From: owner-bomp-digest@xnet2.com (bomp-digest) To: bomp-digest@xnet2.com Subject: bomp-digest V2001 #60 Reply-To: bomp Sender: owner-bomp-digest@xnet2.com Errors-To: owner-bomp-digest@xnet2.com Precedence: bulk X-To-Unsubscribe: Send e-mail to majordomo@xnet2.com with "unsubscribe bomp-digest" in the body X-Bomp-web-site: http://www.bomp.com X-BompList-Administrator: efd@xnet2.com bomp-digest Friday, January 26 2001 Volume 2001 : Number 060 This is the digest version of the Bomp list. ***HOW TO UNSUBSCRIBE:*** Send an e-mail with the words "unsubscribe bomp-digest" to majordomo@xnet2.com or go to . Here's what people are yacking about in this digest: Januaries 26 & 27 Jan.Roerhorst@prismant.nl Re: bomp-digest V2001 #56 ARei425705@aol.com January 25 Jan.Roerhorst@prismant.nl P.P This Sat (27) Rob Bailey The Escorts Boldface Billy's Clothes Boldface new Mojo JJRazz1@aol.com Re: SIXTIES ARCHIVES CDs for sale Nancy and semantics Sknoof@aol.com Re: Billy's Clothes Matt Whatever Re: #59 HOODOO3005@aol.com Sex Pistols: Masters Of The Airwaves? HOODOO3005@aol.com I want to go to THIS auction! Beats76@aol.com "My Name Is Jack" on You Are What You Eat soundtrack "John Trembly" Re: The Lovin' Spoonful mix "ALFREDO FIORENTINI" RE: extreme stereo/Ramones Alan Wright Re: Gentrys/Aphrodite's Child HOODOO3005@aol.com Re: bomp-digest V2001 #59 HOODOO3005@aol.com Re: Moon Martin & the Cadillac Walk HOODOO3005@aol.com rebar Joe Belock green day Joe Belock Re: rebar "Blair Buscareno" Re: Garageshock unkraut@io.com RE: extreme stereo/Ramones Moparlary@aol.com Re: The Escorts "Bryan Thomas" Re: The Escorts "Bryan Thomas" Re: The Escorts "Bryan Thomas" Get Hot Or Go Home Playlist 1/20/01 matthew little New Games at Huggabaloos.com Cperez67@aol.com Re: The Escorts "Bryan Thomas" Re: extreme stereo "Crawdaddy Simon" Re: Clefs Of Lavendar Hill David Coyle Re: Lemon Pipers pre-stardom David Coyle it's a boy fink!!! "Emery, J." Re: Billy's Clothes Steve Coleman Re: The Lovin' Spoonful mix Euphorik6@aol.com david bailey. Euphorik6@aol.com ---------------------------------------------------------------------- Date: Fri, 26 Jan 2001 11:26:03 +0100 From: Jan.Roerhorst@prismant.nl Subject: Januaries 26 & 27 Hi y'all, Slowly getting settled-ish on my new location, unpacked all my stuff, mail seems to work, Motorhead in the (not so) background, what else can one wish for? Ah, a nice cup of pretty good espresso and a smoke... Back in a minute... There! Coffee n' Smokes n' Noise! Sounds pretty perfect, doesn't it? It starts to feel that way... Right! Back to the regular program: Today & Tomorrow (not a new Metal band!), yester-century: On January 26, in 1969, the Beatles recorded "Dig it" at London's Apple Studios; 1971, James Brown recorded "I cried", "Soul power" and "Spinning wheel" at Washington's Rodel Studios. "Soul power" came in three parts, "Spinning wheel" in two. On January 27, in 1958, LaVern Baker recorded "Gimme a pigfoot", in New York; 1965, Astrud Gilberto recorded "Agua de beber" and "Meditation" at Los Angeles' RCA Studios; 1965, the Remains recorded "Ain't that her", "All good things", "Say you're sorry" and "Why do I cry" at New York's CBS Studios; 1966, Bob Dylan recorded "I'll keep it with mine" at New York's CBS Studios; 1968, Lavender Grove recorded "Lavender Grove" at R.G. Jones Studios in Morden; 1969, the Gods recorded "Hey bulldog" at London's Abbey Road. Two of these Gods were Ken Hensley and Lee Kerslake. Hensley, after the Gods broke up, founded Uriah Heep in 1970. They had some problems with drummers, so Kerslake joined in 1971, becoming their fifth (!) drummer. The Gods released three singles and two lp's from 1968 to 1970. Two other (non-recording) members were Mick Taylor, founder of the Gods, but leaving them in 1967 to first join John Mayall and later the Rolling Stones and Greg Lake, who left in 1968 for King Crimson, to become a member of Emerson, Lake & Palmer in 1970. Oh my Gods! 1971, the Persuaders recorded "Thin line between love and hate", in New York; 1971, Wilson Pickett recorded "Don't knock my love" at Sheffield's Muscle Shoals Studios; 1972, the Free recorded "Child", "Soldier boy" and "Travellin' man" at London's Island Studios. All three would sooner or later be redone for inclusion in the "Free at last" lp. These three are to be found on "Songs of yesterday". That's all for now! L8er, Jan (Everything louder than everyone else!) PS. Jeroen! Do you actually remember when was the last time I bought anything symphonic..... LOL!!! ------------------------------ Date: Fri, 26 Jan 2001 05:45:25 EST From: ARei425705@aol.com Subject: Re: bomp-digest V2001 #56 GHETTO BLASTERS All this recent chatter over cd burners has got me to thinkin'....can anyone recommend a really great sounding cd and cassette playing/recording blaster? I want one with cassette to cassette and cd to cassette capabilities, but also one that records really well (preferably stereo) with mic input AND condensor mic... Thanks folks! - -Ari ------------------------------ Date: Fri, 26 Jan 2001 11:46:31 +0100 From: Jan.Roerhorst@prismant.nl Subject: January 25 Hi again y'all, Guess yesterday you were all dying to know what happened in the past and I let you down.... hahaha Anyway, I didn't write all that shit for myself, so here goes: On January 25, in 1955, Little Walter Jacobs recorded "My babe" and "Thunderbird" at Chicago's Chess Studios; 1960, Jerry Lee Lewis ended a five-day recording session at Memphis' Sun Studios. It were days well spent: the Bear Family Box holds no less than 22 selections, recorded during those five days. Titles? Alright, alright! Here goes, alphabetically, of course: "As long as I live" (2), "Baby, baby bye bye" (2), "Bonnie B." (2), "Don't drop it", "Gettin' in the mood", "Great speckled bird" (2), "Hound dog", "I can't help it", "I get the blues when it rains" (2), "In the mood", "Keep your hands off of it (birthday cake)", "Mexicali Rose" (2), "Old black Joe" (2), "What'd I say" and "Your cheatin' heart". (2) obviously means, that there's two versions... 1966, the Byrds recorded "Eight miles high" at Los Angeles' Columbia Studios; 1967, James Brown recorded "Kansas City" and "Need your love so bad" at New York's Beltone Studios; 1968, Cuby & the Blizzards recorded "The sunshine of your shadow" and "Crying tears", in Hilversum, Holland. The two songs were released on a 45; 1968, the Sandpebbles recorded "The love man" and "Up nd down" at New York's Bell Sound Studios; 1968, Big Mama Thornton recorded "Ball 'n' chain" and "Wade in the water", in Los Angeles; 1968, Mark Wirtz & his Orchestra recorded "(he's our dear old) Weatherman" at London's Abbey Road. The song is to be found on "Psychedelia at Abbey Road"; 1969, the Beatles recorded "For you blue" at London's Apple Studios; 1991, Paul McCartney recorded his "Unplugged" cd at London's Limehouse Studios. Love him or hate him, this still sounds like tons of fun were had by all involved. There! L8er, Jan (still quite noisy....) ------------------------------ Date: Fri, 26 Jan 2001 10:58:06 +0000 From: Rob Bailey Subject: P.P This Sat (27) Purple Pussycat RnB Club Presents London's newest swinging Club Soul/RnB Band Little Barrie Live!!!! at Cask & Glass Cellar Club, Orchard St, London W1 (Tube Marble Arch) Doors 9.30-2.30 AM ADM £5 with DJ's DR Robert and Viking Vic spinning Club Soul, Psych, Boogaloo, Beat and RnB. ------------------------------ Date: Fri, 26 Jan 2001 13:49:05 +0000 From: Boldface Subject: The Escorts Thanks Dave... The songwriting credit on Come On Home Baby is "Addrisi/Addrisi" though, which isn't the name of any of the band members... While I was looking through my records I found I had a copy of Head To Toe on a 45. Didn't know I had that! I reckon this must be a common occurrence for many of us though - Wow, great record, must get that... Then finding that you have it already and just forgot, lost it amongst the piles of vinyl that litter the house... -- PJ ------------------------------ Date: Fri, 26 Jan 2001 13:49:05 +0000 From: Boldface Subject: Billy's Clothes Matt Whatever asks: >Where does Billy shop? Who's his taylor? If Billy has a tailor it's most likely some really old guy in Chatham who's been making clothes all his long life... More likely is that he gets his clothes from local charity shops and has a girlfriend make any necessary alterations. (I think Billy will find this question hilarious! Shall I forward it to him?) -- PJ ------------------------------ Date: Fri, 26 Jan 2001 09:11:51 EST From: JJRazz1@aol.com Subject: new Mojo In a message dated 1/26/01 5:11:08 AM Eastern Standard Time, owner-bomp-digest@xnet2.com writes: << Date: Thu, 25 Jan 2001 09:19:15 -0600 From: "Emery, J." Subject: re: new issue of mojo mag when (not if, when) you pick this up, turn straight to page 83 and stare in full-page awe of what is unquestionably the greatest photo ever of johnny ramone. joe Hi Joe, I had heard the the next issue was gonna be about the 70's NYC scene with an article be Danny Fileds etc. Might this be it> and it;s out now? Thanx! - JJ>> ------------------------------ Date: Sat, 27 Jan 01 01:34:07 +1100 From: Subject: Re: SIXTIES ARCHIVES CDs for sale Even MORE Wylde '60s punk CDs available at: http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems&userid=sykadelik& include=0&since=-1&sort=2&rows=25 - -PM ------------------------------ Date: Fri, 26 Jan 2001 09:51:42 EST From: Sknoof@aol.com Subject: Nancy and semantics Nancy sez: <> Hmmm, I missed that. What does that mean though? Does it mean you're alleged to be a "hanger-on" who is also a "psycho bitch"? Or does it mean you are "One Who Hangs On To Psycho Bitches"? 'Cause, I mean, if so, then that would make ME a "Psycho Bitch Hanger-On Emeritus." Mike F. ------------------------------ Date: Fri, 26 Jan 2001 07:28:50 -0800 (PST) From: Matt Whatever Subject: Re: Billy's Clothes Ha-ha... yes, forward it to him! - --- Boldface wrote: > > Matt Whatever asks: > >Where does Billy shop? Who's his taylor? > > If Billy has a tailor it's most likely some really > old guy in Chatham who's > been making clothes all his long life... More likely > is that he gets his > clothes from local charity shops and has a > girlfriend make any necessary > alterations. (I think Billy will find this question > hilarious! Shall I > forward it to him?) -- PJ > > > > ===> To unsubscribe, send "unsubscribe bomp" to > majordomo@xnet2.com <=== > __________________________________________________ ------------------------------ Date: Fri, 26 Jan 2001 10:31:40 EST From: HOODOO3005@aol.com Subject: Re: #59 In a message dated 1/26/01 4:34:24 AM Central Standard Time, owner-bomp-digest@xnet2.com writes: << Here's a suggestion: Put together an Austin Rock'n'Roll Extravaganza and make it into an annual event. Yeah, I know SXSW already happens, but I'm talking about something much smaller, but nice and wild. >> Oddly enuff, SXSW started out as something smaller, nicer, and wilder than the competition (i.e., the New Music Seminar in New York)... ------------------------------ Date: Fri, 26 Jan 2001 10:33:43 EST From: HOODOO3005@aol.com Subject: Sex Pistols: Masters Of The Airwaves? In a message dated 1/26/01 4:34:24 AM Central Standard Time, owner-bomp-digest@xnet2.com writes: << The (Sex) Pistols didn't get played on commercial Top 40 radio every hour. >> ...except maybe in England, and even then, that's probably stretching it... ------------------------------ Date: Fri, 26 Jan 2001 10:43:26 EST From: Beats76@aol.com Subject: I want to go to THIS auction! Anybody got $75,000 laying around I could borrow? Lynn ****************** Bikini May Shake And Stir Auction LONDON - The white bikini that left James Bond shaken and stirred in one of the most memorable scenes from the British spy film series has been put up for sale. Swiss-born actress Ursula Andress shot to stardom when she emerged from the sea wearing the white cotton bikini in the 1962 movie Dr. No, the first 007 film. This bikini made me into a success," Andress, now 64, said. The actress decided to sell the two-piece after she discovered it in the attic at her home, the Daily Telegraph reported on Friday. The bikini is expected to fetch up to $75,000 when it is auctioned at a sale of Bond memorabilia at Christie's in London on Feb. 14, the paper said. ------------------------------ Date: Thu, 25 Jan 2001 20:48:43 -0500 From: "John Trembly" Subject: "My Name Is Jack" on You Are What You Eat soundtrack The version on the soundtrack might be the original by the songwriter, = John Simon. Now the question is: which came first? His version, or = Manfred Mann's? I've read that FRank Zappa is featured in the film also. For how long, = and how good of a clip is it? A Mothers performance, or an interview = clip? ------------------------------ Date: Fri, 26 Jan 2001 13:46:27 +0100 From: "ALFREDO FIORENTINI" Subject: Re: The Lovin' Spoonful mix >>> another good example of this is the velvets' "the gift." <<< and Rip Chords records too. Michele ------------------------------ Date: Fri, 26 Jan 2001 08:42:32 -0800 From: Alan Wright Subject: RE: extreme stereo/Ramones Unless you have the mono mix, which I actually prefer of that album. Another extreme is "The Murder Mystery" on the 3rd LP, which has two distinct different things going on in each speaker, so if you nix one channel, it's like a different song! Another example of extreme stereo is the Blue Cheer. One time I had a rented car in L.A., and bought some cheap tapes to listen to at Tower, among them a "Best of Blue Cheer" cassteee. Well, turned out one of the speakers was blown, so when I had the Blue Cheer on, it was all echoey vocals, bass and drums! It sounded really bizarre! Alan <: Re: Ramones On Fox (1/24) Most of the Ramones oriented stuff was at the beginning of "grounded for life", involving the Ramones playing a festival in Staten Island. (Obviously this was pre-farewell tour, which they were good enough to mention) > Actually, what they said was it was one of their farewell tours "We go to all their farewell tours," says one dude "You never know, it might be their last!" That part was pretty funny. She makes a comment about the "stylistic limitations of the Ramones" or something like that. And bringing this full circle, the first Ramones album (original mix, not the later CD mixes) is very extreme stereo. All bass in left channel, guitar in right, drums and vocals center. Many a bass player have learned bass by cranking the balance to the left to get just the bass. The Seattle band Head did the same thing (as a tribute to the brudders) on their first few releases!! Alan Alan ------------------------------ Date: Fri, 26 Jan 2001 11:48:18 EST From: HOODOO3005@aol.com Subject: Re: Gentrys/Aphrodite's Child In Bomp Digest 59, "Boldface" compares an Aphrodite's Child song to a latter-day Gentrys cut ("I Need Love"). No, "I Need Love" ain't exactly "Keep On Dancing," but if you have a taste for schizoid, trend-jumping rock, get CINNAMON GIRL, a Gentrys compilation on Collectables that spotlights their years on the revived Sun label (circa 1970-71). By this time, only future wrestling promoter Jimmy Hart was left over from the 1965 edition of the band, and Sun (now owned by Shelby Singleton) decided to release something other than Johnny Cash and Jerry Lee Lewis reissues. It's plain to see that both Sun and the Gentrys were throwing things against the wall, trying to see what would stick. Literally, the Gentrys don't know whether they want to be the Grass Roots or Johnny Winter, moving between AM pop and FM rock in a heartbeat. Their versions of Cat Stevens' "Wild World" and Neil Young's "Cinnamon Girl" were regional hits (probably in backwater communities where neither Neil nor Cat were superstars just yet). The centerpiece is "Love You All Of My Life," a dippy pop ballad that features running drunken commentary from a (presumably) fortyish lady with a thick Southern accent. You practically expect her to say "kiss mah grits!"...she doesn't, but she does command an off-mike (male) interviewer (Hart?) to "feel mah leg...come awn, FEEL MAH LEG!!...you SCARED?" There's also a toilet flushing at the end, which might be someone's opinion of the tune. Strangely enough, this oddity isn't alluded to in the liner notes. Anybody know the story behind this? It was obvious that both Sun Records and the Gentrys were made for each other--two Memphis institutions at the end of the line, barely croaking. For all that, this is a fine, fine CD. Don't expect this to be a late-blooming garage manifesto ala the Rationals LP on Crewe, or the Woolies' BASIC ROCK LP on Spirit---yes, it's a fading 1960's band that the music industry left behind, trying to adapt to the changing times, and not exactly succeeding. This is still worth hearing, in a perverse, trainwreck way. Sun did release a self-titled album in 1970, but get the CD reissue---some of the better tracks didn't make that original album. Including the scandalous "Love You All Of My Life." J. Porter ------------------------------ Date: Fri, 26 Jan 2001 11:52:34 EST From: HOODOO3005@aol.com Subject: Re: bomp-digest V2001 #59 In a message dated 1/26/01 4:34:24 AM Central Standard Time, owner-bomp-digest@xnet2.com writes (regarding a possible garage-rock tribute album to Smokey Robinson): << Or how about "When Smokey Sings" by 80's band ABC? Tee-heee! >> Tee-hee? No, how about YIKES!!! Or HELLL NAW!!!! :-) From a Smokey fan who cringed when he saw Adam Ant on that Motown 25 special - -- JP ------------------------------ Date: Fri, 26 Jan 2001 11:59:44 EST From: HOODOO3005@aol.com Subject: Re: Moon Martin & the Cadillac Walk In a message dated 1/26/01 4:34:24 AM Central Standard Time, owner-bomp-digest@xnet2.com writes: << Hey I dunno how Bompy this cat is, but MOON MARTIN's "Shots From A Cold Nightmare" (Capitol 1978) is a pretty cool LP. Produced by Craig Leon, bassed by Gary Valentine, keyboarded by Willie Loco, drummed and back-vocalled by Phil Seymour, and Moon's got a Greg Shaw haircut, too. >> Hey, Moon Martin's cool with me! Like pub-rock, only American! I have his album ESCAPE FROM DOMINATION, which includes his Top 40 hit "Rolene" (1979). One of those Dr. Feelgood/Ducks Deluxe/Dave Edmunds type records that were considered too mainstream for punk, but too punk for the mainstream. (I'd throw early Elvis Costello and most power-poppers, including Dwight Twilley, in this category as well.) <> Cub Koda did a great version of this tune, as well (from his 1980 album CUB KODA & THE POINTS, on Baron). "I said RRRR-OOOO-LLLLL-E-N-E, Ro-oh-oh-oh-oh-oh, Rolene!!!"-- JP ------------------------------ Date: Fri, 26 Jan 2001 12:23:50 -0500 (EST) From: Joe Belock Subject: rebar anyone catch the neckbreakers at this venue last weekend? any good? looks like there's some good shows coming up, just wondering what the deal was there. ------------------------------ Date: Fri, 26 Jan 2001 12:26:22 -0500 (EST) From: Joe Belock Subject: green day since the topic of green day was mentioned in that at the drive in thread, i was driving around fliiping stations and came across what i thought was a cover of picture book, and nearly drove off the road. turns out it's a new or recent green day song that totally lifts that entire song. at least they're stealing some good, catchy stuff. don't know what the tune is, as some piece of rap-metal fecal matter was next, and had to bail ------------------------------ Date: Fri, 26 Jan 2001 12:25:45 -0500 From: "Blair Buscareno" Subject: Re: rebar The Rebar thing is being run by Lo-Fi Lee, who used to do shows at Downtime and Don Hill's. You also may know him from his mag, "Lo-Fi". I didn't make the show as (a) my niece was having her 2nd b-day party and (b) there was an ice storm in progress. I will, however, be sure to make the 2/10 gig w/The Insomniacs and The Gold Diggers (JT & Dave from the O. Sins doing R&B covers, etc.) - - Blair PS Evidently, the church that Lee was planning on holding his big rock'n'roll extravaganza at on 2/16 and 17 or thereabouts has nixed it and the shows will now be at Rebar, as well. ------------------------------ Date: Fri, 26 Jan 2001 7:30:21 PST From: unkraut@io.com Subject: Re: Garageshock >Blair wrote: >Now, I'm all in favor of having some local acts on there. There are >many inthe Austin area that'd fit right in. But what it comes down >to is that it's their show. They're putting it together. Granted, I >have no idea why they've chosen to move it out of Bellingham. (Does >anyone know?) On the other hand, it's probably cheaper for me to >fly to Austin than Seattle, so I'm not complaining. If I like the >lineup, I'll go. > >Here's a suggestion: Put together an Austin Rock'n'Roll >Extravaganza and make it into an annual event. Yeah, I know SXSW >already happens, but I'm talking about something much smaller, but >nice and wild. I'm betting some of the gang down there could do >some pretty great stuff... BBQs in the afternoon w/maybe a band or >two and DJs, lotsa bands at night, and maybe a Fuzz Club, etc. into >the wee wee hours. > >- - Blair My guess is that it is in Austin for a couple of reasons: 1) to breathe some life back into it, to give it some fresh appeal and 2) Tim Kerr, close friend of Dave Crider and Estrus house producer, lives in Austin. Austin is a great place for this sort of thing due to the various and sundrry amenities for out-of-town visitors, which quite frankly were missing in Bellingham (though you could always make the trek down to Seattle). I would like to see some local bnads as well as non-Estrus bands, but as Blair says, this is Dave's show. I think it will still be a fun time for those of you who make it down (in late May it's warm enough to take advantage of the area lakes for swimming if you're the outdoorsy type and can actually make it out of bed before noon). I'm pretty sure that there will be lots of "satellite" shows and in-stores going on as well. And, Blair, yes, there willl be BBQ but by all means don't forget about Tex Mex! Scott This message powered by EMUMAIL. -- http://www.EMUMAIL.com ------------------------------ Date: Fri, 26 Jan 2001 12:33:34 EST From: Moparlary@aol.com Subject: RE: extreme stereo/Ramones That split channel mix was done by the Forest Hills four with an ear toward the Beatles sytle of production. thee split mixer...Moparlary In a message dated Fri, 26 Jan 2001 11:39:11 AM Eastern Standard Time, Alan Wright writes: << And bringing this full circle, the first Ramones album (original mix, not the later CD mixes) is very extreme stereo. All bass in left channel, guitar in right, drums and vocals center. Many a bass player have learned bass by cranking the balance to the left to get just the bass. The Seattle band Head did the same thing (as a tribute to the brudders) on their first few releases!! Alan Alan >> ------------------------------ Date: Fri, 26 Jan 2001 10:30:01 -0800 From: "Bryan Thomas" Subject: Re: The Escorts Ah...the Addrisi's...something I know about. The Addrisi Brothers Don and Richard ["Dick"]) Addrisi recorded singles for Del-Fi in the late Fifties/early Sixties, then became talent scouts for Valiant, who signed the Association. The Addrisi's wrote songs for the group, including "Never My Love," which is right Paul McCartney's "Yesterday" as BMI's top-played single of all time. The Addrisi's also continuing their performing career, scoring a few hits in the 70's with "Slow Dancin' Don't Turn Me On" and "Ghost Dancer". Don passed away, but Richard is alive and well. I talk to him now and then... > The songwriting credit on Come On Home Baby is "Addrisi/Addrisi" ------------------------------ Date: Fri, 26 Jan 2001 10:32:12 -0800 From: "Bryan Thomas" Subject: Re: The Escorts Oh yeah, The Addrisi Bros. recorded the song first for Del-Fi.... Del-Fi 4130 "Gonna See My Baby"/ "Ven Ami" August 1959 Bryan > Thanks Dave... The songwriting credit on Come On Home Baby is > "Addrisi/Addrisi" though, which isn't the name of any of the band > members... ------------------------------ Date: Fri, 26 Jan 2001 10:33:59 -0800 From: "Bryan Thomas" Subject: Re: The Escorts Wait a sec...I have the wrong song here...Well, I'll see if I can find out if they recorded it....sorry! Bryan > Oh yeah, The Addrisi Bros. recorded the song first for Del-Fi.... > Del-Fi 4130 "Gonna See My Baby"/ "Ven Ami" August 1959 > > Bryan > > > Thanks Dave... The songwriting credit on Come On Home Baby is > > "Addrisi/Addrisi" though, which isn't the name of any of the band > > members... > ------------------------------ Date: Fri, 26 Jan 2001 13:36:54 -0500 From: matthew little Subject: Get Hot Or Go Home Playlist 1/20/01 Hey all you Sophisti-KATS and Sophisti-CHICKS, here's how the big rockabilly radio roundup went this past Saterday! No visits from my mom, special themes, fistfights or nights in jail this time, just a fine set of some of my flavorite Rockin numbers! King Memphis-Back Off Flattop! (Broken White) Jodimars-Now Dig This (Capital) Sammy Masters-Some Like It Hot (4-Star) Strangers-Rockin' Rebel Danny Zella & the Zell Rocks-Wicked Ruby (Fox) Bubba Ford-Wrigglin' Blond Louis Gittens & the Sabers-My Hot Mama (Kat) Deacon & the Rock and Rollers-Life On The Moon (Nau-Voo) Raunch Hands-Mess Around (Relitivity) Paul Peak-Rock-A-Round (NRC) Dale Hawkins-Lulu (Argo) Bob Luman-This Is The Night (From Carnaval Rock) Rockin' Rs-The Beat (Tempus) Rusty York-Sugaree (Chess) Rudy "Tutti" Grayzell-Let's Get Wild (Starday) BR5-49-Cherokee Boogie (Arista) Mackey Beers & the Rockitts-That Jim (Mark) Link Wray & the Wraymen-Black Widow (Swan) Kathy Zee-Buzzin' Dwight Pullen-Sunglasses After Dark (Carlton) Andy Starr-Rockin' Rollin' Stone (MGM?) Benny Joy-Bundle Of Love (Ram unished) Carl Perkins-Pink Peddle Pushers (Columbia) Don Cole-Snake Eyed Mama (RPM) Ricky Nelson-Waitin' In School (Imperial) Billy Lee Reily & the Little Green Men-Red Hot (Sun) Even Johns & the H-Bombs-Vacation Time (AT) Dean Beard-Time Is Hanging Heavy on My Hands Jerry Lee Lewis-Lewis Boogie (Sun) Eddie Dugosh & the Ah-Ha Playboys-Strange Kinda Fealin' A-Bones-Go Betty Go! (Norton) Cole Brothers-Betty Betty Betty (Mill-Mont) Deke Dickerson & the Ecco-Fonics-I Got A Date To Cut A Cake (HMG) Jerry Engler-Sputnik (Decca) Mickey Hawks & the Night Raiders-Screamin' Mimi Jeanie (Profile) Rodney & the Blazers-Summertime Rock (Kampus) Blasters-She Aint Got The Beat (Rollin' Rock) Buddy Holly-Baby Wont You Come Out Tonight? (unished) Tav Falco & the Panther Burns-She's A Bad Motorcycle (New Rose) Curley Money-Hurricane Baby (Starday?) Johnny Cash & the Tennessee Two-I Walk The Line (Sun) Jack Scott-I Never Felt Like This (Carlton) Sparkletones-Boppin' Rock Boogie Don & the Galaxies-Sundown Wally Lee & the Storms-I Never Felt Like This Before Jimmy Pritchett-That's The Way I Feel (Sun) Ted Harris-Just thought I'd Set You Stright Wanda Jackson-Hard Headed Woman (Capital) Eddie Cochran-C'mon Everybody (UA) Pat Cupp & the Saucers-Do Me No Wrong (RPM) Sleepy LaBeef-All The Time (Starday) Paul Chaplin & the Emeralds-Shortnin' Bread (Harper) Elvis-Just Because (Sun) Oh yeah! A good time was had all around (although my Andy Starr record has more skips then the hopscotch court at resess time). Tune me in, uh, tomorrow and ever saterday from 2:30-5:00 EST for more rockabilly and platter chatter at www.wmpg.org ! Don't forget to email your requests to djrequest@wmpg.org ! ------------------------------ Date: Fri, 26 Jan 2001 13:40:11 EST From: Cperez67@aol.com Subject: New Games at Huggabaloos.com This week, we've added more Slider Puzzles featuring The Smoke, The Creation, and, of course, The Huggabaloos! Plus, we've now added Mod Libs! Join Gulliver as he guides you through the hippest party game ever. And, if you feel you have a funny story or anecdote that you'd like to see "Mod Libbed", send it to us at submissions@huggabaloos.com, and every week or two, we'll pick the best ones and put them up! To check out the official rules, play Mod Libs today! In addition to all this, we've added new fab wallpapers! Hip out your desktop to "The Wall", "Sean of Huggabaloos", "2001: A Space Oddity", and "Panton Couch".! Apologies to those getting this on more than one list. Carlos Perez Tangerine POP Design www.tangerinepop.com ------------------------------ Date: Fri, 26 Jan 2001 10:43:48 -0800 From: "Bryan Thomas" Subject: Re: The Escorts From the great BMI website (no artists are given, but here's the song): C MON HOME BABY BMI Work #166729 Writers Current Affil. CAE # ADDRISI DONALD J BMI 183055 ADDRISI RICHARD P BMI 183153 Publishers Current Affil. CAE # CAREERS BMG MUSIC PUBLISHING I BMI 228960349 WARNER-TAMERLANE PUBLISHING CO BMI 185314175 Bryan > The songwriting credit on Come On Home Baby is > "Addrisi/Addrisi" though, which isn't the name of any of the band > members... ------------------------------ Date: Fri, 26 Jan 2001 13:35:06 -0500 From: "Crawdaddy Simon" Subject: Re: extreme stereo The Hollies' "Evolution" is also great if you wanna figure out their harmonies or work on yours. "Loudmouth" and "I Don't Wanna Go Down To The Basement" were my fave Ramones tunes to play bass to, using the channel separation. Does anybody else dig the Flesheaters' cover of "Basement"? What a killer. Crawdaddy Simon ------------------------------ Date: Fri, 26 Jan 2001 11:45:36 -0800 (PST) From: David Coyle Subject: Re: Clefs Of Lavendar Hill Does anyone know if there's any truth to the rumor that the Clefs heard the song performed live by the Talula Babies (aka Baskerville Hounds) of Cleveland and recorded it, taking the writing credit as their own? This was a possibility stated in the liner notes for one of the Ohio volumes of "Highs In The Mid-Sixties," but the same one that had a New York band (the Denims) pegged as an Akron band... Dave P.S. I also think "Stop -- Get A Ticket" is the weakest track I've heard from the group. __________________________________________________ ------------------------------ Date: Fri, 26 Jan 2001 11:54:35 -0800 (PST) From: David Coyle Subject: Re: Lemon Pipers pre-stardom The pre-"Green Tambourine" Lemon Pipers 45 was called "Quiet Please" and I think "78 R.P.M." was the name of the flipside. I've never heard it (is it even comped?) but I do have a copy of the Prism single "Just Let Her Go" by Ivan & The Sabres, the Dayton group led by future LP lead vocalist Ivan Browne. It may have even been the same personnel that became the Lemon Pipers. Straight pop songs with a hint of psych, but with the unmistakable voice that would later sing of green tambourines, jelly jungles of orange marmalade, and the niceness of rice on any day. :) Dave __________________________________________________ ------------------------------ Date: Fri, 26 Jan 2001 14:24:15 -0600 From: "Emery, J." Subject: it's a boy fink!!! congrats are in order for mike from the sir finks on becoming the proud new pop of a baby boy on wednesday! dylan victor guerrero (fink): 6.5 lbs, 19 inches. think i'll smoke a cigar this weekend, joe ------------------------------ Date: Fri, 26 Jan 2001 22:16:40 +0000 From: Steve Coleman Subject: Re: Billy's Clothes At 04:00 26/1/01 -0600, Matt wrote: >Where does Billy Shop? Who's his taylor? Probably at Oxfam, Save The Children, Help The Aged, The Cancer Society and other such respected mens' outfitters known to all Brits. Steve ------------------------------ Date: Fri, 26 Jan 2001 19:24:14 EST From: Euphorik6@aol.com Subject: Re: The Lovin' Spoonful mix In a message dated 1/26/01 11:25:46 AM, michele writes of the dreaded lovin spoonful mix: << Rip Chords records too. >> and alan added: << Another extreme is "The Murder Mystery" on the 3rd LP, which has two distinct different things going on in each speaker, so if you nix one channel, it's like a different song! Another example of extreme stereo is the Blue Cheer. One time I had a rented car in L.A., and bought some cheap tapes to listen to at Tower, among them a "Best of Blue Cheer" cassteee. Well, turned out one of the speakers was blown, so when I had the Blue Cheer on, it was all echoey vocals, bass and drums! It sounded really bizarre! >> ok, i heard a great (awful?) example of this today at work, so perfectly typifying all the horrors of the lovin spoonful mix i almost posted from work, but i was too paranoid about getting busted (one of THOSE kinda jobs...) - anyway, i was listening to the oldies station at my desk and got an earful of roy head's "treat her right" that was all echoey vocals & a disproportionately LOUD horn section. zal yanovsky is rolling over in his grave...and he's still ALIVE. rob ------------------------------ Date: Fri, 26 Jan 2001 19:30:53 EST From: Euphorik6@aol.com Subject: david bailey. i scored the coolest book today (actually two, one for me & one a birthday present for a photographer friend) - a great big. fat coffee table book of david bailey photographs from 1964 to 1969. there are some absolutely AMAZING pictures in this book, some gorgeous portraits of a very young marianne faithfull, the stones "out of our heads" LP cover & outtakes from the session, the "between the buttons" cover & outtakes, great brian jones shots & probably the best (with the possible exception of the avedon summer 67 photos) portraits of lennon & mccartney ever...very cool the way he shot john & paul together, like mirror reflections of each other. i am physically restraining myself from pulling pages outta this and getting them framed. oh yeah, there is a totally cool punkish january 1966 shot of the who lookin like thugs. very cool!!! does anybody know of any website w/ bailey photos from this era?? this stuff is screaming "desktop pattern".... rob ------------------------------ End of bomp-digest V2001 #60 **************************** ===================================================================== You've been reading bomp-digest, the digest version of the Bomp list. 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