From: owner-bomp-digest@xnet2.com (bomp-digest) To: bomp-digest@xnet2.com Subject: bomp-digest V99 #14 Reply-To: bomp Sender: owner-bomp-digest@xnet2.com Errors-To: owner-bomp-digest@xnet2.com Precedence: bulk X-To-Unsubscribe: Send e-mail to majordomo@xnet2.com with "unsubscribe bomp-digest" in the body X-Bomp-web-site: http://www.bomp.com X-BompList-Administrator: efd@interport.net bomp-digest Monday, January 11 1999 Volume 99 : Number 014 It's another issue of bomp-digest, the digest version of the Bomp list. To unsubscribe, send an e-mail with the words "unsubscribe bomp-digest" to majordomo@xnet2.com or use the form at . The following subjects are included in this digest: Re: Soundtrack of our Lies boldface@easynet.co.uk Re: Wild Weekend/Cave Stomp boldface@easynet.co.uk Re: Lend Me Your Comb boldface@easynet.co.uk Re: Hammond Sound SSamSS@aol.com Human Fly Rob White VOX Phantom IV Bass Filippo Dulio Re: Hammond Sound Blair Buscareno cramps-garbage man "Joe Emery" Re: bomp-digest V99 #13 snazzy Re: I smell a King's Rat - Not the Big Mama Thornton song... Brian Phillips Re: bomp-digest V99 #13 Brian Phillips Barry me, please! laura.taylor@us.pwcglobal.com The Haigs "Michael Bennet" Re: Barry me, please! Blair Buscareno When bad arrangements happen to good songs Brian Phillips Re: Soundtrack of our Lies TSanc43763@aol.com Re: The Haigs TSanc43763@aol.com Re: Soundtrack of our Lies HayHuggins@aol.com 60s garage stuff "Erin Truscott" If the "King's" can do it... laura.taylor@us.pwcglobal.com Re: Girls at Record Shows "Rebecka Lee Wallace" Dickies, the dawning of "Scarborough, Justin" Re: 60s quebec stuff Shocking truth revealed!!! "mimi la twisteuse" Re: If the "King's" can do it... laura.taylor@us.pwcglobal.com Re: cowabunga Lelia Ellen Raley the pop? "Joe Emery" Psych-Out! playlist for 1/10/99 grinderman@juno.com (Jeffery Hess) Re: Soundtrack of our Lies TSanc43763@aol.com [none] liwara Kings English Jonathan Mills Re:liwara "J'son.." Re: Kings English Brian Phillips Crypt picks Maximum Leader Tom Walls Re: Dickies, the dawning of DrSwag66@aol.com Re: Vox Continental vs. Jaguar - was re: Hammond etc... Maximum Leader Tom Walls ---------------------------------------------------------------------- Date: Mon, 11 Jan 1999 12:44:36 +0000 From: boldface@easynet.co.uk Subject: Re: Soundtrack of our Lies >This band used to be Union Carbide, right? >I've heard some great things about >them. Anyone have an opinion? When Mike Stax was in London a couple of months back he raved about them to me and comparing them with Love - now I'm sure we all respect Mike's opinions on stuff like this but when I played the CD I found it pretty boring, but then I do prefer more punky stuff anyway. PJ ------------------------------ Date: Mon, 11 Jan 1999 12:44:39 +0000 From: boldface@easynet.co.uk Subject: Re: Wild Weekend/Cave Stomp >How much money did you make >from the Wild Weekend, Paul. Actually Mojo, I'd been saving in order to take a trip before Josh even had the idea of putting on the Wild Weekend. When Blair mentioned that Cave Stomp was happening I figured that I'd make the trip while it was taking place. I didn't make a single penny out of the Wild Weekend. I got involved with the event simply because I wanted to see something great like that happening in London. It was Josh who organised all the financing for the event, making sure all the expenses were paid for in advance - ie stuff like flights, fees, equipment hire, transport, printing of flyers/tickets/posters, venue hire fees and many more things that most of us wouldn't imagine and it's only right that he makes his money back don't you think. Even though the Thursday night was billed as being hosted by the Dirty Water Club it was in name only. All money from ticket sales and door money went through Josh's Exotic Entertainment. When it comes down to it I actually lost money - if the Wild Weekend wasn't on Thee Headcoats would still have played that Thursday and I'd have earned a bit from putting it on. And furthermore, all the money that I collected on the door at the Red Eye on the Saturday afternoon at the Sires/Embrooks/Psychotic Reaction gig was split equally between the three bands. When Jon Weiss was in London for the Wild Weekend I paid for my Cave Stomp tickets with US dollars. I don't know if Josh and Babz paid for their tickets or not - that's not my concern. All I want is for people to know the facts - not to be thinking I'm making tons of money when I'm not. PJ ------------------------------ Date: Mon, 11 Jan 1999 12:58:59 +0000 From: boldface@easynet.co.uk Subject: Re: Lend Me Your Comb In 1957 Warner Brothers made a movie called "Jamboree". Scouts went out and chose performers and commissioned New York's finest song writers to come up with some songs for the film. The film consisted of a flimsy plot constructed for the purpose of joining together a series of rock'n'roll performances to cash in on the current craze - a format I'm sure we're all familiar with from several other films of the period. Carl Perkins, Jerry Lee Lewis, Fats Domino, Buddy Knox, Frankie Avalon, Lewis Lyman and the Teen Chords and, erm, Slim Whitman got to take their pick of the songs presented to them by these Brill Building types. Apparently, Perkins passed over Great Balls of Fire - and how many people out there assume that to be a Lewis original?! Instead, he chose to perform Glad All Over for the movie. Lend Me Your Comb wasn't chosen by anyone, but Perkins liked it well enough to record it as the flipside of the single of Glad All Over, his last single on the Sun label. - - PJ ------------------------------ Date: Mon, 11 Jan 1999 08:20:24 EST From: SSamSS@aol.com Subject: Re: Hammond Sound << And yet, when I was able to find one or two Vox Jaguars for sale or even just to be played at one of their NYC gigs this fall, Jon Weiss told me they were only interested in a Continental. AAAAUUUUUGGGHHH. >> There really IS a difference. You just have to listen to them side-by-side. I bought the Jaguar as a backup in case the Continental gives me fits (which it doesn't), but it's tough for me to imagine playing our songs on the Jaguar. Of course, the rest of the band can't tell the difference, and they think I'm loopy. Someone back me up here.... ------------------------------ Date: Mon, 11 Jan 1999 08:21:36 -0500 From: Rob White Subject: Human Fly The Cramps lifted "Human Fly" from "Green Mosquito" by the Tune Weavers. The Slickee Boys then grafted "Human Fly" into "The Brain That Refused To Die". Robbie White Rob White, FCC Telecommunications rewhite@fcc.gov (202)418-1804 ------------------------------ Date: Mon, 11 Jan 1999 14:46:24 +0000 From: Filippo Dulio Subject: VOX Phantom IV Bass Hello, Does anybody for how much a VOX Phantom IV Bass sells these days? Are they hard to find? Did they make a copy or only vintage ones exist? I already gave a look at www.voxshowroom.com but I'd like to hear other voices, thanks in advance! Filippo Dulio, Italy - duliof@telenia.it ¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ Television Personalities: The Strangely Beautiful Website http://www.geocities.com/SunsetStrip/Alley/3486/tvps/ ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤ ------------------------------ Date: Mon, 11 Jan 1999 09:28:10 -0500 (EST) From: Blair Buscareno Subject: Re: Hammond Sound I should have been a bit clearer. I agree there's a difference. However, given the choice between playing a Jaguar at a show and playing one of those horrible modern keyboards that Little Frank uses when he can't get a Vox, I'd choose the Jaguar every time. I can understand him not wanting to *buy* a Jaguar, in the hopes of finding a Continental, but I'd choose the Jaguar over those modern keys every time. Blair On Mon, 11 Jan 1999 SSamSS@aol.com wrote: > > << And yet, when I was able to find one or two Vox Jaguars for sale or even > just to be played at one of their NYC gigs this fall, Jon Weiss told me > they were only interested in a Continental. AAAAUUUUUGGGHHH. >> > > There really IS a difference. You just have to listen to them side-by-side. > I bought the Jaguar as a backup in case the Continental gives me fits (which > it doesn't), but it's tough for me to imagine playing our songs on the Jaguar. > Of course, the rest of the band can't tell the difference, and they think I'm > loopy. Someone back me up here.... > ------------------------------ Date: Mon, 11 Jan 1999 09:01:28 -0500 From: "Joe Emery" Subject: cramps-garbage man actually the cramps' tune garbage man is an outright lift of "boss" -- surf instro tune by the rumblers. i haven't heard the dc5 tune, but if you check out the rumblers tune you'll see what i mean--it's a note for note cover (including guitar solo at the end) w/ words added. i have heard before that there's been talk of legal action regarding this... the cramps actually did the same thing to a link wray tune and called it "sunglasses after dark" but cited link in the songwriting credits... still love the cramps, joe - ---------- OK, better be careful this time round and not make any false comparisons. I mentioned several months ago that GARBAGE MAN contains the same riff as a DC5 instrumental called 'On The Move' and hits the viewer five minutes into 'Catch Us If You Can' film (called as 'Wild Weekend' in the US). If you remember the film then it's the bit where the double decker bus leaves Smithfield market for the boys pad up in Tottenham. Dug-a-dug-a-dug-a-dug-a-dug-a-dug-a... Steve Coleman ------------------------------ Date: Mon, 11 Jan 1999 09:55:01 -0500 (EST) From: snazzy Subject: Re: bomp-digest V99 #13 lucky me, I've jusy got my hands on a Phillips CD recorder. I know the letters C and D are an anathama to some of my fellow bompsters but I'm jazzed. I'm dying to make some portable sounds for strolls across the Brooklyn Bridge. To that end, I need your help. I wondering if any of you can suggest what 25 or so tracks you would pick from the Back from the Grave and Teenage shutdown series for a "best of"CD. (I'll tackle Pebbles and Rubble later). BTW, I can't find Teenage Shutdown 9 anywhere in NYC. Anyone have suggestions? Thanx ------------------------------ Date: Mon, 11 Jan 1999 10:22:15 -0500 From: Brian Phillips Subject: Re: I smell a King's Rat - Not the Big Mama Thornton song... >Could it just be coincidence that he's the only person who actually spoke >with Dirk? That question is left for the reader to decide. > >Read too many Encyclopedia Brown books as a child, >Evan > >Implied :-)s sprinkled liberally throughout. Then you had best call Sally Kimball to defend you for I, Bugs Meany, um...Brian Phillips (harmonica, backup vox and rhythm guitar, which is also a Vox), seem to believe that this was an honest assessment written by someone other than a band member (and thank you very much, I had a great time that night. For anyone who saw me that night, I was not drunk, because I don't drink. Yup, I can't act like that without spirits, so I teetotal for more than one reason!) To answer Deena's question, as to why we have kept silent, this is not entirely true. Under guise of "English" reserve, we actually have mentioned the band a couple of times. I demurred talking about us during Fuzz Fest, since I reviewed all of the other bands (Rocky stepped in with some nice comments) and Brian Poust (bass, but he may or may not drink Bass)(Hi, Brian!) posted a small follow-up. Thank you for showing interest, though, Deena! As Lee Hays of the Weavers said, I was trying to keep a respectful silence about it, but I will volunteer this, in alphabetical order: David Brock - Drums Robby Poore - Lead Guitar, Backup Vocals Brian Phillips (see article) Brian Poust - (see article) Richard Ward - Lead Vocals, Tambourine (and then another Tambourine), Maracas (and then More - acas) Edgar - *plop* Brian Phillips ------------------------------ Date: Mon, 11 Jan 1999 10:29:43 -0500 From: Brian Phillips Subject: Re: bomp-digest V99 #13 >To that end, I need your help. I wondering if any of you >can suggest what 25 or so tracks you would pick from the Back from the >Grave and Teenage shutdown Come On Luv - Dave Myers and the Disciples Jump, Jive and Harmonize - Thee Midniters (hi, Richard!) The Girl Can't Dance - Bunker Hill I Know Why - Hallmarks She Was Mine - Beaux Jens Cry - Malibus Go Go Gorilla - Shandells (Hi Dave W.!) I am at work, so, next person! Brian Phillips ------------------------------ Date: Mon, 11 Jan 1999 10:29:52 -0500 From: laura.taylor@us.pwcglobal.com Subject: Barry me, please! I only get the Bomp! digest, so I'm not all that quick-on-the-draw, but any new info on the Barry&theRemains show here in Boston,i-e, how much tix are, when they go on sale...Who's going from this list,besides me? Thanks, Jane Fondle - ---------------------------------------------------------------- The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. ------------------------------ Date: Mon, 11 Jan 1999 10:32:45 -0500 From: "Michael Bennet" Subject: The Haigs Anyone know anything about a Dutch band called the Haigs? They've got a couple of very cool Merseybeat influenced cuts on Pebbles Vol. 23. Did they record a full length album or appear on any other comps? Michael ------------------------------ Date: Mon, 11 Jan 1999 10:37:12 -0500 (EST) From: Blair Buscareno Subject: Re: Barry me, please! On Mon, 11 Jan 1999 laura.taylor@us.pwcglobal.com wrote: > > I only get the Bomp! digest, so I'm not all that quick-on-the-draw, but any > new info on the Barry&theRemains show here in Boston,i-e, how much tix are, > when they go on sale...Who's going from this list,besides me? Not sure how much tix are, but I'm told the show's at the Avalon on Sat., March 20th. I'm planning on heading up, as are a couple friends of mine (some Bomp-listers, some not.) Perhaps a few of us could meet up before the show. Blair ------------------------------ Date: Mon, 11 Jan 1999 10:39:26 -0500 From: Brian Phillips Subject: When bad arrangements happen to good songs Recently bought a reissue of "Got My Mind Set On You" by James Ray, because I rather liked the cover by George Harrison. Well, although Ray has a better voice than Harrison, the arrangement scuttles a good song. It has strings and horns (fine by me, glad they spent the money) dixie-style banjo (very un-Monks-like banjo) and in the middle of the record, singers not unlike the Mormon Tabernacle Choir show up and really murder the song. By contrast, "Come Spy With Me" by the Miracles has roughly the same amount of instruments and it is a fantastic song with a great arrangement (no banjo, no choir, but you do have the rest of the Miracles) I played this for my wife and said, "You know what this sounds like? Their trying to make him into Pat Boone!" Can anyone think of Bomp! - style songs that would have been good if not for bad choices in instrumentation? ------------------------------ Date: Mon, 11 Jan 1999 10:58:08 EST From: TSanc43763@aol.com Subject: Re: Soundtrack of our Lies In a message dated 1/11/99 7:55:53 AM EST, boldface@easynet.co.uk writes: << When Mike Stax was in London a couple of months back he raved about them to me and comparing them with Love - now I'm sure we all respect Mike's opinions on stuff like this but when I played the CD I found it pretty boring, but then I do prefer more punky stuff anyway. >> I think IMHO the only song that reminds me of "Love" by SOOL is FOur Ages part 1, which isn't on the CD nor 1st lp (it's their 1st 45). It reminded me of "Alone again or". It was though, the first song that Mike and myself heard by these guys. I must admit, SOOL is not for all tastes. A lot of people hear the connection and dig it, but some may think its complete progressive crap. Tony ------------------------------ Date: Mon, 11 Jan 1999 11:04:16 EST From: TSanc43763@aol.com Subject: Re: The Haigs In a message dated 1/11/99 10:34:45 AM EST, mbennet@bennetlaw.com writes: << Anyone know anything about a Dutch band called the Haigs? They've got a couple of very cool Merseybeat influenced cuts on Pebbles Vol. 23. Did they record a full length album or appear on any other comps? Michael >> no lp that I know of, just about 4 unbeleivably great 45's. They are extrememly rare as well. Where to run (1st one), Neverdie,(2nd) & From now on(3rd Action soundalike) have been reissued as well as their last psychier track that appeared on one of the many limited to 400 copies, no liner notes(but here's a poem insert), bad sound quality, no photos, bad pressing Euro-comps, that seem to flood the market over in Europe. Actually some of these pseudo-comps do offer decent sound. The b-sides should be comped, they're all really cool minor keyers. Tony ------------------------------ Date: Mon, 11 Jan 1999 11:11:50 EST From: HayHuggins@aol.com Subject: Re: Soundtrack of our Lies In a message dated 1/11/99 11:06:56 AM Eastern Standard Time, TSanc43763@aol.com writes: << I think IMHO the only song that reminds me of "Love" by SOOL is FOur Ages part 1, which isn't on the CD nor 1st lp (it's their 1st 45). It reminded me of "Alone again or". It was though, the first song that Mike and myself heard by these guys. I must admit, SOOL is not for all tastes. A lot of people hear the connection and dig it, but some may think its complete progressive crap. >> As you said, Tony, when you first sent us a tape: "You're really gonna dig this. OR you and Glynis are gonna just what the HELL we're smokin' here in SD!" So, Tony, just what the hell HAVE you guys been smokin' there in SD!! HA! Richard ------------------------------ Date: Mon, 11 Jan 1999 08:26:39 PST From: "Erin Truscott" Subject: 60s garage stuff Hey Glynis! You forgot to mention the stuff about being one of the only girls at records shows...where the guys either push you out of the way so that they can get at the records you're looking at, or rub up against you like they've never seen a girl before! Of course, this doesn't pertain to any of you guys on the list (at least, I hope not!), most of those winners are into incredibly bad music. I love it when they ask "so what kind of music are you into?" Eek! Bye for now, Erin > >______________________________________________________ >Get Your Private, Free Email at http://www.hotmail.com > ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com ------------------------------ Date: Mon, 11 Jan 1999 11:29:43 -0500 From: laura.taylor@us.pwcglobal.com Subject: If the "King's" can do it... ...then why can't I? Hi, Jane Fondle here...with a shameless plug for my band AstroSlut. We are performing this Friday night in Boston, at the Charles Playhouse Lounge. You have absolutely no excuse not to attend, as it is 100% free. That's right, baby! If you wanna check out a pic of us, e-mail me and I'll, uh, give you some... - ---------------------------------------------------------------- The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. ------------------------------ Date: Mon, 11 Jan 1999 08:39:41 PST From: "Rebecka Lee Wallace" Subject: Re: Girls at Record Shows Hey Glynis! You forgot to mention the stuff about being one of the only girls at records shows...where the guys either push you out of the way so that they can get at the records you're looking at, or rub up against you like they've never seen a girl before! >>Something else I've always hated about being a girl at a record show is why are the records *I* always want to look at (60's garage, freakbeat, beat, 60's female vocal) INEVITABLY located in the bins farthest BACK from me, and CLOSEST to the requisite scummy, stinky old letcher of a dealer/collector? (Disclaimer! Not all are scummy and stinky! Some are just plain old letchers, like my boyfriend! :o) Just kidding! Don't tell him I said that Rich and Andy!) I learned quickly the schematics of *leaning* and now make quite sure I don't wear anything even slightly revealing. The Minneapolis Lake and Lyndale VFW record shows are quite the hotbed of testoserone-driven record dealing, and I've brought a gal pal the last few times for a little backup and camaraderie............. Becky ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com ------------------------------ Date: Mon, 11 Jan 1999 11:07:45 -0600 From: "Scarborough, Justin" Subject: Dickies, the dawning of Hello all, I'm looking for the Dickies 2nd LP, "Dawn of the Dickies", if anyone knows where to find it or has one for sale please email me. Leo D. P.S. Has anyone heard the new 45? Is it any good? ------------------------------ Date: Mon, 11 Jan 1999 09:11:56 PST From: "mimi la twisteuse" Subject: Re: 60s quebec stuff Shocking truth revealed!!! Mimi also told me that reports from our local crime tabloid (Allo! Police!)state that men usually wake up a few hours later with a massive head wound wearing only smelly underwear and with teeth marks on their left thigh! That sounds like Denis' last X-Mas party!! God knows I needed a good laugh on this crummy Monday!! Merci Victor! Mimi ______________________________________________________ Get Your Private, Free Email at http://www.hotmail.com ------------------------------ Date: Mon, 11 Jan 1999 12:34:29 -0500 From: laura.taylor@us.pwcglobal.com Subject: Re: If the "King's" can do it... ...then why can't I? (sorry,second transmittal...e-mail problems today) Hi, Jane Fondle here...with a shameless plug for my band AstroSlut. We are performing this Friday night in Boston, at the Charles Playhouse Lounge. You have absolutely no excuse not to attend, as it is 100% free. That's right, baby! If you wanna check out a pic of us, e-mail me and I'll, uh, give you some... - ---------------------------------------------------------------- The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. ------------------------------ Date: Mon, 11 Jan 1999 13:13:27 -0500 (EST) From: Lelia Ellen Raley Subject: Re: cowabunga On Sun, 10 Jan 1999, John Francis Kulas wrote: > Hitomi I wrote: > > I'm still want to know the meaning of Cowabunga. > > I used to watch the "Howdy Doody" show when I was a kid in the 50's. > One of the characters (a person, not a one of the marionettes) was an > Indian who would occasionally say "Cowabunga!" It was kind of an > expression of excitement or surprise. Later, in the mid 60's, the > character in the "Beach Movies" played by Jody McRae would shout > "Cowabunga" as he ran across the beach into the water to catch the > surf. Now if I could only remember the name of the Indian. As it happens, AMC just ran "Pajama Party" on Saturday Night, which features Buster Keaton in Indian regalia uttering "Cowabunga" from time to time. Jody McCrea does not, although he's in the film as a character called "Big Lunk". On the whole, compared poorly with "Girls On The Beach", shown the previous Saturday night. Lotsa good footage of Lesley Gore and the Beach Boys in that one - P Party just had Donna Loren and some Anonymous 4 hodads. Gosh, what could this Saturday hold in store?? Lola ------------------------------ Date: Mon, 11 Jan 1999 12:22:14 -0500 From: "Joe Emery" Subject: the pop? i recently snagged a real powerpop gem by a band called the pop. it's a 7" on arista, where they cover the kinks' "i need you" and have a killer b-side tune called "nobody's toy." appears to be from around 1980... can any of you powerpop fanatics give me the skinny on this band? where they were from, how many albums, what's essential, etc. thanks, joe ------------------------------ Date: Mon, 11 Jan 1999 12:33:41 -0600 From: grinderman@juno.com (Jeffery Hess) Subject: Psych-Out! playlist for 1/10/99 Joined by Jason Rerun and Al Swacker to shamelessly plug their new shows Scene Of The Crime and Greaser's Lunchbox respectively. I'm still cutting my teeth and get used to the physiological aspects of an overnight shift. The United States Of America-The American Metaphysical Circus Joe Byrd & The Field Hippies-You Can't Ever Come Down Love-Between Clark And Hillsdale Things To Come-Come Alive Grains Of Sand-Golden Apples Of The Sun The Looking Glasses-Visions The 13th Floor Elevators-Never Another The Deep-When Rain Is Black Children Of The Mushroom-August Madamoiselle The Kalediscope-I Found Out Them-You Got Me Good The Yardbirds-Turn Into Earth The Move-Fire Brigade Morgan-In Dreams Kim Fowley-The Trip Alice Cooper-Levity Ball Syd Barrett-Dominoes Donovan-Epistle To Dippy The Pretty Things-Balloon Burning The Amboy Dukes-Inside The Outside Kak-Electric Sailor Jungle-Slave Ship Stack-Only Forever The Music Machine-I've Loved You Captain Beefheart-Electricity The Mothers Of Invention-Who Are The Brain Police? The Seeds-Two Fingers Pointing At You The Who-Rael Pts 1&2 Deep Purple-The Shield Pink Floyd-Careful With That Axe, Eugene Hawkwind-Master Of The Universe Aphrodite's Child-It's Five O' Clock Jake Holmes-Leaves Never Break David Bowie-All The Madmen The Beatles-It's Only A Northern Song The Animals-Winds Of Change The Animals-Poem By The Sea Kippington Lodge-I Can See Her Face The Legends-High Towers Jefferson Airplane-Last Wall Of The Castle Jefferson Airplane-Rejoice! Laghonia-Trouble Child The Kinks-Johnny Thunder The Blues Magoos-Cybil Green (Of The Inbetween) Amon Duul II-Wolf City The Flower Travelling Band-Satori (Enlightenment) Fruitcake-Anna Marina ********************************************************************************* Psych-Out! The cost of one admission is your myynd!! KDHX FM 88.1 Sunday mornings 3-6 AM (CST) Immediately following The Wayback Machine http//www.kdhxfm88.org Other shows worthy of note on KDHX St. Louis! Greaser's Lunchbox, Monday Noon-2PM Al Swacker, Rockabilly past, present, and future Superfun Happy Hour, Monday night Midnight-2PM Tim and Matt, Punk rock from the 70's till now Scene Of The Crime, Tuesday nigh Midnight-2PM Jason Rerun, Punk, Power Pop and New Wave Daybreak Express, Thursday morning 4-6AM Rob Stinehart, Jazz, jazz, and more jazz ALL TIMES CENTRAL TIME ZONE ___________________________________________________________________ You don't need to buy Internet access to use free Internet e-mail. Get completely free e-mail from Juno at http://www.juno.com/getjuno.html or call Juno at (800) 654-JUNO [654-5866] ------------------------------ Date: Mon, 11 Jan 1999 13:51:00 EST From: TSanc43763@aol.com Subject: Re: Soundtrack of our Lies In a message dated 1/11/99 8:17:56 AM Pacific Standard Time, HayHuggins@aol.com writes: << As you said, Tony, when you first sent us a tape: "You're really gonna dig this. OR you and Glynis are gonna just what the HELL we're smokin' here in SD!" So, Tony, just what the hell HAVE you guys been smokin' there in SD!! HA! >> Ha! Actually, it just may be in the San Diego tainted water(Prog water) , because most of our friends down here dig it. With the exception of a few Psych heads who think it's just boring. I must admit, not diggin' it the first time I heard it, and then came back to it a month or so later and liking it a bit more. Whoa!! Here's a scarey thought, maybe it's a sign of age. oooooooooh! Tony (drinking a tall glass of prog as he writes) ------------------------------ Date: Tue, 12 Jan 1999 03:03:08 +0800 From: liwara Subject: [none] Hi I was wondering if anyone could help me. I'm good friends with a local band here in Perth called Three Orange Whips, who have just independently released their debut CD called Ladies & Gentlemen... I suppose you would describe their sound as a cross between the Celibate Rifles and Tumbleweed. Basically they are a great punk - rock band in the classic Australian sense. I'm helping them out by trying to find any record labels, fanzines radio shows etc that would be interested in their CD, either releasing, distributing, reviewing or playing it. Can anyone out their reccomend anything? Any help would be greatly appreciated. I suppose I need email and postal addresses as well as web addresses if there is one. Thanks, Neal Perth ------------------------------ Date: Mon, 11 Jan 1999 18:19:41 +0000 From: Jonathan Mills Subject: Kings English >why have you both kept so eerily silent about >your band? - -- Well, I don't speak the King's English but I'd certainly like to hear them. I know we've chatted about you guys before but that's all that's come of it. Why don't you do some kinda shameless self-promotion like Kev used to do? (He's all but disappeared. Are you a star yet, Kev?) I'd love it if you sent me a rehearsal tape or summit.. tell you what when us St. John's Shop kids get it together I'll send you a tape of us. How about it you Kings? - -- Jon 'Mojo' Mills Shindig Magazine London, UK ------------------------------ Date: Tue, 12 Jan 1999 06:22:30 +1100 From: "J'son.." Subject: Re:liwara Send copy of cd to Four Triple Zed's demo show in Brisbane, Gordon will play it for sure. address is; 4zzzfm Demo show, c/o 4zzzfm, p.o. box 509, Fortitude Valley Brisbane QLD 4006. Show can be heard on net http://www.4zzzfm.org.au . PEACE AND PAISLEY DREAMS J'son.. (ufo4zzzfm) p.s. I am also the programming director so let me know if you send it and I will tell Gordon to expect it. you can e-mail me at; ufo4zzzfm@earthling.net . - -----Original Message----- From: liwara To: bomp@xnet2.com Date: Tuesday, 12 January 1999 5:26 > >Hi > >I was wondering if anyone could help me. I'm good friends with a local band >here in Perth called Three Orange Whips, who have just independently >released their debut CD called Ladies & Gentlemen... I suppose you would >describe their sound as a cross between the Celibate Rifles and Tumbleweed. >Basically they are a great punk - rock band in the classic Australian sense. >I'm helping them out by trying to find any record labels, fanzines radio >shows etc that would be interested in their CD, either releasing, >distributing, reviewing or playing it. Can anyone out their reccomend >anything? Any help would be greatly appreciated. I suppose I need email and >postal addresses as well as web addresses if there is one. > >Thanks, >Neal >Perth > ------------------------------ Date: Mon, 11 Jan 1999 15:55:41 -0500 From: Brian Phillips Subject: Re: Kings English >I'd love it if you sent me a rehearsal tape or summit.. tell you what >when us St. John's Shop kids get it together I'll send you a tape of us. >How about it you Kings? One of We Free Kings says OK, when we have a tape. I and we, the people would most defintely like to hear St. John's Shop. Raaaaaahhsaaaaan, Brian Phillips ------------------------------ Date: Mon, 11 Jan 1999 16:27:11 -0500 (EST) From: Maximum Leader Tom Walls Subject: Crypt picks On Mon, 11 Jan 1999, snazzy wrote: > lucky me, I've jusy got my hands on a Phillips CD recorder. I know the > letters C and D are an anathama to some of my fellow bompsters but I'm > jazzed. I'm dying to make some portable sounds for strolls across the > Brooklyn Bridge. To that end, I need your help. I wondering if any of you > can suggest what 25 or so tracks you would pick from the Back from the > Grave and Teenage shutdown series for a "best of"CD. (I'll tackle Pebbles BFTG #1- ALL The Crusher - Novas BFTG 2 Summertime Blues - " Dinah Wants Religion - Jujus ?? Be My Queen - BFTG #3 Wild Man - Tamrons BFTG 4?? Girl Can't Dance - Bunker Hill " No Price Tag - Spiders BFTG 7 Syndicate - Egyptian Thing & My Baby's Barefoot - Hot tunes! BFTG 7 Also, anything with "alligator" or "monkey" in the title off of "Jump, Jive and Harmonize." I'd think of more but I'm at work, too. Regards Tom Walls ------------------------------ Date: Mon, 11 Jan 1999 17:35:04 EST From: DrSwag66@aol.com Subject: Re: Dickies, the dawning of I don't have the new single, but I heard the Dickies perform it live on Sat night. From what I can judge from hearing it live, its not their strongest effort. The show was fun, as Leonard Graves-Phillips taunted the skinheads at the show with his Stewie penis puppet. I'm waiting for the LP to come out which will have "my Pop the Cop" on it and hopefully some other cool tracks. Matt ------------------------------ Date: Mon, 11 Jan 1999 17:56:14 -0500 (EST) From: Maximum Leader Tom Walls Subject: Re: Vox Continental vs. Jaguar - was re: Hammond etc... On Sun, 10 Jan 1999 SSamSS@aol.com wrote: > I own both a Jaguar and a Continental ( I gig w/ the Continental, and the Jag > stays in the back room at home). The Continental has more variations in the > tone "colors"; the Jag sounds a bit like a Farfisa when all the switches are > on. With the Continental, I can vary the tone while I'm playing, using the > drawbars. The Jaguar really doesn't have as much versatility; that's why you > can pick one up more cheaply than a Continental. That is instructive. As a newcomer to playing with organs I'd be happy with either a Jaguar or a Continental. I'd think an advantage of the Jaguar from a fix-it standpoint is that the electronics are simpler.... Just a few weeks ago I flipped when I spotted a Continental at a music store in Tampa. It was sitting in the back room amidst tons of records and other clutter. The top had been replaced with a handcrafted wooden cover. I lifted it up and gasped at the whole mess of wires - it looked like a 5-gallon case of spaghetti. After talking to the owner I found out that the organ was not for sale and had been there for two years "waiting on parts from England." All this anti-Jaguar sentiment! If I get one I'll have to rip the nameplate off the front and tell people it's a Vox "Confidential." You've made some good points (which you can obviously back up) and I think we can agree that the Continental is a decided step up. > Well, anything by the Lyres, Dave Clark Five, Paul Revere and the Raiders, and > the Animals is done with a Continental. Also, the first Doors album, and > Elvis Costello (w/ the Attractions - Steve Nieve actually used a Super- > Continental). And - um - Mondo Topless (had to put a plug in there!!!) After you sent this last night I had a former Bomper play me his Mondo Topless CD. Right-on sounds! Tom Walls Gainesville, Fla ------------------------------ End of bomp-digest V99 #14 ************************** ===================================================================== You've been reading bomp-digest, the digest version of the Bomp list. To unsubscribe, send "unsubscribe bomp-digest" to majordomo@xnet2.com