highland
but by that time i had outdrank chilton who was not only there in spirit
but spirits!) middle east owners said they should do this once a month-i
agree!lets not forget monodrunk-already gone by varmints 930 set;i did
clink beers with him and said-dont give it up now! tonight kirkland cafe
somerville at midnight-alice highland;my cooper tribute act-see you
boston bompers there!

Kenne Highland
Kenne Highland Clan
http://www.geocities.com/SunsetStrip/Palms/2913
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------------------------------

Date: Sat, 24 Jan 1998 00:54:56 PST
From: "John Stanton" <johnfstanton@hotmail.com>
Subject: these kidz

     While I can't say that a helluva lot of what constitutes popular 
music for people, say under 18, does a lot for me (I'm 38), what I find 
far more distressing is hearing some people's attitudes towards the kids 
themselves, as if they have no right to like something that sucks. Jeez, 
did some of you bother to read your postings after you sent them in?  
Ooooh, there was a show and some kids were being irresponsible! Shock 
horror. I went to a show and a kid bumped into
me. I saw a kid with a nose ring.  WOW! Do you realize that basically 
you're sounding exactly like the uptight parents and other adults that 
you hated during your youth?  Let's cast our minds back a few (or more) 
years.  I'm sure that we can all remember plenty of things that
we listened to/watched on tv/etc that bit pretty fuckin hard.  
     Another thing that people need to wake up to is the fact that the
50's and 60's weren't some idyllic time when Gene Vincent/Seeds/
Count Five were on the radio 24 hours a day.  Look at the charts from 
30+ years ago and for every cool song you'll find a LOT more garbage 
than good.  While commercial  radio has changed to the point where 
you're not going to find a lot of good stuff on it, there are radio 
shows
that play good rock 'n' roll, old and new.  Some of those people are on 
this list fer crissakes!  If there wasn't SOME kind of ongoing interest 
in the stuff that people on this enjoy listening to, this list wouldn't 
exist. I just find it hard to believe that people who rant and rave 
about how wyld and untamed things should be could cop an attitude that 
makes Spiro Agnew sound like John Sinclair. Kids are
kids, and probably the same ratio that are into good music now will
be subscribers to this list 10 years from now.
                                                                John S
gonna practically

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------------------------------

Date: Sat, 24 Jan 1998 09:51:32 -0500 (EST)
From: Drum Wolf <jlee@echonyc.com>
Subject: punk lists?

Hey Bompers,

Between the current "today's kids and back then" discussion here and my
recent purchase of a singles comp CD by GBH, I'm feelin' mighty hungry for
some good old '80s British  (GBH, Exploited, Subhumans) and American
(Naked Raygun, Minor Threat, Cro-Mags, Bad Brains) punk/hardcore, so 
if you know any mailing lists where I can talk about this stuff, please
email me privately.

John Lee

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Date: 24 Jan 98 11:02:25 -0500
From: "Blair" <blairb1@idt.net>
Subject: RE: Kids today got no ...

> Tuvan "throat singing"?
	My freshman year roommate (Fall '83) used to be into that stuff.  In fact,
he'd keep trying to do it.  And that was one of the more normal things he
did.  Despite the fact that the FBI came to our room ("Fraud by wire, Pip,"
they said as they strode into our room only two nights before our first
college finals), he was an extremely interesting person to live with.  Made
life kinda fun.

Tuvan "throat singing" - wow, it's been *years* since I've heard anyone
mention that.

	Blair

- -------------------------------------------------------------
(The Teen Scene)............. ftp://ftp.etext.org/pub/Zines/TeenScene
(NY Concert Calendar)... http://shell.idt.net/~blairb1/nygarage.html
(Garage Tours).................. http://shell.idt.net/~blairb1/tours.html
(Garage Fests).................. http://shell.idt.net/~blairb1/fests.html
(60 Second Swinger)..... http://shell.idt.net/~blairb1/60second.html
- -------------------------------------------------------------



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------------------------------

Date: 24 Jan 98 11:16:32 -0500
From: "Blair" <blairb1@idt.net>
Subject: Re: Are the kids REALLY alright?

>Now I tutor kids in high school and younger and as far as I can tell there
>is more involvement in music nowadays. I have encountered a few kids who
>have their own 'zines and lots who are into music you can't hear on the
>radio. There certainly seem to be far more kids going to shows now, than
>there were when I was in high school. (I'm only speaking for this area)
	DEFINITELY!!!  As a high school teacher, I can tell you that, while it's
true that many kids listen to stuff I consider to be crap, there are also
many heading out of suburbia and into the city to see cool shows.  If I go
see a Lookout band in Manhattan, I'm almost guaranteed to see one of my
students.  Same thing goes for The Muffs.  And I've also got kids who are
very into Man or AstroMan? and check them out whenever they come to town. 
	Some of their minds are also quite open.  In fact, I'd venture to say
*many* of them have listened with open ears when I put on a CD that I
enjoy.  A couple of my kids absolutely LOVE when I bring the Best of the
Untamed Youth in.  They actually *ask* for it!
	And a few do fanzines or write for them.  And I encourage them mightily in
this area.  I've got a new course starting on Monday dealing with Desktop
Publishing and Graphics and 'zines *will* be a topic of conversation, I
assure you.  We'll probably also mention webzines, since they're so much
more affordable (if you've already got a computer in the house, that is).


>I think old ska kicks the shit out of most of the new ska-like bands
	True.  However, I do like a couple ska bands that've been around for a
number of years.  (The Scofflaws, The Blue Beats, etc.)  What I don't much
like is the glossy-pop (with a nod to punk) version of ska that seems to be
popular now. 

>Same goes for the kids who are into the 'new punk' that some here have
>criticized. If the kid is into it, he or she will eventually be turned on
>to the older stuff or the better newer stuff. I've made tapes for kids I
>tutor and they are totally receptive to stuff other than what already
know.
	I agree.  I remember my cousins liking a Guns'n'Roses version of a Dead
Boys' song... so I played them a Dead Boys tape when they were in my car
one day coming back from the beach that summer. They went WILD!

>I do think, though, that it's rare for kids to find their way to garage
bands.
	Certainly it's harder.  I think that's because there's not much in the way
of glossed-out garage in the mainstream for them to hook into and then dig
back.  However, eventually a few find their way in.  Some do so via older
friends; some by college radio; others from fanzines; and many other
routes, of course, including luck.

>With the internet it's even easier for the kids to find new stuff. A lot
of
>them do. It's like that game six degrees of separation - if a kid/adult is
>really into music, it doesn't take long for them to get to the better
stuff
>and/or the roots. If they're not into music, they'll just listen to the
>radio and whatever their friends play. Same as it ever was......
	Same as it ever was.

		Blair

- -------------------------------------------------------------
(The Teen Scene)............. ftp://ftp.etext.org/pub/Zines/TeenScene
(NY Concert Calendar)... http://shell.idt.net/~blairb1/nygarage.html
(Garage Tours).................. http://shell.idt.net/~blairb1/tours.html
(Garage Fests).................. http://shell.idt.net/~blairb1/fests.html
(60 Second Swinger)..... http://shell.idt.net/~blairb1/60second.html
- -------------------------------------------------------------



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------------------------------

Date: Sat, 24 Jan 1998 12:12:42
From: Rocky Serkowney <rockys@Quetico.tbaytel.net>
Subject: Re: Today's darn kids, again

At 11:43 AM 1/23/98 -0500, jOHN lEE wrote:
 >As for myself, I listened to hard rock most of high school and didn't even
>start to listen to punk rock until shortly before I graduated in '87.>

sAME  HERE, EXCEPT i GRADUATED IN '76.  i DON'T THINK THINGS ARE ALL THAT
DIFFERENT UP HERE IN nOWHERESVILL, ALSO KNOWN AS tHUNDER bAY, oNTARIO.

Weird paradox that mANY of us who dig primitive teenage rebellion rock &
roll, WRITE FOR tEEN 'ZINES and are generally crazed cave-teens didn't get
this way until we left our teens!  In other words,, I was just as square,
lame and clued out about really cool music as today's kids until I hit my
20's and got turned on to the likes of the Fleshtones and Chesterfield
Kings.  This in turn led me back to re-discovering some of my childhood
faves like the Kinks, WHO my babysitter TURNED ME ON TO WHEN SHE BROUGHT
OVER "All Day And All Of The Night" back in '65.  Now my musical thrills
are EXCLUSIVELY PROVIDED BY 60's or 6T's-based garage-punk, psych, beat,
surf, power pop and other bompish stuff.  Go figure.  

Back in University, I once thought of writing a sociological thesis on
musical taste,, but in retrospect I think it's one of those unsovable
mysteries that defies understanding.  Any half-baked theories out there?

rOCKY
8 YEARS OLD IN '65! 

  

       

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Date: 24 Jan 98 11:30:35 -0500
From: "Blair" <blairb1@idt.net>
Subject: Re: Today's darn kids, again

I graduated high school in 1983.  Northport, Long Island... about an hour
out from NYC on the North Shore.  Over 2000 kids spread over grades 10-12. 
Nobody knew everybody.  Heck, nobody even knew everybody in their own
grade.  (Now I teach in a school that has about 450 kids total in a school
that covers grades 7-12.)  

Anyway, my musical tastes at the time ranged from Van Halen and Rush thru
the Clash & the Pretenders and then back to Elvis, Danny & the Juniors,
etc.  Not to mention The Kinks (very big at the time I was in junior high
and high school), The Stones, etc.

There were kids who were more exclusively into punk, of course.  But I
don't recall anyone ever getting beat up because of it.  I never found
myself to be a part of one particular group... I was in a bunch of advanced
classes, so I knew that crowd pretty well, but I'd played soccer for years
(though I didn't go out for the school team 'cuz I was taking all
classes/no lunch most of my time in HS), so I knew that crowd pretty well. 
I was always involved with the theatre productions, so I knew that gang. 
And I'd been in the band thru 11th grade (in 12th I opted for computers
over band, since they were both last period).  As for the "popular"
crowd... things weren't quite that cut and dried for us.  I'd known a bunch
of what some might consider to be that group since we were young, and we
stayed friendly.  One of my closest friends was a cocaptain of the
cheerleaders.  (And, I'm happy to say, we're still close friends to this
day.)  As for the "stoner" crowd... just more people I'd known throughout
my childhood.  The amazing thing is that they weren't bugging me to smoke,
get high, etc., 'cuz they just already knew I was straight.

Yeah, for me it was pretty great.  Still, my girlfriend (not to mention
some other friends of mine who were her year), who graduated three years
after I did, said she hated high school.  I'd say the whole experience is
an extremely individual thing.

However, as John said, sure there were jerks, but I don't recall anyone
ever getting beat on because of musical tastes.

	Blair

- -------------------------------------------------------------
(The Teen Scene)............. ftp://ftp.etext.org/pub/Zines/TeenScene
(NY Concert Calendar)... http://shell.idt.net/~blairb1/nygarage.html
(Garage Tours).................. http://shell.idt.net/~blairb1/tours.html
(Garage Fests).................. http://shell.idt.net/~blairb1/fests.html
(60 Second Swinger)..... http://shell.idt.net/~blairb1/60second.html
- -------------------------------------------------------------



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Date: 24 Jan 98 11:40:32 -0500
From: "Blair" <blairb1@idt.net>
Subject: Untamed Youth

Just got some photos in the mail today that my girlfriend took with Rager's
camera when the Untamed Youth played the Court Tavern in New Brunswick, NJ
in August.  A couple will no doubt appear in the next Teen Scene.

Rager also writes in to say that the Untamed Youth will be heading to LA in
early March to record their next LP.  YEAH!

I'm hoping they'll come to NYC again this summer.  And maybe we can hook up
an all-ages show for them, since a couple of my students would really love
to check them out.

	Blair

- -------------------------------------------------------------
(The Teen Scene)............. ftp://ftp.etext.org/pub/Zines/TeenScene
(NY Concert Calendar)... http://shell.idt.net/~blairb1/nygarage.html
(Garage Tours).................. http://shell.idt.net/~blairb1/tours.html
(Garage Fests).................. http://shell.idt.net/~blairb1/fests.html
(60 Second Swinger)..... http://shell.idt.net/~blairb1/60second.html
- -------------------------------------------------------------



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Date: Sat, 24 Jan 1998 10:15:20 -0800
From: "Sadie O. McFarlane" <sadieo@itsa.ucsf.edu>
Subject: RE: Kids today got no ...

>	My freshman year roommate (Fall '83) used to be into that stuff.
>In fact,
>he'd keep trying to do it.

Sounds like my dream date!
>
>Tuvan "throat singing" - wow, it's been *years* since I've heard anyone
>mention that.

Oddly, it just was mentioned about 3 days ago on the Rockabilly list.  I
think it was Tom who made a typo while saying that we were in danger of
muddying the definition of rock and roll to the point where we'd call Tuvan
throat singers "coygoy music" - to which I felt compelled to reply that
they were more "yak-goy", really.  Got no response, either.  Harumph.
Anyway, the Tuvans are probably preparing for usurpation and domination of
the weak popular music scene in the US even now...

- - Sadie O.


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Date: Sat, 24 Jan 1998 10:08:18 -0800
From: "Sadie O. McFarlane" <sadieo@itsa.ucsf.edu>
Subject: Re: Why Did Kids Of the 50's and 60's Have Better Bands?

>      The influences were real rocknroll, therefore you had more great music
>being created. Nowadays, the kids never heard of these acts, and they are
>being influenced by acts from the eighties or early nineties. So it's no
>wonder that the music is watered down. The further in years we get removed
>from the  50's sound, the harder it will be for people to understand real
>rocknroll.    So don't just blame the kids, it's not their fault. They don't
>have the exposure to the real stuff. Some who hear the real stuff will
>understand, while most never will care enough to wanna know the difference.

It's awful damn early in the morning to be getting all depressed!

I think you're probably right, though.  Why did we let the kids go astray?
It was our duty to help them to learn to rock!  Woe....

- - Sadie O.


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Date: Sat, 24 Jan 1998 09:52:25 -0800
From: "Sadie O. McFarlane" <sadieo@itsa.ucsf.edu>
Subject: RE: Kids today got no ...

>At least some these current acts (on Canadian radio) have some
>respectable influences.
>Unfortunately, my daughter listens to too much of that bland crap that
>permeates the music
>videos. Me, I'll take the Stooges, Eno, Jazz, Celtic, African, you name
>it.

Maybe it's something they're permeating feminine hygience products with -
my daughters are the same way.  I keep flailing at them, howling "can't you
see this stuff FAILS TO ROCK???"  And they say they have a right to their
tastes.  Of course they do - but it would be more satisfying if their
tastes weren't both bland and dictated by TV...

>Have you any of you out there checked out John Zorn or Tuvan "throat
>singing"? Now  THAT'S New Wave. Or then again,  maybe it's some kinda
>punk. Regardless, as long as it's not that mindless, boring, commercial
>pap that some record execs try to inflict on the masses.

Love them Tuvans!  Track 57: "Red Deer Mating Call"

GROOOONNK!!  GRAW-OOOOOOOOOOO-ONKONKONK!!!

Gets ya boppin' along, fer sher!

- - Sadie O.


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Date: Sat, 24 Jan 1998 10:00:49 -0800
From: "Sadie O. McFarlane" <sadieo@itsa.ucsf.edu>
Subject: Re: Peter Greenberg / garage fans

>Sean wrote:
>>  I think it's the internet.  I've been into the stuff for nearly 8
>years, and I've still never spoken to another garage fan in real life.
>
>I'm surprised to hear this.  Back in '84 or so when I discovered garage
>music after seeing The Mosquitos on Long Island (and meeting Blair) and
>then venturing into NYC to find a thriving garage scene, it was the group
>of people that were as important as the music.

See, when I was a kid in the 60's, EVERYBODY I KNEW listened to the 13th
Floor Elevators, just as everybody had listened to Sam the Sham and the
Pharoahs, and also listened to the Jefferson Airplane and the Mothers of
Invention - it was all groovy rock and roll, it was all on any FM station
worth its salt.  We also all listened to our friends bands, in the garages,
and often played in them ourselves.  Only the REAL SQUARES were NOT into
garage bands!

Maybe I was just lucky, I dunno...

- - Sadie O.


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Date: Sat, 24 Jan 1998 13:16:15 EST
From: Tawsurf <Tawsurf@aol.com>
Subject: Re: The Damned

In a message dated 98-01-23 20:50:35 EST, you write:

<< Were they any good or should I save my money?
  >>
go go go!! they are always fun when i've seen em....you gotta go! retodd
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Date: Sat, 24 Jan 1998 12:45:23 EST
From: SWarm007 <SWarm007@aol.com>
Subject: REM at the Roller Rink

Bill Jones wrote:
<< Heck, I remember seeing the Dream Syndicate
 and REM at a roller rink in East Setauket  >>

Hey! I went to that show. A pal of mine won tickets from WUSB. I remember at
one point Pete Buck was standing at the edge of the stage and some numb nuts
detuned his guitar. That roller rink booked the Fixx a couple of weeks later
and no one came. They lost a ton of money and never had another show there.

Scott W.
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Date: Sat, 24 Jan 1998 13:48:16 -0600
From: grinderman@juno.com (Hess Jeffery)
Subject: Environment

John Lee has written:
I'd be curious to know what kind of environment the rest of you grew up
in.  

Well........
I grew up in a semi-secluded environment in
one-horse-town-like-conditions, about an hour south of St.L.   My
schooling was mostly a joke.  People drew sides, I remember witnessing
many a jock/freak brawls after school in the Dairy Queen parking lot.
Musically, besides the very few record geeks, people were spoonfed by a
local shithead classic rock station called K-SHE 95.  If it wasn't on
kshe, it didn't exist.
In h.s. it was either Slayer/Metallica/Anthrax or die.  There was a few
glam-metalheads wearing Danerous Toys and Poison shirts, whom I
mercilessly made fun of.

I can recall a strange incident in 9th or 10th, these burnouts in shop
class supposedly had a "Satanic cult" and the wanted to kill me because I
found out about it.  It was all bullshit though, they never did anything
after I....well I'm a pretty big guy and I sorta put the fear of  GOD
into them and let's leave it at that.

At the very same time all the burnout crap was happening, this Jesus
freak kid would preach to me in 1st hour studyhall every single day.  I
liked the kid and I listened to him, recall many a lively discussion.  He
was on my baseball team, don't get me talkin' bout baseball or I'll start
dropping names like Oscar Gamble, Bert Blyleven, and Dick Pole.

enough already
Hess

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Date: Sat, 24 Jan 1998 12:32:59 -0800
From: "Eric D." <evs2@sprint.ca>
Subject: Re: SCOTS cover

> >It's on Decca and is a "promotional copy, not for
> >sale." The song is on both sides. The title is "Daddy Was a Preacher But
> >Mama Was a Go-Go Girl," the authors are Jo Anna Neel-Bob Neel, the
> >performer is JoAnna Neel (no space between Jo & Anna this time) and it's
> >produced by Joe Johnson. The publisher is 4 Star Music Co. (BMI).
 
        This is a great song,and one of the highlights of the SCOTS
set.Always makes me wish that Mary sang a few more songs when SCOTS play
live.

        Does anyone know if "Daddy Was A preacher,Mama was a Go-Go Girl" by
JoAnna Neel has been comped anywhere?

        
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Date: Sat, 24 Jan 1998 18:22:10 -0500 (EST)
From: dy288@freenet.carleton.ca (Gregory Watson)
Subject: Re: Today's darn kids, again

Hey Rocky and fellow Bomp!ers,

It's great that you're on the Bomp list Rocky - yet another cool Canadian
(and that ain't no pun baby, tho' it's been a pretty crazy winter here in
the Nation's Capital!)  Anyway, I'm gonna give my two cents regarding this
issue of "the kids". "I don't like the looks of those teenagers..."

I got into garage stuff mainly through hanging around the mod crowd when I
was a teen, and having The Gruesomes play town every few months (ca. '87).
 Lucky for me, I started playing in a garage band (The Buzzards), and we
got the chance to open for both The Gruesomes and The Vipers during our
brief (6 months) existence.  I was hooked, but unfortunately had no idea
what bands were worth looking for, other than the "popular" ones of course.

Things got even worse when I moved to Kingston in '89 to go to university
- - I was surrounded by thousands of Barbies and Kens, who seemed to listen
to AC/DC et al.  My roommate liked alot of punk stuff, which was cool, but
I was going stir crazy and finally put up a sign looking for a
"garage/psych/folk-rock band".  I got a reply that night from Dr. Weasel,
who turned out to be an enormous garage freak.  Thanks to Dr. Weasel and
the many tapes he made me, my garage knowledge was vastly increased.  I joined
the band (The 14th Wray), and the ages of members ranged from 16 to 26. 
Yes, a 16-year-old who really dug cool garage tunes.  In Kingston. 
Actually, we managed to get alot more young people into garage, mainly
because we got banned from the pubs and had to put on our own all-ages
shows.  The kids were starving for this kind of thing (hint: they still
are), and went fucking crazy at the shows.

Forward five years or so...  I had moved to Vancouver, met Greg Johnson
(The Worst) and joined his newer outfit, The Fiends.  I was the youngest
member of the band at that time (23), but we went through a few members
and by the time '96 rolled around, we had a drummer who was 21 (he thought
*I* was old!), and the oldest member was 40.  That's a twenty-year age
span, man and we all dug garage music.  Funny thing was, our drummer
started out just liking punk rock (a lot of newer punk rock, too), but he
just needed a little encouraging to really get into garage.

At this point, I figure that's all any of these kids need to get them into
cool music.  Alot of them are already into new SoCal punk - that's half
the battle right there.  The only problem I foresee, and Rocky and I were
discussing this in Montreal a few months ago, is that once enough people
like garage music, it will have become part of the mainstream, which sorta
defeats the purpose, don't it?

Enough of my ranting,
Grog
(-5 in '65!)
theoam@psynet.net
www.psynet.net/theoam

Rocky wrote:
>
>sAME  HERE, EXCEPT i GRADUATED IN '76.  i DON'T THINK THINGS ARE ALL THAT
>DIFFERENT UP HERE IN nOWHERESVILL, ALSO KNOWN AS tHUNDER bAY, oNTARIO.
>
>Weird paradox that mANY of us who dig primitive teenage rebellion rock &
>roll, WRITE FOR tEEN 'ZINES and are generally crazed cave-teens didn't get
>this way until we left our teens!  In other words,, I was just as square,
>lame and clued out about really cool music as today's kids until I hit my
>20's and got turned on to the likes of the Fleshtones and Chesterfield
>Kings.  This in turn led me back to re-discovering some of my childhood
>faves like the Kinks, WHO my babysitter TURNED ME ON TO WHEN SHE BROUGHT
>OVER "All Day And All Of The Night" back in '65.  Now my musical thrills
>are EXCLUSIVELY PROVIDED BY 60's or 6T's-based garage-punk, psych, beat,
>surf, power pop and other bompish stuff.  Go figure.  
>
>Back in University, I once thought of writing a sociological thesis on
>musical taste,, but in retrospect I think it's one of those unsovable
>mysteries that defies understanding.  Any half-baked theories out there?
>
>rOCKY
>8 YEARS OLD IN '65! 
>
>  
>
>       
>
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Date: Sat, 24 Jan 1998 21:16:38 -0500
From: Jeff Kopp <kopper@inlink.com>
Subject: Re: Why Did Kids Of the 50's and 60's Have Better Bands?

PETEP wrote:
> 
> Why was a lot of the really great music of the 50's and 60's being made by
> youth(under 25?)
>           I'll tell you why. It's because back then, it was the formation of
> rocknroll. That is the music you heard when you were a kid and turned on top
> 40 radio. Real rocknroll was all around, so the kids couldn't be helped but be
> into Elvis, Bo Diddley, Chuck Berry, etc. The young rockabilly kids wanted to
> emulate Elvis, the young garage bands did their best
> Stones/Beatles/Byrds/Zombies/etc.
>       The influences were real rocknroll, therefore you had more great music
> being created. Nowadays, the kids never heard of these acts

Remember when I posted recently about Chuck Berry coming in periodically
to the CompUSA store I work at? Well, most of our cashiers and P&A
(pricing & availability... the people that walk the floor helping
customers) employees are pretty young, usually either in high school or
just graduated. Well, when ol' Chuck comes in and a few of us "oldsters"
get all excited, we continually get the question that just about knocks
me on my ass: "Who's Chuck Berry?" And these kids GREW UP IN ST. LOUIS,
fer chist's sake! So on this point you're probably very correct. It's
not like they teach the history of rock'n'roll in highschool, and unless
their parents listen to it, they won't know anything about it! And I'm
not sure about other areas of the country, but the oldies station here
rarely, if ever, plays Jerry Lee, Chuck Berry, or any other 50's
rockabilly or R&B. All I hear is mostly mid-late 60's and early 70's
pop. 

> Why are the best bands of today all mostly well over 25?

This is your personal opinion, Pete, which is fine, but I believe you're
over-generalizing. I hear a lot of new bands that are made up of
teenagers or early-20's types that kicks major ass. Just saw one last
night in fact, The Cripplers from Columbia, MO (watch out for these
guys.... they're amazing!). Sure, they're few and far between, but so
are ANY good bands! You may not like much of this new garage punk stuff
for whatever reason, but that doesn't mean it's not as worthy as a band
like the Swingin' Neckbreakers. 

I think we all need to watch the over-generalizations. Nothing is 100%
true, and I get calls on the radio show every week from listeners who
sound pretty damn young to me, making requests and asking about this or
that song or whatever. We should also watch falling into the same traps
that are parents did, critisizing the kids today for what they listen to
and distancing them even further from us. Maybe instead of a "Hey,
that's crap" attitude, we should say, "Yeah that's not bad, but check
THIS out." Just a thought...

kopper
- -- 
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Date: Sat, 24 Jan 1998 21:52:02 -0800
From: brueggeman@tomah.com (Jim Brueggeman)
Subject: Barrence Whitfield

And then he went on to Barrence Whitfield and The Savages where he
played
> on (at least) their first album.  He's great on an instrumental called
> Cotton Pickin'.

Thanks for getting me to pull that LP out again.  One of the most 
underrated LPs of its era, I think. I still see it in the bins 
occasionally for under five bucks, looking for a good home (for those 
interested in hunting one down, it's self-titled from 1984 on the Mamou 
label).  KI

The first few Barrence Whitfield albums are lots of fun, and these
messages prompted me to play that first album again.  Then today I ran
across a couple of CDs that Whitfield made with Tom Russell (Hillbilly
Voodoo and?) in the cutouts.  Are these any good?  As much as I like Ow!
Ow! Ow! Barrence seemed to be veering toward a more MOR kind of sound.
						Jim B

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End of bomp-digest V98 #38
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