From: owner-bomp-digest@xnet2.com (bomp-digest) To: bomp-digest@xnet2.com Subject: bomp-digest V2001 #64 Reply-To: bomp Sender: owner-bomp-digest@xnet2.com Errors-To: owner-bomp-digest@xnet2.com Precedence: bulk X-To-Unsubscribe: Send e-mail to majordomo@xnet2.com with "unsubscribe bomp-digest" in the body X-Bomp-web-site: http://www.bomp.com X-BompList-Administrator: efd@xnet2.com bomp-digest Tuesday, January 30 2001 Volume 2001 : Number 064 This is the digest version of the Bomp list. ***HOW TO UNSUBSCRIBE:*** Send an e-mail with the words "unsubscribe bomp-digest" to majordomo@xnet2.com or go to . Here's what people are yacking about in this digest: The Strokes Anders Olsson Re: I want to go to THIS auction! Jan.Roerhorst@prismant.nl The Escorts Boldface Fortune Teller Boldface Radio Rumpus Room playlist, 1/26/01 Ron Thums Re: Willy Deville "Crawdaddy Simon" Re: Thrift finds "Crawdaddy Simon" Del Shannon U.K. lp "Laura Markley" Nancy and semantics "Laura Markley" live Lyres "Laura Markley" Bob Kuban & The In-Men: Defending The Horn Bands HOODOO3005@aol.com Re: Nancy and semantics Iam Fuzzco garage shock "anna giuliani" Re: Del Shannon U.K. lp Robert Lawrence Re: Bootleg Versions of "Hanky Panky" "Mike Markesich" Re: garage shock "Blair Buscareno" Re: Nancy and semantics troggman@webtv.net (Todd Lucas) Re: Bob Kuban & The In-Men: Defending The Horn Bands Brendan Lepschi cd burning records Alan Wright Fwd: mlk/jb buscareno@earthlink.net Re: cd burning records Rat Pfink I Should Go Now NankerPhlg@aol.com Re: Bob Kuban & The In-Men: Defending The Horn Bands "Lenny Smith" Re: live Lyres JenRazz1@aol.com Re: Del Shannon U.K. lp "fbrandon" Re: Bob Kuban & The In-Men: Defending The Horn Bands Brendan Lepschi what song is this and what compilation is it on? JS Freakbeat what song is this and what compilation is it on? JS Freakbeat what song is this and what compilation is it on? JS Freakbeat what song is this and what compilation is it on? JS Freakbeat what song is this and what compilation is it on? JS Freakbeat what song is this and what compilation is it on? JS Freakbeat Re: what song is this and what compilation is it on? "fbrandon" ---------------------------------------------------------------------- Date: 29 Jan 2001 12:40:53 +0100 From: Anders Olsson Subject: The Strokes Anyone heard of a NYC band called the Strokes? A journalist have been raving about them in a Swedish magazine. They are supposed to be great and have a NYC 70īs punk sound. Ollie ------------------------------ Date: Mon, 29 Jan 2001 12:38:32 +0100 From: Jan.Roerhorst@prismant.nl Subject: Re: I want to go to THIS auction! Lynn wrote: >>Anybody got $75,000 laying around I could borrow? Bikini May Shake And Stir Auction LONDON - The white bikini that left James Bond shaken and stirred in one of the most memorable scenes from the British spy film series has been put up for sale. Swiss-born actress Ursula Andress shot to stardom when she emerged from the sea wearing the white cotton bikini in the 1962 movie Dr. No, the first 007 film. This bikini made me into a success," Andress, now 64, said. The actress decided to sell the two-piece after she discovered it in the attic at her home, the Daily Telegraph reported on Friday. The bikini is expected to fetch up to $75,000 when it is auctioned at a sale of Bond memorabilia at Christie's in London on Feb. 14, the paper said.<< Coincidence? Dr No was on Dutch tv last Saturday and Andress emerging from the sea was quite amazing. I'll make a bid, provided the 1962 Andress comes with it.... LOL!!! L8er, Jan (listening to "Rockabilly Xmas", one of the latest Buffalo Bop cd's, my roommate loves it......) ------------------------------ Date: Mon, 29 Jan 2001 13:49:42 +0000 From: Boldface Subject: The Escorts >From the great BMI website (no artists are given, but here's the song): > >C MON HOME BABY BMI Work #166729 > > Writers Current Affil. CAE # > ADDRISI DONALD J BMI 183055 > ADDRISI RICHARD P BMI 183153 Thanks Bryan. One can always rely on the Bomp list to come up with the answers! Now, how to figure out who recorded it first...The Escorts version is from around 1965 whilst the other version I have, by The Tages (or was it the Lee Kings) is from 1967... ------------------------------ Date: Mon, 29 Jan 2001 13:57:43 +0000 From: Boldface Subject: Fortune Teller >That was "Fortune Teller"--couldn't tell from that snippet if it was the >Rolling Stones version or the Hardtimes. I'll need to get out the records. Tony Jackson & the Vibrations do a pretty good version as well. And, surprisingly, I found it on a 45 by the Merseybeats recently. Not as good as the Vibrations but not bad all the same, especially for the Merseybeats who I normally associate with Wishing & Hoping type sounds. -- PJ ------------------------------ Date: Mon, 29 Jan 2001 09:07:05 -0600 From: Ron Thums Subject: Radio Rumpus Room playlist, 1/26/01 Folks, We called this week's show "Let's Twist Again: The Return of Dance CRAZE!!!" (Like Jean says, if your eyes don't bug out when you say CRAZE you're not saying it right!) Curiously, and by odd coincidence, I just noticed that a larger than normal number of album titles we culled from had exclamation points(!) at the end. What does this mean?!?!? As always we say "thanks" to the artists and labels responsible for producing tonight's music, and to the loyal listeners who encourage us to air it every week! (For six years now, Radio Rumpus Room has been broadcast Fridays at 9-10:30 p.m. on KFAI Fresh Air Radio, FM 90.3 Minneapolis and 106.7 St. Paul. The show streams live in RealAudio, and as always, our most recent shows are archived in their entirety in RealAudio -- check out the RRR web page to see what we've been up to!) Here's the Radio Rumpus Room playlist for Friday, January 26, 2001: SAVVY SHOW STARTER (ALWAYS LOCALLY RECORDED!) Funseekers -- I'm Dancing as Fast as I Can (Frenzyfying; Treehouse) The Funseekers were a Minneapolis garage/beat-influenced band of the late '80s. One member of the band was bassist Keith Patterson, who would go on to bring his highly acclaimed "bad attitude" to the Spectors and later, the Conquerors. The Funseekers "Frenzyfying" LP was recorded in 1988. Fortune & Maltese and the Phabulous Pallbearers -- The Twomp (Swingin' Creepers!: A Tribute to the Ventures; MuSick) Soul Sisters -- Loop de Loop (The Sue Records Story; EMI) Trashmen -- Bird Dance Beat (Tube City!: The Best of the Trashmen; Sundazed) Neanderthals -- Do the Pig (The Modern Stone-Age Family; Sundazed) Shandells -- Gorilla (Jump, Jive & Harmonize; Teenage Shutdown) Neatbeats -- Do the Global Twist (Continental Magazine #8 CD Sampler) Snobs -- Buckle Shoe Stomp (Garage Zone, Vol. 2; Moxie) Mersey Sect Featuring the Slushy Ruin -- (Let's Do The) Whelky Walk (Let's Do the Whelky Walk With...EP; Larsen) Beatles -- Hippy Hippy Shake (Live at the BBC; Capitol) Los Shakers -- Everybody Shake (Por Favor; Big Beat) Johnny Chef -- Can't Stop Movin' (Savage Kick, Vol. 4) Mark Four -- Swingin' Hangout (Get A Board!; Satan) Krazy Kats -- Wiggly Little Mama (This Is Ecco-Fonic; Ecco-Fonic) Urban Surf Kings -- Espresso Twist (Get Instro-MENTAL!; Cinnamon Toast) Buck Owens and His Buckaroos -- Twist and Shout (Carnegie Hall Concert; Sundazed) Arch Hall & the Archers -- Twist Fever (Mondo Movie Music; Big Beat) Sid King & the Five Strings -- Sag, Drag & Fall (Ain't I'm a Dog!; Columbia/Epic/Legacy) Billy Nix -- Moon Twist (Twistin' Time Vol.2; Knight) Dick Marshall & the Night Hawks -- Jitterbug Joe (Cuca Records Rock'n'Roll Story; Classics) Herbie Jay -- He Won the Purple Heart (For Doin' the Twist) (Twistin' Time Vol. 1; Knight) Waistcoats -- Shimmy All Night Long (Stark Raving Mod!; Wildebeest) Don Brandon -- The Party Last Night (The Hondells Vol. 3: Aliases and Alternatives; ATM) Junior Varsity -- Dance, Franny, Dance (Bam Bam Bam!; Peek-a-Boo) Five Du-Tones -- Shake a Tail Feather (Beg, Scream & Shout! box; Rhino) Link Wray -- Friday Night Dance Party (Missing Links Volume 4: Streets of Chicago; Norton) Del-Mars -- Snacky Poo Pt. 1 (Land of 1,000 Dunces: Best of the Bug Outs; Candy) Hi-Risers -- Panic (Panic!; 2-Bit) Bobby Fuller -- Jennie Lee (Do the Jerk With Me) (El Paso Rock: Early Recordings Vol. 1; Norton) Commandos -- The Chicken Scratch (The Sue Records Story; EMI) Wigs -- Chicken Switch (Wolf Call!; Norton) King Louie's Court -- King Louie's Glue (Mondo Frat Dance Bash A Go Go; Arf! Arf!) And that was that! ________________ RADIO RUMPUS ROOM: An unholy mix of surf, hot rod, rockabilly, '60s garage, psychedelia, primal pop and traditional and alt.country KFAI 90.3 FM (Minneapolis) and 106.7 FM (St. Paul) Now streaming live in RealAudio every Friday 9-10:30 p.m. CST Recent archived shows in RealAudio, playlists and much more at: http://www2.bitstream.net/~rumpus2/ ------------------------------ Date: Mon, 29 Jan 2001 09:37:11 -0500 From: "Crawdaddy Simon" Subject: Re: Willy Deville As seen in the "Beautiful Losers" TV special (also starring Leonard Cohen and Marianne Faithfull), Willy lives down in his bayou ranch/mansion with horses around and heaps of romantic scarves, candelabra, maroon velvet, etc. inside. He also looked about ready to pour drops of burning wax on some virgin maiden's milky white bum, clad as he was in his pirate shirt, paisley bandanna and thigh-high Errol Flynn suede boots. Crawdaddy Simon ------------------------------ Date: Mon, 29 Jan 2001 09:52:22 -0500 From: "Crawdaddy Simon" Subject: Re: Thrift finds Chalked a few decent scores in one of those three-for-a-buck deal : Let's Active's first, a couple of Twilley LPs, Phil Seymour shrinkwrapped, a pair of Three O'Clock Train records (Montreal roots-rock 1985), Peter Case's first (with Van Dyke Parks and Jim McGuinn), Phil Alvin's great LP with Sun Ra and the Arkestra, first Drivin' N' Cryin' (pre-hard rock new Southern pop), and the Everlys' "Stories We Could Tell". Dig, Crawdaddy Simon ------------------------------ Date: Mon, 29 Jan 2001 10:59:58 -0500 From: "Laura Markley" Subject: Del Shannon U.K. lp I read a bit in this month's MOJO about Del Shannon recording an lp in 1967 in London with Billy Nichols, Steve Marriott and other such musicians on it.. the article called the lp "a big brother to Billy Nichols' "Would You Believe". As a fan of "Would You Believe," I'm wondering what this Shannon record is like... all I know of him is "Runaway".. and Del going British pop-psych seems like an odd marriage. _________________________________________________________________ ------------------------------ Date: Mon, 29 Jan 2001 11:02:55 -0500 From: "Laura Markley" Subject: Nancy and semantics I've been a "psycho bastard hanger-on" at least twice.. thankfully I've wised up!! Laura (recent member of the Nice Guy Appreciation Society) >Nancy sez: > ><should look good on my resume!!!>> > >Hmmm, I missed that. What does that mean though? Does it mean you're >alleged to be a "hanger-on" who is also a "psycho bitch"? Or does it mean >you are "One Who Hangs On To Psycho Bitches"? 'Cause, I mean, if so, then >that would make ME a "Psycho Bitch Hanger-On Emeritus." > >Mike F. _________________________________________________________________ ------------------------------ Date: Mon, 29 Jan 2001 11:09:22 -0500 From: "Laura Markley" Subject: live Lyres Kenne Highland Clan, Classic Ruins and Lyres were all great last Saturday at the Kirkland in Somerville. Classic Ruins didn't do "Geraldine" but did end the set with a cool version of "How Do You Know". Lyres were their usual rockin' selves and I found myself mesmerized by Paul Murphy's amazing drumming and total concentration particularly on "Lovin' Cup". The only downside was the club's new management constantly making the bands turn down - -undoubtedly the reason that more people were not on the dance floor (though it was a sizeable and enthusiastic crowd). Lyres play the Abbey this Saturday for the first time and it should be good - the Abbey has good sound for such a tiny club. The Real Kids sounded great there not long ago. Sharing the bill are Downbeat Five (and is there a third band - Jen?) _________________________________________________________________ ------------------------------ Date: Mon, 29 Jan 2001 11:35:32 EST From: HOODOO3005@aol.com Subject: Bob Kuban & The In-Men: Defending The Horn Bands In a message dated 1/29/01 4:31:06 AM Central Standard Time, owner-bomp-digest@xnet2.com writes: << I also bought an LP by Bob Kubeck and the In-Men - haven't listened to it yet but I figure its gonna be pretty awful big band/pop, judging from the liner notes. >> Bob Kuban & the In-Men? I've heard their Collectables reissue, and I think its' pretty good. Their hit was "The Cheater" (1966), and their genre was blue-eyed soul. If you're into North Carolina beach-music sounds***, or just soul music in general, it's a good deal. I know that the genre has it's share of cheesiness (I never liked Jay & the Techniques, outside of their two hits). When Mop-Top Mike used to make fun of soul music in his old garage-rock column in Discoveries ("Jim & the Prep-Tones," remember, Mike??), I think it may have been the frat-party horn bands he was shooting at, rather than the more-authentic likes of Otis Redding, James Brown, etc. But, hey...the horn bands like Kuban, the Magnificent Men, Wayne Cochran & the C.C. Riders, and others, stood a better chance of being played on soul radio than the Shadows Of Knight or the Small Faces****, and despite their lounge tendencies and square attire, some of these horn bands were every bit as tuff as the garage guys. Just like John Fred & the Playboy Band---they could do the frat-soul thang and the garage-rock number equally. So keep an open mind, and look at Kuban's band as an outgrowth of soul instead of garage---you may like what you hear. J. Porter ***when I say beach music, I don't mean surf---more like the kind of pop-soul popular in the Carolinas, like "Girl Watcher" by the O'Kaysions, or the Drifters' stuff. I'd go in depth, but I gotta head off for work!!! ****don't get me wrong---I LOVE the Small Faces and the Shadows Of Knight!!! But even if they are influenced by soul and blues, respectively, it still comes out of the wash as ROCK & ROLL. Nothing wrong with that!!! But a few hard-up garage and punk fans I've met think that Steve Marriott is the originator and that James Carr or Gene Chandler are the Vegas phonies...so I thought I'd set the rekkid straight. Rock on! ------------------------------ Date: Mon, 29 Jan 2001 08:45:53 -0800 (PST) From: Iam Fuzzco Subject: Re: Nancy and semantics Does anyone know where I can buy the Nancy & The Semantics single "Psycho Bitch Hanger-On"? It sounds pretty cool... - --- Laura Markley wrote: > > I've been a "psycho bastard hanger-on" at least > twice.. thankfully I've > wised up!! > Laura (recent member of the Nice Guy Appreciation > Society) > > >Nancy sez: > > > >< hanger on",thanks. That > >should look good on my resume!!!>> > > > >Hmmm, I missed that. What does that mean though? > Does it mean you're > >alleged to be a "hanger-on" who is also a "psycho > bitch"? Or does it mean > >you are "One Who Hangs On To Psycho Bitches"? > 'Cause, I mean, if so, then > >that would make ME a "Psycho Bitch Hanger-On > Emeritus." > > > >Mike F. > > _________________________________________________________________ > > ===> To unsubscribe, send "unsubscribe bomp" to > majordomo@xnet2.com <=== > __________________________________________________ ------------------------------ Date: Mon, 29 Jan 2001 17:16:16 From: "anna giuliani" Subject: garage shock >>>Date: Fri, 26 Jan 2001 10:31:40 EST >>>From: HOODOO3005@aol.com >>>Subject: Re: #59 >>>In a message dated 1/26/01 4:34:24 AM Central Standard Time, owner-bomp-digest@xnet2.com writes: >>>Here's a suggestion: Put together an Austin Rock'n'Roll Extravaganza and >>>make it into an annual event. Yeah, I know SXSW already happens, but I'm >>>talking about something much smaller, but nice and wild. >> - --- We're already working on it, actually, provided we can find a venue! Yes, it is Crider's "thing," and he can do anything he wants, but I still think it's a shame not to involve local bands for the audience's sake and because well, it's just rude<: _________________________________________________________________ ------------------------------ Date: Mon, 29 Jan 2001 12:31:00 +0000 From: Robert Lawrence Subject: Re: Del Shannon U.K. lp Quite a pic od Del in Carnaby gear. Not surprising re the lp as he did associate w/ Andrew Oldham and was the first American to record a Beatles song-From Me to You and in return Peter and Gordon returned the favor. I met Del in the late 70s. He was a hip guy and was wearing a Bomp tshirt. He recorded w/ Jeff Lynne in early 70s. He was a friend of Greg Shaw's. Perhaps Greg has herard the lp or has a tape of it. Robert Laura Markley wrote: > I read a bit in this month's MOJO about Del Shannon recording an lp in 1967 > in London with Billy Nichols, Steve Marriott and other such musicians on > it.. the article called the lp "a big brother to Billy Nichols' "Would You > Believe". As a fan of "Would You Believe," I'm wondering what this Shannon > record is like... all I know of him is "Runaway".. and Del going British > pop-psych seems like an odd marriage. > _________________________________________________________________ > > ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <=== ------------------------------ Date: Mon, 29 Jan 2001 13:11:09 -0500 From: "Mike Markesich" Subject: Re: Bootleg Versions of "Hanky Panky" >could someone, preferable MopTop (seeing as he's probably the expert on the situation) please specify what the differences are between the bootlegg and the original? i only paid $15 for my copy (which i bought only because i heard the demolition doll rods cover the b-side "Thunderbolt") so i'm not that worried. what exactly are the matrix numbers or the differences of the labels? later...ben Well, the Bomplist is the first place this info is published! I've spent many years trying to find out just why so many Snap label copies of "Hanky Panky" keep popping up, as it was supposed to be a limited pressing of a few thousand. I've seen the Snap label issue everywhere throughout my travels - at record shows, warehouse stocks, and even at tag sales/flea markets, etc. All across the USA to boot! Not to mention on the web... The only original copy that I've seen is in the collection of a friend of mine. Here is how to tell the difference between a real Snap "Hanky Panky" and the ubiquitous 1966 issued bootleg copy: Original Snap 102: In the deadwax, the is a Sheldon machine stamp logo. This was the plant in Chicago that pressed up the copies. All of the boots do not have this inscription in the dead wax. That's an obvious way to tell the difference. As to the label, originals credit "Hanky-Panky" (note the hyphen in the title, which is not there on boot Snap copies) to Tommy Jackson, not Ellie Greenwich and Jeff Barry. Now, some of the first runs of the bootleg copies may have Tommy Jackson or Tommy James as the author, so a further check is need: At the top of the label, just above the Snap logo, the note reads Snap records in all caps and directly ABOVE it is Niles, Michigan. Every boot copy I've seen places the Niles, Michigan location UNDERNEATH the Snap logo. Publishing on the "Hanky Panky" side for originals credit publishing to J.D. Defenbaugh. On boot copies, the correct publishing T-M music is listed. And on many boot presses of Snap 102, to add a little bit of legal cushioning, the notice "Distributed by Red Fox Records Inc, Pgh, Pa" is noted at the bottom of the label. So, the REAL original Snap 102 is very rare. I've been looking for one for a long time. Any copies of the Snap 102 and the numerous variations of the bootleg are very easy to find, should be a $15-20 record in near mint shape. Don't believe the Osborne or Goldmine price guides on this one. MopTop Mike ------------------------------ Date: Mon, 29 Jan 2001 14:53:33 -0500 From: "Blair Buscareno" Subject: Re: garage shock > We're already working on it, actually, provided we can find a venue! Excellent! > Yes, it is Crider's "thing," and he can do anything he wants, but I still > think it's a shame not to involve local bands for the audience's sake and > because well, it's just rude<: I think we'll have to agree to disagree. I think of it as a label showcase. Those happen all the time in other cities. Granted, this lasts a couple days, rather than the usual one, but I just don't think of it as much different. No biggie, just a difference of opinion. ------------------------------ Date: Mon, 29 Jan 2001 17:15:33 -0500 (EST) From: troggman@webtv.net (Todd Lucas) Subject: Re: Nancy and semantics >I've been a "psycho bastard hanger-on" at least >twice.. thankfully I've wised up!! >Laura (recent member of the Nice Guy >Appreciation Society) Ha, you won't believe how many times I've commented on the number of women who don't appreciate nice guys. But that's another topic for another day... Todd ------------------------------ Date: Tue, 30 Jan 2001 10:01:09 +1100 From: Brendan Lepschi Subject: Re: Bob Kuban & The In-Men: Defending The Horn Bands << I also bought an LP by Bob Kubeck and the In-Men - > haven't listened to it yet but I figure its gonna be pretty awful big > band/pop, judging from the liner notes. >> > >Bob Kuban & the In-Men? That's the one! Trying to go from memory, and it didn't work.... >I've heard their Collectables reissue, and I think its' pretty good. Their >hit was "The Cheater" (1966), and their genre was blue-eyed soul. Yeah, that's the title of the LP I think (or "Look out for the Cheater" or something similar). >So keep an open mind, and look at Kuban's band as an outgrowth of soul >instead of garage---you may like what you hear. Fair enough. I haven't actually listened to it yet - it was just the band shot featuring guys with horns that got me worried! Thanks for the info, Brendan ------------------------------ Date: Mon, 29 Jan 2001 15:30:00 -0800 From: Alan Wright Subject: cd burning records Here I am with another question about my new CD recorder. I finally tried to make a compilation for a bandmate of early Bellrays stuff, so I dubbed their first tape (no problem there) and then started in on the singles. I unplugged the tape deck, and plugged in my turntable. Thing is, I don't get a loud enough signal to record. It's very quiet, and the manual level adjustment on the CDR machine, even at its highest setting, it's still too quiet. So, do I need a preamp then? I figure that the turntable usually goes into my JVC digital receiver, thus getting sound boosted that way. Going directly into the CD recorder, it has no single boost. The thing I can't figure out is that the tape deck goes directly into the recorded, too, so why doesn't it need a signal boost? If I do need a preamp, does anyone have any recommendations? Alan ------------------------------ Date: 29 Jan 2001 18:41:18 -0500 From: buscareno@earthlink.net Subject: Fwd: mlk/jb I got this from my pal Billy O'Grady up in the hinterlands of Connecticut. (Well, OK, New Haven.) > http://broadband.wgbh.org/qtv/ > >[On here you'll find] WGBH's recordings of james Brown >the day after MLK was killed. He played in Boston and everybody feared >riots. If you don't have a fast line (like at work or something), don't >try this or it will blow your modem up. ------------------------------ Date: Mon, 29 Jan 2001 18:47:04 -0500 From: Rat Pfink Subject: Re: cd burning records You shouldn't need a separate preamp if you already have your turntable plugged into a receiver or amp. Just run cables from the "Tape Out" jacks on your amp or receiver (the jacks that would normally connect to "Line In" on a tape deck) to the "Line In" jacks on your CD recorder and you should be in business. At 03:30 PM 1/29/2001 -0800, you wrote: > > Here I am with another question about my new CD recorder. I finally tried >to make a compilation for a bandmate of early Bellrays stuff, so I dubbed >their first tape (no problem there) and then started in on the singles. I >unplugged the tape deck, and plugged in my turntable. Thing is, I don't get >a loud enough signal to record. It's very quiet, and the manual level >adjustment on the CDR machine, even at its highest setting, it's still too >quiet. So, do I need a preamp then? I figure that the turntable usually goes >into my JVC digital receiver, thus getting sound boosted that way. Going >directly into the CD recorder, it has no single boost. The thing I can't >figure out is that the tape deck goes directly into the recorded, too, so >why doesn't it need a signal boost? If I do need a preamp, does anyone have >any recommendations? > >Alan ------------------------------ Date: Mon, 29 Jan 2001 20:48:21 EST From: NankerPhlg@aol.com Subject: I Should Go Now Anyone know of a song that I think is called 'I Should Go Now' by a group called, I think, The Moonlights, or the Moonlighters...I think they were Dutch. I heard it once on WNYU. Very much like early Kinks, a real hand-clapping number. I seem to remember it had that 'Revenge'/'She Just Satisfies'/'Tripmaker' riff. Does anyone know of a CD that contains this track? Any info at all would be appreciated. It was a great song, really energetic, cool Beat era piece. Thanks. ------------------------------ Date: Mon, 29 Jan 2001 20:31:32 -0500 From: "Lenny Smith" Subject: Re: Bob Kuban & The In-Men: Defending The Horn Bands Brendan Lepschi >>So keep an open mind, and look at Kuban's band as an outgrowth of soul >>instead of garage---you may like what you hear. > >Fair enough. I haven't actually listened to it yet - it was just the band >shot featuring guys with horns that got me worried! Dunno what all the trepidation over horns is around here... Some of my fave material has KILLER horns. Done right, they can really add to the racket! And let's not forget the noble saxaphone, which blares away on all my fave Sonics and Wailers tracks... Lenny ------------------------------ Date: Mon, 29 Jan 2001 22:28:13 EST From: JenRazz1@aol.com Subject: Re: live Lyres Yeah, the Cry Babies will be starting things off. Steve Aquino does double-duty, playing in the Cry Babies and the Lyres, and the Cry Babies also features Artie Sniderman, also of Belmondos fame and one of my favorite fellas! I can't wait, it's gonna be a blast to play and watch! Hope you're gonna be there, Laura! Jen In a message dated 1/29/01 11:11:07 AM Eastern Standard Time, magrinha1@hotmail.com writes: << Kenne Highland Clan, Classic Ruins and Lyres were all great last Saturday at the Kirkland in Somerville. Classic Ruins didn't do "Geraldine" but did end the set with a cool version of "How Do You Know". Lyres were their usual rockin' selves and I found myself mesmerized by Paul Murphy's amazing drumming and total concentration particularly on "Lovin' Cup". The only downside was the club's new management constantly making the bands turn down -undoubtedly the reason that more people were not on the dance floor (though it was a sizeable and enthusiastic crowd). Lyres play the Abbey this Saturday for the first time and it should be good - the Abbey has good sound for such a tiny club. The Real Kids sounded great there not long ago. Sharing the bill are Downbeat Five (and is there a third band - Jen?) >> ------------------------------ Date: Tue, 30 Jan 2001 20:14:03 -0800 From: "fbrandon" Subject: Re: Del Shannon U.K. lp del shannon's "from me to you" was the first beatle cover in the us - -----Original Message----- From: Laura Markley To: bomp@screamer.xnet2.com Date: Monday, January 29, 2001 8:04 AM Subject: Del Shannon U.K. lp > >I read a bit in this month's MOJO about Del Shannon recording an lp in 1967 >in London with Billy Nichols, Steve Marriott and other such musicians on >it.. the article called the lp "a big brother to Billy Nichols' "Would You >Believe". As a fan of "Would You Believe," I'm wondering what this Shannon >record is like... all I know of him is "Runaway".. and Del going British >pop-psych seems like an odd marriage. >_________________________________________________________________ > >===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <=== > ------------------------------ Date: Tue, 30 Jan 2001 17:07:55 +1100 From: Brendan Lepschi Subject: Re: Bob Kuban & The In-Men: Defending The Horn Bands Lenny says: >Dunno what all the trepidation over horns is around here... Some of my fave >material has KILLER horns. Done right, they can really add to the racket! >And let's not forget the noble saxaphone, which blares away on all my fave >Sonics and Wailers tracks... Couldn't agree more - its just that I've heard an equal number of otherwise cool tracks that have been trashed because someone figured they'd be better with some funky horn charts laid over the top! Brendan ------------------------------ Date: Wed, 15 Jul 1998 05:47:40 +0930 From: JS Freakbeat Subject: what song is this and what compilation is it on? ive got this song in my head and i cant work out what it is- its some kind of american folk-psych thing that goes "the night has fallen again, and the reason flows from my fountain pen, i began at the very end, one more step forward and ill desend". Can anyone enlighten me as to what it is? its probably something really obvious but i just cant think of what the hell it is. Thanks, JS Freakbeat ------------------------------ Date: Wed, 15 Jul 1998 05:47:40 +0930 From: JS Freakbeat Subject: what song is this and what compilation is it on? ive got this song in my head and i cant work out what it is- its some kind of american folk-psych thing that goes "the night has fallen again, and the reason flows from my fountain pen, i began at the very end, one more step forward and ill desend". Can anyone enlighten me as to what it is? its probably something really obvious but i just cant think of what the hell it is. Thanks, JS Freakbeat ------------------------------ Date: Wed, 15 Jul 1998 05:47:40 +0930 From: JS Freakbeat Subject: what song is this and what compilation is it on? ive got this song in my head and i cant work out what it is- its some kind of american folk-psych thing that goes "the night has fallen again, and the reason flows from my fountain pen, i began at the very end, one more step forward and ill desend". Can anyone enlighten me as to what it is? its probably something really obvious but i just cant think of what the hell it is. Thanks, JS Freakbeat ------------------------------ Date: Wed, 15 Jul 1998 05:47:40 +0930 From: JS Freakbeat Subject: what song is this and what compilation is it on? ive got this song in my head and i cant work out what it is- its some kind of american folk-psych thing that goes "the night has fallen again, and the reason flows from my fountain pen, i began at the very end, one more step forward and ill desend". Can anyone enlighten me as to what it is? its probably something really obvious but i just cant think of what the hell it is. Thanks, JS Freakbeat ------------------------------ Date: Wed, 15 Jul 1998 05:47:40 +0930 From: JS Freakbeat Subject: what song is this and what compilation is it on? ive got this song in my head and i cant work out what it is- its some kind of american folk-psych thing that goes "the night has fallen again, and the reason flows from my fountain pen, i began at the very end, one more step forward and ill desend". Can anyone enlighten me as to what it is? its probably something really obvious but i just cant think of what the hell it is. Thanks, JS Freakbeat ------------------------------ Date: Wed, 15 Jul 1998 05:47:40 +0930 From: JS Freakbeat Subject: what song is this and what compilation is it on? ive got this song in my head and i cant work out what it is- its some kind of american folk-psych thing that goes "the night has fallen again, and the reason flows from my fountain pen, i began at the very end, one more step forward and ill desend". Can anyone enlighten me as to what it is? its probably something really obvious but i just cant think of what the hell it is. Thanks, JS Freakbeat ------------------------------ Date: Tue, 30 Jan 2001 23:12:03 -0800 From: "fbrandon" Subject: Re: what song is this and what compilation is it on? wasn't it king crimson who did "i repeat myself when under stress; i repeat myself when under stress; i repeat...."? - -----Original Message----- From: JS Freakbeat To: bomp@xnet2.com Date: Monday, January 29, 2001 10:14 PM Subject: what song is this and what compilation is it on? > >ive got this song in my head and i cant work out what it is- its some kind >of american folk-psych thing that goes >"the night has fallen again, and the reason flows from my fountain pen, i >began at the very end, one more step forward and ill desend". >Can anyone enlighten me as to what it is? its probably something really >obvious but i just cant think of what the hell it is. > >Thanks, >JS Freakbeat > >===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <=== > ------------------------------ End of bomp-digest V2001 #64 **************************** ===================================================================== You've been reading bomp-digest, the digest version of the Bomp list. 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