From: owner-bomp-digest@xnet2.com (bomp-digest) To: bomp-digest@xnet2.com Subject: bomp-digest V2001 #86 Reply-To: bomp Sender: owner-bomp-digest@xnet2.com Errors-To: owner-bomp-digest@xnet2.com Precedence: bulk X-To-Unsubscribe: Send e-mail to majordomo@xnet2.com with "unsubscribe bomp-digest" in the body X-Bomp-web-site: http://www.bomp.com X-BompList-Administrator: efd@xnet2.com bomp-digest Monday, February 12 2001 Volume 2001 : Number 086 This is the digest version of the Bomp list. ***HOW TO UNSUBSCRIBE:*** Send an e-mail with the words "unsubscribe bomp-digest" to majordomo@xnet2.com or go to . Here's what people are yacking about in this digest: Compilation Standards "Mike Dugo" Coffee 'n' Smokes Playlist, 2/10/2001 "Alex Piandes" TS: Jump Jive & Harmonize boldface@easynet.co.uk Shredding Paper #8-Richie Unterberger interview colorcoat@home.com Re: Texas garage compilations HOODOO3005@aol.com Re: Reb Rebel Records HOODOO3005@aol.com Re: Pop Nuggets HOODOO3005@aol.com new/old jschwart@voicenet.com Re: Festivals? DCAMPA@austin.rr.com Records For Sale Robbie White Re: new/old "BlackMonk \(Tom,as always\)" ccr / kkk "(gopher) george rollins" The (Florida) Deep Six "Jeff Lemlich" Re:Shake Some Action ronald and karen sanchez sunday Don Smith SOUNDSVILLE! plus fave TS and best "Gloria" fcs@uswestmail.net The Wayback Machine playlist (2/11/01) Jeff Kopp Re: SOUNDSVILLE! plus fave TS and best "Gloria" "Lenny Smith" Re: CCR and the KKK Groove Disques Re: Pop Nuggets "Bryan Thomas" Sue Saad and the Next info mr392@webtv.net (Tony) Re: ccr / kkk "Mark Ertmer" Re: Pop Nuggets/Tv Rock'n'Roll tunes.. DCAMPA@austin.rr.com ---------------------------------------------------------------------- Date: Sun, 11 Feb 2001 09:34:47 -0600 From: "Mike Dugo" Subject: Compilation Standards >>Above I mentioned the Outcasts. That's what is written on the liner >> >>notes of their wonderful anthology "I'm in Pittsburgh and it's >> >>raining!" "All of their singles are included on this compilation with >> >>the exception of their first (which was not up-to-par with their >> >>subsequent releases)". Many compilers should follow this example. Gotta disagree with you, Roberto. It really pisses me off when a compilation or anthology leaves off a track or two due to standards...especially when there is obviously plenty of room to include it. Let ME decide what is or isn't up to "standards". I like MANY garage songs that get slammed by the majority of collectors, so let me hear the damn song, and I'LL decide if it's up to my standards...not the compilers. I do agree with you, though, on the Outcasts comp. For a Collectables release, it's pretty strong... Mike Dugo Staff Writer U.S. '60's Garage Band Columnist Lance Monthly http://www.lancerecords.com _________________________________________________________________ ------------------------------ Date: Sun, 11 Feb 2001 11:00:07 -0000 From: "Alex Piandes" Subject: Coffee 'n' Smokes Playlist, 2/10/2001 Hello BOMP!ers. Well, it was the 1st annual C 'n' S Dirty Music Show in honor of Valentine's Day. MJ Quirk wound up coming on and made the (correct, after hearing the sound check) observation that I/we had done far raunchier shows without any advance hype off of the top of our heads. Part of it was my failure to recognize the time and how I used it and a few tunes were played out of the sequence I had planned, so they didn't have the effect I had hoped. WMFO's internet link to the broadcast studio is back up. We got some e-mail action and obeserved some folks pass notes on the various lists I'm on as the show slithered along. Among the hard-hitting topics discussed: Sex without love vs. love without sex, good/bad places to eat Mexican food north of Boston, not getting any action even when you spin records on the radio or own a guitar (after realizing MJ & I are the only people on earth with no association with Bebe Buell), the Fluppi-the next best thing to sweeping your crumbs under the tablecloth, and the six degrees of Denny Mc Lain, Dean Chance, and Bo Belinsky (who along with former Red Sox outfielder Tony Conigliaro went out with Mamie Van Doren). here goes for 10 February: *Wynonie Harris: Destination Love (V/A Atlantic Blues: Vocalists/Atlantic) *The Huns: Destination Lonely (V/A Garage Punk Unknowns, Part 2 CD/Crypt) *Pussy Galore: Don't Give A Fuck About You (Corpse Love/Caroline) *Chris Horner: Little Bull and Buttercup (V/A Wa-Chic-Ka-Nocka/Buffalo Bop) *Sanford Clark: The Fool (V/A The Golden Age Of American Rock & Roll, Vol. 8/Ace) *Hender Saul: I Ain't Gonna Rock Tonite (V/A Rock & Roll Orgy, Vol. 5/no label) *Connie Lingus: Fuck Me Forever (V/A The Big Itch, Vol. 6/Mr. Manicotti) *Screamin' Jay Hawkins: You Made My Love You (I Didn't Want To Do It) (I Put A Spell On You/Collectables) *Billy Miranda: Go Ahead (V/A All Tore Up.../Bluesbeat) *The Motions: (For) Another Man (Impressions Of Wonderful/Pseudonym) *The Sensational Alex Harvey Band: Gang Bang (Next.../Vertigo) *The Sonics: Have Love, Will Travel (Here Are... reissue/Norton) *The Flairs: Real Good Lovin' Man (Richard Berry: Get Out Of The Car/Flair-Virgin) *Gene Pitney: It Hurts To Be In Love (It Hurts To Be In Love/Musicor) *Toni Fisher: The Big Hurt (V/A American Grafitti, Vol. III/MCA) *The Tempos: You're Gonna Miss Me (Speaking Of.../Collectables) *We The People: The Color Of Love (V/A I Swallowed A Helium Balloon/Big Beat) *The Crybabies: Angelface (Demo CD/Dino) *Fred Woolf Combo: Somebody Else Was Suckin' My Dick Last Night (V/A If It Ain't A Hit I'll Eat My Baby/Zu-Zazz) *The Gizmos: Muff Divin' (1976/1977:The Studio Recordings/Gulcher) *Benders: Can't Tame Me (V/A B.F.T.G., Vol. 8 CD/Crypt) *The Jefferson Airplane: Somebody To Love (Surrealistic Pillow/RCA Victor) *The Lost & Found: Don't Move Girl (V/A Legend City/Bacchus Archives) *Freddy Scott & The Condors: Kom Maar Hier (V/A Biet-Het, Vol. 1/Distortions) *The Sharps: Have Love, Will Travel (V/A Jook Block Busters, Vol. 1/Valmor) *Lightning Hopkins: I'm Wild About You, Baby (V/A Savage Kick, Vol. 4/Savage Kick) *Smiley Lewis: Down Yonder We Go Balling (V/A Chicken Shack Boogie, Vol.1/no label) *Baby Doll: Hammy In The Holee (V/A Desperate Rock & Roll, Vol. 4/no label) *Jimmy Lewis: Let's Get Together and Make Some Love (V/A Stompin', Vol. 12/Stompin') *Forminx: Love Without Love (V/A Greek Garage Bands Of The 60s/MBI) *Just Luv: Valley Of Hate (V/A Pebbles, Vol. 16/A.I.P.) *The Bed Of Roses: Hate (V/A Highs, Vol. 6/A.I.P.) *The Remains: I Can't Get Away From You (S/T/Epic-Legacy) *Stiv Bators: Have Love, Will Travel (12" single/BOMP!) *Johnny Thunders: Pirate Love (Born Too Loose/Jungle) *Luke & The Apostles: Been Burnt (V/A Hipsville 29 B.C./Kramden) *Bracey Everett: Lover's Curse (V/A Desperate Rock 'n' Roll, Vol. 5/no label) *Bill Carter: I Uesd To Love You (V/A Rompin' Stompin'/Buffalo Bop) *Van Brothers: Servant Of Love (V/A The Cool & The Crazy/Buffalo Bop) *Johnny Lion: Haunted Heart (V/A Desperate Rock 'n' Roll, Vol. 6/no label) *Jesse Allen: Love You Baby (V/A Savage Kick, Vol. 3/Savage Kick) *The Swallows: It Ain't The Meat (V/A Risque Rhythms/Rhino) *Rufus Thomas, Jr.: Decorate The Counter (V/A Stompin', Vol. 12/Stompin') *Freddie Coaster: Be My Love (V/A Stompin', Vol. 13/Stompin') *Launa Gunter & The Queen City Ramblers: He's My Man (V/A Savage Rockin' Girls/Collector) *Ron Berry: I'll Give You All My Love (V/A Young & Wild/Buffalo Bop) *The Smears: Cum Into My Mouth (Smears In The Garage 10" EP/Dionysus) *The Donnas: Are You Gonna Move It For Me (Turn 21/Lookout!) *The Seeds: Fallin' In Love (S/T, Web Of Sound combined CD/GNP Crescendo) *Thee Headcoats: I've Been Fucking Your Daughters & Pissing On Your Lawn (7"/Smart Guy) *Wynonie Harris: Keep On Churnin' (Bloodshot Eyes: His Best/Rhino) __________________________________________________ Alex Piandes Coffee 'n' Smokes WMFO (91.5fm) Medford, MA "Featuring new & vintage garage/punk, surf, psychedelic, rockabilly, pop obscurities,...and a little bit o' greasy R & B" TUNE IN LIVE VIA WINAMP MP3 THROUGH THE NEW COFFEE 'N' SMOKES (http://coffeensmokes.freeservers.com) OR THE WMFO (www.wmfo.org) WEBSITES!!! Coffee 'n' Smokes airs every Saturday morning from 6-9am (EST) and... 3-6am (U.S.Pacific), 4-7am (U.S.Mountain), 5-8am (U.S.Central), 11am-2pm (GMT), Noon-3pm (Paris/Rome/Amsterdam), 1-4pm (Athens), 8-11pm (Tokyo), 9pm-Midnight (Sydney/Melbourne) and 10pm-1am Sunday (Auckland) ------------------------------ Date: Sun, 11 Feb 2001 16:47:01 +0000 From: boldface@easynet.co.uk Subject: TS: Jump Jive & Harmonize As someone who spins records at a garage club, all I can say regarding "the song about the Gorilla" is that it sure as hell will ALWAYS get people dancing. -- PJ This message was sent by Easymail - http://www.easynet.co.uk/ ------------------------------ Date: Sun, 11 Feb 2001 10:13:52 -0700 From: colorcoat@home.com Subject: Shredding Paper #8-Richie Unterberger interview Just picked up the new Shredding Paper #8 'zine yesterday. Along with almost 500 reviews, there is an interview with Richie Unterberger (author of "Unknown Legends of Rock & Roll" and "Urban Spacemen and Wayfaring Strangers") that goes into music writing issues between and beyond the lines. Ted Shredding Paper: http://members.home.net/shredding/sp.html ------------------------------ Date: Sun, 11 Feb 2001 12:23:51 EST From: HOODOO3005@aol.com Subject: Re: Texas garage compilations In a message dated 2/11/01 5:10:40 AM Central Standard Time, owner-bomp-digest@xnet2.com writes: << << What's the single best comp of Texas stuff? =20 >> i couldn't tell you a single comp., but the first *high in the mid-sixties* texas volume is a iller, as well as the entire *texas flashback series*. >> I don't know if you can still get this, but Line Records of Germany released a pretty good Texas comp back in '82...it was vol. 4 of their MINDROCKER series. ------------------------------ Date: Sun, 11 Feb 2001 12:27:50 EST From: HOODOO3005@aol.com Subject: Re: Reb Rebel Records In an earlier post, I said: << << I doubt if CCR were Klansmen myself, but Jay Miller, the same white man who produced black blues artists for the Excello label (Slim Harpo, Lightnin' Slim, Lazy Lester, etc.) also owned Rebel Records, the company that released all those racist country records in the late sixties and early seventies. Ethnic hangups are ignored when there is $$$ to be made. >> Then Lee Soundviews wrote: <> To which I respond: yeah, that's the company, with the Confederate flags printed right there on the label. Not to be confused with a bluegrass label called Rebel. JP ------------------------------ Date: Sun, 11 Feb 2001 12:41:41 EST From: HOODOO3005@aol.com Subject: Re: Pop Nuggets In a message dated 2/11/01 5:10:40 AM Central Standard Time, David Coyle writes: << I don't think it's fair to pick on the American Breed in this discussion (of sixties garage bands with a pop infliuence). >> While I'm not a big fan, I agree---"Bend Me, Shape Me" is a killer song. And going back to our discussion of stereo separations, the stereo mix of this tune is ASTOUNDING. I just don't consider them garage, that's all. I love Steppenwolf and Blue Cheer all day long, but I never thought those bands belonged on a garage compilation either. All three of these bands appeared in Rhino's 80's NUGGETS series, if you'll recall. Now, if you want to defend the American Breed, I got another one for ya---"I Don't Need Your Help" by Gary & the Night Lites (an early version of the Breed). Ooh, this tune shoulda been a hit in a better world! Country-soul in action!!! The soul comes from the lead vocals of Chuck Colbert, Jr. (himself an ex-doo-wopper with Chicago's own Daylighters)...the country comes from the witty, sardnic lyrics and downhome guitar! On the USA label, and pretty earthy. Call it garage, soul, country, techno, callitwhatchawanna, I don't give a damn, this is a mindfuck of a great 45! J. Porter ------------------------------ Date: Sun, 11 Feb 2001 13:54:46 From: jschwart@voicenet.com Subject: new/old "David Meyer" : >My feelings on the subject are somewhat conflicted. Iam, agree that putting more money in Tim, Miriam, Todd, Tony the Tyger's pockets, etc., is a GOOD thing, because it hopefully ensures we'll get more great current garage bands. But I think the answer there is to make sure enough of us buy the NEW bands to make their continuing efforts to release such stuff a worthwhile endeavor. Why do you feel that this is such a self-evident truth? Even aside from the underlying opinion that "great" current garage music is worth listening to at all (I think 99% of new, so-called garage music is completely boring; you apparently like a lot of it -- and neither of us can prove that the other's taste is wrong). But even if you like these bands, why do you think it is more important to support new music than old music? That's like saying you have to support local bands, even if they stink. I personally feel no obligation to help keep young bands in vintage gear and hot rod stickers, or to encourage their dreams of quitting their day jobs. If that happens for them, more power to 'em, but it's not my responsibility. ------------------------------ Date: Sun, 11 Feb 2001 13:43:10 -0800 From: DCAMPA@austin.rr.com Subject: Re: Festivals? Hey Jahna! Don't stress out, there are lotsa fests happening this year. While there is Garageshock happening in Austin the last week in May, there's also another mini-fest happening (Garagecrock!) The lineup looks even better for this one: the Down and Outs, Frigg A Go Go, The Jewws, The Dead-ites, etc. And the Shakedown's lineup (what I know of it) is looking pretty good, too. Dennis > Please? Are there any fun looking fests coming up anywhere? Need to plan a > vacation... usually by this time of year, I've been counting down the days > for months! ------------------------------ Date: Sun, 11 Feb 2001 14:38:07 -0500 From: Robbie White Subject: Records For Sale I have the following records for sale: 5 Buddy Holly LPs on Coral 4 Lime Spiders Australian 45s 2 Idle Race UK 45s 3 Cream LPs (Atco) 3 Doors LPs (Elektra) 5 Monkees LPs (Colgems) Please contact me at robwhite@erols.com Robbie White ------------------------------ Date: Sun, 11 Feb 2001 15:28:43 -0500 From: "BlackMonk \(Tom,as always\)" Subject: Re: new/old > I personally feel no obligation to help keep young bands in vintage gear > and hot rod stickers, or to encourage their dreams of quitting their day > jobs. If that happens for them, more power to 'em, but it's not my > responsibility. > And I'd bet that if you asked any of these bands if they'd expect to be paid when someone reissues their singles 30 years from now, they'd say a very emphatic YES. Then wear the wool hat if that moves her and, if you can sing in falsetto sing for her too until she cries "Lover, Wool-Hatted, Joanne-singing lover. I must have you." ------------------------------ Date: Sun, 11 Feb 2001 12:47:01 -0800 (PST) From: "(gopher) george rollins" Subject: ccr / kkk the question doesn't merit comment. it is nonsense (as anyone familiar with the history of the band should recognize), clearly designed only to rouse rabble. i'm dismayed that anyone on this list was gullible enough to respond, and certainly hope that no one else will waste space doing so. thank you for your time, and attention. -g. _______________________________________________________ Send a cool gift with your E-Card http://www.bluemountain.com/giftcenter/ ------------------------------ Date: Sun, 11 Feb 2001 13:04:35 -0800 From: "Jeff Lemlich" Subject: The (Florida) Deep Six <> THE DEEP SIX came out of a Jacksonville band called THE VIKINGS, which released Rosemary/You're The One in 1964 (with a picture cover). Larry Dreggors and Billy Harden of the Vikings went on to the Deep Six and then later Mouse & The Boys (Mouse being Maurice Samples, also of the Deep Six). This is the M.O.U.S.E. on Bell Records. He's now a preacher in Jacksonville. Claude "Butch" Trucks was the drummer of the Vikings and is on their 45, but was not a member of the Deep Six. He instead went into a trio called the Bitter Ind, which is better known by the name given to them by Vanguard Records, the 31st of February. This info should be included in the liners of the forthcoming "Psychedelic States Florida Vol. 2" comp. J. Lemlich (on a borrowed laptop while my computer gets de-virused) ___________________________________________________________________________ Visit http://www.visto.com/info, your free web-based communications center. Visto.com. Life on the Dot. ------------------------------ Date: Sun, 11 Feb 2001 10:29:00 -0700 From: ronald and karen sanchez Subject: Re:Shake Some Action > > > > > ------------------------------ > > Date: Fri, 9 Feb 2001 14:55:20 -0800 > From: Greg Shaw > Subject: Shake Some Action > > Cyril took the band into Capitol and > laid down 2 or 3 songs. I have the tape somewhere, but I'm going on memory. > The main thing was to do a "poppier" version of "Shake Some Action" that > might be perceived by labels as more radio-friendly. Remember, this was > 1973--the best stuff on radio was the Raspberries, Badfinger, etc. Cyril > produced it himself, along with one or two b-sides (Can't Explain? I'm > hazy) and at the time he approached me, at the American home office of UA, > he had the Rockfield tapes (also 3 songs as I recall, "Shake", "You Tore Me > Down" and ?) and the Capitol tape. > > ------------------------------ > The other track cut at capitol was I Heard Your Name, which for some reason has never got a real release. In the late 70's Cyril was talking about some single he wanted to put out, and I mentioned that they should use I Heard Your Name as the flip. He liked that idea, but of course the planned single never came out. Sean Donahue and myself interviewed Chris and Cyril on our Piledriver show on KSAN in July 1979. This was when Jumpin In The Night was just being released in the UK. They didn't have a copy yet so they brought in some cassettes they had from the 1978 Rockfield sessions. Most of what they had was just backing tracks with no vocals! Curiously enough one of those was It Won't Be Wrong, the Byrds tune. This was never released, and I'm not sure that they even finished it. The Groovies sat in on Piledriver a few times, bringing in stacks of their favorite singles to play on our "Swinging Singles Parties". Ron - -- - -- The Donovan's Brain Web Site: http://www.btinternet.com/~manband.archive/brains/index.html ------------------------------ Date: Sun, 11 Feb 2001 16:21:55 -0500 From: Don Smith Subject: sunday >and you're phrase "laying down their scuzz...I do not think Bruce, Mike and >Bill went into Audio Recorders with the idea to lay down "scuzz"...these >stupid 70's punk rock ideologies and concepts that people use to describe >these sounds is ridiculous. wait, you aren't saying that guitarists did NOT want to sound scuzzy? because by the well-documented use of the fuzztone over a byrdsian 12-string, they absolutely did. I've read interviews with Link Wray, Keith Richards, etc that they were looking for a violent, dirty sound. maybe scuzz ain't quite the exact language they'd use, but there were plenty of bands who brag in interviews that they disliked the Beatles "pop" sounds in favor of "raw r+b." come to think of it, in 60s slang, it would probably be "tough" or I read once, "cruel." >Opening an attachment requires an extra click. unfortunately some people set their attachments to open automatically, it's a big big no-no for obvious reasons. Outlook express is better about this than the full-version of Outlook (really). mp3s: I downloaded about 30 or so tracks by Canada's Collectors on Friday while I was at the office, while I was working on something else for free. If, for instance, I get really into the Collectors I will pick up a cd, but likely I won't keep the tracks. similarly I have done this with dozens of prog or heavy psyche records, lots of stuff I don't want to buy or even keep on mp3 after I heard it once. Lots of 1971-72 funk stuff (which in this era of hip hop is very available on napster) which I'd never have bought otherwise, etc. Napster is almost exactly like what running a fanzine was like in the 80s, you'd get 10 cassettes a week and only actually buy one of those you liked best on vinyl. But if no one's paying the royalties to the bands then one bootleg is no different than another on any moral ground. BFTG paid royalties to the majority of the bands, lots of comps do/did. You can tell by how much detailed info they put in the liner notes. I buy all the *major* garage comps, all the crypts, all the arfs, all the bomps, flaykes, dionyses and gear fabs, but there's no way I can buy everything that people talk up on this list and in other zines. none of us can and curiosity will always get the best of us. I actually would rather the bands get their percentage of their record's profits rather than even my best comping friends get 100% of the money- after all people I know in the HC scene are getting their 1981 singles bootlegged right when they have kids tuition to think about. My "sell pile" is pretty small once I eliminated buying cds to "check them out" and used napster. I am aware that the local record stores are suffering, but the handwriting was on the wall in 1995. All the local bowling alleys are closed, the independent book stores, the independent drug stores and yes, the independent record stores. It's a tough thing, but nothing is going to turn back the clock and make them profitable the same way that no one is going to be able to raise a family of four on one factory salary again. We gotta make things work for us in a changing world and buying cds and using napster to check new stuff out works the best for me with the least "waste" on my part. plus napster is great for live bootlegs you'd never pay for. >He could be full of shit, as many audiophiles seem to be, >but I'm going to look into mini-discs as a possible archival >media. the best electronic archival medium is one that will have equipment to play it in 20 years. Betamax was better than VHS and I still have beta tapes I need to transfer off beta. I can't buy a new, inexpesnive, betamax in 2001 as much as I want to. I'm so poised for DVD-R it's not funny. Don ------------------------------ Date: 11 Feb 2001 14:27:08 -0800 From: fcs@uswestmail.net Subject: SOUNDSVILLE! plus fave TS and best "Gloria" 1)Just picked up a barely play copy of SOUNDSVILLE! on Stereo Spectrum / Pickwick International (SDLP-187) featuring "Cycle Annie" and "I've Got A Tiger In My Tank" by the Beachnuts and "You're Driving Me Insane" by the Roughnecks. The cover is bit worn but in good shape. I'm a huge Lou Reed / Velvets fan and have no intention of parting w/ it but am curious as to how rare this lp really is and how much it goes for. 2)Best Teenage Shutdown IMHO is Howlin' For My Darlin!. Not far behind would have to be The World Ain't Round... and Jump Jive And Harmonize. But would be hard-pressed to dismiss any of this series so far! 3)Sure the Them "Gloria" is the best but lets not forget the Gants. thank you for your time, Frankie C. Signup for your free USWEST.mail Email account http://www.uswestmail.net ------------------------------ Date: Sun, 11 Feb 2001 18:36:20 -0600 From: Jeff Kopp Subject: The Wayback Machine playlist (2/11/01) THIS WEEK: Wow! What a show! A little surf, a little garage fuzz, and even some greasy R&B, mod, & hot rod to round out the festivities. We had a ton of new music this week: THE HELLACOPTERS, THE CASANOVAS, ANDRE WILLIAMS, 9TH WAVE, plus new newly uncovered '60s garage punk like SONNY FLAHARTY & THE MARK V ("Hey Conductor" CD - Bacchus Archives), MARK & THE ESCORTS (from the "East Side Sound Vol. 2" comp. on Bacchus Archives) and THE HEARSEMEN (from the "Legend City" comp., also on Bacchus Archives). Some good calls, good requests, and good fun. This was one for the record books! Playlist for February 11th, 2001: Ramonetures: Rock & Roll High School (Ramonetures/Blood Red) The Hellacopters: Get Ready (White Trash Soul! Split EP w/The Flaming Sideburns/Bad Afro) The Deadly Snakes: I Gotta Plan (For Saturday Night) (Love Undone/SFTRI) Ron Haydock & The Boppers: Eaffin' And Surfin' (Theme From Rat Pfink A Boo Boo) (99 Chicks/Norton) The Dead Boys: High Tension Wire (Younger, Louder & Snottier/Bomp!) Don And The Goodtimes: Turn On Song (V/A: Flash And Crash: The Northwest Battle of the Bands Vol. 1/BeatRocket) The Fantastic Baggys: Hot Rod, U.S.A. (Anywhere The Girls Are! The Best of.../Sundazed) Los Banditos: Die Neue vom Club (7"/Sheep) The Jackson Investment Company: Not This Time (V/A: Teen Jangler Blowout/Teenage Shutdown) The Hives: Die, All Right! (Veni, Vidi, Vicious/Burning Heart) Thee Michelle Gun Elephant: Free Devil Jam (Gear Blues/Alive/Total Energy) The Galaxy Trio: Titoli (From "A Fistful of Dollars") (V/A: Mondo Drive-In/Blood Red) The Modds: Leave My House (V/A: I'm Gonna Stay/Teenage Shutdown) Big Bobby And The Nightcaps: Bloodhound (7"/Screaming Apple) The Real Kids: My Way (Better Be Good/Norton) The Casanovas: Too Cool for School (10 Outta 10 7"/Full Toss) The Dynotones: Devil's Martini (The Dynotones/Dynosonic) The Mistreaters: Lively One (Grab Them Cakes/Big Neck) Andre Williams: Whip the Booty (...Is the Black Godfather/In The Red) The Kenetics: Put Your Lovin' On Me (V/A: Let's Dig 'em Up!!!/No Tyme) Teengenerate: Get Me Back (Smash Hits!/Estrus) Bleed: All Day and Every Night (Motor Psycho/MuSick) Mark & The Escorts: Silly Putty (V/A: East Side Sound Vol. 2/Bacchus Archives) Paul Revere & The Raiders: Sweets for My Sweet (Mojo Workout/Sundazed) The Who: See My Way (BBC Sessions/MCA) The Five Canadians: Writing on the Wall (7"/Sundazed) The Trouble Makers: You Must Be Crazy (I'm Not That Kinda Girl 7"/Larsen) The Moviees: Live Just for Today (Become One of Them/Living Eye/Sundazed) The Royal Pendletons: Keg Tapper (7"/Blood Red) The Standells: Mr. Nobody (Ban This! Live from Cavestomp! '99/Varčse Sarabande) The Hearsemen: Don't Be Late (V/A: Legend City/Bacchus Archives) Lord High Fixers: Come See About Me (7"/No Lie Music) The Muffs: I Don't Like You (7"/SFTRI) The Maggots: I Wanna Be Your Maggot (Gonna Make You Pay 7"/Bad Afro) The Modern Lovers: Walk Up the Street (The Original Modern Lovers/Bomp!) Impala: Makin' It (Play R&B Favorites/Estrus) Sonny Flaharty And The Mark V: Hey Conductor (Hey Conductor/Bacchus Archives) The Liberty Party: Get Yourself Home (V/A: Knock You Flat! The Northwest Battle of the Bands Vol. 2/BeatRocket) 9th Wave: Road Agent Rumble (Hurricane/Beach House) New World Relámpagos: Rio Perdido (New World Relámpagos/Sirena) The Surf Creatures: Stranded (X50/Alopecia) Miss Ludella Black: Love Pours Out of My Heart (She's Out There/Damaged Goods) The Spiders: Akai Dress No Onna No Ko (Let's Go Spiders! G.S. I Love You Vol. 3/Big Beat) The Periscopes: Beaver Shot (7"/Bacchus Archives) Them: Baby Please Don't Go (The Story of Them/Deram) The Delmonas: You Can't Sit Down (Dangerous Charms/Vinyl Japan) kopper & jaimz =================================================================== THE WAYBACK MACHINE - Check our Rants'n'Raves board for reviews! More than just a radio show web site: http://www.inlink.com/~kopper Primitive garage rock'n'roll, '60s/'70s punk, R&B, surf & hot rod Saturday nights: Midnight-2am (CST) KDHX-FM 88.1, St. Louis, Mo. Live netcast in RealAudio: http://www.kdhx.org/ ------------------------------ Date: Sun, 11 Feb 2001 19:59:59 -0500 From: "Lenny Smith" Subject: Re: SOUNDSVILLE! plus fave TS and best "Gloria" Frankie C wrote: <<1)Just picked up a barely play copy of SOUNDSVILLE! on Stereo Spectrum / Pickwick International (SDLP-187) featuring "Cycle Annie" and "I've Got A Tiger In My Tank" by the Beachnuts and "You're Driving Me Insane" by the Roughnecks. The cover is bit worn but in good shape. I'm a huge Lou Reed / Velvets fan and have no intention of parting w/ it but am curious as to how rare this lp really is and how much it goes for.>> I don't know what they're going for lately (I got one for 99 cents sealed in a Canadian bargain bin once--I never intended to part with it either, but that's a long story in itself, LOL)... but this reminds me (and I think it's actually been covered onlist before, but hey, maybe someone will save me a trip thru the Archives just this once)... Even though "I've Got a Tiger in my Tank" is credited to The Beachnuts along with "Cycle Annie" (which is DEFINITELY Lou's work, as is The Roughneck's tune--great song!,--IGATIMT sure don't feature the vocalisings of Mr. Reed, which makes me wonder if he had a hand in that tune at all. It doesn't show up on The VU Etc. collection, which has both the other Soundsville cuts, and The Primitives tracks as well... Just a case of The Beachnuts' name being applied willy nilly to another track they had lying around? Hey, Frankie, while you're at it, give a listen to the only other track on there that caught my attention, "Johnny Won't Surf No More," hehehe. Who's that track credited to? Kinda reminds me of the surf tune Lucy sang on the Lucy Show episode where she guested on the "Wing Ding" TV show ("My trousseau just lies on the shelf... since his surfboard came back by itself..."). Lenny ------------------------------ Date: Sun, 11 Feb 2001 21:41:37 -0500 From: Groove Disques Subject: Re: CCR and the KKK Considering that I have never heard a peep about this subject until its unsupported - and still unsupported - post from a week ago, I have to say that I can see the connection between CCR and the KKK. I mean, you can tell just by looking at Fogarty...COME ON, PEOPLE! Jim www.groovedisques.com ------------------------------ Date: Sun, 11 Feb 2001 19:18:02 -0800 From: "Bryan Thomas" Subject: Re: Pop Nuggets Guess which song was used during tonight's episode of Futurama?? That's right, "Bend Me Shape Me," very much on the minds of Bompers and TV animation fans alike... Bryan > Well, I wouldn't entirely discount the American Breed. > "Bend Me Shape Me" is as good as any "teenbeat" song > of the period. ------------------------------ Date: Sun, 11 Feb 2001 22:51:09 -0500 (EST) From: mr392@webtv.net (Tony) Subject: Sue Saad and the Next info Hi, Here's a link that should answer some of your questions about Sue. Take care, Tony Now Playing - "Prisoner" Sue Saad and the Next http://ourworld.compuserve.com/homepages/schulzp/suesaad.htm ------------------------------ Date: Sun, 11 Feb 2001 22:03:53 -0600 From: "Mark Ertmer" Subject: Re: ccr / kkk >the question doesn't merit comment. it is nonsense (as anyone familiar with >the history of the band should recognize), clearly designed only to rouse >rabble. > >i'm dismayed that anyone on this list was gullible enough to respond, and >certainly hope that no one else will waste space doing so. > >thank you for your time, and attention. -g. I wasn't trying to "rouse" any "rabble". I wanted to know if there was any TRUTH to a rumor I had heard, as I pointed out in my original question. CCR wrote some of the most soulful music ever, and I would have been disappointed if it was true. That's why I was ASKING. Thanks to all the "gullible" people for setting me straight! Mark ------------------------------ Date: Mon, 12 Feb 2001 00:04:09 -0800 From: DCAMPA@austin.rr.com Subject: Re: Pop Nuggets/Tv Rock'n'Roll tunes.. Yeah, I caught that tonight as well! Pretty cool. Also saw a Power Puff girls episoded entitled "Meet the Beat-Alls." In this one, the villians all unite to form the above, a group that succesfully (for a while) defeats the Power Puff Girls. Most of the dialogue, imagery, and situations are straight out of the Beatles songs and movies; there's even a couple of cameos by the fabs as well! I especially liked the part where Mojo JoJo meets the performance artist criminal monkey, in a neat parody of how John and Yoko met. Highly recommended! Dennis > Guess which song was used during tonight's episode of Futurama?? > That's right, "Bend Me Shape Me," very much on the minds of Bompers > and TV animation fans alike... ------------------------------ End of bomp-digest V2001 #86 **************************** ===================================================================== You've been reading bomp-digest, the digest version of the Bomp list. To unsubscribe, send "unsubscribe bomp-digest" to majordomo@xnet2.com