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bomp-digest         Tuesday, January 8 2002         Volume 2002 : Number 019



This is the digest version of the Bomp list. ***HOW TO UNSUBSCRIBE:***
Send an e-mail with the words "unsubscribe bomp-digest" to
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Here's what people are yacking about in this digest:
   7" singles
     Boldface <boldface@easynet.co.uk>
   Stiff Records
     Boldface <boldface@easynet.co.uk>
   Re: paul's drumming vs. ringo's
     Euphorik6@aol.com
   Re: 7" singles
     pekka.laine@yle.fi
   Re: More catching up done
     Jan.Roerhorst@prismant.nl
   Re: turd plop solos
     Deena Canale <roots66@sympatico.ca>
   Re: Wilko Johnson
     "Jeroen Vedder" <chiswick@wanadoo.nl>
   Re: bomp-digest V2002 #18   Cow Bell Solos
     "Michel Fenderwoods" <you_must_be_joking@hotmail.com>
   Elvis is everywhere...
     rat fink <rockandrolldanceparty@yahoo.com>
   Re: Just Like Me
     John McIntyre <mcintyre@pa.msu.edu>
   Re: More catching up done
     Jeff Kopp <kopper@accessus.net>
   The Mad 3 (was 7 inchers)
     Boldface <boldface@easynet.co.uk>
   Re: Solos Flushed With Pride
     Sknoof@aol.com
   re: speaking of drummers
     "Robert Branigin" <Robert.Branigin@ipaper.com>
   re: Raiders Recording Ephemera (was: Just Like Me)
     SSamSS@aol.com
   Re: paul's drumming vs. ringo's
     Joe Emery <jemery@pstrategies.com>
   Sat 12 Jan 1st Hipsters of 2002
     "rob@newuntouchables.com" <new.untouchables@virgin.net>
   Farfisa for sale:
     Jason Gentry <jgentry@mail.utexas.edu>
   Re: paul's drumming vs. ringo's
     "Tom" <BlackMonk@email.msn.com>
   Turtles
     FFortune@aol.com
   Re: 7 inchers
     "matt fiveash" <fiveash@hotmail.com>
   Cavestomp pics
     Jeff Kopp <jeff.kopp@phoenixcreative.com>
   Re: Moulty
     YeeYeeMgt@aol.com
   Re: Synanon
     YeeYeeMgt@aol.com
   RE: 7 inchers
     "Jan Herman Veldkamp" <jh.veldkamp@home.nl>
   Re: Satriani on Another Girl
     YeeYeeMgt@aol.com
   Runner-up for the weirdest horn noise goes to...
     HOODOO3005@aol.com
   Re: electric sax
     HOODOO3005@aol.com
   Re: Monroes/Frontier Trust
     HOODOO3005@aol.com
   electric sax
     "Robert Branigin" <Robert.Branigin@ipaper.com>
   bass players - chris white
     "Robert Branigin" <Robert.Branigin@ipaper.com>
   Hipsters - This Sat. in San Diego!
     TSanc43763@aol.com
   Subject: Solarflares/ Prisoners West Coast Tour...Help!
     "Chris Owen" <ChrisO@sfbg.com>
   Shitty records, Great records
     "Chris Owen" <ChrisO@sfbg.com>
   catchin up...
     "Kari Krome" <karikrome@hotmail.com>
   Re: Shitty records, Great records
     "Mark Ertmer" <ertman9@home.com>
   Re: catchin up...
     Dj45rpm@aol.com
   Re: Farfisa for sale:
     "Susan Castellon" <susan@julie-ann.com>
   Re: Guitar solos
     Mndbgr1@aol.com
   Re: Shitty records, Great records
     Jason Mata <jamigmat@yahoo.com>
   Re: bomp-digest V2002 #15
     Mndbgr1@aol.com
   Re: bomp-digest V2002 #15
     Mndbgr1@aol.com
   Re: bomp-digest V2002 #17
     Mndbgr1@aol.com
   Re: bomp-digest V2002 #18
     Mndbgr1@aol.com

----------------------------------------------------------------------

Date: Tue, 8 Jan 2002 10:07:47 +0000
From: Boldface <boldface@easynet.co.uk>
Subject: 7" singles

Just heard that Swedish group The Hives have a new 45 (and CD single),
"Hate to Say I Told You So", coming out on the not at all deceased Poptones
label on February 11th. Going by the greatness of their last single I'll be
at the record shop waiting for it to open in the morning. -- PJ

------------------------------

Date: Tue, 8 Jan 2002 09:59:31 +0000
From: Boldface <boldface@easynet.co.uk>
Subject: Stiff Records

> There again this depends who you talk to. I know one member
>of a band signed to Stiff and they have very little nice to say
>about the label.

Wreckless Eric didn't have anything good to say about Stiff. Something
about being owed a lot of money. He wouldn't even allow t-shirts with the
Stiff logo to be sold at the merch stall at his gigs. -- PJ

------------------------------

Date: Tue, 8 Jan 2002 05:27:07 EST
From: Euphorik6@aol.com
Subject: Re: paul's drumming vs. ringo's

In a message dated 1/7/02 7:21:31 PM, BlackMonk@email.msn.com writes:

<< That was Ringo. Paul was on Back in the USSR,  Dear Prudence (though I've
heard it speculated that Ringo did some overdubs) and The Ballad of John and
Yoko. >>

    holy mackerel, you are exactly right! i just pulled out the lewisohn 
book, and read that mccartney recorded everything EXCEPT the drums which were 
later added as an overdub; i just also figured it was mccartney. guess ringo 
was having a bad day or something.

extracting foot,
rob

------------------------------

Date: Tue, 8 Jan 2002 12:33:15 +0200
From: pekka.laine@yle.fi
Subject: Re: 7" singles

Boldface <boldface@easynet.co.uk>@xnet2.com on 08.01.2002 12:07:47

Please respond to bomp@xnet2.com

Sent by:  owner-bomp@xnet2.com


To:   bomp@xnet2.com
cc:

Subject:  7" singles



Just heard that Swedish group The Hives have a new 45 (and CD single),
"Hate to Say I Told You So", coming out on the not at all deceased Poptones
label on February 11th. Going by the greatness of their last single I'll be
at the record shop waiting for it to open in the morning. -- PJ
>>>>>>>>>>>>>>>>>>

Hate to say I told you so is killer track! Perfect punk.


Pekka

------------------------------

Date: Tue, 8 Jan 2002 11:37:22 +0100
From: Jan.Roerhorst@prismant.nl
Subject: Re: More catching up done

Jeroen wrote:
>On 7 Jan 2002 09:48 Jan.Roerhorst@prismant.nl wrote: A LOT !. Including:
>>>skrewdriver/nazi-symbols thread <snip> BURN IT, BURY IT! It does NOT
make you look "cool"! It's sickening!!! <snip> And then, just after
Christmas, a sudden burst of total tolerance hit the Bomp! What happened?
Matches wet? Zippos out of fuel? Mentioning <snip> Axl Rose (huge fan!)<
>>Obviously Mr Rose is tolerance pesonified, where would the world be
without him.....?.<<

I really don't know, guess I don't really need to know either... my mail
wasn't about Axl in the first place! Oh well...

L8er,
Jan.

------------------------------

Date: Tue, 08 Jan 2002 07:03:57 -0400
From: Deena Canale <roots66@sympatico.ca>
Subject: Re: turd plop solos

> 
> ahhh, onto the music.....the monroes debut 7" fell into my lap earlier this
> afternoon...any frontier trust fans on the list?  anyway, this is gary
> dean's new combo and while it's not quite as hot as i expected...still the
> best local release of THIS year.  haha


Wasn't there a new wavy combo in the early-to-mid '80s called the Monroes,
who had a fairly big hit with "What Do All the People Know"?

All the people tell me so,
Deena

------------------------------

Date: Tue, 8 Jan 2002 12:16:54 +0100
From: "Jeroen Vedder" <chiswick@wanadoo.nl>
Subject: Re: Wilko Johnson

On 7 Jan 2002 19:52 "mohair" <mohair@sprint.ca> wrote:
>>>To which I reply, you are right for you but wrong for me. Solid
Senders were killer IMO. For a guy w Chiswick for his email addy I'm
surprised the inclusion of Stevie Lewins didn't endear you more. Or
have I got this wrong way round? If I do sorry. But then in one of
your newsletters you implied that Antonia's writing in regards to her
Thunder's book was also crap? Am I wrong? If so, then again, sorry.<<<

Can we agree to disagree on this?. What was always missing in 
these off-shoot bands were good singers, if such a band doesn't 
have a Lee Brilleaux or Dave Tice it's not gonna be very good 
IMHO, no matter the other members' previous credentials.

As for the Tunders book; I thought there was a better story in there, 
Antonia is too much of a fan to dig a bit further than the, for her 
apparently, romantic image of the rock'n'roll loser.

So yeah, you're right on being right for you but wrong for me.

Don't start me talking,

Jeroen

Ps: I DO however agree with you on the reggae stuff 100%.

------------------------------

Date: Tue, 08 Jan 2002 12:41:20 +0000
From: "Michel Fenderwoods" <you_must_be_joking@hotmail.com>
Subject: Re: bomp-digest V2002 #18   Cow Bell Solos

>Date: Mon, 07 Jan 2002 18:57:27 -0600
>From: "Kip Shepherd" <kipshepherd@hotmail.com>
>Subject: Re: Cow Bell Solos

>What about "Honky Tonk Women"?  That's not really a solo, though.
>
>Kip

Re: Someone told me recently that the cow bell is the only thing
    Charlie Watts plays on that song & that somebody else did the
    drums (Jimmy Miller again?). Don't know if I should believe that.
    Anybody here knows?
    Anyway, the 'rhythm' guitar on that song (NOT the lead guitar in
    the chorus) is one of Keith's finest moments. I was happy to find
    a bootleg recently that had an alternate mix with different vocals
    than on the official version and no lead guitar. BRILLIANT!

    Michel Fenderwoods

_________________________________________________________________
Download MSN Explorer gratis van http://explorer.msn.nl/intl.asp.

------------------------------

Date: Tue, 08 Jan 2002 08:11:01 -0500
From: rat fink <rockandrolldanceparty@yahoo.com>
Subject: Elvis is everywhere...

or at leat on WUSB-FM!

Tonight, the Rock And Roll Dance Party celebrates Elvis Presley's
birthday with three hours of music by that hillbilly cat, along with
special guests and live performances.

Tune in over the airwaves 90.1FM in Stony Brook New York or
via the internet at http://www.wusb.fm/rockandroll

Elvis...the good, the bad and the REAL ugly!

thank you, thank you very much


- -- Michael


  The Tuesday Night Rock And Roll Dance Party
         http://www.wusb.fm/rockandroll
       9pm until Midnight on 90.1FM WUSB
                Stony Brook, New York


       baby, the world ain't round...it's square!

------------------------------

Date: Tue, 08 Jan 2002 08:16:57 -0500
From: John McIntyre <mcintyre@pa.msu.edu>
Subject: Re: Just Like Me

Mndbgr1@aol.com wrote:

> In a message dated 1/5/02 8:33:57 PM Central Standard Time,
> owner-bomp-digest@xnet2.com writes:
>
> > .....they recorded
> > two solos, intending to use the best one, but it sonded so good when they
> > listened to both together (especially the way they "meet up" in the last
> > two
> > bars) that they left it that way.
> >
> That's cool how they arrived at 2 solos. It really makes it with 2. Any more
> interesting recording info come to mind, Mike? Dr. M.

The same thing happened with Patti Smith's "Horses".  She did three takes of
vocals, and all three were used in the final mix, fading in and out.  It's eerie
when the takes overlap.

John McIntyre
Physics - Astronomy Domine Dept
Michigan State University
mcintyre@pa.msu.edu

------------------------------

Date: Tue, 08 Jan 2002 07:43:12 -0600
From: Jeff Kopp <kopper@accessus.net>
Subject: Re: More catching up done

on 1/7/02, Jan.Roerhorst@prismant.nl wrote:

> First: what a great sense of timing to start a skrewdriver/nazi-symbols
> thread on Christmas Day! Boohoo2U!!! I read that last Friday night and left
> the subject rest for a while, pissed off as I was then about the casual
> attitude of some of you towards using iron crosses and swastikas as
> personal "ornaments". And trust me, as big a Lemmy fan I am, I could
> genuinely hate him for using the cross! "Funny", "cool",
> "much-older-than-WWII" those symbols may be: the first association people
> get when seeing these symbols WILL forever be nazi-germany! And thus
> everything the symbols got to represent. Before you decorate yourself with
> this shit, THINK (it ain't illegal yet...) of the hurt you may cause to
> (older) people, who may have suffered heavily under the reign of these
> symbols!

You obviously missed the point entirely. I guess the facts surrounding what
the Iron Cross has represented for more than a century before the Nazis
never made it through your thick skull, did it? And we're supposed to not
wear something because of some people's INCORRECT associations? Let their
ignorance dictate what "ornaments" I wear? Yeah, that makes sense. And I
don't care if it makes me look "cool" or not. What do YOU wear to look
"cool?" I happen to like the fucking thing, so lay off and DON'T tell me or
anyone else what anyone should or shouldn't wear. Oh, and my father fought
in WWII, too, and he actually LIKES the Iron Cross because he understands
its meaning vs. that of the swastika (which I would NEVER wear) and doesn't
mix up the meaning behind the symbols like you obviously do. What if the
Taliban (or any other hated group - just using them because they're the
biggest targets right now) started wearing peace signs? Would you burn yours
then? Gimme a fuckin' break.

L8er,
kopper

------------------------------

Date: Tue, 8 Jan 2002 13:59:03 +0000
From: Boldface <boldface@easynet.co.uk>
Subject: The Mad 3 (was 7 inchers)

>Had this problem, too! If I remember correctly, it was the noisy Japanese
>garage punk band the Mad 3 on the "Napalm in the Morning" Estrus 10" EP. You

If you can make it over to London for 25th January you can see The Mad 3
live at the Dirty Water Club. Request that track and hear how it sounds!

http://www.dirtywaterclub.com

------------------------------

Date: Tue, 8 Jan 2002 09:17:47 EST
From: Sknoof@aol.com
Subject: Re: Solos Flushed With Pride

<< ...which brings to mind some of the more memorable solos on the noble 
crapper.  Who can forget the toilet flush at the end of Steppenwolf's 
classic, "Don't Step On the Grass, Sam," or the delicate strains of Yoko 
Ono's classic "Toilet Piece"? >>

The Tubes' "White Punks On Dope."

Mike F.

------------------------------

Date: Tue, 8 Jan 2002 09:17:25 -0500
From: "Robert Branigin" <Robert.Branigin@ipaper.com>
Subject: re: speaking of drummers

andrea wrote:
<<Hysteria The Def Leppard Tribute Show sks drummer w/ solid meter. Must
have prof. attitude. Willing to travel. Call Chris at ....

I wonder how much of a tribute this is?  Does the drummer need to only have
one arm?>>

don't know about that, but i bet they could they do a killer cover of the
left banke's "give the man a hand"....


rob

------------------------------

Date: Tue, 8 Jan 2002 09:28:56 EST
From: SSamSS@aol.com
Subject: re: Raiders Recording Ephemera (was: Just Like Me)

In a message dated 1/8/2002 5:07:30 AM Eastern Standard Time, 
owner-bomp-digest@xnet2.com writes:


> Dave Amels played a one-handed "Bass-ette" along with Peter's 
> bass.  His amp was right behind me and I think my ass is still buzzing.  
> Which is not such a great thing in church.
> 

So THAT's what that thing was.  I saw Justina's pix (from ther 
whatawaytodie.com site) and was wondering.  I knew it wasn't one of his Voce 
thingamawhatsises, but couldn't make heads nor tails of it...

Sam :)

- --------------------------------------------
Mondo Topless World HQ
<A HREF="http://www.mondotopless.com">www.mondotopless.com</A>

------------------------------

Date: Tue, 08 Jan 2002 08:41:44 -0600
From: Joe Emery <jemery@pstrategies.com>
Subject: Re: paul's drumming vs. ringo's

wow, i never knew any of this.  so paul actually played drums on some
beatles tunes?  and gave ringo the business about his drumming?  what's a
good source to read up on this?

joe

> From: owner-bomp-digest@xnet2.com (bomp-digest)
> Reply-To: bomp@screamer.xnet2.com
> Date: Mon, 7 Jan 2002 18:10:28 -0600
> To: bomp-digest@xnet2.com
> Subject: bomp-digest V2002 #17
> 
> i think that probably had more to do with paul's ego than ringo's
> drumming - it's no secret that mccartney began to get a little dictatorial &
> control-fixated in the later years - one listen to his lame-ass drumming on
> "why don't we do it in the road" (or anything on "mccartney" or any of
> various wings tunes) is more than enough evidence for me that, as a drummer,
> mccartney just sucked ass....he certainly couldn't touch ringo with a hofner
> barge-pole on drums. there's nobody that can touch paul on bass, IMO, and
> he's not exactly a slouch on guitar or piano, either - but i think his
> drumming is flat-out lame!

------------------------------

Date: Tue, 8 Jan 2002 14:38:36 -0000
From: "rob@newuntouchables.com" <new.untouchables@virgin.net>
Subject: Sat 12 Jan 1st Hipsters of 2002

Hi Folks,

Hope you've all recovered from the New year exceses

HIPSTERS monthly shakedown this Saturday with DJ's Dr Robert & Rhys Webb + suprise guest spinning 60's Beat, US Garage, British R'n'B, Blue eyed soul, Psychedelia and Rock complemented with our gorgeous Go Go Girls and groovy visuals from 9-2am.
At the Pleasure Unit, 359 Bethnal Green Road, London. E2/ Tax £5
Tube Beth Grn 5 min walk

------------------------------

Date: Tue, 8 Jan 2002 09:00:29 -0600
From: Jason Gentry <jgentry@mail.utexas.edu>
Subject: Farfisa for sale:

	Hey all,

I've got an mid-sixties "Farfisa mini-compact" (various shades of 
green/gray) lying around my place and I would like to sell it.   It 
has no legs (hence the lying), plays well, but is missing one key. 
And I don't want a whole bunch of money for it.   If you are 
interested please email me "off-list" and we can come up with a fair 
price, etc.

~j

------------------------------

Date: Tue, 8 Jan 2002 10:15:08 -0500
From: "Tom" <BlackMonk@email.msn.com>
Subject: Re: paul's drumming vs. ringo's

>
> wow, i never knew any of this.  so paul actually played drums on some
> beatles tunes?  and gave ringo the business about his drumming?  what's a
> good source to read up on this?
>

I don't have a suggestion for the gossip part, but the best book on The
Beatles as musicians is called, strangely enough, The Beatles As Musicians,
by Walter Everett. There are two volumes, but I've only read the one about
the second half of their recordings.

------------------------------

Date: Tue, 8 Jan 2002 10:20:53 EST
From: FFortune@aol.com
Subject: Turtles

<< 
 A couple of months ago, John Trembly inquired about the Turtles live on
 the BBC back in the mid-sixties.
  >>
Those tracks are available on one of those cheapo Laserlight Cd's. There are 
the 3 BBC tracks, and a live medley from the 1969 Miss Teen USA Pageant. The 
rest of the disc is live stuff from a more recent 90's concert. 

FF

------------------------------

Date: Tue, 08 Jan 2002 16:11:57 +0000
From: "matt fiveash" <fiveash@hotmail.com>
Subject: Re: 7 inchers

Some 45's actually can be improved by playing them at 33 speed, particularly 
Led Zeppelin's "Immigrant Song" which becomes incredibly satanic and sludgy 
and heavy.

>From: "Jeff Lemlich" <limeston@bellsouth.net>
>Reply-To: bomp@xnet2.com
>To: "Bomp" <bomp@xnet2.com>
>Subject: Re: 7 inchers
>Date: Mon, 7 Jan 2002 21:09:07 -0500
>
>Blair wrote:  <<    It's even worse when you can't tell what the right 
>speed
>is after
>playing both sides at both 33 and 45.  Several times. (Yes, this has
>happened to me, tho' it was years ago and I can't recall what record it
>was.)>>
>
>I have a 7" by the Neckbones that is either fast punk with female vocals, 
>or
>sludgy crap with male vocals.  It all depends if it's supposed to be played
>at 45 or 33.  Damn if I know.  Same with the Limebirds.  Even worse are
>records and CDs that have no titles or artists listed on the labels.  If 
>you
>lose the picture sleeve/jewel case, good luck figuring out what you're
>listening to!
>
>In 20 years a new group of Bompers will be trying to figure out what the
>heck folks were thinking in the 90s.
>
>Jeff Lemlich
>http://www.limestonerecords.com
>
>
>
>===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>





_________________________________________________________________

------------------------------

Date: 08 Jan 2002 10:25:00 +0000
From: Jeff Kopp <jeff.kopp@phoenixcreative.com>
Subject: Cavestomp pics

Needed: Photos of various bands from Cavestomp! 2001 for Head in a Milk Bottle 'zine. I was using a new camera and must've had the settings wrong because the pics I took unfortunately turned out like crap. I wrote a review of the fest for the next issue and would like to feature a few photos with it.

If you can send something please e-mail me off list (kopper@accessus.net). You'll receive full credit, of course.

Thanks,
kopper
Head in a Milk Bottle fanzine
http://www.garagepunk.com

------------------------------

Date: Tue, 8 Jan 2002 11:29:53 EST
From: YeeYeeMgt@aol.com
Subject: Re: Moulty

He lives in Abington and has his own upholstery business. He has two arms, 
but only one hand. He may not make the cut for the Def Leppard tribute band. 
My old drummer could play the songs from High and Dry with one arm free, so 
it can easily be done.

MJ

------------------------------

Date: Tue, 8 Jan 2002 11:34:31 EST
From: YeeYeeMgt@aol.com
Subject: Re: Synanon

I remember playing a Neil Young song parody called Synanon Girl with BIll 
Tupper a few years back. 

MJ 

------------------------------

Date: Tue, 8 Jan 2002 17:36:11 +0100
From: "Jan Herman Veldkamp" <jh.veldkamp@home.nl>
Subject: RE: 7 inchers

The same goes for several records by the Smurfs.

> -----Original Message-----
> From: owner-bomp@xnet2.com [mailto:owner-bomp@xnet2.com]On Behalf Of
> matt fiveash

> Some 45's actually can be improved by playing them at 33 speed, 
> particularly 
> Led Zeppelin's "Immigrant Song" which becomes incredibly satanic 
> and sludgy 
> and heavy.
> 

------------------------------

Date: Tue, 8 Jan 2002 11:40:06 EST
From: YeeYeeMgt@aol.com
Subject: Re: Satriani on Another Girl

I haven't listened to it in a while, but Satriani was Kihn's guitar player on 
the King Biscuit Flower Hour CD. Another Girl Another Planet is on it. I like 
Satriani as a guitar player, especially Surfing With The Alien, but he 
definitely overplayed throughout the KBFH CD. He just didn't fit in with the 
band. 

Anybody ever see Satriani play with Deep Purple? I've seen Steve Morse play 
with them and he was great. 

MJ 

------------------------------

Date: Tue, 8 Jan 2002 11:47:59 EST
From: HOODOO3005@aol.com
Subject: Runner-up for the weirdest horn noise goes to...

...that trombone player on last night's rerun of FRASIER. See, Frasier was 
conducting a massive orchestra and chorus on a possible theme song for his 
radio show...at the appropriate moment a trombonist makes this classic fart 
noise (thru his instrument, of course) that deserves an award from Down Beat 
magazine or something.

Of course, the number one spot goes to the cat from the Climax Blues Band 
(see below). Couldn't get it right, indeed...

<< Saw the Climax Blues Band in the 70's. Definitely a plugged
 in sax and yes, sounded like the loudest goddam kazoo you've ever heard.
 Thanks( I think) for the memory! >>

------------------------------

Date: Tue, 8 Jan 2002 11:53:51 EST
From: HOODOO3005@aol.com
Subject: Re: electric sax

In a message dated 1/8/02 4:52:14 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:

<< Hey, what's an electric sax? Not one of these grey plastic things with
 little plastic keys and made with the shape of a bell but it's all closed in
 like a kid's toy? Not one of those? >>

No, Lord! It's exactly what it implies - a sax with a pickup and cord 
attached to an amp! This was real big with rock bands in the early, pre-punk 
seventies! You see copies of Down Beat magazine from the Nixon years, there's 
always an ad for one of those things, right next to the advertisements for 
Musser xylophones and wah-wah pedals! Or better still, next time you're in a 
used record store, check the jazz section to see if they have a copy of PLUG 
ME IN by Eddie Harris - he's holding his horn plus some machine (A Varitone? 
Any sax or Eddie Harris fans know what I'm talking about?) that he was 
playing it through. Plus the shit-eating grin on his face has to be seen to 
be believed.

------------------------------

Date: Tue, 8 Jan 2002 11:56:46 EST
From: HOODOO3005@aol.com
Subject: Re: Monroes/Frontier Trust

In a message dated 1/8/02 4:52:14 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:

<< you'll all be happy to know...had to have my deletin' finger amputated
 earlier this afternoon (from overuse??).  good thing i can delete from both
 sides of the keyboard (a switch deleter?), huh? ;)
 hope we get the skin flute solos covered before i'm down to stubs on both
 hands.
 
 ahhh, onto the music.....the monroes debut 7" fell into my lap earlier this
 afternoon...any frontier trust fans on the list?   >>

Well, since both bands dumped their tissue comb and electric kazoo players, 
no one here gives a flying rubber fuck...(ha!)

What do all the people know...

------------------------------

Date: Tue, 8 Jan 2002 12:24:09 -0500
From: "Robert Branigin" <Robert.Branigin@ipaper.com>
Subject: electric sax

i saw a picture once of ornette coleman w/ the plastic alto - it was white
plastic w/ what looked like metallic keys on it, it looked cheap as hell,
he must've dug the peculiar sqwauk he got outta that thing; anybody know if
he has always played a plastic sax, or if it was sort of a "phase" he went
through??

also, i believe chris wood is credited as playing electric sax on a traffic
album - can't check now cuz i am at work, but i think it's "john barleycorn
must die," it may be "freedom rider" that has the electric sax....anybody
know the low down on this?


rob

------------------------------

Date: Tue, 8 Jan 2002 12:40:06 -0500
From: "Robert Branigin" <Robert.Branigin@ipaper.com>
Subject: bass players - chris white

sam wrote:

<<Not so much for the bass playing, but for the sound of the bass, I really
love the guy from The Zombies.  Listen to "Time of the Season".  There's
just
a perfect growl to it.  Absolutely divine.  I pulled out "Time of the
Zombies", and almost all of the tracks have an amazing bass tone to
'em...>>

now we're talkin....ladies & gentlemen, the amazing chris white. a superb
bass player who, oddly, never seems to come up too often (maybe i should
say "often enough") even in "underappreciated bass player" threads. my
favorite chris white bass line is on "gotta get a hold of myself" where
colin sings something like "outside the door, i hear footsteps" and
underneath the vocal, the bass starts going
DUH-nuh-nuh-nuh-nuh-nuh-nuh-DUH-nuh-nuh-nuh-nuh-nuh-nuh, mimicking the
sound of footsteps. a very cool & imaginative bass player, and a great
songwriter, too - some of my favorite zombies tunes are chris songs: "leave
me be," "i love you" ....plus, he had that cool SG bass, don't recall
seeing too many other people with one of those. jack bruce played one, i
know, but, to me that's the "zombie bass" (the zom-bass?)

anyway, good call, sam. chris white kicks ass.


rob

------------------------------

Date: Tue, 08 Jan 2002 13:03:26 EST
From: TSanc43763@aol.com
Subject: Hipsters - This Sat. in San Diego!

It's Hipsters time!

HIPSTERS
- - an authentic '60s night out in swinging San Diego
Saturday January/12
at The Kensington Club, 4079 Adams Ave, San Diego

Live on Stage:
THE HYPNO - TWISTS    -'60s Beat Garage and Party Tunes from AZ

+ DJ's Tony The Tiger, Mike Stax, Anja Diabolik, Dan Electro and special
guest Luis (Spain)
spin '60s Freakbeat, Garage, Soul, Psych & R'n'B
and our gorgeous Go Go Girls Brandi and Shirley !

9.30 pm-2 am, $6, 21+ Info: Anja @ 619-280 3008 or uglythings@znet.com

"Love Lasts Forever"

------------------------------

Date: Tue, 8 Jan 2002 10:05:57 -0800
From: "Chris Owen" <ChrisO@sfbg.com>
Subject: Subject: Solarflares/ Prisoners West Coast Tour...Help!

- -Subject: Solarflares/ Prisoners West Coast Tour...Help!
- -Selling points: 
- -3)  Solarflares drummer is Wolf Howard, he of many great bands,
- -currently also in The Wildebeasts

Someone emailed me privately about this, but I should probably correct
this...Wolf is not with the Wildebeasts, he is playing with the Buff
Medways.  A few months ago both bands played within a few days of each
other and I got mixed up.
Sorry!
Chris

------------------------------

Date: Tue, 8 Jan 2002 10:25:54 -0800
From: "Chris Owen" <ChrisO@sfbg.com>
Subject: Shitty records, Great records

The thread about thrift store LPs reminded me of a discussion I had 
withsome friends about records you see EVERY SINGLE TIME you go to a
record
store, thrift shop, etc. for $1. Here's our list (from what I can
remember)

1) the Christmas LPs put out by Firestone in the '50s/'60s
2) Tina Turner "Private Dancer"
3) Herb Alpert "Whipped Cream and other delights"
4) Men at Work "Cargo"
5) Barbra Streisand- too many to pick a single one...they all have her
name in the title and her ugly mug on the cover
6) Boz Skaggs - (the one with him on the park bench)
7) Linda Ronstadt "Living in the USA" 
8) Hewey Lewis & the News "Sports"
9) Anything by Pablo Cruise

We started talking about it because we were discussing how many records
that have been out of print for some time are suddenly available again
(and on vinyl, in a lotta cases).  This is kinda like the Neil Young
thread, except these records are good!  
Here's my list of albums that are essential, but 
still criminally out of print (officially at least) in America:

1) Tennessee Ernie Ford- Ol' Rockin' Ern 
2) The Scientists- "Blood Red River," "Human Jukebox" and "Weird Love"
(the Sympathy "Best Of" deal was unsatisfying)
3) The Prisoners- "The Last Four Fathers" (soon to be remedied by Big
Beat)
4) Bo Diddley- all the 60's LPs on Chess and Checker (WHAT THE FUCK!!!)
5) Alan Vega- "Jukebox Babe/ Collision Drive" (These 2 records used to
be available on one CD)
6) Dead Boys- "We've Come For Your Children" (I guess this is available
as an import, but my little sister couldn't order it from the Wherehouse
if I told her to, so it is effectively "Out of Print" for most people))
7) Albert Ayler- "New Grass," "Music Is The Healing Force of the
Universe," and "The Last Album"
8) Tav Falco's Panther Burns "Behind the Magnolia Curtain" 

Until recently this list would have included the Pagans, Buck Owens,
Electric Eels, and Merle Haggard.

Chris

------------------------------

Date: Tue, 08 Jan 2002 13:41:07 -0500
From: "Kari Krome" <karikrome@hotmail.com>
Subject: catchin up...

what about Crocodile Tears by the Mumps, aint there some steady cowbell 
chuggin on that?
Turd Plop Solos??!!! fuckin' genius, who said that?
also, any body know which punk band did a song called Ak Ak Ak?



_________________________________________________________________
Join the world's largest e-mail service with MSN Hotmail. 
http://www.hotmail.com

------------------------------

Date: Tue, 8 Jan 2002 15:15:00 -0600
From: "Mark Ertmer" <ertman9@home.com>
Subject: Re: Shitty records, Great records

> The thread about thrift store LPs reminded me of a discussion I had 
> withsome friends about records you see EVERY SINGLE TIME you go to a
> record
> store, thrift shop, etc. for $1. Here's our list (from what I can
> remember)

Don't forger Barry Manilow.

------------------------------

Date: Tue, 08 Jan 2002 16:02:08 EST
From: Dj45rpm@aol.com
Subject: Re: catchin up...

>>any body know which punk band did a song called Ak Ak Ak?

That was probably the Urinals ("Ack Ack Ack"), an great early So. Cal. punk outfit.  It's on their retrospective CD on Amphetamine (sp?) Reptile. (It can also be found on the Punk Territory Vol. 1 CD comp. and probably a dozen pre-CD boots)
- -DavidH

------------------------------

Date: Tue, 8 Jan 2002 15:38:50 -0600
From: "Susan Castellon" <susan@julie-ann.com>
Subject: Re: Farfisa for sale:

Hi, Alyssa forwarded this to me. How much are you thinking? do you know if
it would be hard to get a replacement key?

thanks,
S
- ----- Original Message -----
From: "Jason Gentry" <jgentry@mail.utexas.edu>
To: <austin-of-late@yahoogroups.com>
Cc: <bomp@screamer.xnet2.com>
Sent: Tuesday, January 08, 2002 9:00 AM
Subject: Farfisa for sale:


>
> Hey all,
>
> I've got an mid-sixties "Farfisa mini-compact" (various shades of
> green/gray) lying around my place and I would like to sell it.   It
> has no legs (hence the lying), plays well, but is missing one key.
> And I don't want a whole bunch of money for it.   If you are
> interested please email me "off-list" and we can come up with a fair
> price, etc.
>
> ~j
>
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>
>

------------------------------

Date: Tue, 8 Jan 2002 18:28:52 EST
From: Mndbgr1@aol.com
Subject: Re: Guitar solos

Ok, not solos but just a fantastic tune with a lot of nuance
lead fills. I like all the gtr on this cut and have ever since
the first time I heard it-"I See The Light" By the Music Ex-
plosion. There are sometimes 3 gtr leads or lead/rhythm fills
goin' on at the same time, but it's way understated and the
cut knocks me out every time I hear the 1st few licks come
outta' the speakers. And hear's a leak from the liners to the
upcoming Sundazed cd-"I See The Light" was actually the
a-side on west coast pressings and Little Bit O' Soul" was
the b-side. Go check your copies. West coast presses are
designated w/a and b sides and east coast presses (where
"Little Bit O' Soul" was the plug side) are designated by lower
number on the plug side. I believe both Rick Nesta and Don 
Atkins are playin' Gretsch Chet Atkins models on that cut. 
Take those 2 like axes, roll off all the tone on both and add 
a Fender Jazz bass and a dash of reverb and you have the
opening riff to "Little Bit O' Soul". That's why it sounds so full.
There's a piece of info I couldn't squeeze into the liners. Just
so ya' don't get confused when you read 'em, Burton Stahl 
came up w/the riff on a Hoffner hollow-body. But they couldn't
get a good soud out of it when recording so he used the jazz 
bass on the record. Dr. M.   

------------------------------

Date: Tue, 8 Jan 2002 15:29:18 -0800 (PST)
From: Jason Mata <jamigmat@yahoo.com>
Subject: Re: Shitty records, Great records

- --- Chris Owen <ChrisO@sfbg.com> wrote:
> 4) Bo Diddley- all the 60's LPs on Chess and Checker
> (WHAT THE FUCK!!!)

I think some of his LPs have been reissued, I just
picked up "Black Gladiator" about a month ago.
- -JM

__________________________________________________

------------------------------

Date: Tue, 8 Jan 2002 18:31:27 EST
From: Mndbgr1@aol.com
Subject: Re: bomp-digest V2002 #15

In a message dated 1/7/02 4:17:02 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:


> Agreed--it's overpowering in a way that Jack Bruce attempted many times and 
> never got.........
> 

That's because Thee Sixpence bass line is All American. Dr. M.

------------------------------

Date: Tue, 8 Jan 2002 18:40:49 EST
From: Mndbgr1@aol.com
Subject: Re: bomp-digest V2002 #15

In a message dated 1/7/02 4:17:02 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:


> The drum fill that never fails to have me beatin' on
> my steering wheel, even when I'm doing 90 and in the
> middle of changing lanes, is that one at the end of
> the middle part in the Syndicate of Sound's "Little
> Girl" - THUMP THUMP THUMP THUMP!!!
> 
> Tim
> 
> 

Yeah, simple but way effective. I just have to pound along. Dr. M.

------------------------------

Date: Tue, 8 Jan 2002 19:13:44 EST
From: Mndbgr1@aol.com
Subject: Re: bomp-digest V2002 #17

In a message dated 1/7/02 6:23:36 PM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:


> The only differences I noticed were the longer sustained note on
> the guitar and the completely different solo on keyboards,
> I think the gtr solo is the same but just faded much earlier on
> the single version. As far as I know, they are the same basic
> backing tracks, otherwise. Get yourself a copy of the 45 and 
> compare with your cd (which I assume has the lp take). 
> Anybody wanna' add other differences, shoot... Dr. M.
> 
> 

Sorry, that post was about "Tomorrow" by S.A.C. Meant to
mention the song title in the subject. And Mike F. seems to
have found even more differences. Check the archives. Dr. M.

------------------------------

Date: Tue, 8 Jan 2002 19:29:36 EST
From: Mndbgr1@aol.com
Subject: Re: bomp-digest V2002 #18

In a message dated 1/8/02 4:18:53 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:


> The MOST interesting thing, to us, was the unknown fact that there's a 
> keyboard bass doubling the bass guitar on most of the songs during "The 
> Melcher Years."  That's why those records sound so fat.  At the live shows 
> last fall, Dave Amels played a one-handed "Bass-ette" along with Peter's 
> bass.  His amp was right behind me and I think my ass is still buzzing.  
> Which is not such a great thing in church.
> 
> Mike F.
>   
> 

Cool! I've known for years that they double-tracked the bass
in the Melcher years, but I had no idea they did it with keys!
I always thought it was Fang times 2. Or session guys, de-
pending on personell. Once again, thanks for the great 
Cavestomp show! All hail The Cavestomp Redcoats! Dr. M.

------------------------------

End of bomp-digest V2002 #19
****************************

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