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bomp-digest         Sunday, February 14 1999         Volume 99 : Number 071



It's another issue of bomp-digest, the digest version of the Bomp list.
To unsubscribe, send an e-mail with the words "unsubscribe bomp-digest" to
majordomo@xnet2.com or use the form at <http://www.juvalamu.com/bomplist>.

The following subjects are included in this digest:
   Coffee 'n' Smokes Playlist, 2/13/99.
     APiandes@aol.com
   Re: The Sic F*cs
     "Deena Canale" <realkid@earthlink.net>
   Re: Let's Work Out: It's "T" time
     "Deena Canale" <realkid@earthlink.net>
   Lewis & Clark & George
     "Blair" <blairb1@idt.net>
   Dead End Playlist 2/9/99
     rat fink <deadend@ix.netcom.com>
   (3.5) How Ari learnt about garage...
     Jonathan Mills <jon@mojo-mills.demon.co.uk>
   Don't Open 'til Doomsday
     Jonathan Mills <jon@mojo-mills.demon.co.uk>
   Stronger Than Dirt Playlist 2/13/99
     unkraut@io.com (Scott Gardner)
   Re: Don't Open 'til Doomsday
     Rocky Serkowney <rockys@tbaytel.net>
   Re: (3.5) How Ari learnt about garage...
     "Blair" <blairb1@idt.net>
   Re: Let's Work Out! It's "T" Time!
     "Joseph Beretta" <joeyb@aa.net>
   Re: Let's Work Out! It's "T" Time!
     Rocky Serkowney <rockys@tbaytel.net>
   Re: (3.5) How Ari learnt about garage...
     Rmerchandz@aol.com
   Re: Navarros?
     shepherd <shepherd@garply.com>
   Re: Neatbeats
     shepherd <shepherd@garply.com>
   re: Soul Struttin'/Another 10p Worth
     Steve & Annette <scaf@pro-net.co.uk>
   Golden Nuugeres Re: Navarros?
     TSanc43763@aol.com
   Re: Let's Work Out! It's "T" Time!
     shepherd <shepherd@garply.com>
   Re: "T" Time!
     Larry Shell <sheltone@ix.netcom.com>
   Re: Neatbeats
     Glynis & Richard Ward <felinefrenzy@mindspring.com>
   Re: Navarros?
     Rocky Serkowney <rockys@tbaytel.net>
   Re: Soul Struttin'/Another 10p Worth
     TSanc43763@aol.com
   80s scene
     "Blair" <blairb1@idt.net>

----------------------------------------------------------------------

Date: Sun, 14 Feb 1999 07:20:04 EST
From: APiandes@aol.com
Subject: Coffee 'n' Smokes Playlist, 2/13/99.

	Hello BOMP!ers.  Most songs played this week had the words "love" or "hate"
in the title.  Most of the love songs were of the whiny lost love variety.  If
any stories were told in these sets, it was purely unintentional.  In keeping
with the call-in thread, I got two. One for the Miles Dethmuffin track (good
stuff, actually...), another for info on The Remains/Lost/Rising Storm Show.

Here goes for 13 February:

The New Breed-It's Love (V/A The Polaris Records Sory/Bacchus Archives)

Wilson Pickett-Jealous Love (I'm In Love/Atlantic)
Bo Diddley-Who Do You Love (Greatest Sides, Vol. One/Chess)
The Kinks-I'm A Lover Not A Fighter (Kinks-Size/Reprise)
DM Bob & The Deficits-How Do You Spell Love (Bad w/Wimen/Crypt)
The Gories-Give Me Love (Houserockin'/Wanghead With Lips)

The Rolling Stones-That's How Strong My Love Is (Out Of Our Heads/London)
The Dickheads-She Loves You (7"/Walking Dead)
Bonnie Hayes with The Wild Combo-Loverboy (Good clean Fun/Slash)
The Morning Shakes-Love U Better (Dead) (Switchblades and Sideburns/Stiff
Pole)
Miles Dethmuffin-Hate Gives Me A Warm, Tingly Feeling (V/A Violet
	Crumbles/Dahlia)
Gravedigger V-Hate (All Black And Hairy/Voxx)
Alice Cooper-I Love The Dead (Billion Dollar Babies/Warner Bros.)
Thee Mighty Caesars-Signals Of Love (Surely They Were The Sons Of God
	CD/Crypt)
The Pagans-What's This Shit Called Love? (Street Where Nobody Lives/Resonance)
The Pandoras-Want, Need Love (It's About Time/Voxx)

The Animals-I'm In Love Again (Best Of.../M-G-M)
Birdland w/Lester Bangs-I'm In Love (S/T/Bacchus Archives)
Three From Three-Girl In Love (V/A I'm Down Today/Teenage Shutdown)
Ramones-Here Today, Gone Tomorrow (Rocket To Russia/Sire)

Thee Wylde Maniacs-Why Ain't Love Fair (V/A N.E. Teen Scene-Next
	Generation/Arf! Arf!)
Kim & Grim-You Don't Love Me (V/A Girls In The Garage, Vol. 1 CD/Romulan)
The Surf Trio-To Surf With Love (Forbidden Sounds/Dionysus)
The Underdogs-Love Gone Bad (V/A Nuggets Box/Rhino)
Dino, Desi, and Billy-Good Lovin' (Memories Are Made Of This/Reprise)
The Troggs-With A Girl Like You (Best Of.../Rhino)
The Eastern Alliance-Love Fades Away (V/A Relative Distance/Stanton Park)
Just Luv-Valley Of Hate (V/A Pebbles 16/A.I.P.)
The Diaboliks-Lovin' Machine (7"/Screaming Apple)

The Standells-Can't Help But Love You (Best Of.../Rhino)
Ariones-Gimmie Some Lovin' (V/A Greek Garage Bands Of The 60s/no label)
The Squares-Making Love (7" EP/Get Hip)

Johnny Horton-All For The Love Of A Girl (7"/Columbia)
Doc Starkes-Love Me Like Crazy (V/A Desperate Rock and Roll, Vol. 1 CD/Flame)
"Groovey" Joe Poovey-The Thrill Of Love (Greatest Grooves/Dragon Street)
The Lost-Searchin' (Early Recordings/Arf! Arf!)
The Ones-Love Of Mine (V/A Pebbles 25/A.I.P.)
The Lyres-Love Me 'Til The Sun Shines (On Fyre/Ace Of Hearts)
The Cardinals-You Aren't My Love (7" EP/Golbin)
Mystic Eyes-If I Say I Love You (The Whole World Is Watching/Get Hip)
The Apollos-Target Love (V/A Pebbles 13/A.I.P.)
New Colony Six-We Will Love Again (Revelations/Mercury)
The Odds & Ends-'Cause You Don't Love Me (V/A Garage Punk Unknowns, Part 	Two
CD/Crypt)
The Kaisers-Soldiers Of Love (Squarehead Stomp!/Get Hip)
The Bush-Got Love If You Want It (V/A Scum Of The Earth/Wanker)

Kempy & The Guardians-Love for A Price (V/A Garage Punk Unknowns, Part Two
	CD/Crypt)
The Grodes-Love Is A Sad Song (V/A Love Is A Sad Song/Misty Lane)
The Idols-True Love Gone Astray (V/A N.E. Teen Scene, Vol. III/Moulty)
The Starfires-I Never Loved Her (V/A Pebbles 8 LP/B.F.D.)
The Worlocks-I Love You (V/A B.F.T.G., Part 7 LP/Crypt)
The Werps-Love's A Fire (V/A B.F.T.G., Part 6 LP/Crypt)

The Modern Lovers-Someone I Care About (S/T/ Beserkley)

Coffee 'n' Smokes airs every Saturday morning from 6-9am (EST)

Visit the website:
http://members.aol.com/apiandes/Main/

Check yez later
Alex Piandes
Coffee 'n' Smokes
WMFO (91.5fm)
Medford, MA

 


 

------------------------------

Date: Sun, 14 Feb 1999 10:44:08 -0400
From: "Deena Canale" <realkid@earthlink.net>
Subject: Re: The Sic F*cs

The Sic F*cs featured Tish & Snooky Bellomo, owners of the first "punk rock"
clothing shop on St. Mark's Place, Manic Panic.  These two chicks sang
back-up for Debbie Harry in an early incarnation of Blondie.  According to 
the 3rd edition of the Trouser Press Record Guide, they released only 
one 5-song self-titled e.p.

Deena
- ----------
>From: MC BIGOT <jerk@club-internet.fr>
>To: bomp@xnet2.com
>Subject: The Sic F*cs
>Date: Sun, Feb 14, 1999, 3:33 AM
>

>
>Yesterday I saw a pretty fun horror flick, "Alone In The Dark" (with no
>less than Jack Palance, Martin Landau & Donald Pleasance). There's a
>scene in a punk club with the Sic F*cs. I've seen that name before but
>had no idea these guys could be any good but they seemed to be from what
>I saw. Their songs for the movie were produced by Andy "Dictator"
>Shernoff. So here're the questions: who are (were?) they? and is there
>anything by them still available & worth to get?
>
>
>

------------------------------

Date: Sun, 14 Feb 1999 10:48:40 -0400
From: "Deena Canale" <realkid@earthlink.net>
Subject: Re: Let's Work Out: It's "T" time

There's Always Something There to Remind Me--Burt Bacharach-
penned, & first popularized by Sandie Shaw.

The Wayward Wind--Gogie Grant

'Til There Was You--sung by Marian the Librarian in "The Music Man."
By the way, the Beatles' version on "Live at the BBC" has a
stupendously suave guitar solo by George, and early hints of
Paul's more crooning Dennis O'Dell side.

You know my name, look up de number,
Deena

------------------------------

Date: 14 Feb 99 11:05:59 +0000
From: "Blair" <blairb1@idt.net>
Subject: Lewis & Clark & George

Rented a movie while out at my brother's place last night called Lewis &
Clark & George. As the opening credits are rolling, I see "Music by Ben
Vaughn." 

I was pretty psyched... and it just got better. Besides a large number of
Ben Vaughn originals, there was a ton of excellent music, mostly in a
Southwestern/country vein, but also including stuff by Los Straitjackets,
Deke Dickerson, and a couple by Simon & the Bar Sinisters.  Anyone know if
there's a soundtrack available for this?

Blair

------------------------------

Date: Sun, 14 Feb 1999 11:23:44 -0500
From: rat fink <deadend@ix.netcom.com>
Subject: Dead End Playlist 2/9/99

Hey, 

Here's this weeks playlist for Dead End Radio...Tuesday night from 10 pm
until midnight on WUSB 90.1FM in New York (Stony Brook, to be exact).
All part of WUSB's Tuesday Night Rock And Roll Dance Party!!!

Varlets, Good Times...Listen To This demo cassette, I Ain't Goin' Out Like That
M-80's, In A Fury lp, Get Hip, I Can't Believe You
Devil Dogs, 7"ep, Dog Meat, Australia, I Ain't Got Time Enough For Love / Kissin' Cousins
Zeke, 7"ep, Rat City, Green Barracuda
New Bomb Turks, Destroy Oh Boy! lp, Crypt, I Want My Baby...Dead?!
Statics, Punk Rock And Roll lp, Rip Off, Can't Get Enough
Superfly T.N.T.'s, No Talent? No Shit!! split 7"ep w/the Coyote Men, Vendetta/Real, UK, (Baby) You Give Me The Creeps
Standells, Dirty Water cd, Sundazed, Dirty Water
Blue Stars, Trans World Punk vol.2, Crawdad, Social End Product
Dave Starky Five/Just Us, Get A Move On comp. lp, Teenage Shutdown, Stand There
Surf Stompers, The Original Surfer Stomp lp, Del-Fi, The Original Surfer Stomp
Bobby Lee Tremmell, The Big Itch vol.1 comp. lp, Mr. Manicotti, Toolie Froolie
Rivieras, Let's Have A Party lp, Star Club, Sweden, Tossin' And Turnin'
Satelliters, Shake Shake Shake cd, Dionysus, You'll Waste Your Time
Phantom Rats, Shake Shake Shake 10", 1+2, Japan, Red Hot
Smoke Jumpers, Flat Tear It Up cd, Walking, Put Myself In Your Hands
Hollywood Playboys, 7"ep, X Factor-Y, Italy, Nobody But You
Easy Livin', Sin Along demo cassette, So Messed Up
Blowtops, Deep Thrust cd, Flying Bomb, Do The Vamp
Mants, The Mant From U.N.C.L.E. 2x7"ep, Lance Rock, The Red Monkey
T Lance & the Cocktails, 7", Telstar, Why?
Fireworks, Set The World On Fire lp, Crypt, Whatcha Want
Lord High Fixers, 7", No Lie, I Cant Believe
Candy Snatchers, 7", Junk, Shut Your Mouth
Gotohells, split 7"ep w/the Nobodys, Hopeless, I Wanna Be A Ramone
Supersnazz, 7", Sympathy For The Record Industry, Our Favorite Thing
Morning Shakes, 7"ep, Wallabies, Japan, Trash Action Girl
Curse Of Horseflesh, Burning The Jade cd, Roto-flex, Canada, The Bloody End
Crusaders, Fat Drunk And Stupid lp, Dionysus, Hot Rod Baby
Fortune & Maltese & the Phabulous Pallbearers, 7", Cad, Good And Plenty
Del Vamps, Play With Fire cd, Continental, Drag Strip
Guaranteed Ugly, s/t lp, Hangman's Daughter, UK, Do Me Right
Gravedigger V, All Black And Harry lp, Voxx, She Got
Mustangs, Back From The Grave vol.7 comp. 2xlp, Crypt, That's For Sure
Spiders, 7"ep, Sundazed, Hitch Hike
Volcanos, Finish Line Fever lp, Estrus, Finish Line Fever
Blasters, Sounds Of The Drag lp, Crown, Chopped And Channeled
Triptides, Wail On The Beach comp. lp, Satan, Go Mustang
Penetrators, split 7"ep w/the Space Cossacks, Solemente, Redlined
Cavemen, The Big Itch vol.4 comp. lp, Mr. Manicotti, Bowling Alley Oop
Teengenerate, Smash Hits lp, Estrus, Let's Get Hurt
Splash 4, Filth City 10", Estrus, Know It All Doll
Swindlers, Wild Wild Teenagers 7"ep, Wild Wild, France, Go Go Get Out Of My Way
Von Zippers, Bad Generation cd, Estrus, Plastic Bag
Cosmic Dropouts, Crashed Cars And Broken Hearts 7"ep, That's Entertainment, Norway, Sick OF You Baby
Cee Cee Beaumont, Ready To Riot 7"ep, Damaged Goods, UK, West Coast Ear Plug
1.4.5.'s, Planetary Annihilation 7"ep, Estrus, Armagavin Destroy!
Registrators, 7", Rip Off, Monkey
Vendettas, 7", no label, Can't Stop



Preceeding Dead End Radio, from 9 to 10pm...it's Bop Street and that
went something like this:

No Bop Street this week...we got bumped for some special porgraming.


*****************************************************
Up and coming....as if you don't know already,

This coming Tuesday, February 16th we got THE EASY LIVIN', 
making their appearance on the Rock And Roll Dance Party!!! 

****************************************************



- -Michael


The Tuesday Night Rock And Roll Dance Party
             (Bop Street / Dead End Radio)
           http://www.wusb.org/deadend
       9pm until Midnight on 90.1FM WUSB 
                Stony Brook, New York


HEY! WUSB CAN STILL BE HEARD OVER THE 'NET!!!
     ALL YA GOTTA DO IS HIT UP THE WEB PAGE.

------------------------------

Date: Sun, 14 Feb 1999 12:01:21 +0000
From: Jonathan Mills <jon@mojo-mills.demon.co.uk>
Subject: (3.5) How Ari learnt about garage...

In message , ARei160287@aol.com writes
>Mojo-
>  I have a sense of humor, but I find people like you, who "got into garage in
>the 90's after it was over" to grate on my nerves, simply because you act like
>experts , when you weren't even aware, let alone part, of the scene that paved
>the way for the stuff you dig NOW!
   No, no I have feelings for what you're talking about but you're still
getting me wrong. I heard garage (real 60s garage) in the mid-80s but
wasn't aware of the garage-revival until later.
   My point is that the *original*, *real* garage band music still
stands up well today whereas thes 80s bands don't!
   But I'm sure, as you say, being part of that 80s scene was exciting.
I mean look at contemporary music back then, it was terrible..

- -  Jon 'Mojo' Mills
   Shindig Magazine
   London, UK

------------------------------

Date: Sun, 14 Feb 1999 11:55:13 +0000
From: Jonathan Mills <jon@mojo-mills.demon.co.uk>
Subject: Don't Open 'til Doomsday

>Nope. But Stop's not my fave Kings' LP, either. Believe it or not,
>gang, I vote for Don't Open Till Doomsday. Still, I think each one of
>those first three was an EXCELLENT releas
   Absolutely, Blair. I think it's their best too. The reason I think
it's not appreciated is because of the stupid image the guys adopted
around this period. It's a solid record though and manages to bring
something new to garage without ballsing it up (well, in our opinion
anyway).

- -  Jon 'Mojo' Mills
   Shindig Magazine
   London, UK

------------------------------

Date: Sun, 14 Feb 1999 11:22:14 -0600
From: unkraut@io.com (Scott Gardner)
Subject: Stronger Than Dirt Playlist 2/13/99

The following was the Stronger Than Dirt playlist for February 13. I did a
Valentine's Eve show and played all anti-Valentine's music. A big thanks to
all of the people on Bomp-L and B-T who sent me suggestions. STD can be
heard every Saturday night from 8-10 on KOOP Radio, 91.7 FM, Austin, TX.

Satan's Rats               You Make Me Sick (7")
Humpers                    Plastique Valentine (Plastique Valentine lp)
13th Floor Elevators          You're Gonna Miss Me (Psychedelic Sounds of... lp)
The Morloch              It's Time You Realised (Diggin' for Gold, vol. 5)
Flies                              Steppin' Stone (Broken Dreams, vol. 1)
Muffs                            I Don't Like You (7")
Wildebeests                Please Go Home (7")
Oblivians                     Love Killed My Brain (7")
Scientists                      We Had Love (7")
Buzzcocks                     Ever Fallen in Love (Love Bites lp)
The Beat (USA)          Walking Out on Love (s/t lp)
Shepherd's Heard       I Know (T. S.: Te world Ain't Round)
? and the Mysterians        96 Tears (96 Tears lp)
Holly Golightly           Virtually Happy (7")
Sugarfreaks                  I Hope You're Happy (s/t ep)
Mighty Caesars           You'll Be Sorry Now (Surely They Were the Sons of
Gods cd)
Real Kids                    Now You Know (7")
Vibrators                      You Broke My Heart (Pure Mania cd)
Sex Pistols                   No Feelings (Never Mind the Bollocks lp)
Monks                          I Hate You (Black Monk Time cd)
T-Boones                    At the Club (Searchin' for Shakes comp)
Pandoras                    You Don't Satisfy (7")
Swingin' Neckbreakers      I'm in Love With Me (Shake Break lp)
Heartbreakers            I Wanna Be Loved (L.A.M.F. Revisited cd)
Nervebreakers         I Love Your Neurosis (Are We Too Late for the Trend comp)
Electric Love            This Seat Is Saved (Texas Flashback, vol. 5)
Starfires                     I Never Loved Her (Pebbles, vol. 8)
La De Da's                 How Is the Air Up There (WildThings, vol. 1)
Fall-Outs                   She's Out There (Here I Come lp)
Delmonas 5              Jealousy (s/t lp)
Armitage Shanks        You're Here I'm Hooked You're Gone (7")
Makers                       I'm Hurt (Howl! lp)
Replacements           I'm in Trouble (7")
Crime                         Baby You're So Repulsive (7")
Jack & the Rippers        No Desire (Pogo Punks comp)
The Last                    I Don't Wanna Be in Love (L.A. Explosion lp)
Talula Babies           Hurtin' Kind (Florida Punk Groups of the Sixties comp)
Headcoatees            When You Stop Loving Me (Ballad of the Insolent Pup lp)

------------------------------

Date: Sun, 14 Feb 1999 13:40:23
From: Rocky Serkowney <rockys@tbaytel.net>
Subject: Re: Don't Open 'til Doomsday

Well, let me weigh in from the perspective of someone who was fairly
oblivious to the changing *visual* image the Kings were going through at
that time.  I think "Doomsday" stands up as a great record, but it doesn't
have that same 60's magic that the first two discs delivered with walloping
impact.  You can hear the slicker, big rock sound creeping in and for me,
that is usually a bad sign.  Their next few releases continued their slide
into musical irrelevance (until "Surfin' Rampage" marked a comeback of
sorts).  As a fan, I have no problem with bands doing what they think is
right for them at a given time in their career.  They just shouldn't expect
some of us who are more 60's-oriented to dig it.  I've always been wary of
the money/fame illusion affecting modern garage bands,.  While most of 'em
relize and accept that it's supposed to be fun, some start to take
themselves and their prospects a little too seriously.  And I've always
maintained that musical "progression" is highly over-rated  Why move to an
unknow area in squaresville when you already have a great place (and a few
cool neighbours) in hipsville?

Just my 2 cents (1.33 U.S.).

Rocky.          

At 11:55 AM 2/14/99 +0000, you wrote:
>
>>Nope. But Stop's not my fave Kings' LP, either. Believe it or not,
>>gang, I vote for Don't Open Till Doomsday. Still, I think each one of
>>those first three was an EXCELLENT releas
>   Absolutely, Blair. I think it's their best too. The reason I think
>it's not appreciated is because of the stupid image the guys adopted
>around this period. It's a solid record though and manages to bring
>something new to garage without ballsing it up (well, in our opinion
>anyway).
>
>-  Jon 'Mojo' Mills
>   Shindig Magazine
>   London, UK
>
>

------------------------------

Date: 14 Feb 99 13:50:54 +0000
From: "Blair" <blairb1@idt.net>
Subject: Re: (3.5) How Ari learnt about garage...

>   But I'm sure, as you say, being part of that 80s scene was exciting.
	Quite. :-)

>I mean look at contemporary music back then, it was terrible..
	Has it improved? I think arguments could be made in both directions.

------------------------------

Date: Sun, 14 Feb 1999 10:54:33 -0800
From: "Joseph Beretta" <joeyb@aa.net>
Subject: Re: Let's Work Out! It's "T" Time!

>Take 5 (Fentones+Spotnicks)
>
Dave Brubeck Quartet, 1961

>Take this hammer (Junco Partners+Sooner Or Later)
>
Leadbelly

>Tell Laura I Love Her (John Leyton+Ricky Valance)
>
Ray Peterson, 1960

>That's what I want (Guy & the Turks+Tony Jackson)
>
I have a 45 by this title that came out in early '64 on RCA, by "The
Cicadas"--someone trying to imitate the Beatles.  It actually charted in
Seattle.  The song was written by Carter/Lewis.  I don't know anything more
about it.

>The Birds & The Bees (Astronauts+King Uszniewiecz)
>
Jewel Akens, 1965, if it's the same song

>The Breeze & I (Rhythm Rockers+Tornados)
>
Jimmy Dorsey & His Orchestra, 1940

>The Caterpillar Crawl (Lively Ones+Teenbeats)
>
The Strangers, 1959

>The Creep (Jay Epae+Tony Sheridan)
>
The first US hit was Ralph Marterie & His Orchestra, Jan. 1954.  The first
UK hit was Ken Mackintosh, Jan. 1954.  The Marterie version was "from the
Mexican film 'O Cangaceiro.'"

>The Cuckoo (Kaleidoscope+Holy Modal Rounders)
>
It appeared on a 1965 Peter, Paul & Mary LP.  An old folk song?

>The Kind Of Boy You Can't Forget (Jellybeans)
>
The Raindrops, 1963

>The Lonely Sea (Bobby Fuller+Ventures)
>
The Beach Boys, 1963

>The Old Master Painter (Beach Boys)
>
There were 6 Top 15 versions Dec49/Jan50.  The biggest was by Richard Hayes;
the first to chart were Dick Haymes and Snooky Lanson, both a week prior to
Hayes.

>There's a kind of hush (Herman's Hermits+Foreign Objects)
>
As far as I know Herman's Hermits were first (?)

>There's always something there to remind me (Lou Christie+Golfs)
>
A version by Lou Johnson charted 8-22-64 in the US; Sandie Shaw's version
charted 10-8-64 in the UK (and later in the US).  I don't know that that's a
definitive answer though.

>The Shimmy (Belairs+PJ & the Galaxies)
>
Appeared on a 1961 Chubby Checker LP.

>The Snake (Liverpool 5+12345)
>
Is this the 1968 Al Wilson hit?

>The way you do the things you do (Cherry Roland+Trends)
>
The Temptations, 1964

>The Wild One (Honells? or Go Go's? or Super Stocks? or?)
>
Bobby Rydell had a big hit by that name in 1960, but I don't know if this
would be the same song.

>Three Coins In The Fountain (Atlantics+Chantays)
>
Four Aces, 1954

>Tie Me down (Dino Desi & Billy+Turtles)
>
I thought DD&B were the originals, but I'm not sure.  Written by David
Gates.

>Too Many Fish In The Sea (Mitch Ryder+Young Rascals)
>
Marvelettes, 1965

>Tryin' To Get to You (Astronauts+Elvis Presley+Roy Orbison)
>
Was Elvis the original?

>24 Hours from Tulsa (was it Gene Pitney?)
>
Yes.


It's sad to realize the alphabet is coming to an end--how will we get our
workouts when it's over?

Joey

------------------------------

Date: Sun, 14 Feb 1999 14:39:13
From: Rocky Serkowney <rockys@tbaytel.net>
Subject: Re: Let's Work Out! It's "T" Time!

At 10:54 AM 2/14/99 -0800, you wrote:
>
>>The Birds & The Bees (Astronauts+King Uszniewiecz)
>>
>Jewel Akens, 1965, if it's the same song

This version/song plagued my young ears back then with 10 times a day
airplay.  One of the sappiest ever.  Another reason for anti-Valentine's
Day music!

Rocky.  
>

------------------------------

Date: Sun, 14 Feb 1999 16:29:01 EST
From: Rmerchandz@aol.com
Subject: Re: (3.5) How Ari learnt about garage...

In a message dated 2/14/99 12:59:43 PM, jon@mojo-mills.demon.co.uk writes:

<<In message , ARei160287@aol.com writes
>Mojo-
>  I have a sense of humor, but I find people like you, who "got into garage
in
>the 90's after it was over" to grate on my nerves, simply because you act
like
>experts , when you weren't even aware, let alone part, of the scene that
paved
>the way for the stuff you dig NOW!
  
I should blame my dad for not going to see the Music Machine in 1966.  I would
have been a rocking seed in his pants!  "Look, something in that man's crotch
will one day love garage music, let's make him a necklace out of macaroni."

------------------------------

Date: Sun, 14 Feb 1999 16:07:53 -0600
From: shepherd <shepherd@garply.com>
Subject: Re: Navarros?

TSanc43763@aol.com wrote:
> 
> In a message dated 2/12/99 11:32:18 PM EST, shepherd@garply.com writes:
> 
> <<
>  Has the Navarros 45 been comped or reissued anywhere?  It was released
>  on Corby in '65 or '66.
>   >>
> It's on on of the Golden Nuggets Cd's that Alec Palao put out.   Tony

Thanks!

Next question-Is it worth getting?  I guess if the rest of the CD is 
good, it's not that bad, but I'm mainly interested in the Neighbrhood 
Childrn stuff.

Seeya,
Kip

------------------------------

Date: Sun, 14 Feb 1999 16:24:56 -0600
From: shepherd <shepherd@garply.com>
Subject: Re: Neatbeats

> The main problem is publicity. Dr. Explosion played in LA to FIVE people.

Enough of that, how was the show in Atlanta?

Seeya,
Kip

------------------------------

Date: Sun, 14 Feb 1999 22:07:09 +0000
From: Steve & Annette <scaf@pro-net.co.uk>
Subject: re: Soul Struttin'/Another 10p Worth

DJ Paul wrote:

>>Soul Struttin' (Jamie Lyons + Ohio Express)

>Interestingly this looks like it was co-written by Tony Orlando.

...With Marty Thau before the latter hooked-up with the Dolls.  Also
covered in 1978 by The Fleshtones when hardly anyone ('cept Monoman and a
few others) could give a shit about garage music, Rudi Potrudi and the
Fuzztones were *not* even around and young Mojo was still listening to the
Father Abraham & the Smurfs in his crib.  

Thankfully Conolly and Zaremba remain with us and are still just as
consumed by that teen spirit as they ever were.  Maybe this is sad as hell
for some of you who are a little weary and have "seen it all" but they
still move me to tears from time to time - especially while ironing shirts
with 'vs Reality' blasting!   Both the Lyres and the 'Tones have
dredged/synthesised the past and found *their* own style instead of getting
side tracked by sixties fashion accessories and period detail.  Sure I love
The Chesterfield Kings and Tell Tale Hearts but they are, and for ever will
be at least in my books, a pastiche of their record collections.  Sometimes
you just want to slam the door on them after screaming "Come on guys, fuck
things up a little, keep the energy right there, but let's have some of
your *own* personality shining through".  The great, great tragedy is that
Greg Prevost so very nearly found his way out of this connudrum with
'Domesday' but has now returned to the "Let's make a record just like the
Fantastic Baggys would in '65"  approach.  This was interesting in '82 but
so boring in '99.  

Which also reminds me, and this goes out to certain 'zine editors, let's
stop talking just for a minute (or preferably even longer) about all these
so called living legends who made a 45 in '66, pressed-up 500 copies,
supported the Raiders, then went to college and became dentists (btw
nothing against dentists).  It really is time the older and unfashionable
farts from the seventies garage scene (yeah, you got that right pal!) such
as the Z-man and Conolloid were credited with the legacy they have left
*and* continue to leave us.  Yeah, I know it's insane to say this but I
really believe these guys are just as essential as a host of lesser talents
credited as garage icons.  Flame away if this notion irks you!  

IMHO garage rock is not just about dressing up like the Music Machine with
sharks teeth dangling round your neck, it's about uncontrolled emotion
(anger/hate/love/retribution etc) à la Rudi Martinez singing '96 Tears'
with such intense *feeling* it damn well hurts you inside.  Yeah I can see
? right now, there he is onstage at the Dome, decked out in spandex
trousers while several sad-o Mods look on aghast at the sacrilege being
done to their sixties alter 'cause the band do not look right.  

So will you be standing there besides ?/Zaremba/Conolly in twenty five
years time and digging those same wigged-out emotions my friends?  Probably
not, but, you know I'm counting on you to prove me wrong.  

Yours respectfully

Steve Coleman


¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø
        HAVE YOU ENTERED THE GARAGE? 
   http://www.pro-net.co.uk/scaf/garage.html
            THE FLESHTONES HALL OF FAME
               http://www.fleshtones.co.uk
¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø,¸¸,ø¤º°`°º¤ø

------------------------------

Date: Sun, 14 Feb 1999 17:17:06 EST
From: TSanc43763@aol.com
Subject: Golden Nuugeres Re: Navarros?

In a message dated 2/14/99 4:52:44 PM EST, shepherd@garply.com writes:

<< 
 Next question-Is it worth getting?  I guess if the rest of the CD is 
 good, it's not that bad, but I'm mainly interested in the Neighbrhood 
 Childrn stuff.
  >>
The Golden Nuggets series is ideal if one is interested in detail towards a
specific label.  Alec does a great job putting them together and the info is
top notch. While I enjoy them as a collector, a few CD's in the series
(they're only on CD) I wouldn't put on again and again. Because you're getting
a complete label or complete output by a band it there will be some filler
type tracks (alt versions, weak tracks that are interesting but that's it).
There are some top notch tracks on them though, mixed in within everything
else. 
    There are some exceptions though, I love the 'Good times are happening'
for instance is pretty consistent all the way through. One of the reasons I'm
more meticulous about this series is that they're a little expensive and I
have to be more selective in spending the cash.    Tony 

------------------------------

Date: Sun, 14 Feb 1999 16:37:22 -0600
From: shepherd <shepherd@garply.com>
Subject: Re: Let's Work Out! It's "T" Time!

> That Is R'n'R (Rattles+Crawdaddys)

The Coasters did it first.  Leiber and Stoller wrote it.

> There's always something there to remind me (Lou Christie+Golfs)

Gloria Jones?  I think Ed Cobb wrote it.

Seeya,
Kip

------------------------------

Date: Sun, 14 Feb 1999 17:23:50 -0500
From: Larry Shell <sheltone@ix.netcom.com>
Subject: Re: "T" Time!

MC BIGOT <jerk@club-internet.fr> wrote:
> 
> 
> Date: Sun, 14 Feb 1999 08:51:18 +0100
> From: MC BIGOT <jerk@club-internet.fr>
> Subject: Let's Work Out! It's "T" Time!
> 
> Thanks to Brian, Frank, Glynis, Lola, Moparlary, Wigout (?), Blair,
> Joey, Kip, PJ & Dave for their appearance in our previous episode. Today
> we're gonna try to see if you can deal with a marathonian exercice, the
> biggest yet! Only the strongest will stand on their feet til the end...
> Good luck boys'n'girls!
> 
> So who did it first...
> 
> 
> 
> 
> 
> Tell Laura I Love Her (John Leyton+Ricky Valance)

Ray Peterson


> That Loving Feeling (Atlantics+Honeycombs)


If this is actually (You've Got) That Loving Feeling, then its the
Rightous Brothers


> The Birds & The Bees (Astronauts+King Uszniewiecz)

Jewel Akins (sp?)

 
> The Caterpillar Crawl (Lively Ones+Teenbeats)

If its the same song I'm thinking of, Joe Hill Louis


> There's always something there to remind me (Lou Christie+Golfs)

Arrrgh! I should know this one, some British invasion band!

 
> The Wayward Wind (Gene Vincent+Scorpions)

Gogie Grant had the hit, unsure if she was definitely the first to
record it.

 
> The way you do the things you do (Cherry Roland+Trends)

Its one of the Motown groups, probably the Temptations

 
> Tryin' To Get to You (Astronauts+Elvis Presley+Roy Orbison)

Bill Allen

 
> 24 Hours from Tulsa (was it Gene Pitney?)

Gene Pitney for sure

> Still with me???


Barely, I'm usually a few days behind on reading digests so by that
time, many others have responded. Happy to have a chance to show off my
astounding musical knowledge. :)

Larry Shell

------------------------------

Date: Sun, 14 Feb 1999 17:49:32 -0500
From: Glynis & Richard Ward <felinefrenzy@mindspring.com>
Subject: Re: Neatbeats

Kip:

Enough of that, how was the show in Atlanta?

The first show the other night was totally awesome. The boys had the
audience down on their knees.
We'll see how tonight's goes. We kind of tired them out at the record fair
today. I think they spent all of Friday's earnings!!!

Glynis Ward

http://www.mindspring.com/~felinefrenzy
	Feline Frenzy Teen 'Zine Scene

http://www.mindspring.com/~felinefrenzy/canadian.html
	Canadian 60's Garage Band Page

------------------------------

Date: Sun, 14 Feb 1999 17:51:00
From: Rocky Serkowney <rockys@tbaytel.net>
Subject: Re: Navarros?

At 04:07 PM 2/14/99 -0600, you wrote:
>>   >>
>> It's on on of the Golden Nuggets Cd's that Alec Palao put out.   Tony
>
>Thanks!
>
>Next question-Is it worth getting?  I guess if the rest of the CD is 
>good, it's not that bad, but I'm mainly interested in the Neighbrhood 
>Childrn stuff.
>
>Seeya,
>Kip
>
>
Hey Kip,

I think someone mentioned it was on the "Good Things Are Happening" volume
of this series.  The whole bunch are great, but this one is a standout.

Rocky.  

------------------------------

Date: Sun, 14 Feb 1999 17:54:27 EST
From: TSanc43763@aol.com
Subject: Re: Soul Struttin'/Another 10p Worth

In a message dated 2/14/99 5:13:37 PM EST, scaf@pro-net.co.uk writes:

<<The Chesterfield Kings and Tell Tale Hearts but they are, and for ever will
 be at least in my books, a pastiche of their record collections.  Sometimes
 you just want to slam the door on them after screaming "Come on guys, fuck
 things up a little, keep the energy right there, but let's have some of
 your *own* personality shining through".  The great, great tragedy is that
 Greg Prevost so very nearly found his way out of this connudrum with
 'Domesday' but has now returned to the "Let's make a record just like the
 Fantastic Baggys would in '65"  approach.  This was interesting in '82 but
 so boring in '99.   >>
>>>>>>>>
 some more 2 cents (with no intent to dog anyones opinion)
       I only had the opportunity to see the Kings 3 or 4 times early on so I
cannot comment on their full history (Blair could probably do this) , however
the TTHearts were a different story of course. 
      WHile the TThearts were the epitome of '66 Texas garage meets Dutchbeat,
they wrote a lot of originals and their shows were MANIC  at times. You would
have no idea what would happen on stage at times. With Bill blowing the harp,
Mike on Bass and Ray jumping in the air every 10th beat they were pretty
phenomenal on stage. I have no doubt that if they were to play such a show
like that today, people would go absolutely apeshit!  When they closed their
sets w/ "Won't you listen" it was the best thing ever.  I have seen hundreds
of bands since then and have yet to see a group attack the Dutch/Texas
material with the same assault as the Hearts. (Although the Kings English may
be the next contenders)
       One more point was that the clothes they wore on stage, were never
costumes or for the stage... that's what they wore everyday.  I remember some
fans telling Mike "Man the 60's costumes are great". Ha!
          The one thing I did notice about the Kings (who I thought were
brilliant) was when they played with the Hearts, was their schtick was the
same in LA and San Diego. Despite putting on a wyld show, with Greg banging
mike stands to no end, the jokes and stage moves were identical at both shows.
Still, seeing them was a highlight in my life, they were brilliant.

     Bands who don't dress up but are still great in my book include:
Swinging Neckbreakers,  Dead Moon...
   A band doesn't have to dress up to be good of course, but when they do, I
think it's tops and adds that much more to the show. Whether it's gimmic stuff
caveman outfits, matching surf era gear, or the TeleTubby outfits of the
Phantom Surfers (they were great!) it's all hip in my book.   Tony
      

------------------------------

Date: 14 Feb 99 19:19:01 +0000
From: "Blair" <blairb1@idt.net>
Subject: 80s scene

>          The one thing I did notice about the Kings (who I thought were
>brilliant) was when they played with the Hearts, was their schtick was the
>same in LA and San Diego. Despite putting on a wyld show, with Greg
>banging
>mike stands to no end, the jokes and stage moves were identical at both
>shows.
>Still, seeing them was a highlight in my life, they were brilliant.

Well, 'tis verily true that one of Greg's bits was always obliterating mic
stands (he took out a nice chunk of ceiling in a few clubs with 'em, as a
matter of fact.) However, I always thought of that to be Greg's prop.

As to jokes... Hmm, well, it was rare that I'd see them two nights in a
row, except if they played Maxwells one night and NYC the next. But then
they knew damn well they were getting a good chunk of the same crowd, so I
suppose they wouldn't even consider pulling out the same bits. 

I saw the Kings numerous times in the mid-80s, since I was going to school
up in Rochester, then I'd be home on Long Island (within striking distance
of NYC) on vacations (which somehow seemed to be when the Kings would be
hitting town.) Besides, People's Express had flights from Rochester to
Newark off-peak for $38 round trip. I knew a couple of Rochester high
school girls who used to head down to The Dive for a good weekend.

Every show The C. Kings did in the mid-80s was mind-numbingly great. They
blew the doors off every club they were at. I remember someone asking me if
I was sorry I hadn't been around for the 60s, or that I'd missed out on the
NYC punk scene. No way. The scene I was experiencing in the mid-80s (be it
up in Rochester, with the Kings, Projectiles, Swing Set, Absolute Grey,
Hidden Charms, etc., NYC with the Fuzztones, Vipers, Outta Place, Tryfles,
et al., or on Long Island with The Mosquitos, Secret Service, Plastic
Device, and more) was phenomenal. 

To me, bands like The Chesterfield Kings, The Fleshtones, The Hoodoo Gurus,
and The Lyres were at least as good as any of the bands I was hearing on
Pebbles comps. And this gets back to something that Steve Coleman was
saying... All I had to go on with those bands were a couple of recordings.
With the bands I was seeing, not only did they have a bunch of records, but
I got to see just how damn good they were live. (And, to me, the live show
is the absolute indicator of how good a band is.) 

In the mid-80s, The Chesterfield Kings were one of the absolute best on the
block. It's true that I didn't like the direction they went with Berlin
Wall of Sound, but, well, bassist Andy Babiuk says he hated that one, too.

There are, of course, a few bands I'm kinda bummed I never got to see from
the mid-80s... Of these, The Telltale Hearts, The Stems, and The Milkshakes
are at the top of my list. I suppose I could throw the early Creeps onto
that list, too.

But I saw some amazing rock'n'roll. Sure, some of the bands were very into
the 60s look/sound. It didn't matter to me, 'cuz it was great rock'n'roll.
It's possible that such material may not stand the test of time simply
because it wasn't done in 1966. To which I respond, if I played it back to
back with a 60s track and didn't tell you, would you not enjoy it?

Just another point of view,

Blair

------------------------------

End of bomp-digest V99 #71
**************************

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