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Subject: bomp-digest V2001 #14
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bomp-digest        Saturday, January 6 2001        Volume 2001 : Number 014



This the digest version of the Bomp list. ***HOW TO UNSUBSCRIBE:***
Send an e-mail with the words "unsubscribe bomp-digest" to
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Here's what people are yacking about in this digest:
   Re: CD player 
     Jason Mata <jamigmat@yahoo.com>
   Re: MopTop and Classic Rock Radio
     brian marshall <noisejunkie@rocketmail.com>
   Re: Sorrow in C major
     "Kip Shepherd" <kipshepherd@hotmail.com>
   RE: hated bands...
     Rat Pfink <ratpfink@akamail.com>
   Re: smash hits...and their soundalike followups
     "Lenny Smith" <lpsmith@gwi.net>
   Re: MopTop and Classic Rock Radio
     "Lenny Smith" <lpsmith@gwi.net>
   Re: most hated
     "Lenny Smith" <lpsmith@gwi.net>
   Re: MopTop and Classic Rock Radio
     troggman@webtv.net (Todd Lucas)
   Re: Castaways (no, not that new Tom Hanks movie)
     <sykadelik@one.net.au>
   Re: The song remains the same (no, not Ded Zep)
     <sykadelik@one.net.au>
   Let's All Pat Ourselves On The Back Right Now!
     Sknoof@aol.com
   Re: Sucking in the 70s (and beyond)
     <sykadelik@one.net.au>
   Re: smash hits...and their soundalike followups
     Jason Mata <jamigmat@yahoo.com>
   styx apologists
     Kim  <dmouse@toaster.net>
   Re: smash hits...and their sound alike follow-ups
     "Jeffrey Lemlich" <limeston@bellsouth.net>
   Re: Castaways (no, not that new Tom Hanks movie)
     troggman@webtv.net (Todd Lucas)
   Re: smash hits...and their soundalike followups
     "Joey Beretta" <joeyb@aa.net>
   Re: most hated
     "Joey Beretta" <joeyb@aa.net>
   Re: Lewd in Seattle!!
     "Joey Beretta" <joeyb@aa.net>
   Re: Dolemite
     "JOE ABRAMS" <stoneager@hotmail.com>
   Re: Let's All Pat Ourselves On The Back Right Now!
     Rat Pfink <ratpfink@akamail.com>
   Re: smash hits...and their soundalike followups
     "Lenny Smith" <lpsmith@gwi.net>
   Re: smash hits...and their sound alike follow-ups
     Rat Pfink <ratpfink@akamail.com>
   Re: The Suck List/Elton John
     MaximumMarshak@cs.com
   RE: bomp-digest V2001 #13
     Alan Wright <AlanW@SeattleArtMuseum.org>
   RE: gorilla profile
     Alan Wright <AlanW@SeattleArtMuseum.org>
   Mr. Fornatale: The subject is "Queen".  Let's set the record "straight"...
     Cavestomper@aol.com
   The Legends: High Towers (Arf Arf-087/88) Two CD set
     Cavestomper@aol.com
   Re:classic rock and worse
     ronald and karen sanchez <eldeluxe@mcn.net>
   The Yawn List
     jschwart@voicenet.com
   Re: The Yawn List
     Rat Pfink <ratpfink@akamail.com>

----------------------------------------------------------------------

Date: Fri, 5 Jan 2001 20:12:39 -0800 (PST)
From: Jason Mata <jamigmat@yahoo.com>
Subject: Re: CD player 

I don't think that CDs are good conductors of
electricity so I don't think it'll cause a fire.
Taking out the CD is a simple task-just remove the
screws that secure the housing (there should be about
five or six) and your CD should be right there. There
isn't that much room for a CD to get lost in there so
if it ain't there maybe somebody stole your CD and
didn't tell ya about it.
- -Jason Mata
- --- Michael Bennet <mbennet@bennetlaw.com> wrote:
> 
> I recently lost a CD inside my CD player.  It's one
> of those five disc players, and the disc must not
> have been slotted properly and slipped off the tray
> and into the mechanism.  The CD player still works,
> and I don't really care about retrieving the CD (an
> "alternative" Xmas comp which I can certainly do
> without), but I'm wondering what kind of damage I
> might be causing by leaving a disc inside there. 
> Can it cause an electrical fire?  Is it worth
> attempting to open up or taking to a repair shop? 
> Any thoughts or advice are quite welcome.
> 
> Thanks,
> mb
> 
> np: Pretty Things (Parachute)
> 
> ===> To unsubscribe, send "unsubscribe bomp" to
> majordomo@xnet2.com <===
> 


__________________________________________________

------------------------------

Date: Fri, 5 Jan 2001 20:18:41 -0800 (PST)
From: brian marshall <noisejunkie@rocketmail.com>
Subject: Re: MopTop and Classic Rock Radio

- --- Todd Lucas <troggman@webtv.net> wrote:
> 
> >it's a real Q-95 classic, maybe brian, todd and
> >mark & other indy-area folks can volunteer
> >some other jimmy "mad-dog" matis show
> >classics i've neglected to mention

I don't think I could be of much help there.  I don't
listen to Q-95 and I do whatever I have to do to avoid
listening to that godawful station.  However, I do
remember a time when the station first started (in
1978...before that, they were automated Top 40) that
you could hear Elvis Costello and Cheap Trick along
with Zeppelin and the rest.  That time, of course, is
no longer.  And I HATE HATE HATE HATE HATE Bob and
Tom.
Most annoying, unfunny morning radio show anywhere.

Brian
NFTG
> 
> Ha, the one Mad Dog "classic" that kills me is that
> awful REO Speedwagon
> song where the singer keeps going "doo doo doo da da
> doot" for what
> seems like an eternity.  Can't remember the title
> but it seems like it
> had a street address in it or something.  
> 
> Dog used to play a record everyday at 5 pm that he'd
> then "blow-up".
> Usually it was some real stiff but occasionally
> (like the scmuck he is)
> he'd blow-up something better than his entire
> playlist like the Go-Go's
> "Head Over Heels".  
> 
> About the only cool thing I ever heard him play was
> "Friday On My Mind"
> every so often on a (what else?) Friday afternnon. 
> In fact, I remember
> him playing it about a dozen years ago, before I
> knew the song and being
> so impressed with it that I immediately went out and
> found it on CD.  
> 
> Todd   
> 
> 
> 
> 
> 
> ===> To unsubscribe, send "unsubscribe bomp" to
> majordomo@xnet2.com <===
> 
> .
> bomp" to majordomo@xnet2.com <===
> 
> .
> 


__________________________________________________

------------------------------

Date: Fri, 5 Jan 2001 22:22:07 -0600
From: "Kip Shepherd" <kipshepherd@hotmail.com>
Subject: Re: Sorrow in C major

- ----- Original Message -----
From: Linda <webmaster@coololdstuff.com>
To: <bomp@xnet2.com>
Sent: Wednesday, January 03, 2001 2:57 PM
Subject: Re: Sorrow in C major


>
> There's nothing inherently wrong with classification - hell, I'm a
librarian by
> training.  But I despise the excessive classification of music.

Another one!  How many librarians are on this list?  At least 3, I think.

I don't count, I work for a company that works for libraries.

As for classifications-LC!!! No Dewey!!!

Seeya,
Kip

------------------------------

Date: Fri, 05 Jan 2001 23:23:26 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: RE: hated bands...

I'd drop Pat Metheny from this list, not because I 
like his music but because he's waged an anti-Kenny G
campaign (I think it's been mentioned on this list before. 
Check out http://www.saxon.com/stephen/pat-story.htm)

Let's add:

- - Boston
- - Jefferson Starship

Oh yeah, we're not giving the ladies equal time. Here's my
distaff list of Classic Rock artists that suck:

- - Heart (okay, I'll admit I like a couple of their songs)
- - Pat Benatar
- - Quarterflash
- - Patty Smythe (Scandal)


At 05:29 PM 1/5/01 -0800, you wrote:
>
>Right, right, you're bloody well right! When I hear that voice, I
>wanna kill the singer!
>
>	Other hated musical entities: 
>	Kenny G.
>	almost anything by Elton John
>	Pat Metheny or any Windhim Hill  "jazz" 
>	any "new age" jazz
>	Kansas
>	Emerson, Lake and Palmer
>	E.L.O.
>	the Eagles
>	anything by Pink Floyd after "More" - yes, I even hate "Dark Side of the
Moon"!!!!
>	Air Supply
>	REO Speedwagon
>	Doobie Brothers
>	Foreigner
>	Probably some more when I think of them....
>
>	Alan  


- -----------------------------------
| Rat Pfink  ratpfink@akamail.com |
- -----------------------------------

------------------------------

Date: Fri, 5 Jan 2001 23:25:15 -0500
From: "Lenny Smith" <lpsmith@gwi.net>
Subject: Re: smash hits...and their soundalike followups

James <HOODOO3005@aol.com> wrote:
>What made performers back then THINK they could follow up a hit with a
ripoff
>of the same song? "Goodbye Baby" is obviously "Liar, Liar" turned inside
out.
>But I LOVE when artists (used to) do that, even if the followup was never a
>TENTH as big as the hit. Other notable examples:  <snip>

Good call, James!  This is a topic that's interested me, too.  A couple of
more mainstream examples off the top of my head:

The Classics IV do "Sunny"...  and then continue in a weathered vein with
"Stormy"...  both of which also follow their pattern of hits with
two-syllable words that start with "s," as in "Spooky"...

There's also that song (sorry, don't recall the artist or correct title)
"one two three...  it's so elementary...  [blah blah blah] It's easy...
Like taking candy from a BAYYYYY-by".  Whoever that was had another, lesser
hit that sounded just like it and continued with the nurseryland metaphors.
This latter one I happened to catch on a "twin spin" Tuesday, haha.

Lenny



- -----Original Message-----
From: HOODOO3005@aol.com <HOODOO3005@aol.com>
To: bomp@screamer.xnet2.com <bomp@screamer.xnet2.com>
Date: Friday, January 05, 2001 9:27 PM
Subject: Re: smash hits...and their soundalike followups


>
>In a message dated 1/5/01 6:52:52 PM Central Standard Time,
>owner-bomp-digest@xnet2.com writes:
>
><< "Goodbye Babe." It didn't chart either. Again,
> >"Liar, Liar" was (the Castaways) only charting song. >>
>
>What made performers back then THINK they could follow up a hit with a
ripoff
>of the same song? "Goodbye Baby" is obviously "Liar, Liar" turned inside
out.
>But I LOVE when artists (used to) do that, even if the followup was never a
>TENTH as big as the hit. Other notable examples:
>
>"These Boots Are Made For Walkin'" by Nancy Sinatra
><<spawned "How Does That Grab You Darlin'">>
>
>"Vehicle" by the Ides Of March (UNDISPUTED BOMPLIST FAVE!!!) (heh heh)
><<spawned "Superman">>
>
>"We're A Winner" by the Impressions
><<spun off "We're Rollin' On">>
>
>"Land Of 1000 Dances," Cannibal & the Headhunters
><<"Nau Ninny Nau">>
>
>"Let's Dance," Chris Montez
><<"Some Kinda Fun">>
>
>"Wooly Bully," Sam the Sham & the Pharaohs
><<"Ju Ju Hand">>
>
>"Get On Up," Esquires
><<"And Get Away">>
>
>"Skinny Legs & All," Joe Tex
><<"Men Are Gettin' Scarce">>
>
>"Simon Says," 1910 Fruitgum Co.
><<"May I Take A Giant Step Into Your Heart">>
>
>"I'm Your Puppet," James & Bobby Purify
><<"You Can't Keep A Good Man Down">>
>
>HONORABLE MENTION: The Turtles, who kept repeating themselves with
different
>songs ("It Ain't Me Babe" = "Let Me Be," "Elenore" = "You Don't Have To
Walk
>In The Rain," "Happy Together" = "She's My Girl," etc.)
>
>IF IT AIN'T BROKE DON'T FIX IT: the Newbeats churned out several songs that
>aped "Bread & Butter." Tony Joe White must have rewritten "Polk Salad
Annie"
>numerous times. Jumpin' Gene Simmons' self-titled Hi album included his
1964
>hit "Haunted House"...plus other songs that reworked the same basic riff.
>
>J. Porter
>
>===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>
>

------------------------------

Date: Fri, 5 Jan 2001 23:29:52 -0500
From: "Lenny Smith" <lpsmith@gwi.net>
Subject: Re: MopTop and Classic Rock Radio

Blair <buscareno@earthlink.net> wrote:
>>    ok, maybe this is too obvious, but has anyone mentioned the mighty REO
>>speedwagon? REO suckwagon?
>
>Weren't they the ones who were on Saturday Night Live for what seemed like
>*years* before they actually had real hits? Or maybe it just seemed like it
>'cuz they sucked so badly.

Actually, didn't they start kinda metal, and then go big for the bloated
power ballad thing?  Didn't they have an early moment of glory with "O.D.'d
on Life Itself" (great TITLE if nothing else!!!).

Lenny

------------------------------

Date: Fri, 5 Jan 2001 23:38:05 -0500
From: "Lenny Smith" <lpsmith@gwi.net>
Subject: Re: most hated

brian marshall <noisejunkie@rocketmail.com> wrote:
Great list, although I would grant these two cases a stay of execution for
the following reasons:
>8.  Richard Harris' "MacArthur Park" (7.5 minutes of
>true self-pitying torture)

Sure it's incredibly tedious, bloated and overlong, but it's also gloriously
incomprehensible!  That's a plus in my book!

>12.  Pat Boone (Hearing his version of "Ain't That A
>Shame" has left a permanent imprint on my mind, and
>not in a good way.)

No, but he won big points in my book with his fab album of heavy metal
covers!  I mean, even HE'S gotta know how funny that is!

Lenny

------------------------------

Date: Fri, 5 Jan 2001 23:40:32 -0500 (EST)
From: troggman@webtv.net (Todd Lucas)
Subject: Re: MopTop and Classic Rock Radio

>I don't listen to Q-95 and I do whatever I have
>to do to avoid listening to that godawful station.
>However, I do remember a time when the
>station first started (in 1978...before that, they
>were automated Top 40)

I remember that automated format at WFBQ.  There were a chain of those
stations across the country, I think.  Green Bay had one until at least
the mid 1980's.

>you could hear Elvis Costello and Cheap Trick
>along with Zeppelin and the rest. That time, of
>course, is no longer.

Yeah, as usual, things seem to get worse with time.  Even the awful (and
that adjective hardly does justice to its current state) alternative
station in town, X 103, started out playing some Clash, Ramones, etc.,
along with the usual drivel that goes with that format.  

Todd

------------------------------

Date: Sat, 6 Jan 01 15:41:17 +1100
From: <sykadelik@one.net.au>
Subject: Re: Castaways (no, not that new Tom Hanks movie)

>You're right about "Peace of Mind," but "Man's Gotta
>Be A Man" was the B-side, not the A.  "Goodbye Babe"
>was the A-side.  
>
>Brian
>NFTG

Thanks Brian. Someone mentioned a Castaways CD - that's a bootleg tho', 
right? Or have Sundazed finally done the guys justice?
- -Peter M

------------------------------

Date: Sat, 6 Jan 01 15:43:44 +1100
From: <sykadelik@one.net.au>
Subject: Re: The song remains the same (no, not Ded Zep)

>IF IT AIN'T BROKE DON'T FIX IT: the Newbeats churned out several songs that 
>aped "Bread & Butter." Tony Joe White must have rewritten "Polk Salad Annie" 
>numerous times. Jumpin' Gene Simmons' self-titled Hi album included his 1964 
>hit "Haunted House"...plus other songs that reworked the same basic riff.
>
>J. Porter 

I believe Chuck Berry & Little Richard only had three original songs 
between 'em, but I think this has been discussed befo'
- -Peter M

------------------------------

Date: Fri, 5 Jan 2001 23:44:00 EST
From: Sknoof@aol.com
Subject: Let's All Pat Ourselves On The Back Right Now!

Ha!  I bear some responsibility for letting this Classic-Rock Rant out of the 
box.....(though MopTop started it)  but one thing is very very clear from 
these posts, and I think it needs sayin'.

Even though some of us do differ on some of these artists (I'm with you, 
Blair, I love a lot of the early Queen stuff....in small doses) we seem to be 
in pretty tight accord on about 95 percent of all the stuff we talked about.  
But what strikes me most is how well-informed most of ya's seem to be about 
stuff you HATE.  It really legitimizes your position when you know your shit. 
 Even when, as in this case, it's someone ELSE's "shit."  I mean......for 
someone on this list to be conversant with some Alan Parsons song 
titles........to me that's just cool.  

By the way, do I stand alone on "Suite: Judy Blue Eyes"??  Shit, that record 
represents a good chunk of my high school years.

Well.  You'll forgive!
Mike F.

------------------------------

Date: Sat, 6 Jan 01 15:48:45 +1100
From: <sykadelik@one.net.au>
Subject: Re: Sucking in the 70s (and beyond)

>Full of hate (as usual),
>
>Brian 
>NFTG

Excellent shit list. I'd add Billy Joel and Guns & Posers, although there 
are people on this list who dig them so I'll keep quiet.
- -Peter M

------------------------------

Date: Fri, 5 Jan 2001 20:50:07 -0800 (PST)
From: Jason Mata <jamigmat@yahoo.com>
Subject: Re: smash hits...and their soundalike followups

How about The Troggs' 'Wild Thing' and 'I Want You'?
And also ? & The Mysterians have other songs that a
lot like 96 Tears.
- -Jason Mata 

__________________________________________________

------------------------------

Date: Fri, 5 Jan 2001 20:50:27 -0800 (PST)
From: Kim  <dmouse@toaster.net>
Subject: styx apologists

"For Styx fans, these are the best of times"

http://www.austin360.com/statesman/editions/tuesday/life_entertainment_2.html

------------------------------

Date: Sat, 6 Jan 2001 00:01:28 -0500
From: "Jeffrey Lemlich" <limeston@bellsouth.net>
Subject: Re: smash hits...and their sound alike follow-ups

A few more:
THE CHIFFONS (66) - Sweet Talking Guy = Out Of This World
MARVELETTES (61) - Please Mr. Postman = Twistin' Postman
SUNRAYS (65) - I Live For The Sun = Andrea

Please check out my web page at:
http://www.limestonerecords.com
 

------------------------------

Date: Sat, 6 Jan 2001 00:19:35 -0500 (EST)
From: troggman@webtv.net (Todd Lucas)
Subject: Re: Castaways (no, not that new Tom Hanks movie)

>Thanks Brian. Someone mentioned a
>Castaways CD - that's a bootleg tho', right? Or
>have Sundazed finally done the guys justice?
>-Peter M

I think it was on Plum, who also have released various other things from
the Soma catalogue.  

Todd

------------------------------

Date: Fri, 5 Jan 2001 21:21:44 -0800
From: "Joey Beretta" <joeyb@aa.net>
Subject: Re: smash hits...and their soundalike followups

> There's also that song (sorry, don't recall the artist or correct title)
> "one two three...  it's so elementary...  [blah blah blah] It's easy...
> Like taking candy from a BAYYYYY-by".  Whoever that was had another,
lesser
> hit that sounded just like it and continued with the nurseryland
metaphors.
> This latter one I happened to catch on a "twin spin" Tuesday, haha.
>
> Lenny
>

That's Len Barry with "1-2-3"--the follow-up was called "Like a Baby," so
not only did it sound the same but it also had a lot of the same words...

Joey

------------------------------

Date: Fri, 5 Jan 2001 21:22:16 -0800
From: "Joey Beretta" <joeyb@aa.net>
Subject: Re: most hated

Loverboy!

------------------------------

Date: Fri, 5 Jan 2001 21:24:48 -0800
From: "Joey Beretta" <joeyb@aa.net>
Subject: Re: Lewd in Seattle!!

> where was this at joey???  i may have been at that one too


As Alan said, it was at the Paramount.  It was a KISW Catch a Rising Star
Concert (99 cents?  $1.99?), as was the next show I attended, a week or two
later, Elvis Costello (with Rubicon opening).

Joey

------------------------------

Date: Sat, 06 Jan 2001 00:38:06 -0500
From: "JOE ABRAMS" <stoneager@hotmail.com>
Subject: Re: Dolemite

OK I'm real slow getting round to these so this has surely been talked into 
the ground but what the heck-
"Dolemite"'s really just Rudy's best known picture, not definiely the best 
tho truly classic- I like the sequel "Human Tornado" alot more. Double take 
of Rudy's fat ass tumbling over a hill nekkid... and "Petey Wheatstraw" 
features Rudy using the Devil's power to terrorize a comedy club full of 
gangsters. I taped all these off of BET Stars.
>  The thing is, if this is the best film that Rudy Ray Moore
>made, what are the others like?
>
>"Can ya dig it!"
>
>Steve
>


_________________________________________________________________

------------------------------

Date: Sat, 06 Jan 2001 00:58:54 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: Re: Let's All Pat Ourselves On The Back Right Now!

Nope, you're not alone there. I really despise most
anything by CSN&Y/CS&N, although I mostly like Neil
Young's solo stuff...


At 11:44 PM 1/5/01 EST, you wrote:
>
>By the way, do I stand alone on "Suite: Judy Blue Eyes"??  Shit, that record 
>represents a good chunk of my high school years.


- -----------------------------------
| Rat Pfink  ratpfink@akamail.com |
- -----------------------------------

------------------------------

Date: Sat, 6 Jan 2001 01:05:58 -0500
From: "Lenny Smith" <lpsmith@gwi.net>
Subject: Re: smash hits...and their soundalike followups

Joey Beretta <joeyb@aa.net> wrote:
>That's Len Barry with "1-2-3"--the follow-up was called "Like a Baby," so
>not only did it sound the same but it also had a lot of the same words...

THANK you, Joey, that's it exactly!  I felt kind of lame posting such a
vague description, but it was such a blatant case in point, I wanted to
mention it.

Lenny

------------------------------

Date: Sat, 06 Jan 2001 01:09:13 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: Re: smash hits...and their sound alike follow-ups

I guess the most intentional example of this (sorry if 
someone already mentioned this) is "It's The Same Old 
Song" by the Four Tops, which actually is the same song
as "I Can't Help Myself", but with different words.


- -----------------------------------
| Rat Pfink  ratpfink@akamail.com |
- -----------------------------------

------------------------------

Date: Sat, 6 Jan 2001 01:37:31 EST
From: MaximumMarshak@cs.com
Subject: Re: The Suck List/Elton John

I remember donating plasma for beer money 7 or so years ago and the "Classic 
Rock" station was playing throughout my entire first visit.  During that time 
(4 hours or so) they played candle in the wind 3 times.  It was the ultimate 
hell-Elton John, Crackheads, fluorescent lights, and weird pod like machines 
that sucked your blood. Do those classic rock/oldies station own a "best of" 
type CD that just continually plays all day??

Chad Chadwick

------------------------------

Date: Fri, 5 Jan 2001 22:45:12 -0800 
From: Alan Wright <AlanW@SeattleArtMuseum.org>
Subject: RE: bomp-digest V2001 #13

 
<Hey Alan,

Don't go there.  I unfortunately picked this up a while back and it's
awful boogie-rock. And I'm sure the Cavestomp '97 crowd wasn't exaggerating
when they unanimously declared it's re-creation an utter travesty. Stick
with the Raw & Alive in the Cellar CD recorded in the 60's. Rocky. >
<I've heard it, and apart from a version of "I Just Want To Make Love To
You"  based on Foghat's rendition, I think its' pretty good. Keep in mind
that this is not exactly primal 1966 punk, but a few of these numbers
wouldn't sound out of place in the repertoire of Brownsville Station or some
other  high-energy Detroit rock band of the period. 
J. Porter>

That's what I love about this list! Totally contradicting opinions! Hey, if
you guys both start calling each other "fag" and "assshole," it'll be just
like banana-truffle! 

<ok, maybe this is too obvious, but has anyone mentioned the mighty
REO speedwagon? 

I went to the former drummer's restaurant in California once. It wasn't too
bad, actually. He had gold records and autographed pics of himself up all
over, though. 


>Yes, there stuff was reissued on CD last year. I don't remember who did
it >but it is pretty widely available.
>Jeff Shore

The CD's not that great. Some of their other '60s stuff (about half the CD)
is okay, but man, the recent stuff is awful! Talk about heinous crimes of
the overly synthesized! A disco-techno version of "Liar, Liar!?!" It's bad
beyond belief.  What were they thinking? Compare it to the Fendermen disc on
which there's some recent stuff also, but it's actually listenable, albeit
more country, but I was surprised, kinda expecting it to be hideous. 


<I recently lost a CD inside my CD player.  It's one of those five disc
players, and the disc must not have been slotted properly and slipped
off the tray and into the mechanism.  The CD player still works, and I
don't really care about retrieving the CD (an "alternative" Xmas comp
which I can certainly do without), but I'm wondering what kind of damage
I might be causing by leaving a disc inside there.  Can it cause an
electrical fire?  Is it worth attempting to open up or taking to a
repair shop?  Any thoughts or advice are quite welcome.
Thanks,
mb>

This happened to me a few weeks ago. I lost my new copy of the Incredible
Shrinking Dickies in the 5-disc player, and, well I was kinda stoned, and so
I'm standing there pushing the tray back in, gets halfway, stops. I repeat
the process, oh, 50 times. Finally I shrug, turn on the TV and give up. The
next day, with a more lucid mind, I took the top off of the player, and
discovered the CD jammed in the back, effectively stopping the tray from
closing all the way. I retrieve said CD, which is completely trashed, and
has two big gouges in it! I put the player back together, and  I try to play
the Dickes CD anyway. Doesn't work, just skips all over. Oh, well. You might
wanna get the one in yours out anyway, because it might shift around and jam
something up inside. So, just take the top off by removing the screws on the
top and sides (unplug it first!), retreive the CD, put it back together and
you should be back in business!  

Alan 

------------------------------

Date: Fri, 5 Jan 2001 22:51:05 -0800 
From: Alan Wright <AlanW@SeattleArtMuseum.org>
Subject: RE: gorilla profile

<got this email from Discovery, with the subject "Andrea, What Kind of a
Gorilla Would You Make?" and just HAD to check this out.  I'm Kudzoo, the
"Princess" gorilla.Okay, so it's not about music -- but I think gorillas
(and chimps and orangutans) are BOMP worthy! 
- - --Andrea >

I took it again, and this time I became The Adventurer!

Alan 

------------------------------

Date: Sat, 6 Jan 2001 02:01:09 EST
From: Cavestomper@aol.com
Subject: Mr. Fornatale: The subject is "Queen".  Let's set the record "straight"...

In a message dated 1/5/01 8:09:30 PM, owner-bomp-digest@xnet2.com writes:

<< Hey,

This far I've agreed with everything on this classic- rock- suck-list-
topic,
except for Free. I think they were great.  Nobody has mentioned
the worst of them all: QUEEN.
There so much wrong with this band I don't were to start. Mercury's teeth,
guitar solos, clothing... you all know the list is endless.


Pekka >>

Uh-uh-uh-no-no-no...Queen were kings!!!!!!  Tie Your Mother Down, Brighton 
Rock, Sheer Heart Attack, to name only a mere few was some sincere head 
bobbing- fist pumping hard rock that effortlessly wiped the floor with their 
overly serious and self indugent "god" like contemporaries.  Make no mistake: 
in an era of swollen and bloated self important rock bands, Queen (like any 
really great rock-n-roll band), laughed harder at themselves and their self 
image they created than we ever could.  The name alone was a well aimed and 
intentional shot in the foot.  Totally in on their own joke, they preened but 
delivered the goods in a high glam/metal style that would have made The NY 
Dolls proud.  And in fact, it did.  At that time, both bands shared pretty 
much the identical fan base here in NYC.  A fan base which was comprised 
largely of Max's Kansas City rejects and Club 82 types about to make the 
transition from glam to punk following the lead of a certain Mr. Jeffrey 
Hymen, as he segued out of Sniper and metamorphosed into Joey of The Ramones. 
 I was a junior in HS when Queen's Sheer Heart Attack album came out.  And it 
was a welcome change for all of us who hated with a passion, the boring crap 
that ruled the FM radio rock programmer's playlists at the time.  Against a 
backdrop of Yes and their J.R. Tolkeinesque bullshit, Led Zep Zofo mystical 
hogwash, Duane Allman outlaw bumpkin adoration /Eric Clapton'sjunkie 
noodlings, and Chicago (yeah, fucking Chic-a-go?!!), Queen were mean, lean, 
funny, and  cool as Iggy.  

Of course, they weren't immune to being pretty awful themselves...can you 
say, "Radio Ga-Ga"?  And much more no doubt, stuff most of us probably 
haven't even heard and don't want to.  I know I lost track of them sometime 
in the early '80's.  But back in the pre-historic '70's they were great.  ( 
Hmmm...I think I'll go watch Wayne's World...NOT! ).

Jon Weiss    

------------------------------

Date: Sat, 6 Jan 2001 02:13:26 EST
From: Cavestomper@aol.com
Subject: The Legends: High Towers (Arf Arf-087/88) Two CD set

In a message dated 1/4/01 4:28:44 PM, Doug_Sheppard@tax.org writes:

The Legends: High Towers (Arf Arf-087/88) Two CD set
Release date: February 1, 2001

Some people know 'em as the spawning ground for Dan Hartman of Edgar
Winter/"Free Ride"/"I Can Dream About You" fame. Other people know 'em for 
their
four excellent singles. But until you've heard Arf! Arf! Records' new 
double-CD
High Towers compilation retrospective, you haven't gotten the full perspective
on the Legends.

>From '64 to '73, the Legends were as synonymous with Central Pennsylvania as a
Hershey Bar with almonds, and every bit as tasty. They got the audiences 
dancing
with their mix of pop, rock and soul in the mid-'60s, freaked 'em out with 
heavy
psychedelia in the late '60s, then rocked 'em back outta their shells with 
even
harder rock in the early '70s. All phases are documented on High Towers, which
traces the rise of the Legends from their garage band roots playing teen hops
and fire halls into seasoned rockers blowing the doors off larger venues.

Featuring their four ultra-rare singles and an even rarer promo flexi from 
1970,
the first CD documents the Legends from 1967 to 1973, their most renowned era.
But the listening pleasure doesn't end with rare 45 sides like the stompin'
freakbeat cover of "Baby Get Your Head Screwed On" from '67 and the quirky
wah-wah piano of "High Towers" from '69. CD number one is rounded out by a 
bevy
of previously unreleased material, including seven more power-trio psych-outs
from 1969, three pounding hard rockers from 1973 that should have the stoner
rock crowd in air-guitar heaven, and even a CD-ROM of a video made by band 
ally
Jerry King Musser in 1972 to promote "Rock and Roll Woman," a regional smash
that almost got the Legends on American Bandstand.

And then there's the second CD, which throws a life preserver to those '60s
fanatics who abandon ship when the captain's into psychedelia or hard rock. 
Fear
not, garage fiends, as CD number two completes the Legends' voyage with 26
previously unissued cuts from 1965 and 1966, including a few band originals 
and
teen-fueled renditions of "Shakin' All Over," "You Really Got Me" "I Need 
You,"
"Don't Bring Me Down" and even the Shadows of Knight's fuzz ripper, "I'm Gonna
Make You Mine." Perhaps the coolest garage vault find of all, however, is a 
pair
of cuts by the Donshires (featuring future Legend Joe Caloiero) from 1965, 
"Sad
and Blue" and "Tripeline," which would be lighting up eBay if the songs had 
ever
been pressed on a single.

The musical experience is only enhanced by a 24-page booklet lined with
pictures, memorabilia and a detailed band history (including interviews with 
six
former members) by Doug Sheppard of Discoveries/Ugly Things. Whether you're 
into
garage, psych, hard rock or even Dan Hartman himself, High Towers is 
guaranteed
to scale the rock and roll heights for you.




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------------------------------

Date: Sat, 06 Jan 2001 01:05:17 -0700
From: ronald and karen sanchez <eldeluxe@mcn.net>
Subject: Re:classic rock and worse

You guys sure spend a lot of time fretting about some really god awful music, and you seem to actually know the bands. Look, I worked in record stores from '72-80, and managed to not listen to most of that crap. I just put 'em up on the shelves and collected the loot. I didn't have to really listen. But then, do you know what it's like having to be nice to George Thorogood when he comes in to do a live radio broadcast?

I know some man's favorite is another man's worst feared, but radio has really ruined it for some bands. See: Free. Now there is a band that was actually pretty damn good, but all you ever hear is one song. ( but then there is Bad Co, who I will not tolerate) The guy or gal on your local radio station has nothing to do with the music they play. They may actually like it. Just think, who else would want that job? But they ain't picking it. I have this theory about the diminishing pool of oldies that we see. That's because everything you hear
has been tested, so if no one knows it, it doesn't get good numbers. Result it doesn't get played.

We have a album rock-AAA station here, and i swear the PD thought Foreigner and Guess Who were the origins of rock. Really. They fired my pal who was the number one dj in the state, 'cause he had the nerve to play a Duane Eddy song that wasn't on the consultants playlist!!!  My friend Sean's dad was the same Tom Donahue who promoted the Beatles last gig at Candlestick. Go figure. When Sean died in a car smash last year, the same station had the gall to treat it like a station "promo'! I nearly thumped Sean's replacement who came to a wake at
my house, and then proceeded to insult me. Oooh, don't get me started.

Meanwhile go back to what you like, and don't dwell on the crap the mindless masses are force fed. Who ever said it was right: there are people who do only want to hear the same 20 songs that make them comfortable. That's why they do the research, they are only broadcasting to the lowest common denominator. Earth dogs will rule the world. You elected him..Jokes on  you.

RS



- --
- -- The Donovan's Brain Web Site:
http://www.btinternet.com/~manband.archive/brains/index.html

------------------------------

Date: Sat, 06 Jan 2001 03:20:51
From: jschwart@voicenet.com
Subject: The Yawn List

Thanks for everybody contributing to the ongoing lists of "suck" songs.
>From the obvious groaners of early-mid '70s "fish-in-a-barrel" Top 40 pap
(haven't had this much fun since, uh, reciting the same lists of songs at
college parties 20 years ago) to FINALLY sticking it to the Man about how
commercial radio plays the same songs too many times (I always thought the
SAME EXACT THING about "Stairway To Heaven"! LOL!!). No sacred cows on the
Bomp list!

And man, thanks for straightening me out on whether well-crafted, melodic
songs like "Suite Judy Blue Eyes" were any good. I was foolishly flirting
with the notion that it wasn't that far a leap from The Byrds and Hollies.
Someone patiently explained to me off-list that acoustic guitars are only
cool on Nick Drake or Skip Spence records!

Thanks once again, Bomp listers, for clearly sanctioning the boundaries of
what is cool and what ain't. Every now and then I lose track of the
ever-contracting definition of "Bomp-worthy," but I can count on you guys
to bring me "back from the grave."

------------------------------

Date: Sat, 06 Jan 2001 04:43:02 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: Re: The Yawn List

Being well-crafted and melodic does not preclude
a song from becoming nauseating upon repeated 
exposure. Think Paul McCartney, Billy Joel, The 
Carpenters, etc. 

Being not-far-removed from The Byrds and Hollies 
isn't necessarily a good thing, either (The Eagles
come immediately to mind.)


At 03:20 AM 1/6/01, you wrote:
>
>And man, thanks for straightening me out on whether well-crafted, melodic
>songs like "Suite Judy Blue Eyes" were any good. I was foolishly flirting
>with the notion that it wasn't that far a leap from The Byrds and Hollies.


- -----------------------------------
| Rat Pfink  ratpfink@akamail.com |
- -----------------------------------

------------------------------

End of bomp-digest V2001 #14
****************************

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