From: owner-bomp-digest@xnet2.com (bomp-digest)
To: bomp-digest@xnet2.com
Subject: bomp-digest V2000 #35
Reply-To: bomp
Sender: owner-bomp-digest@xnet2.com
Errors-To: owner-bomp-digest@xnet2.com
Precedence: bulk
X-To-Unsubscribe: Send e-mail to majordomo@xnet2.com with "unsubscribe bomp-digest" in the body
X-Bomp-web-site: http://www.bomp.com
X-BompList-Administrator: efd@xnet2.com


bomp-digest         Monday, January 24 2000         Volume 2000 : Number 035



It's another issue of bomp-digest, the digest version of the Bomp list.
To unsubscribe, send an e-mail with the words "unsubscribe bomp-digest" to
majordomo@xnet2.com or use the form at <http://www.juvalamu.com/bomplist>.

The following subjects are included in this digest:
   new stuff out
     "Sylvain" <fuzzymental@hotmail.com>
   Re: Who exactly is Bill Tupper?
     "Blair" <blairb1@idt.net>
   Re: D.I.Y. series
     "Blair" <blairb1@idt.net>
   Re: Bob Hunt - Does anyone know about this?
     Moparlary@aol.com
   Re: Bob Hunt - Does anyone know about this?
     Rmerchandz@aol.com
   Re: Lou Reed/Velvet Underground
     "Karl Roper" <karl@newholland.com.au>
   Re: Bomp List Archives/S. Service
     Moparlary@aol.com
   Re: new stuff out/sylvain
     Jason M <jamigmat@yahoo.com>
   Re: Bob Hunt - Does anyone know about this?
     Moparlary@aol.com
   Re:WLP
     PETER <sykadelik@one.net.au>
   Re: new stuff out/Lost Generation 2
     PETEP@aol.com
   Re: new stuff out/sylvain
     Rocky Serkowney <rockys@tbaytel.net>
   Re: new stuff out
     Rocky Serkowney <rockys@tbaytel.net>
   Re: Off-Topic: Need Advice re: ISPs
     "Tee" <voxarella@mailcity.com>
   Record  Abuse: Distortion & How To Tell...
     "Mike Markesich" <moptopmike@mindspring.com>
   Re: Off-Topic: Need Advice re: ISPs
     Alyssa & Christofer <GAST@austin.rr.com>
   Re: Record  Abuse: Distortion & How To Tell...
     "nipper@thestranger.com" <nipper@thestranger.com>
   Re:"Collectors"
     PETER <sykadelik@one.net.au>
   Re: "Collectors"
     Alyssa & Christofer <GAST@austin.rr.com>
   Re: Tucker/Gories-Story
     Alyssa & Christofer <GAST@austin.rr.com>
   Re: new stuff out
     Johnny Carwash <carwash@sympatico.ca>
   Re: "Collectors"
     SHBEVLON1@aol.com
   Re: Lou Reed/Velvet Underground
     "Blair" <blairb1@idt.net>
   rcn
     Don Smith <DonTGD@erols.com>
   Re: Record  Abuse: Distortion & How To Tell...
     TSanc43763@aol.com
   Re: record vaccuum
     PETEP@aol.com
   The Secret Service
     William H Jones <wigout6@juno.com>
   Re: Bill Tupper
     yeeyeemgt@webtv.net (Michael Quirk)
   Re: Re:"Collectors"
     "BlackMonk (Tom,as always)" <blackmonk@email.msn.com>
   Re: Record  Abuse: Distortion & How To Tell...
     brian marshall <noisejunkie@rocketmail.com>
   Re: Re:"Collectors"
     "Tee" <voxarella@mailcity.com>
   Re: Record  Abuse: Distortion & How To Tell...
     TSanc43763@aol.com
   Re: Record  Abuse: Distortion & How To Tell...
     JeffSNYC@aol.com
   Re: Record  Abuse: Distortion & How To Tell..Pt. 2.
     JeffSNYC@aol.com
   Re: Record  Abuse: Distortion & How To Tell...
     TSanc43763@aol.com
   Re: "Collectors"
     Rick McCullough <rsmccull@planetkc.com>
   Re: "Collectors"/scenesterism
     Alyssa & Christofer <GAST@austin.rr.com>

----------------------------------------------------------------------

Date: Tue, 25 Jan 2000 00:46:04 CET
From: "Sylvain" <fuzzymental@hotmail.com>
Subject: new stuff out

As there's still some place left between my Backyard Babies singles and my 
swatiska collection, here's a list of stuff I'm planning to purchase, if I 
still can do a few bucks from the lost Jews treasure that the swiss 
government had graciously offered to me to keep on doin my zine. Any 
opinions bout the LP below are welcome:

- - V/A. "The Electric Lemonade Acid Test" (uk 60s psy).
10th Planet Rds.
- - V/A. "Beat On The Krauts" vol. 2
Romulan Rds.
- - V/A. "From The Garage To The Kitchen" (dutch girl 60s beat)
Waterpipe Rds.
- - V/A. "The Seventh Son" (uk/us 60s garage/psy/freakbeat)
CD
- -V/A. "Punkville" (aussie garage / beat)

...and what seems the most interesting:
- -V/A. "Psychegaelic" (french freakbeat feat. stuff by les 5 Gentlemenn 
(great !), Benjamin (perfect!), le Bain Didonc (the best ever !!!), Edouard 
(...!!!), etc, etc... is it made by the same guys behind "Ils Sont fous ces 
Gaulois", and is it a comp of the 3lps with some more bonus trax ???
Best current comps spinning constantly currently on my turntable:
Tony the tiger presents Vol. 1 (dyonisus rds) - psy/acid punk
lost generation vol. 2 (dig up rds) - garage punk
Diggin Up Down Under (dig the fuzz rds) - aussie/kiwi beat & garage
sylvain / switzerland

______________________________________________________

------------------------------

Date: 24 Jan 2000 18:48:17 -0500
From: "Blair" <blairb1@idt.net>
Subject: Re: Who exactly is Bill Tupper?

>Who is Bill Tupper?

First, Tupper and PJ are two absolutely different people.

Tupper did most of his time in Boston, but moved to NYC a couple years ago.
My guess is he doesn't do his thing here nearly as much as he did in
Boston. 

Basically, Steve, what you heard on the tapes pretty much explains Tupper. 
You can also hear him on that live Lyres thing that "Pryct" put out a
number of years ago. (Or maybe that's the radio broadcast you're talkin'
about, since I know that's what that record is.)  But Tupper's got a long
history of doing that exact bit... My favorite Tupperism is when he
proclaims "The awesome majesticity" of The Lyres.  Yeah, he did it again at
Cavestomp '99 (and has done so at other local shows, as well.)  Personally,
I really enjoy seeing Tupper get up there. Not sure how everyone else
feels, but I find it entertaining.

Blair

------------------------------

Date: 24 Jan 2000 18:50:22 -0500
From: "Blair" <blairb1@idt.net>
Subject: Re: D.I.Y. series

>D.I.Y. released 9 of the discs.  
>UK Punk I (1976-77)
>UK Punk II (1977-78)
>UK Power Pop I (1976-78)
>UK Power Pop II (1978-79)
>The New York Scene (1975-78)
>California Scene (1976-79)
>American Power Pop I (1975-78)
>American Power Pop II (1978-79)
>Massachusetts Avenue (1975-1983)

Can anyone explain to me why all volumes exist solely in the late 70s
except for Boston, which runs all the way thru '83?  I find it hard to
believe they couldn't find enough cool sounds to fit it in - at least - '75
to '79.  Or did they have that much trouble licensing stuff?

- - Blair

------------------------------

Date: Mon, 24 Jan 2000 19:16:52 EST
From: Moparlary@aol.com
Subject: Re: Bob Hunt - Does anyone know about this?

In a message dated 1/24/00 11:57:32 AM Eastern Standard Time, 
DCanale@queenslibrary.org writes:

<< 
 No...but I've heard of the Mike Hunt Band!  (Say "Mike Hunt" fast.)
 
 Signed D.C. 
  >>
yeah they do Stones Covers pretty well, reports a spy in the field. A bad 
sign of people getting stupider....I was in a bowling alley when a worker 
comes on the PA and sez...Phone call for Mike Hunt, Call for Mike Hunt...I'm 
the only one in the place cracking up he keeps saying it and no one else is 
getting it...he's not getting it . what is the world coming to?
    Hey Moe.....Moparlary  

------------------------------

Date: Mon, 24 Jan 2000 19:20:24 EST
From: Rmerchandz@aol.com
Subject: Re: Bob Hunt - Does anyone know about this?

I think Bob Hunt are a band from Switzerland or Sweden?  I am not looking for 
Mike Hunt. (no laughing please)

Baskerville Rob

------------------------------

Date: Tue, 25 Jan 2000 10:27:27 +1000
From: "Karl Roper" <karl@newholland.com.au>
Subject: Re: Lou Reed/Velvet Underground

True that he is such an asshole but you gotta love the interviews (to use 
the description somewhat loosely) he gives (?). More interesting a subject
than most, I gotta say. Though I once heard that he was only a belligerent
prick with journalist types & was usually most accommodating (& almost
charming) with fans.....
Sorry to take the thread off onto another tangent, but what's with the fact
that these guys (Iggy's another that comes to mind) leave/disband/whatever
their truly great band & end up either a shadow of their former selves if
not just out & out sucking as solo artists. Something like a band being the
sum of its parts maybe??? Just a thought.



> Reed may have been a pioneer but he's such an asshole and takes himself so
> seriously as an "artist" it's almost too painful to listen to VU recs in the
> context of the time they came out in.

------------------------------

Date: Mon, 24 Jan 2000 19:30:58 EST
From: Moparlary@aol.com
Subject: Re: Bomp List Archives/S. Service

In a message dated 1/24/00 2:52:41 PM Eastern Standard Time, 
me@evandavies.com writes:

<< 
 >You can also buy The Secret Service Cd for a bit more at these fine
 >websites:
 >www.notlame.com
 > >>
Not Lame rocks my little world...very happy dealing with them!!!
   damn the groceries...more CDS/LP's  Moparlary

------------------------------

Date: Mon, 24 Jan 2000 16:40:35 -0800 (PST)
From: Jason M <jamigmat@yahoo.com>
Subject: Re: new stuff out/sylvain

- --- Sylvain <fuzzymental@hotmail.com> wrote:

> Best current comps spinning constantly currently on
> my turntable:
> Tony the tiger presents Vol. 1 (dyonisus rds) -
> psy/acid punk
> lost generation vol. 2 (dig up rds) - garage punk
> Diggin Up Down Under (dig the fuzz rds) -
> aussie/kiwi beat & garage
> sylvain / switzerland
Hey, where can I find Lost Generation Vol. 2? Does
anyone know of somewhere in the US?
- -Jason Mata
__________________________________________________

------------------------------

Date: Mon, 24 Jan 2000 19:43:49 EST
From: Moparlary@aol.com
Subject: Re: Bob Hunt - Does anyone know about this?

In a message dated 1/24/00 7:23:00 PM Eastern Standard Time, 
Rmerchandz@aol.com writes:

<< I am not looking for 
 Mike Hunt. (no laughing please) >>
too late! 

------------------------------

Date: Tue, 25 Jan 00 11:48:24 +1100
From: PETER <sykadelik@one.net.au>
Subject: Re:WLP

>From: PETEP@aol.com
>Subject: Promo VS. Stock Copy of 45's
>
>           Stock copies of a 45 usually are worth more than promo copies. 
>Sometimes, stock is worth much more. I know that I personally like stock 
>copies because they usually have the nicer color labels vs. the plain white 
>labels of many promo copies.

>
>Pete

Most obscure '60s garage 45s on medium-to-major labels are promo-only, 
because they were never hit records. Either that or very few stock copies 
exist compared to the promos, as is the case with the Groupies - 
Primitive (Atco) and the Others - I Can't Stand This Love, Goodbye (RCA).
Peter

------------------------------

Date: Mon, 24 Jan 2000 19:52:34 EST
From: PETEP@aol.com
Subject: Re: new stuff out/Lost Generation 2

In a message dated 1/24/2000 7:43:33 PM Eastern Standard Time, 
jamigmat@yahoo.com writes:

<< Hey, where can I find Lost Generation Vol. 2? Does
 anyone know of somewhere in the US? >>

I got mine at midnight, nyc.

------------------------------

Date: Mon, 24 Jan 2000 19:58:28
From: Rocky Serkowney <rockys@tbaytel.net>
Subject: Re: new stuff out/sylvain

>Hey, where can I find Lost Generation Vol. 2? Does
>anyone know of somewhere in the US?
>-Jason Mata


Got mine from Bomp mail-order for around $17.

Rocky.

------------------------------

Date: Mon, 24 Jan 2000 19:59:00
From: Rocky Serkowney <rockys@tbaytel.net>
Subject: Re: new stuff out

At 12:46 AM 1/25/00 CET, you wrote:
>-V/A. "Psychegaelic" (french freakbeat feat. stuff by les 5 Gentlemenn 
>(great !), Benjamin (perfect!), le Bain Didonc (the best ever !!!), Edouard 
>(...!!!), etc, etc... is it made by the same guys behind "Ils Sont fous ces 
>Gaulois", and is it a comp of the 3lps with some more bonus trax ???

I don't think so...I believe it's the product of our recent Bomp-pal, Denis
"Ultra Chicks") from Montreal.

Rocky. 
>

------------------------------

Date: Mon, 24 Jan 2000 16:59:43 -0800
From: "Tee" <voxarella@mailcity.com>
Subject: Re: Off-Topic: Need Advice re: ISPs

FUCK RCN!!!!!!!! AVOID RCN AT ALL COSTS!!!

Uh, sorry, y'all. RCN bought the small, but excellent ISP (DNAI) I used to work for in Berkeley and ruined one of the best ISPs ever.
So I'm still just a wee bit sensitive on that issue.....


I say avoid the "Evil Empire" ISPs that gobble up the little indie ISPs (hmm...sound familiar?)
Go small and indie whenever possible. Small and indie does not mean you'll get substandard service or technology. Usually, the customer service and the service provided will be of a higher caliber.

Miss Tee

Who's now worked for two indie ISPs that have been gobbled up and shat out by Evil Empires

- ---
Tee & Thee Crumpets- www.bitey.com/crumpets
Outta The Basement And Into The Garage!- www.bitey.com/tee


On Mon, 24 Jan 2000 13:10:17   Evan_Davies wrote:
>
>
>I'll just add a couple of comments to Neil's excellent summary since I've
>been playing ISP roulette over the last year or so.  First of all, *avoid*
>any RCN service, which in the Northeast includes Erols and I think Javanet.
>I was with Interport, a small NYC ISP, for years until they sold out to RCN
>a year or two ago.  As soon as RCN took over the service went straight into
>the dumper, plus they started taking away features that made Interport
>unique.  In the meantime, and before I knew how bad things were going to
>get, I'd moved to Jersey so I signed up with Erols thinking that eventually
>it would tie in with my old Interport account.  I had frequent problems
>with busy signals and inability to connect, so after a couple of months I
>bailed.
>
>(On the other hand, my Mom who lives in suburban Boston has had an Erols
>account since she retired about a year and a half ago and she seems quite
>happy with it.  I think there's at least one Bomp-er with Erols also.
>Maybe I was just in a bad area for them.)
>
>I went from Erols to Mindspring.  (Hi Brian!  Hi Brian!)  Mindspring was
>great... never a problem connecting.  Unfortunately I had to move again
>last fall, and there were no local Mindspring numbers in my new town --
>they were all regional toll calls, which cost a fortune.  (My first phone
>bill after I moved was in the low three figures, but that's another story.)
>Grudgingly, I switched to Earthlink which has a number in the town next
>door (and, coincidentally, they're merging with Mindspring).  They've been
>almost as good... once in a while I get a busy signal but I usually get
>through after no more than 5 attempts.
>
>Good luck Andrea -- hope all this info helps instead of making you more
>confused!  Feel free to e-mail me if you have other questions.
>
>Evan
>
>
>


LYCOShop. Thousands of products!  One location!
http://shop.lycos.com/

------------------------------

Date: Mon, 24 Jan 2000 20:11:47 -0500
From: "Mike Markesich" <moptopmike@mindspring.com>
Subject: Record  Abuse: Distortion & How To Tell...

Hey Nipper,

I can chime in on this subject - why some pressings sound like shit, 'tho
the records look new, and the haze factor...

Polystyrene pressings were developed by (I think) RCA-Victor in the mid-late
1950's as a cost saving factor.  Seems vinyl was going up in price, so RCA
pressed up some 45's with the new material.  The powers that be deemed the
quality "sucked", and went back to vinyl.  However, Columbia went with
polystyrene.

Polystyrene 45's are lighter in weight than vinyl, and have a "square edge,
or lip.  Vinyl 45's are not square at the rim, and are sharper to the touch.
Mala label 45's are a perfect example.  Unless you get near mint copies,
they will sound like shit.  Took me years to find a perfect copy of "GTO".

On one hand, a Mint polystyrene 45 will sound better than a Mint vinyl 45,
as vinyl is soft, and dust and other imperfections get lodged in the
grooves, making for  surface noise.  But a used polystyrene 45 that was
played to death suffers from groove distortion; the center part of the
groove worn by the sapphire needles used in the old days.  I see dealers at
record shows play their high-priced 45's on old portable players with nails
for needles. One 45 I wanted to buy at a show was a polystyrene press.  It
looked near mint, but then the dealer spun it on his crappy portable.  All
it takes is one disasterous play with a bad needle or unbalanced tonearm
(none of the old players accounted for the weight of the tonearm bearing
down on the groove) to wreck a polystyrene 45, even though it looks mint.
Worn polystyrene 45's show wear via a grayish color of the grooves.  Labels
like Golden Crest and Etiquette were polystyrene presses.  That is why used
45's by the Sonics sound shitty most of the time.  Autumn label 45's exist
as both vinyl and polystyrene - it depends on which plant did the pressing.

There are lots of Atlantic and Atco label vinyl pressings on 45 that look
near mint, but will play noisy.  Lots of reasons for this, mostly due to
poor quality vinyl used.  Listen to any LP from the 70's to hear why CD's
were considered a godsend to people who have to have audio perfection.  I've
gotten lots of 45's that were near mint, but had a sticky film (I call it
"Bayou Jizz", since many records pressed or stored in the southern U.S. have
this film on e'm) which clogs up yer needle and blocks the sound.  This
resulted from the additive used in the vinyl so that the pressing stamper
wouldn't stick to the 45 after contact.  Humidity over time causes the
compound to seperate from the vinyl, and yields the bayou jizz as a filmy
substance on the 45.  A good cleaning (on a machine) will remove it; just
cleaning with water and other chemicals by hand won't completely remove it.

Enough record-tech-geek commentary!
I now return you to sane programming....

Mop Top Mike

------------------------------

Date: Mon, 24 Jan 2000 19:19:45 -0800
From: Alyssa & Christofer <GAST@austin.rr.com>
Subject: Re: Off-Topic: Need Advice re: ISPs

> Andies Candies wrote

> Hey, I'm FINALLY getting a computer at home, and this
>   means that everything will get more complex.
>
Now , it doesn't really HAVE to be!

> For
>   starters, I will need to get an ISP, and I haven't the
>   slightest idea where to start!  Can anyone recommend
>   any for me, and give me the pros and cons?  Danke
>   schoen!
>
>   --Andrea
>
Hey, hon, back from another wee 4 fday foray, &  Chris and I perused the
replies to your inquiry: Neil has omnisciently extracted my/our
answers!  He has the correct questions, and criteria, and your best bet
is to listen to the horror stories as well(Tee's for example) Above all,
selectivity, productivity and discernment! I know Evan and Tony are
among the Bomp comp-literate.

You know you can always bug us anytime..........Any super tech
questions, ask us offline, we're
glad to of help!

It's our world, and for all it's pitfalls, it's a damn good one!

good luck, sweetie, it'll be nice gettin' your quips and snips at night!

later you,
~ALYSSA


>

------------------------------

Date: Mon, 24 Jan 2000 17:28:45 -0800
From: "nipper@thestranger.com" <nipper@thestranger.com>
Subject: Re: Record  Abuse: Distortion & How To Tell...

hey, thanks for the info!  I (heart) record geek facts!

Would you recomend one of those (pricey) Nitty Gritty machines?  I kinda
wanna get one...as soon as I can find a buyer for my kidney!!  Does anyone
out there have one, not a kidney a record "vaccum"?  Does it REALLY work...


>I've gotten lots of 45's that were near mint, but had a sticky film (I call it
>"Bayou Jizz"...Humidity over time causes the compound to seperate from the
>>vinyl, and yields the bayou jizz...A good cleaning (on a machine) will
>remove >it; just cleaning with water and other chemicals by hand won't
>completely remove it.

Dear God, do I know that pain...this past Xmas in NC I bought about 250 45s
and spent the better part of two days cleaning that shit off...mainly
otherwise Ex Stax/Motown 45s...

...not attempting to re-cover the "how to clean the stinky LP smell" thread,
nipper

------------------------------

Date: Tue, 25 Jan 00 12:29:24 +1100
From: PETER <sykadelik@one.net.au>
Subject: Re:"Collectors"

It was written:
>or is it just useless collector talk... nothing personal, I just hate
>record collectors

There are two kinds of record collectors. The first are the type who 
collect every possible pressing variation of, say, Led Zepplin, the 
Beatles or Abba. These people are interested in matrix & serial numbers, 
different coloured label designs or logos, etc. I admit that I don't 
begin to understand this mentality in the slightest.

Then there's the type who actually digs music. The original 45 or LP is 
usually the best way to hear this music (in lieu of the actual master 
tapes). I don't think 'collector' is really the right word here; 
'devotee' might be more accurate. In the case of '60s garage, if it 
wasn't for dedicated 'collectors' the era would still be largely unknown, 
and we'd be listening to whatever nonsense the radio stations choose to 
play. Or Velvet Underground.
PM 

------------------------------

Date: Mon, 24 Jan 2000 19:37:28 -0800
From: Alyssa & Christofer <GAST@austin.rr.com>
Subject: Re: "Collectors"

PETER wrote:

> It was written:

By who?!!

>
> >or is it just useless collector talk... nothing personal, I just hate
> >record collectors

wha-hoo, i've missed the last 180 posts, and maybe 'tis out of context, but
that's a mighty contentious phrase for this list.
hmmm.
~ALYSSA

>
>
> There are two kinds of record collectors.

Several, I think, but you're explanation(below) is most rational and the best
definition thus far.

far back in the post dept.
~ALYSSA

> The first are the type who
> collect every possible pressing variation of, say, Led Zepplin, the
> Beatles or Abba. These people are interested in matrix & serial numbers,
> different coloured label designs or logos, etc. I admit that I don't
> begin to understand this mentality in the slightest.
>
> Then there's the type who actually digs music. The original 45 or LP is
> usually the best way to hear this music (in lieu of the actual master
> tapes). I don't think 'collector' is really the right word here;
> 'devotee' might be more accurate. In the case of '60s garage, if it
> wasn't for dedicated 'collectors' the era would still be largely unknown,
> and we'd be listening to whatever nonsense the radio stations choose to
> play. Or Velvet Underground.
> PM

------------------------------

Date: Mon, 24 Jan 2000 19:40:24 -0800
From: Alyssa & Christofer <GAST@austin.rr.com>
Subject: Re: Tucker/Gories-Story

BOYBOUTOWN@aol.com wrote:

> In a message dated 1/21/00 12:22:54 AM Eastern Standard Time,
> GAST@austin.rr.com writes:
>
> <<  had a friend the other night involving a member of the Gories and their
>  dependence on their Mom:
>  can't remember who, anyone?
>  ~ALYSSA >>
>
> hahahhahahaha....

yeah, ha, i'm in a beastly/ghastly mood, so cut the  derisiveness, & least
identify yourself. you obviously got the gist.

shit.
~A

------------------------------

Date: Mon, 24 Jan 2000 20:47:26 -0500
From: Johnny Carwash <carwash@sympatico.ca>
Subject: Re: new stuff out

At 12:46 AM 01/25/00 +0100, you wrote:
>
>As there's still some place left between my Backyard Babies singles and my 
>swatiska collection, here's a list of stuff I'm planning to purchase, if I 
>still can do a few bucks from the lost Jews treasure that the swiss 
>government had graciously offered to me to keep on doin my zine. Any 
>opinions bout the LP below are welcome:

Do you think you're funny?

holy smokes ..

if I ever run into you, all they're going to be wondering is how a Vespa can
pass through a man's digestive system, backwards, and have him survive.

vrrr vrr neeeeeer vroooooom
_____________________________________
n: well you know what I mean, that mod style. like you're not mod. you're
not mod. like blur are not mod. you guys have effects pedals. what are all
those effects pedals you have graham?
g: they're mod pedals
n: yeah, modulation pedals, but I mean...
g: you press one of them and a parka suddenly appears  

Nardwuar The Human Serviette and Graham from Blur
February 2, 1996  

------------------------------

Date: Mon, 24 Jan 2000 21:03:26 EST
From: SHBEVLON1@aol.com
Subject: Re: "Collectors"

In a message dated 1/24/00 8:30:39 PM Eastern Standard Time, 
sykadelik@one.net.au writes:

<< In the case of '60s garage, if it 
 wasn't for dedicated 'collectors' the era would still be largely unknown, 
 and we'd be listening to whatever nonsense the radio stations choose to 
 play. Or Velvet Underground.
 PM  >>

HA! 
Evan

------------------------------

Date: 24 Jan 2000 21:07:07 -0500
From: "Blair" <blairb1@idt.net>
Subject: Re: Lou Reed/Velvet Underground

>I once heard that he was only a belligerent
>prick with journalist types & was usually most accommodating (& almost
>charming) with fans.....

One of my ex-roomies worked as Lou's personal assistant about 10 years ago
or so. Said Lou was a totally arrogant SOB.  Not sure if the clip's still
there, but go to http://www.raremusic.com and see if you can find the
answering machine thing with Lou's voice on it.

------------------------------

Date: Mon, 24 Jan 2000 21:11:31 -0500
From: Don Smith <DonTGD@erols.com>
Subject: rcn

God knows this thread was probably beat to death by the time I found it
on the digest, but Erols went downhill after RCN buyout in the Summer
but a friend with it in Boston says it's as good as ever.  So I believe
this is the case.

Don

- ---------------
(On the other hand, my Mom who lives in suburban Boston has had an Erols

account since she retired about a year and a half ago and she seems
quite
happy with it.  I think there's at least one Bomp-er with Erols also.
Maybe I was just in a bad area for them.)

------------------------------

Date: Mon, 24 Jan 2000 21:20:34 EST
From: TSanc43763@aol.com
Subject: Re: Record  Abuse: Distortion & How To Tell...

In a message dated 1/24/00 5:30:01 PM Pacific Standard Time, 
nipper@thestranger.com writes:

<< 
 Would you recommend one of those (pricey) Nitty Gritty machines?  I kinda
 wanna get one...as soon as I can find a buyer for my kidney!!  Does anyone
 out there have one, not a kidney a record "vacuum"?  Does it REALLY work...
 
  >>
I recommend them and have used them for years.  The vacuum suction after the 
wash seems to work for me more than anything else. I've cleaned discs 
w/alchohol and various cleaning solvents before, but the nitty gritty always 
made them even more pristine and they played a heck of a lot better.  I find 
it works the best on storage mildewed records.  Other groovers may dig 
different methods, but I really dig my nitty gritty. They are a bit pricey 
though. I got a great one on discount that had a glue spot on the top. (they 
reduced it $50.00). The glue spot was no big deal whatsoever and the machine 
has lasted over 8 years and still groovin'.
           Tony

------------------------------

Date: Mon, 24 Jan 2000 21:49:10 EST
From: PETEP@aol.com
Subject: Re: record vaccuum

I also recommend the Nitty Gritty or it's excellent competitor(forgot the 
name). I can't believe that I lived without a good vaccuum cleaner for so 
long. (There is a good cheap no frills Nitty Gritty imitation that sells for 
$135.)
         It makes  me feel that I'm playing the record in the cleanest way 
possible- it  eliminates many clicks and pops, and takes out the dust and 
dirt that is deep in the grooves..

Pete  

------------------------------

Date: Mon, 24 Jan 2000 22:03:43 -0500
From: William H Jones <wigout6@juno.com>
Subject: The Secret Service

Evan quoted me:
>>  I'm happy to offer the following import CDs (new) from some Spanish
labels at the special price of only $10 + postage.  Send e-mail to
wigout6@juno.com, quantities are limited.
>>The Secret Service - Power and Volume (Snap!! Records)

> ... and some other stuff.  Of course, that message was from August so
that limited quantity is probably long gone.

Well, my original message made reference to a number of CDs, I believe,
and they are gone (Bart Mendoza has a few copies now, including The
Shambles and Ray Brandes).  I had extra copies of The Secret Service CD
in my possession, however, and still have some for sale, same deal.  By
the way, I've also got a few copies of a cool Christmas EP by The
Montgomery Cliffs (a great current Long Island band) and will throw in
one of those as well for only $1 more (to cover postage).

>  The bottom line: for Secret Service info, contact Bill Jones at the
address above!

Bingo!  Thanks Evan.  : - )

Be seeing you,
Bill
>>>>>>>>>>>>>>>>>>>>>>
http://listen.to/thesecretservice
or
http://www.mp3.com (search on The Secret Service)

------------------------------

Date: Mon, 24 Jan 2000 22:46:07 -0500 (EST)
From: yeeyeemgt@webtv.net (Michael Quirk)
Subject: Re: Bill Tupper

Bill Tupper was a part of the Boston scene for over 20 years. He lives
in NYC now. He used to play in the Fabulous Billygoons, and I believe he
was in the Customs. He used to be at Lyres shows all the time. I played
in a band called Tupper Crust with him for a couple of years, a
predecessor to my current gig with the Kenne Highland Klan.

MJ

------------------------------

Date: Mon, 24 Jan 2000 23:14:50 -0500
From: "BlackMonk (Tom,as always)" <blackmonk@email.msn.com>
Subject: Re: Re:"Collectors"

> I don't think 'collector' is really the right word here;
>'devotee' might be more accurate.

I always tell people, I don't collect records, but I do buy a lot of them.

------------------------------

Date: Mon, 24 Jan 2000 20:16:37 -0800 (PST)
From: brian marshall <noisejunkie@rocketmail.com>
Subject: Re: Record  Abuse: Distortion & How To Tell...

So, where do you get one of these "Nitty Gritty"
things?

Brian
NFTG

- --- TSanc43763@aol.com wrote:
> 
> In a message dated 1/24/00 5:30:01 PM Pacific
> Standard Time, 
> nipper@thestranger.com writes:
> 
> << 
>  Would you recommend one of those (pricey) Nitty
> Gritty machines?  I kinda
>  wanna get one...as soon as I can find a buyer for
> my kidney!!  Does anyone
>  out there have one, not a kidney a record "vacuum"?
>  Does it REALLY work...
>  
>   >>
> I recommend them and have used them for years.  The
> vacuum suction after the 
> wash seems to work for me more than anything else.
> I've cleaned discs 
> w/alchohol and various cleaning solvents before, but
> the nitty gritty always 
> made them even more pristine and they played a heck
> of a lot better.  I find 
> it works the best on storage mildewed records. 
> Other groovers may dig 
> different methods, but I really dig my nitty gritty.
> They are a bit pricey 
> though. I got a great one on discount that had a
> glue spot on the top. (they 
> reduced it $50.00). The glue spot was no big deal
> whatsoever and the machine 
> has lasted over 8 years and still groovin'.
>            Tony
> 
__________________________________________________

------------------------------

Date: Mon, 24 Jan 2000 20:28:20 -0800
From: "Tee" <voxarella@mailcity.com>
Subject: Re: Re:"Collectors"

Damn, I wish I hadn't already zapped the original message for this thread.

I have nothing against record collectors. Everybody's gotta collect something. I collect dust, myself. ;)

But I HATE, truly fucking hate "record collector snobs". You know...The people who were tooooo coooooool to get excited when the Nuggets box set came out because, *yawn*, they "already have all those records anyway". Or the " record collectors" who treat  people new to the  garage scene/sounds like crap because someone might ask a question about a Chocolate Watchband record that, *eye rolling and sigh*, "everybody already has and knows about". These people contribute nothing positive to the scene and act like they're involved a vinyl cock measuring contest.

Just my completely unsolicitated two cents.

Miss Tee
- ---
Tee & Thee Crumpets- www.bitey.com/crumpets
Outta The Basement And Into The Garage!- www.bitey.com/tee


On Mon, 24 Jan 2000 23:14:50   BlackMonk (Tom,as always) wrote:
>
>> I don't think 'collector' is really the right word here;
>>'devotee' might be more accurate.
>
>I always tell people, I don't collect records, but I do buy a lot of them.
>
>
>
>


LYCOShop. Thousands of products!  One location!
http://shop.lycos.com/

------------------------------

Date: Mon, 24 Jan 2000 23:58:04 EST
From: TSanc43763@aol.com
Subject: Re: Record  Abuse: Distortion & How To Tell...

In a message dated 1/24/00 8:17:45 PM Pacific Standard Time, 
noisejunkie@rocketmail.com writes:

<< 
 So, where do you get one of these "Nitty Gritty"
 things? >>
They're an English owned company but located of all places in the Inland 
Empire of Los Angeles (Montebello). I got my address for them outta 
discoveries magazine, but........
this may help
http://www.nviclassical.com/nitty-gritty.html     

Ciao Tony

------------------------------

Date: Tue, 25 Jan 2000 00:07:50 EST
From: JeffSNYC@aol.com
Subject: Re: Record  Abuse: Distortion & How To Tell...

Yeah, I know what you mean about the polystyrene 45s. Especially those 
pressed on Mala. I've got a mint copy of "Move it On Over" by Del Shannon 
that looks stone mint but has mucho distortion. I have that song on a few CDs 
(including a volume of Teenage Shutdown), all made from vinyl, and they all 
have some distortion.

Which brings me to my next question, does that record exist on regular vinyl?

Jeff Shore 

------------------------------

Date: Tue, 25 Jan 2000 00:10:43 EST
From: JeffSNYC@aol.com
Subject: Re: Record  Abuse: Distortion & How To Tell..Pt. 2.

In a message dated 1/24/2000 9:22:13 PM Eastern Standard Time, 
TSanc43763@aol.com writes:

<< Other groovers may dig 
 different methods, but I really dig my nitty gritty. They are a bit pricey 
 though. I got a great one on discount that had a glue spot on the top. (they 
 reduced it $50.00). The glue spot was no big deal whatsoever and the machine 
 has lasted over 8 years and still groovin'. >>
What do they usually sell for and who sells them?

Jeff Shore

------------------------------

Date: Tue, 25 Jan 2000 00:20:55 EST
From: TSanc43763@aol.com
Subject: Re: Record  Abuse: Distortion & How To Tell...

In a message dated 1/24/00 9:09:16 PM Pacific Standard Time, JeffSNYC@aol.com 
writes:

<< 
 Which brings me to my next question, does that record exist on regular vinyl?
  >>
It's use to be very easy to find out here on the west coast (pre-shutdown 
series, ha!) All the copies I've seen were always styrene. I've never seen 
one that wasn't styrene, anyone else seen it??

------------------------------

Date: Mon, 24 Jan 2000 23:26:51 -0800
From: Rick McCullough <rsmccull@planetkc.com>
Subject: Re: "Collectors"

Tee wrote:

>
>
> But I HATE, truly fucking hate "record collector snobs". You know...The people who were tooooo coooooool to get excited when the Nuggets box set came out because, *yawn*, they "already have all those records anyway". Or the " record collectors" who treat  people new to the  garage scene/sounds like crap because someone might ask a question about a Chocolate Watchband record that, *eye rolling and sigh*, "everybody already has and knows about". These people contribute nothing positive to the scene and act like they're involved a vinyl cock measuring contest.
>

Most music-oriented lists have a certain number of people with that attitude, but I must say that during my first six months on Bomp, that was exactly the vibe I picked up the most.  It's a lot better now, but for awhile I was really put off by it.

------------------------------

Date: Mon, 24 Jan 2000 23:30:09 -0800
From: Alyssa & Christofer <GAST@austin.rr.com>
Subject: Re: "Collectors"/scenesterism

Tee wrote:

> Damn, I wish I hadn't already zapped the original message for this
> thread.

to reiterate, ditto! Being absent a few daze I missed the origins of the
"collector" thread.

> I have nothing against record collectors. Everybody's gotta collect
> something. I collect dust, myself. ;)  But I HATE, truly fucking hate
> "record collector snobs". You know...The people who were tooooo
> coooooool to get excited when the Nuggets box set came out because,
> *yawn*, they "already have all those records anyway".

Biff, bang, pow,  hon, gemstone that you are, you've have expressed a
great sentiment in a  perfectly expressive way: my god/goddess, it had
to be said. Amen!

Once,  months ago, a ball-less wonder was too sissified to post his
barrage against on the list, and thus hazarded an attempt to attack  me
in a drunken, pathetic,  illiterate, stupified email, wasting his time,
and  taking me to task for lack of serious muz content in some of my
opinionated posts.......to what point? I dunno, but wow did I get a
hearty laugh, lambasted the git, and never heard from him
again)..............anyhoo, rambling on, my point is that I/we and many
on the bomplist  own most or many  of the shit (music)mentioned time and
again, and whilst I immensely, yes, immensely,  respect those who are in
it for biz purposes, or for the fact that collecting is their personal
passion and personal hobby, chiming in about my pristine first edition
this or that just ain't my thing, and I do think this type of banter
does intimidate some lurkers looking for some new knowledge. These facts
are indeed  important and do have their place, but insinuating
ineptitude for lack of release dates, band personnel,etc, is silly and
useless, and alienates some people, as I can attest to the amount of
private mail I get asking these types of questions because the person
was embarrassed at their lack of knowledge.

> Or the " record collectors" who treat  people new to the  garage
> scene/sounds like crap because someone might ask a question about a
> Chocolate Watchband record that, *eye rolling and sigh*, "everybody
> already has and knows about".

I recall some private conversations you and I  had some  months ago
about this sort of thing: (at the time re:SF)...........basically,
folks whining about low turnout for shows/scenes/haps, etc, but with
such effete snobbery regarding the music, the genres aren't exactly
accessible to newbies.  I'll admit some guilt in this arena, but it IS a
problem, and until garage/60's,etc, virgins aren't made to feel foolish,
they aren't going to expand their horizons into this wonderful world.
I'm certainly not indicting anyone specifically and there are so many
afficianados who do wonderful things (Tony, Jon, and Blair come to mind
in the non-snob category)as well as so many other wonderful people on
this list as well. And I'm certainly not discounting the value of
learning about the technical facets of
recording, vinyl, etc.

> These people contribute nothing positive to the scene and act like
> they're involved a vinyl cock measuring contest.

Yep, that's what I'm saying.   No elaboration needed here.............

> Just my completely unsolicitated two cents.
>
> Miss Tee

Had I known you felt that way, I'd have solicited your take months ago!
Apologies for length, when I'm gone, it's hard to keep it succint, and I
probably should've posted privately, but perhaps it's food for thought.
sincerely,
~ALYSSA

------------------------------

End of bomp-digest V2000 #35
****************************

=====================================================================
You've been reading bomp-digest, the digest version of the Bomp list.
To unsubscribe, send "unsubscribe bomp-digest" to majordomo@xnet2.com
