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bomp-digest         Tuesday, February 16 1999         Volume 99 : Number 074



It's another issue of bomp-digest, the digest version of the Bomp list.
To unsubscribe, send an e-mail with the words "unsubscribe bomp-digest" to
majordomo@xnet2.com or use the form at <http://www.juvalamu.com/bomplist>.

The following subjects are included in this digest:
   Re: 60s in the 80s
     "Russell Hopkinson" <stig@ar.com.au>
   Re: 60s in the 80s
     "Beryl Roberts" <brobert@powerup.com.au>
   Re: 60s in the 80s
     TSanc43763@aol.com
   Re: request catalog
     Glynis & Richard Ward <felinefrenzy@mindspring.com>
   Play Stormy For Me
     Don Smith <DonTGD@erols.com>
   Gurus/Streng
     Joe Bonomo <jwbon@yahoo.com>
   Milkshakes in the US?
     Joe Bonomo <jwbon@yahoo.com>
   Re: Frankenstein 5
     Glynis & Richard Ward <felinefrenzy@mindspring.com>
   Re: request catalog
     Rocky Serkowney <rockys@tbaytel.net>
   Re: Frankenstein 5
     "Beryl Roberts" <brobert@powerup.com.au>
   Re: request catalog
     Glynis & Richard Ward <felinefrenzy@mindspring.com>
   Re: Play Stormy For Me
     "Beryl Roberts" <brobert@powerup.com.au>
   Re: Dans le lonely garage
     Ron Thums <rumpus2@bitstream.net>
   Radio Rumpus Room playlist, 2/12/99
     Ron Thums <rumpus2@bitstream.net>
   Re: Dans le lonely garage
     Ron Thums <rumpus2@bitstream.net>
   Re: 80s scene
     DENIS LALONDE <pickup@sympatico.ca>
   Re: Dans le lonely garage
     DENIS LALONDE <pickup@sympatico.ca>
   Re: Play Stormy For Me
     Josh Lewis <joshlew@bway.net>
   Re: 60s in the 80s
     MC BIGOT <jerk@club-internet.fr>

----------------------------------------------------------------------

Date: Tue, 16 Feb 1999 10:24:16 +1100
From: "Russell Hopkinson" <stig@ar.com.au>
Subject: Re: 60s in the 80s

The Guru's weren't as "pure" a garage band as, say, the Stems but they
certainly incorporated a lot of those influences into their sound. It was
amazing to see them in their early days. they were a massive influence on so
many bands in Australia and still could put on great show right up until the
end.
I just hope, Blair, that you never see or hear "Antenna", a little act that
Dave Faulkner and Kim Salmon are involved in at the moment. I like to think
I'm open minded but lame "dance" influenced mainstream pop leaves me feeling
very cold.
Hopefully Brad Shepherds project with his brother Murray will be more like
it.
The Stems were such a great band, I really felt they blew it when they
split.
Australia had quite a few garage influenced bands at that time..The Arctic
Circles, The Hard Ons (before they discovered hardcorepunk), The Lime
Spiders, The Puritans, The Breadmakers, The Neptunes, The Marigolds, The Gas
Babies and The Shindiggers all put on great shows and made some cool
records. I still listen to all those bands, and I 'aint ashamed to admit it!
cheers
rusty
- -----Original Message-----
From: Blair <blairb1@idt.net>
To: bomp@xnet2.com <bomp@xnet2.com>
Date: Tuesday, 16 February 1999 10:00
Subject: Re: 60s in the 80s


>
>>Who else on the garage scene is as highly regarded as Pete Zaremba and
>>Jeff Conolly?
>
>Well, Billy Childish for one.
>
>I suppose The Hoodoo Gurus aren't as highly regarded by the garage scene as
>The Fleshtones & Lyres, but I (for one) think they deserve to be. Their
>early material took many cues from wild rock'n'roll action. While I think
>their records after Like Wow Wipeout didn't quite touch the magic of that
>one and its predecessor, Stoneage Romeos, they were always a phenomenal
>live act.
>
>Another person (also recently mentioned) who deserves a ton of recognition
>for all the great recordings he's done over the years is Dom Mariani
>(Stems, Someloves, Stonefish, DM3, etc.)
>
>But you're right that the 'Tones and Lyres are among the most highly
>regarded acts, at least by those of us who've been around for a bit. Still,
>the garage scene in general doesn't always seem to give these bands the
>respect their music deserves.
>
>I mean, as much as I love the Mummies (well, the first couple years, before
>all the breakups, etc.), I don't rank them nearly as highly as The Lyres
>and Fleshtones.
>
>However, the point I believe Steve was making was that people give all this
>credit to bands who made one or two 45s in the mid-60s, then went on to
>either record complete dreck OR settled down to a regular life. Meanwhile,
>guys like The Fleshtones have kept it up for over 20 years, sticking to
>their guns, playing great rock'n'roll. And yet you hear people ignore them
>and yak on and on forever about some band that did *one* decent single in
>1966. Personally, I think Steve has a point.
>
>Blair
>
>
>

------------------------------

Date: Tue, 16 Feb 1999 10:21:28 +1000
From: "Beryl Roberts" <brobert@powerup.com.au>
Subject: Re: 60s in the 80s

Rusty wrote:
I just hope, Blair, that you never see or hear "Antenna", a little act that
Dave Faulkner and Kim Salmon are involved in at the moment

Some metal-head friends of mine have just got cable, and on the music
channel they've started showing bits from the "Big Day Out" which this year
"featured" Marilyn Manson, Hole and assorted other dreadful mostly dance
oriented acts, including Antenna....anyway, I think it was at the Sydney one
that Dave Faulkner and Brad Shepherd got up onstage with Hole and did THE
MOST disgusting version of "Bittersweet" I've EVER heard, I mean, even a
band at my old school did a better version without any Guru's involved!!! It
was truly embarrassing, even my metal friends were squirming in their seats!
It wasn't Dave and Brad's fault though, Hole didn't know what they were
doing, the bassplayer just couldn't get it right and Courtney was too busy
trying to keep a little bit of her top on whilst playing, but let's face it,
"Bittersweet" is not the most complicated song in the world to play! If the
Guru's were dead, I reckon they would've been spinning in their graves!!
Judy Jetson
- -----Original Message-----
From: Russell Hopkinson <stig@ar.com.au>
To: bomp@xnet2.com <bomp@xnet2.com>
Date: Tuesday, 16 February 1999 9:27
Subject: Re: 60s in the 80s


>
>The Guru's weren't as "pure" a garage band as, say, the Stems but they
>certainly incorporated a lot of those influences into their sound. It was
>amazing to see them in their early days. they were a massive influence on
so
>many bands in Australia and still could put on great show right up until
the
>end.
>I just hope, Blair, that you never see or hear "Antenna", a little act that
>Dave Faulkner and Kim Salmon are involved in at the moment. I like to think
>I'm open minded but lame "dance" influenced mainstream pop leaves me
feeling
>very cold.
>Hopefully Brad Shepherds project with his brother Murray will be more like
>it.
>The Stems were such a great band, I really felt they blew it when they
>split.
>Australia had quite a few garage influenced bands at that time..The Arctic
>Circles, The Hard Ons (before they discovered hardcorepunk), The Lime
>Spiders, The Puritans, The Breadmakers, The Neptunes, The Marigolds, The
Gas
>Babies and The Shindiggers all put on great shows and made some cool
>records. I still listen to all those bands, and I 'aint ashamed to admit
it!
>cheers
>rusty
>-----Original Message-----
>From: Blair <blairb1@idt.net>
>To: bomp@xnet2.com <bomp@xnet2.com>
>Date: Tuesday, 16 February 1999 10:00
>Subject: Re: 60s in the 80s
>
>
>>
>>>Who else on the garage scene is as highly regarded as Pete Zaremba and
>>>Jeff Conolly?
>>
>>Well, Billy Childish for one.
>>
>>I suppose The Hoodoo Gurus aren't as highly regarded by the garage scene
as
>>The Fleshtones & Lyres, but I (for one) think they deserve to be. Their
>>early material took many cues from wild rock'n'roll action. While I think
>>their records after Like Wow Wipeout didn't quite touch the magic of that
>>one and its predecessor, Stoneage Romeos, they were always a phenomenal
>>live act.
>>
>>Another person (also recently mentioned) who deserves a ton of recognition
>>for all the great recordings he's done over the years is Dom Mariani
>>(Stems, Someloves, Stonefish, DM3, etc.)
>>
>>But you're right that the 'Tones and Lyres are among the most highly
>>regarded acts, at least by those of us who've been around for a bit.
Still,
>>the garage scene in general doesn't always seem to give these bands the
>>respect their music deserves.
>>
>>I mean, as much as I love the Mummies (well, the first couple years,
before
>>all the breakups, etc.), I don't rank them nearly as highly as The Lyres
>>and Fleshtones.
>>
>>However, the point I believe Steve was making was that people give all
this
>>credit to bands who made one or two 45s in the mid-60s, then went on to
>>either record complete dreck OR settled down to a regular life. Meanwhile,
>>guys like The Fleshtones have kept it up for over 20 years, sticking to
>>their guns, playing great rock'n'roll. And yet you hear people ignore them
>>and yak on and on forever about some band that did *one* decent single in
>>1966. Personally, I think Steve has a point.
>>
>>Blair
>>
>>
>>
>
>

------------------------------

Date: Mon, 15 Feb 1999 21:32:20 EST
From: TSanc43763@aol.com
Subject: Re: 60s in the 80s

In a message dated 2/15/99 5:37:51 PM EST, wigout6@juno.com writes:

<< 
 You got that right Steve!  I was just spinnin' some 45s that I haven't
 listened to in a while and I put on my two DMZ 7" records - the Bomp EP
 (1977) and the Crypt live EP (1978).  Both contain versions of The 13th
 Floor Elevators' "You're Gonna Miss Me" and the live record includes
 their cover of The Chocolate Watch Band's "Are You Gonna Be There (at the
 Love In)?"  By picking up on the energy inherent in these recordings,
 Jeff "Mono Man" Conolly showed that he was definitely ahead of his time
 (odd as that may sound), as were The Fleshtones.  I'm curious if JJ
 Rassler can tell us whether the other DMZ band members were as familiar
 with these 60s garage acts as Mono Man was, or if he "introduced" them to
 this (at the time) fairly obscure stuff?
  >>
It's odd as many times as I saw the Fleshtones early on, it was outta
coincidence in LA or SD. I was either there to see the Crawdaddys, The Last,
or The Unclaimed.  I remember them even opening for a Standells reunion. I
just never got into them as much as other groups from the East Coast. This is
not to say they are not good musicians, they are and I know there are tons of
fans that think they're tops, they just never did it for me. 
             The Kings, Lyres, Vipers,Prisoners, early Stems &Lime Spiders,
Unclaimed, Tyrnaround, Plasticland, Milkshakes,Crimson Shadows, Creeps... all
moved me a lot more. Although, I am the result of more of 'mod' rnb scene, so
I was way more close minded back then (my loss I suppose).   Tony

------------------------------

Date: Mon, 15 Feb 1999 22:45:52 -0500
From: Glynis & Richard Ward <felinefrenzy@mindspring.com>
Subject: Re: request catalog

Hi:

Right now I don't have a paper catalogue (I guess you want to buy some
records?).
Can you let me know what you are looking for? Then I can tell you what I
have available.

Thanks,

Glynis

Glynis Ward

http://www.mindspring.com/~felinefrenzy
	Feline Frenzy Teen 'Zine Scene

http://www.mindspring.com/~felinefrenzy/canadian.html
	Canadian 60's Garage Band Page

------------------------------

Date: Mon, 15 Feb 1999 22:55:07 -0500
From: Don Smith <DonTGD@erols.com>
Subject: Play Stormy For Me

Consider you radio guys with no callers lucky.  I
used to get about 6 regular callers who would
hammer away at the phones when I started talking,
etc.  I got everything from "my sister took me to
see Richard and the Young Lions" to "Rush Limbaugh
said this thing and I want you to talk about it,"
often the same caller.  Most commonly it was,
"this 1970s horror film is on cable and it's so
bad it's good talk about it."  Which is like
really tired after a while.  There are a finite
number of horror films which are so bad they are
good and then after that what are you sitting
around talking about, anyway?

Then there was a lawyer who was obsessed with the
planet of the apes and would request the Mummies
"Planet of the Apes" song over and over again,
like twice in the same show, etc.

No, I had people show up unanounced to "hang out,"
I had people track me down at home, I had people
send me tapes at home and expect me to tape their
favorite songs.  I had a guy lend me his
collection of 1960s radio reel-to-reels and then
ask me to tape him 100 tapes and when I wasn't
done after 6 months he started leaving harrassing
phone messages- I eventually sumped it all on his
porch.  It was not a fun thing when I was trying
to do something fun in a stodgy town and I became
a lightning rod for some people with few friends. 
no calls isn't such a bad thing.

Don

------------------------------

Date: Mon, 15 Feb 1999 19:51:55 -0800 (PST)
From: Joe Bonomo <jwbon@yahoo.com>
Subject: Gurus/Streng

Blair:

A Faulkner/Streng dynamic duo would be great!  Streng's always thought
that Faulkner was a great rock & roller.  In the meantime, we'll have
to do with the Streng/Adny Shernoff collaborative EP coming up (Keith
told me that he just saw the cover art and it's great, but we've got
to wait a bit for the record).

Concerning the Gurus, I've thought that just about everything they did
was solid.  "Blow Your Cool" was full of great songs, but suffers from
a terrible 80's producer's sheen to it (it was still one of the most
important records for me in college).  The only record that I thought
was so-so was "Crank," because the songwriting quality dipped a bit,
IMO.  Sadly, their swan song "Blue Cave" was among their strongest
(sound-wise, as well as songwriting) but to no avail.  Long live one
of the great rock & roll bands.

Joe
 
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

------------------------------

Date: Mon, 15 Feb 1999 19:57:56 -0800 (PST)
From: Joe Bonomo <jwbon@yahoo.com>
Subject: Milkshakes in the US?

A Milkshakes US reunion tour would be amazing, but I fear that it
won't happen.  I imagine that Steve Coleman will back up my guess, as
we've corresponded of late regarding the great Mickey Hampshire and,
according to Steve, the lad doesn't get out much anymore.

Does anyone else agree with me that Hampshire has (has) one of the
all-time great rock & roll voices?  On par with Eddie Cochran....  His
screams alone (I'm thinking of "Brand New Cadillac") were astounding!

Joe




 
_________________________________________________________
DO YOU YAHOO!?
Get your free @yahoo.com address at http://mail.yahoo.com

------------------------------

Date: Mon, 15 Feb 1999 23:06:38 -0500
From: Glynis & Richard Ward <felinefrenzy@mindspring.com>
Subject: Re: Frankenstein 5

>"Sam" Bjoned

You are so mistaken. The Frankenstien V sucked. I should know. I was
subjected to them many, many times. A horrible bunch of guys. Especially
this guy who has the gaul to call himself "James Bond" - like he's ANYTHING
like the suave and debonair spy! HA!!!! And then to try and be in a rock 'n
roll band. He can't pay for crap. And you should see him "sing"????
You know there are cool bands that call themselves "garage" bands because
they have that groovy 3 chord 60's influence, and then there are bands that
call themselves "garage" because they just suck so bad, they'll never get
out of the space beside the car!!!!

The pink pussy cat

------------------------------

Date: Mon, 15 Feb 1999 22:59:47
From: Rocky Serkowney <rockys@tbaytel.net>
Subject: Re: request catalog

Hmmm...I thought the person who inadvertantly posted to the list about a
catalogue was after a Bomp Rare Records one (should've e-mailed
suzybomp@aol.com), but maybe s/he wants FF lists/info as well.  

Anyway, so how was last night's Dr. Explosion/King's English/Marianne
Faithfuls show?

Rocky. 	 

At 10:45 PM 2/15/99 -0500, you wrote:
>
>Hi:
>
>Right now I don't have a paper catalogue (I guess you want to buy some
>records?).
>Can you let me know what you are looking for? Then I can tell you what I
>have available.
>
>Thanks,
>
>Glynis
>
>Glynis Ward
>
>http://www.mindspring.com/~felinefrenzy
>	Feline Frenzy Teen 'Zine Scene
>
>http://www.mindspring.com/~felinefrenzy/canadian.html
>	Canadian 60's Garage Band Page
>
>

------------------------------

Date: Tue, 16 Feb 1999 14:09:57 +1000
From: "Beryl Roberts" <brobert@powerup.com.au>
Subject: Re: Frankenstein 5

The Pink Pussy Cat Purred:
and then there are bands that
call themselves "garage" because they just suck so bad, they'll never get
out of the space beside the car!!!!

If bands like this do manage to get themselves out of the space beside the
car, they invariably end up in the space beside the bar!!! But then again, I
guess almost all of us have found THAT space at least once (or twice, or...
ah forget I mentioned it)
Judy Jetson

- -----Original Message-----
From: Glynis & Richard Ward <felinefrenzy@mindspring.com>
To: bomp@xnet2.com <bomp@xnet2.com>
Date: Tuesday, 16 February 1999 14:02
Subject: Re: Frankenstein 5


>
>>"Sam" Bjoned
>
>You are so mistaken. The Frankenstien V sucked. I should know. I was
>subjected to them many, many times. A horrible bunch of guys. Especially
>this guy who has the gaul to call himself "James Bond" - like he's ANYTHING
>like the suave and debonair spy! HA!!!! And then to try and be in a rock 'n
>roll band. He can't pay for crap. And you should see him "sing"????
>You know there are cool bands that call themselves "garage" bands because
>they have that groovy 3 chord 60's influence, and then there are bands that
>call themselves "garage" because they just suck so bad, they'll never get
>out of the space beside the car!!!!
>
>The pink pussy cat
>

------------------------------

Date: Mon, 15 Feb 1999 23:28:53 -0500
From: Glynis & Richard Ward <felinefrenzy@mindspring.com>
Subject: Re: request catalog

opps, sorry, I thought that was a personal email!!!

Glynis Ward

http://www.mindspring.com/~felinefrenzy
	Feline Frenzy Teen 'Zine Scene

http://www.mindspring.com/~felinefrenzy/canadian.html
	Canadian 60's Garage Band Page

------------------------------

Date: Tue, 16 Feb 1999 14:29:57 +1000
From: "Beryl Roberts" <brobert@powerup.com.au>
Subject: Re: Play Stormy For Me

We get odd-bods calling us up sometimes too, although your story sounds like
it could be a horror movie in itself!!
On the odd occasion we here at UFO put on our own Night clubs, at which a
certain person (who shall remain nameless) turns up with his records and
expects us to play his f@#kin' collection all night!! Then at the end of the
night, he'll come over to get his records, all shitty because we didn't play
all his stuff (and after he'd gotten about 6 of his friends in for free,
because he told the doorchick that we said it was alright when we didn't)
AND expect me to give him a lift home!!! Normally I would, but my Mini can
only take me and my 2 cohorts and all our own records and projectors and
that's about it...and this little Hitler expects a lift as well, after
abusing our friendship and us for not doing exactly what he wanted...!!
Granted, the said fellow is a coupla tinnies (cans for youse non
Orstraylyuns) short of a sixpack, if ya know what I mean, but geez!!! We
don't get paid at our radio station, and to put these nights on puts us out
of pocket as it is, without people ripping us off as well!! So I guess fear
not Don, you are not alone in being hassled by weirdos!!
Judy Jetson
- -----Original Message-----
From: Don Smith <DonTGD@erols.com>
To: Bomp@xnet2.com <Bomp@xnet2.com>
Date: Tuesday, 16 February 1999 13:54
Subject: Play Stormy For Me


>
>Consider you radio guys with no callers lucky.  I
>used to get about 6 regular callers who would
>hammer away at the phones when I started talking,
>etc.  I got everything from "my sister took me to
>see Richard and the Young Lions" to "Rush Limbaugh
>said this thing and I want you to talk about it,"
>often the same caller.  Most commonly it was,
>"this 1970s horror film is on cable and it's so
>bad it's good talk about it."  Which is like
>really tired after a while.  There are a finite
>number of horror films which are so bad they are
>good and then after that what are you sitting
>around talking about, anyway?
>
>Then there was a lawyer who was obsessed with the
>planet of the apes and would request the Mummies
>"Planet of the Apes" song over and over again,
>like twice in the same show, etc.
>
>No, I had people show up unanounced to "hang out,"
>I had people track me down at home, I had people
>send me tapes at home and expect me to tape their
>favorite songs.  I had a guy lend me his
>collection of 1960s radio reel-to-reels and then
>ask me to tape him 100 tapes and when I wasn't
>done after 6 months he started leaving harrassing
>phone messages- I eventually sumped it all on his
>porch.  It was not a fun thing when I was trying
>to do something fun in a stodgy town and I became
>a lightning rod for some people with few friends.
>no calls isn't such a bad thing.
>
>Don
>

------------------------------

Date: Mon, 15 Feb 1999 23:14:13 -0600 (CST)
From: Ron Thums <rumpus2@bitstream.net>
Subject: Re: Dans le lonely garage

>Oh, and the fake requests? Doesn't work! People in MontrČal don't care
>about garage, and the reason why people call in when someone fills, it's
>because they play stuff people will know, like Bardot, Ramones,etc.
>Don't worry, I'd rather have no one fill in and have the Bomboras cd
>play over and over than have some moron fill in.

Well, sheesh, if I'd known THAT I woulda spared myself the time in writing
my previous response and said either change your focus or consign yourself
to a pretty small local listenership!

Ron

Radio Rumpus Room
Minneapolis/St. Paul
http://www2.bitstream.net/~rumpus2/

------------------------------

Date: Mon, 15 Feb 1999 23:14:24 -0600 (CST)
From: Ron Thums <rumpus2@bitstream.net>
Subject: Radio Rumpus Room playlist, 2/12/99

Hey folks,

Introductory stuff included the new album by the beat-happy Neatbeats (from
Get Hip) and a full-throttle rev-up of the Hondells compilations produced
by ATM Records of Germany. Also, more from the superb Ritchie Valens box
(on Del-fi) that we're only belatedly getting around to exploring. Biggest
surprise of the night: Discovering that another programmer had turned off
one of the turntable power supplies just as we were about to launch a
four-LP set.

As always, many thanks to the artists and labels responsible for producing
tonight's music, and to the loyal listeners who inexplicably encourage us
to air it every week!

(If you're in the neighborhood, Radio Rumpus Room broadcasts Fridays at
9-10:30 p.m. on KFAI Fresh Air Radio, FM 90.3 Minneapolis and 106.7 St.
Paul.) 

____________________________________

Here's the playlist for Friday, February 12, 1999:

SAVVY SHOW STARTER (ALWAYS LOCALLY RECORDED!)

Michael Yonkers -- Microminiature Love (Free Flight: Unreleased Dove
Recording Studio Cuts, 1964-'69)

The Jim Oldsberg-writ liner notes quote the recording engineer describing
the one-take recording session that produced "Microminiature Love": "It was
some sort of bastardized Fender that he (Michael Yonkers) had customized
himself. It was covered with tinfoil, had multi-shaped antennaes sticking
up all over it and giant red knobs and meters on its face that jumped up
and down. All I could do was stare in utter amazement... There was no way
to describe my initial reaction to the Michael Yonkers sound... and you've
got to remember this was AFTER I'd done all my work on the "Trip Thru Hell"
LP for the C.A. Quintet."

Status Quo -- Pictures Of Matchstickmen (WCFL: Big Ten Radio Loves Chicago;
WCFL)
The Three O'clock -- Jet Fighter (Sixteen Tambourines; Frontier)
Bongwater -- Just May Be The One (Double Bummer; Shimmy Disc)
Jefferson Airplane -- Thunk/War Movie (Bark, RCA)

Ritchie Valens -- Cry, Cry, Cry (alt. version) (Come On, Let's Go! box; Del-fi)
Hasil Adkins -- Punchy Wunchy Wickey Wackey Woo (The Wild Man; Norton)
Trashmen -- Long Tall Sally (Bird Call: The Twin Cities Stomp Of The
Trashmen; Sundazed)
Nine Pound Hammer -- Oh That's Good, No That's Bad (Turban Renewal: A
Tribute To Sam The Sham & The Pharoahs; Norton)

Howlin' Andy Hound -- Boy In The Magazine (The Big Bad Sound of Howlin'
Andy Hound demo; Mod Holland)
Crawdaddys -- You're Gonna Need My Love Some Day (Battle Of The Garages,
Part 1; Voxx)
Neatbeats -- Spoilt Girl (Far And Near; Get Hip)
Grains Of Sand -- That's When Happiness Begins (What A Way To Die; Satan)

Last Times -- Don't Tell Me (Love Is A Sad Song; Misty Lane)
Boys Next Door -- Suddenly She Was Gone (Shake It For Me: The Soma Records
Story, Vol.1; BeatRocket/Sundazed)
The Others -- Come To Tell (Everything's There; Teen Sound)
Jujus -- You Treat Me Bad (You Treated Me Bad; Teenage Shutdown)

IT'S A WONDERFUL WORLD OF WHEELS WEEKEND!
Bruce & Terry -- Custom Machine (The Best Of...; Sundazed)
Four Speeds -- My Sting Ray (The Hondells: Aliases and Alternatives; ATM)
Hondells -- Two Wheel Show Stopper (The Hondells: You're Gonna Ride With
Us; ATM)
Competitors -- Little Stick Nomad (The Hondells: Aliases and Alternatives; ATM)

Volcanos -- Brand New Board (Finish Line Fever; Estrus)

That's all, folks

________________
RADIO RUMPUS ROOM: An unholy mix of surf, hot rod, rockabilly,
'60s garage, psychedelic, and trad/alt.country -- Fridays 9-10:30 p.m.
KFAI 90.3 FM (Minneapolis) and 106.7 FM (St. Paul)
Weekly playlists & more at http://www2.bitstream.net/~rumpus2/

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Date: Mon, 15 Feb 1999 23:15:19 -0600 (CST)
From: Ron Thums <rumpus2@bitstream.net>
Subject: Re: Dans le lonely garage

Alex P. wrote:

>Of all of the shows that post playlists to
>The List, mine probably has the most inapproriate tuneage within...

NO NO, MINE DOES! MINE DOES!

Ron (Minneapolis' sole purveyor of "Quonset hut rock")

Radio Rumpus Room
Minneapolis/St. Paul
http://www2.bitstream.net/~rumpus2/

------------------------------

Date: Tue, 16 Feb 1999 01:11:17 +0000
From: DENIS LALONDE <pickup@sympatico.ca>
Subject: Re: 80s scene

Hello
      Personally the two best garage shows I attented, as a "booker" for
a downtown club, were The Splatcats in Janauary 1986 and The Vipers in
April 1986... Of course I was a mere toddler at the time....Harumph!
Denis

------------------------------

Date: Tue, 16 Feb 1999 01:29:24 +0000
From: DENIS LALONDE <pickup@sympatico.ca>
Subject: Re: Dans le lonely garage

Cocuou
      Maybe I can fill in for Mimi one night and be the token "moron",
play all the best from Ninja Tunes of course and even Rap on air!!!
Or even better do a "House-Techno-Garage show".....Heh! Heh! (As Homer
would say!)  I remember when I opened my store and some girl came in and
asked where my "Garage" section was.. I showed her the Lyres, Kings LPs
and she said "No! the "real" garage"...As in Techno!!!! Welcome to
reality!!!!!!!
I saw a message about some aussie wishing they had seen the 80s US
bands.....Hmm!  In the mid-80s I couldn't get enough of the Aussie bands
and wanted to fly to Sydney!  I'd read in the fanzines how The Died
Pretty would play in front of 14 people!! and couldn't believe it! 
Apart from Hoodoo Gurus and Stems, there were the Tyrnarounds, The
Lizard Train, The Moffs, early Screaming Tribesmen, New Christs,
Kryptonites, the Lime Spiders!!!! I really think the aussie bands were
miles ahead of the US scene!  Maybe the grass is greener, eh mates!
Denis
mimi la twisteuse wrote

> Oh, and the fake requests? Doesn't work! People in Montréal don't care
> about garage, and the reason why people call in when someone fills, it's
> because they play stuff people will know, like Bardot, Ramones,etc.
> Don't worry, I'd rather have no one fill in and have the Bomboras cd
> play over and over than have some moron fill in.
> 
> Mimi
> 
> ______________________________________________________
> Get Your Private, Free Email at http://www.hotmail.com

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Date: Tue, 16 Feb 1999 01:22:24 -0500
From: Josh Lewis <joshlew@bway.net>
Subject: Re: Play Stormy For Me

At 02:29 PM 2/16/99 +1000, Judy Jetson wrote:
>
>We get odd-bods calling us up sometimes too, although your story sounds
like it could be a horror movie in itself!!

I had some weird callers when I did college radio as a community member,
but nothing as bad as that! I did meet an incredibly beautiful woman who
was a regular caller....and introduced her to the guy who became her
boyfriend. D'oh! Another guy at my station once emerged after the overnight
 shift to find one of his female callers waiting for him wearing only 2
donuts! (No, I don't know what kind they were.)

Josh

------------------------------

Date: Tue, 16 Feb 1999 08:05:48 +0100
From: MC BIGOT <jerk@club-internet.fr>
Subject: Re: 60s in the 80s

William H Jones wrote:
> 
> Steve Coleman testified:
> >  covered in 1978 by The Fleshtones when hardly anyone ('cept Monoman
> and a few others) could give a shit about garage music
> 

Actually the NY punk bands from the mid70s were very influenced by the
Nuggets sampler. Same in Paris. One of the 1st song the Stinky Toys
played when they formed in early '76 was Light Bulb Blues by the Shadows
Of Knight. The Damned were into that stuff alot too. Punks who used to
read Bomp, New Wave Rock, Rock Scene or Rock News were into that stuff
too. It wasn't as obvious as it became later & people were mostly
digging the big bands like the Seeds but the influence was there. If you
look close, you'll find more covers of that type:

Lou's: No Escape
Vacants: Pushin' Too Hard
Romantics: Friday At The Hideouts
etc...

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End of bomp-digest V99 #74
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