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bomp-digest        Saturday, January 12 2002        Volume 2002 : Number 029



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Send an e-mail with the words "unsubscribe bomp-digest" to
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Here's what people are yacking about in this digest:
   Re: what's the big deal with rushmore?
     Euphorik6@aol.com
   Re: the next big thing?
     Steve Coleman <garage@clara.co.uk>
   The Paisley Underground Compromise
     Steve Coleman <garage@clara.co.uk>
   what's the big deal with rushmore?
     zone65 <zone65@bigpond.com>
   Re: Sore Losers
     "Zorch Productions" <zorchman@hotmail.com>
   Dirtnap Records
     Daniel Banks <thatspoison@yahoo.com>
   Royal Tenenbaums
     Daniel Banks <thatspoison@yahoo.com>
   Re: bomp-digest V2002 #26
     Daniel Banks <thatspoison@yahoo.com>
   Coen Brothers
     Daniel Banks <thatspoison@yahoo.com>
   Re: Golden Dawn/Bo
     Frank Uhle <franku@umich.edu>
   Re: what's the big deal with rushmore?
     Rat Pfink <ratpfink@akamail.com>
   Re: Golden Dawn/Bo
     "Lenny Smith" <vze3c488@verizon.net>
   Re: fred willard
     Euphorik6@aol.com
   re: celluloid Love: Bottle Rocket, Medium Cool
     colorcoat@home.com
   The Pilgrims???
     Max Waller <MaxMyndblown@compuserve.com>
   Fwd: VU
     "SJ  Bink" <sj.bink@let.vu.nl>
   Re: The Paisley Underground Compromise
     Redlabour@cs.com
   Re:Honda/Kurosawa 
     matthew little <mlittle@maine.rr.com>
   Re: Neighbors
     "James" <data.panik@verizon.net>
   RE: The Paisley Underground Compromise/Bangles
     "James" <data.panik@verizon.net>
   Re: Golden Dawn
     "cozmikdebris" <cozmik.debris@home.com>
   Re: compilations/Les Misérables
     "Mimi la Twisteuse" <twistmimi@hotmail.com>
   Re: Dylan 
     "Alan Wright" <dothepop@ix.netcom.com>
   Re: bomp-digest V2002 #28
     "Alan Wright" <dothepop@ix.netcom.com>
   Re: The Paisley Underground Compromise/in fairness to the Bangles
     Redlabour@cs.com
   Re: Julian Cope
     Dj45rpm@aol.com
   view a scopitone here!
     "Mimi la Twisteuse" <twistmimi@hotmail.com>
   Re: Rock n Roll High School cut scenes..
     Moparlary@aol.com
   Re: Rock n Roll High School on AMC...
     Moparlary@aol.com

----------------------------------------------------------------------

Date: Sat, 12 Jan 2002 06:24:06 EST
From: Euphorik6@aol.com
Subject: Re: what's the big deal with rushmore?

In a message dated 1/12/02 12:39:41 AM, astroboy@triad.rr.com writes:

<< Hmm. I like Rushmore and Caddyshack. >>

    it's interesting that "caddyshack" would come up at this point...i was 
just having a talk recently with a friend about what happened to film comedy 
in the past 10 years. granted, i don't see a lot of movies, so maybe i'm not 
aware of some great comedies, or maybe i'm just getting older, but it seems 
to me like there hasn't been a single movie out in YEARS that even approaches 
the belly-laugh quotient of those early eighties post-SNL comedies like 
"caddyshack," "stripes," "neighbors," etc etc. as far as mainstream 
commerical comedies go, the 80s had a shit load of great movies. 
    my thing with "rushmore" is that it just didn't seem like it knew WHAT 
the fuck it was - it just seemed pretty unfocused. something like 
"caddyshack" is to me, a much better movie, because it doesn't waste time 
trying to be substantial; they just crammed as many crudities, substance 
abuse references, and ugly plaid suits as possible into 90 minutes, and 
whammo - fuckin genius. no shoehorned moments of Important Social 
Observation, no delusions of relevance. 
    
rob

------------------------------

Date: Sat, 12 Jan 2002 11:07:25 +0000
From: Steve Coleman <garage@clara.co.uk>
Subject: Re: the next big thing?

At 18:15 11/1/02 -0600, PJ warned wrote:

>The indie labels and indie stores and little garage rock clubs (like
>mine) will be shoved aside by big business sooner than you can say "garage
>rock" (at least till NME decides what the next fad will be). Cynical? Yes.
>But I'm enjoying hearing the Hives etc on TV anyway... PJ

Have no fear, no one can harm us as long as we remember the reasons we love 
this music *and* we keep our bullshit detectors turned-on.

Much as Poptones are doing a good job with the Hives one must remember all 
of the heinous musical crimes (e.g The House of Love) that Creation has 
committed over the last twenty years.  Ladies and Gentlemen, these are the 
people that gave your angst-ridden gutless rock!

Anyway, it feels kind of weird reading the NME again after all of these 
years.  Makes you feel like a trendy uncle or something.  Much as it is 
great to read about the White Stripes, Parkinsons and Hives in that once 
esteemed publication I feel that they (the NME) are shit-scarred of the 
"real deal" we witness at the Dirty Water Club and discuss on this list.

So pass me that spike PJ, I need another hit of 100% proof r'n'r!

Steve

+++++++++++++++++++++++++++++++++++
The Fleshtones » http://www.fleshtones.org
The Garage » http://www.garage.clara.net
+++++++++++++++++++++++++++++++++++

------------------------------

Date: Sat, 12 Jan 2002 11:09:24 +0000
From: Steve Coleman <garage@clara.co.uk>
Subject: The Paisley Underground Compromise

At 18:15 11/1/02 -0600, Sam "the organman" wrote:

>Hmm....  I just llistened to Rain Parade's "Emergency Third Rail Power Trip"
>recently and thought it was beautiful (still).  Gives me goosebumps.  I think
>whatever 80's crap they used worked out well for them...

Not a good example of what I am driving at.  "Emergency Third Rail Power 
Trip" came out on an Indie (Zippo/Demon), right!  By the time the Rain 
Parded recorded "Crashing Dreams" for Island their production values had 
changed somewhat.  IMHO the likes of the Rain Parade, Long Ryders and Dream 
Syndicate compromised their art in order release records on a major.  Not 
surprising given that they would have been shown the door if they had 
recorded in the manner of their earlier records.  After all, think how much 
harder it would have been for Island to mass market a simpler "stripped 
back" product?  Meanwhile, back in the "little world" of the Lyres and 
Fleshtones, well those boys kept on making records in a way that they 
believed and in the face of 80s production fads too.  In the long financial 
run *all* of the above artists are now in a similar financial position but 
with the exception that I feel that some of them have a bit more artistic 
*integrity* and that the sound of their records do not sound as dated as 
say "Two Fisted Tales".   Heck, "On Fyre" or "vs Reality" could come from 
any time frame over the last thirty years.  File under: Timeless.

Steve

------------------------------

Date: Sat, 12 Jan 2002 23:30:48 +1100
From: zone65 <zone65@bigpond.com>
Subject: what's the big deal with rushmore?

> From: Rat Pfink <ratpfink@akamail.com>
> Subject: Re: what's the big deal with rushmore?
> 
> Yeah, I'm a real fancy pants...yeesh.
> 
> For the record:
> 
> A) I never said I didn't like "Caddy Shack". "Caddy Shack II"
> is another story, though.
> 
> B) If I recall correctly, quite a few of the original punks
> were former art school students.

Art students - never pretentious or psuedo-intellectual ;)
- -p markmann 

------------------------------

Date: Sat, 12 Jan 2002 13:44:32 +0100
From: "Zorch Productions" <zorchman@hotmail.com>
Subject: Re: Sore Losers

JMM is such a nice guy, he was here in sweden & did a screening of a few 
films at my club Zorch. Among them was Sore Losers & I relly recommend y'all 
to get ahold of his other movies, too. Some on DVD & some on VHS...
He also did the artwork for a single on the Zorchlabel that looked really 
great!

TOBBA


>From: Djcampaii@aol.com
>Reply-To: bomp@xnet2.com
>To: bomp@xnet2.com
>Subject: Re: Sore Losers
>Date: Fri, 11 Jan 2002 20:17:14 EST
>
>The Sore Losers!  Now there's a great film.  Got all I could ask for in a
>recent film: garage rock, blood, David Friedman as himself, AND best of
>all, NAKED BABES!  Btw, D'lana and her husband James are currently living 
>in
>Dallas, nice folks, met 'em recently in Austin @ a Feast of Snakes show.
>Feast of Snakes are definitely a Dallas supergroup, as Alex Cuervo
>(Blacktop/Gospel Swingers/Now Time Delegation) and Hank
>Tosh (The Deadites) are also in it.  Damned rockin' too!
>
>Dennis
>
>===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>


_________________________________________________________________
Hämta MSN Explorer kostnadsfritt på http://explorer.msn.se/intl.asp

------------------------------

Date: Sat, 12 Jan 2002 05:11:11 -0800 (PST)
From: Daniel Banks <thatspoison@yahoo.com>
Subject: Dirtnap Records

I don't know when The Gloryholes 7" came out but that
is cool too.

- -Danny

<<Dirtsnap seems to be quite a neat label (Vultures,
Briefs, Spits)... 
What's
next?

Laurent>>



__________________________________________________

------------------------------

Date: Sat, 12 Jan 2002 05:23:34 -0800 (PST)
From: Daniel Banks <thatspoison@yahoo.com>
Subject: Royal Tenenbaums

I liked Rushmore alot more. I like Bill Murray alot
and he wasn't funny at all in Royal. Owen Wilson still
managed to make me laugh atleast a little bit. This
was also not a great movie for him in my opinion. I
would say I was expecting alot more but didn't walk
away completely dissapointed.

- -Danny


> > 
> > I'm about to go see the royal tennenbaums after
trying in vain to 
get 
> into
> > that sold out show for a week.  will let ya know. 
seems wes 
anderson or
> > whoever scores his flicks has pretty good taste so
far tho.
> 
> 
> Hope you enjoy it...I saw it on Christmas Day and
found it to be 
rather
> lackluster...the soundtrack is about the only
impressive aspect of 
the
> flick.
> 
> 
> 
jeez i've heard this a lot but i thought it was really
cool. it's dark 
and 
wierd and the humor is kinda subtle. that seems to be
his style and i 
definitely enjoy it. i think Mark Mothersbaugh was
responsible for the 
music. 


Omari Yoshihiro



__________________________________________________

------------------------------

Date: Sat, 12 Jan 2002 05:27:36 -0800 (PST)
From: Daniel Banks <thatspoison@yahoo.com>
Subject: Re: bomp-digest V2002 #26

I wouldn't say they are neccessarily like them, but If
you like the Hives you may want to check out a band
called The Flaming Sideburns. I think they are members
of The Hellacopters, but better than them IMO.

- -Danny


<<Date: Thu, 10 Jan 2002 18:00:42 -0800
From: "Barry Stevenson" <BaronBlood@mediaone.net>
Subject: NULLA SALUS SINE THE HIVES

I am with Tobba the Zorchman on this one.. 

The Hives are just not to be believed!!  They are
super fun live, and 
don't have any filler on they're latest release.. 
They also have tons 
of influences that culminate into something completely
original..   (and 
they even cover The Impressions)

I haven't heard any new Garage influenced bands that
can touch em'!! 

Great guys too..!!  From just emailing them and
telling them we love 
their album, they sent my girlfriend and I T-shirts
and a bunch of 
singles that she was able to give away here on the
list!!

I wish there were more bands like em'..  Besides, if
garage music does 
become the next big thing, maybe some great musicians
and labels will 
flourish.. (and then BOMP! can get a friggin' shopping
cart on their 
website!)>>



__________________________________________________

------------------------------

Date: Sat, 12 Jan 2002 05:47:39 -0800 (PST)
From: Daniel Banks <thatspoison@yahoo.com>
Subject: Coen Brothers

Who cares what the critics think of them. I consider
myself lucky that they get to make movies. The Big
Lebowski is my all time favorite movie. I rember bad
reviews for Oh Brother too. I am convinced that
critics have no idea what they are talking about.

- -Danny

<<Would I be correct in guessing that you're not a fan
of 
the Coen Brothers' films either?>>


__________________________________________________

------------------------------

Date: Sat, 12 Jan 2002 09:42:48 -0500 (EST)
From: Frank Uhle <franku@umich.edu>
Subject: Re: Golden Dawn/Bo

I have this LP, and like it pretty well too.  In the mid-70s a bunch of
sealed IA lps appeared (though some claimed they were boots), and I got a
Dawn for a reasonable price ($15 or $20).  The band was profiled in an old
issue of the Texas mag "Journey to Tyme" if you can find a copy.  A friend
of mine has a radio aircheck from June of 1968 from a local Ann Arbor,
Michigan AM station where the DJ played "Evolution" by the Golden Dawn
(along with other gems by the Elevators ("Roller Coaster"), West Coast Pop
Art Experimental Band, Silver Apples, and more) - pretty cool!

Frank

P.S. Re: Bo Live lp, I once read that some of that stuff wasn't
really even Bo - it was Billy Riley and his 60s band.  Anybody know the
definitive story on this rumor?  And I would love more info on the
possibility of Diddley lps pressed for sale on the frat circuit... I am
picturing ones that gather together his more risque titles, "Rock and roll
nurse going to my head as I was lying on my hospital bed"... (Pills), etc.

------------------------------

Date: Sat, 12 Jan 2002 09:46:54 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: Re: what's the big deal with rushmore?

I'll go along with "Caddyshack" and "Stripes", but
"Neighbors" was fuggin' awful! 

Great comedies are still being made, you just have 
to look a little harder to find 'em.

Check out "Best In Show", I laughed my ass off during 
most of the movie. It had a lot of the Second City
crew in it, and Fred Willard was hilarious.


At 06:24 AM 1/12/02 EST, you wrote:
>
>it's interesting that "caddyshack" would come up at this point...i was 
>just having a talk recently with a friend about what happened to film comedy 
>in the past 10 years. granted, i don't see a lot of movies, so maybe i'm not 
>aware of some great comedies, or maybe i'm just getting older, but it seems 
>to me like there hasn't been a single movie out in YEARS that even
approaches 
>the belly-laugh quotient of those early eighties post-SNL comedies like 
>"caddyshack," "stripes," "neighbors," etc etc. as far as mainstream 
>commerical comedies go, the 80s had a shit load of great movies. 


- -----------------------------------
| Rat Pfink  ratpfink@akamail.com |
- -----------------------------------

------------------------------

Date: Sat, 12 Jan 2002 10:14:25 -0500
From: "Lenny Smith" <vze3c488@verizon.net>
Subject: Re: Golden Dawn/Bo

"Frank Uhle" <franku@umich.edu> wrote:
> I have this LP, and like it pretty well too.  In the mid-70s a bunch of
> sealed IA lps appeared (though some claimed they were boots), and I got a
> Dawn for a reasonable price ($15 or $20).

In the late 70's, there was a boxed set of supposedly exact
replicas/represses of the whole IA lp catalogue; I wonder if these were the
source of the ones you're referring to.  They were pretty darn
indistinguishable from the originals...

Lenny

------------------------------

Date: Sat, 12 Jan 2002 10:27:31 EST
From: Euphorik6@aol.com
Subject: Re: fred willard

In a message dated 1/12/02 10:07:17 AM, ratpfink@akamail.com writes:

<< I'll go along with "Caddyshack" and "Stripes", but
"Neighbors" was fuggin' awful!  >>

    no way!! "neighbors" kicks ass - "hey earl - you want a bite of your 
daughter's PANTIES?"

<<Check out "Best In Show", I laughed my ass off during 
most of the movie. It had a lot of the Second City
crew in it, and Fred Willard was hilarious.>>

    i will have to check this out - fred willard, that guy is just 
hysterical. do you remember the cinemax miniseries from the eighties - "the 
history of white people in america" -? there were like 4 episodes - "white 
politics," "white etiquette" - there was one where martin mull said in the 
introduction something like "you've seen our earlier exposes - and now 
there's the ugly, pus-filled boil of WHITE CRIME, which - from time to time - 
needs a good journalistic lancing." the episode was about how fred willard 
takes his family to waffle house after church one morning and his son lifts 
the tip (about a buck fifty) up off the table as the family leaves, and fred 
sends him to jail to teach him a lesson in the value of money. that show was 
a fucking RIOT, sort of like a parallel universe brady bunch. fred willard is 
great - he was excellent in "waiting for guffman," too. he was also good as 
the cool-breeze fire chief in "roxanne." very funny guy.

rob

------------------------------

Date: Sat, 12 Jan 2002 09:20:51 -0700
From: colorcoat@home.com
Subject: re: celluloid Love: Bottle Rocket, Medium Cool

Which Love song was used in the endearing swimming pool/motel scene in
"Bottle Rocket"?  

John McIntyre recently mentioned Love's "Emotions" being heard in
"Medium Cool." This semi-documentary, revolving around the 1968 Chicago
Democratic Convention Riots, is a top 5 film in my book. 

http://allmovie.com/cg/avg.dll

Incidentally, the best cover on the mediocre "We're All Normal and We
Want Our Freedom: A Tribute to Arthur Lee and Love" is an exotica
rendition of "Emotions" by Peter Principle.  Anyone know anything more
about this mystery band?

Lastly, is "Love Live/Studio" on One Way worth the budget bin price?

Ted

------------------------------

Date: Sat, 12 Jan 2002 11:18:51 -0500
From: Max Waller <MaxMyndblown@compuserve.com>
Subject: The Pilgrims???

>From: "Jahna Demands" <innuendos1@hotmail.com>
Subject: The Pilgrims???

I meant to e-mail this sooner...
When I was shopping for x-mas gifts, at an antique shop in Rutherford, I 
spoke briefly with the owner... I've talked to him before, but this time,
he 
mentioned that he played organ in a garage band on Mercury in the 60's 
called the Pilgrims.  (snip)  Anyone ever heard of this band?  Was it 
any good?
Just wondering,
Jahna
www.mp3.com/The_Demands
<

Jahna, 
I've been unable to locate any 60s Pilgrims on Mercury ... perhaps
he meant The Pilgrimage, believed (but not confirmed) to have been
based in Connecticut. They released 2 fine 45s: 
1 Bad Apple/You Satisfy Me (Mercury 72631)November 1966 
2 Do You Love Me?/Hey (Mercury 72706)July 1967 
  
The 1st is the stronger, covering 2 songs by Pam Sawyer & Lori
Burton. Both sides are pounding beat-punkers and have appeared 
on compilations.
The second is a rendition of the Berry Gordy song via the DC5 
version; the flip takes on the "Long Island" sound (Rascals, VFudge
etc.).

IF he was in The Pilgrimage, any additional info would be appreciated 
to expand the entry in the Fuzz Acid and Flowers project.
rgds,
 Max

------------------------------

Date: Sat, 12 Jan 2002 17:35:53 +0000
From: "SJ  Bink" <sj.bink@let.vu.nl>
Subject: Fwd: VU

<"LEGENDARY 1967 ALBUM THE VELVET UNDERGROUND & NICO
REISSUED IN TWO-CD DELUXE EDITION INCLUDING MONO VERSION
MAKING ITS U.S. CD DEBUT PLUS PREVIOUSLY UNRELEASED TRACK"

The Velvet Underground's debut album, 1967's The Velvet
Underground & Nico, is among the most important and
influential ever made--and every new generation, as the Sex
Pistols, David Bowie, R.E.M. and Sonic Youth have
previously, rediscovers it. With the now two-CD, digitally
remastered The Velvet Underground & Nico (Deluxe Edition)
(Polydor/UME), released March 5, 2002, yet another
generation will be astonished to discover rock's original
cutting edge. New fans will also discover the original
album's famous Andy Warhol-designed peelable banana gracing
a special digipak version.

Disc One includes the originally released stereo version of
the album, marked by the classic tracks "I'm Waiting For The
Man," "Venus In Furs," "Run Run Run" and "Heroin." Appended
are the five selections from Nico's subsequent 1967 Chelsea
Girl album which reunited her with VU's Lou Reed, John Cale
and Sterling Morrison. The result is a complete portrait of
the group's first recorded line-up.

Disc Two brings together the band's own mono mix (issued on
CD for the first time in the U.S.), the mono singles "All
Tomorrow's Parties"/"I'll Be Your Mirror" and "Sunday
Morning"/"Femme Fatale," and the previously unreleased "Miss
Joanie Lee," recorded at a January 1966 rehearsal and likely
the group's earliest recording in existence.>

Bink

------------------------------

Date: Sat, 12 Jan 2002 11:58:30 EST
From: Redlabour@cs.com
Subject: Re: The Paisley Underground Compromise

Greetings,

The Bangles continued to make beautifully crafted hook driven pop songs,
but they ruined it with the likes of "Walking Like An Egyptian."  

I thought that the Rain Parade's "Crashing Dreams" LP was a disappoint-
ment at the time, but it is a decent record in respect.  Now, I can tell
you that it  is no "Emergency Third Rail Power Trip."  I continued to
like the Dream Synidcate, but "The Days of Wine and Roses" is their
album.

This Bomp listserver has been my musical saving grace.  Otherwise,
I would be a typical "alternative geekoid."  Some of the new garage
bands along with the late 70s and early and mid 80s garage revivalists,
along with the 70s punks and the original 60s garage gems keeps me
going.

Melvin Little


In a message dated 1/12/02 3:39:23 AM Pacific Standard Time, 
garage@clara.co.uk writes:

<< Subj:     The Paisley Underground Compromise
 Date:  1/12/02 3:39:23 AM Pacific Standard Time
 From:  garage@clara.co.uk (Steve Coleman)
 Sender:    owner-bomp@xnet2.com
 Reply-to:  bomp@xnet2.com
 To:    bomp@screamer.xnet2.com
 
 
 At 18:15 11/1/02 -0600, Sam "the organman" wrote:
 
 >Hmm....  I just llistened to Rain Parade's "Emergency Third Rail Power Trip"
 >recently and thought it was beautiful (still).  Gives me goosebumps.  I 
think
 >whatever 80's crap they used worked out well for them...
 
 Not a good example of what I am driving at.  "Emergency Third Rail Power 
 Trip" came out on an Indie (Zippo/Demon), right!  By the time the Rain 
 Parded recorded "Crashing Dreams" for Island their production values had 
 changed somewhat.  IMHO the likes of the Rain Parade, Long Ryders and Dream 
 Syndicate compromised their art in order release records on a major.  Not 
 surprising given that they would have been shown the door if they had 
 recorded in the manner of their earlier records.  After all, think how much 
 harder it would have been for Island to mass market a simpler "stripped 
 back" product?  Meanwhile, back in the "little world" of the Lyres and 
 Fleshtones, well those boys kept on making records in a way that they 
 believed and in the face of 80s production fads too.  In the long financial 
 run *all* of the above artists are now in a similar financial position but 
 with the exception that I feel that some of them have a bit more artistic 
 *integrity* and that the sound of their records do not sound as dated as 
 say "Two Fisted Tales".   Heck, "On Fyre" or "vs Reality" could come from 
 any time frame over the last thirty years.  File under: Timeless.
 
 Steve
 
 ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
 
 
 

------------------------------

Date: Sat, 12 Jan 2002 12:22:29 -0500
From: matthew little <mlittle@maine.rr.com>
Subject: Re:Honda/Kurosawa 

> 
> ------------------------------ Remember that Akira Kurosawa
> and Inoshira Honda were best friends AND great admirers of each other's
> films. If only they had worked together, we might have been treated to
> something like "Attack of the Seven Mushroom Samurai People".
> 
Oh, but they DID colaborate...on three segments of Kurosawa's "Dreams"...
- -Movie Matt

------------------------------

Date: Sat, 12 Jan 2002 12:26:46 -0500
From: "James" <data.panik@verizon.net>
Subject: Re: Neighbors

"I'll go along with "Caddyshack" and "Stripes", but
"Neighbors" was fuggin' awful! "

Believe it or not, the Thomas Berger novel -Neighbors- is a great read -- a
really hilarious, droll black comedy about the suburbs. You're right,
though -- the film adaption is pretty awful. The movie makers TOTALLY
screwed it up. Plotwise, it's more or less similar to the book, but the
movie gets the tone and the sense of humor all wrong, and the casting is
terrible, especially Belushi. A great waste of a good idea! Some director
with better ideas and a better (and darker) sense of humor should try
filming it again one day. Try the book, though -- it's very funny.


James

------------------------------

Date: Sat, 12 Jan 2002 12:28:07 -0500
From: "James" <data.panik@verizon.net>
Subject: RE: The Paisley Underground Compromise/Bangles

Greetings,

The Bangles continued to make beautifully crafted hook driven pop songs,
but they ruined it with the likes of "Walking Like An Egyptian."

 Yep, the Bangles' first EP on Faulty Records is a -great- jangle-pop album.
Sounds about a thousand times better than the overproduced records they cut
for whatever major label (CBS?). One of my favorite 80's pop albums.


James

------------------------------

Date: Sat, 12 Jan 2002 12:39:23 -0500
From: "cozmikdebris" <cozmik.debris@home.com>
Subject: Re: Golden Dawn

http://www.ludd.luth.se/~burrito/golden_dawn.html

Regards,
cozmikdebris
- ----- Original Message ----- 
From: "Lenny Smith" <vze3c488@verizon.net>
To: <bomp@xnet2.com>
Sent: Saturday, January 12, 2002 2:00 AM
Subject: Re: Golden Dawn


> 
> Too bad there's no cover art on the eBay page Jason provided the link to;
> The Golden Dawn's lp has a GORGEOUS cover, with a wildly colorful
> psychedelic rendering of a pot leaf (the "Power Plant").
> 
> Lenny
> 
> 
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
> 
> 

------------------------------

Date: Sat, 12 Jan 2002 17:55:16 +0000
From: "Mimi la Twisteuse" <twistmimi@hotmail.com>
Subject: Re: compilations/Les Misérables

James wrote:

I also have a neat comp of French-language 60's cover versions
called -Histoires de Filles-. Basically big 60's pop hits like "Rescue Me,"
"You Can't Hurry Love" and "Satisfaction" sung by female pop singers in
French. I can't tell if the singers are from France or Canada, though (there
are no liner notes; it's basically a bootleg)."

That comp was put out by the same person who brought you Ultra Chicks, and 
they are all Québec girls bands. It's not all great, a lot of obvious covers 
like you mentionned, but with a few gems here and there!

Les Misérables, one of Québec's greatest 60's punk/r'n'b band, have also 
finally (and legally!) been reissued on cd this year on Les Disques Mérites. 
I don't know how well this is distributed outside of Canada, but Lord 
Almighty your record collection NEEDS this record!

Mimi

Mimi


_________________________________________________________________
Rejoignez le plus grand service de messagerie au monde avec MSN Hotmail. 
http://www.hotmail.com/fr

------------------------------

Date: Sat, 12 Jan 2002 09:38:02 -0800
From: "Alan Wright" <dothepop@ix.netcom.com>
Subject: Re: Dylan 

    wasn't there a legacy (or legacy-style) reish of "blonde on blonde" a
few
years back, in one of those book-size (like the billie holiday decca box or
the nederbeat) slip covers? it was white, i remember that, and had the
complete "sad-eyed lady of the lowlands," which, i believe, is cut off by
about a minute and a half on the regular CD. anybody have this? i would have
scored this myself at the time, but i was broke and it cost something like
50
bucks.


rob>>

Yeah, I have that. It's  a gold disc, and the sound is excellent. Pretty
hard to find now, and probably pricey if you do, though I lucked out and
found one for sale at an online place for $25.00 a few months ago.  Someone
mentioned the differences between the different issues and mono/stereo
versions. I also scored a bootleg mono CD recently that sounds really good,
albeit different in it's mono form. Those Sundazed mono LP reissues are
really great, too.

Alan

------------------------------

Date: Sat, 12 Jan 2002 09:56:51 -0800
From: "Alan Wright" <dothepop@ix.netcom.com>
Subject: Re: bomp-digest V2002 #28

I just purhcased the "Before Birdmen Flew" comps, volumes 2 thru 4! Goodness
gracious, what brilliant stuff!

Speaking of comps, I'd like to bring to your attention a new one called
"Vive le Québec...dans le vent" on Echo 67 records from France. Great tracks
by Québec bands from the 60's, not all of them in French. Most of them have
never seen the light of a compilation before and it is worth the buy even if
you thought you've had about all the French music you can handle! Included
is Les Sinners' fantastic "Groovy Time", as heard in the movie "Kid
Sentiment"! Not as snotty as "Nice Try", but quite a killer!

Ultra Chicks volume 6 is also out, haven't heard it yet tho...

Mimi>>>

Speaking of Les Sinners, someone has booted the great Les Sinners LP
"Sinnerism." I never have been able to find a copy at anythig less than
$150-$200, so I snagged a copy right away! I got mine from
http://www.metro-music.com

Alan

------------------------------

Date: Sat, 12 Jan 2002 13:10:18 EST
From: Redlabour@cs.com
Subject: Re: The Paisley Underground Compromise/in fairness to the Bangles

Greetings,

I agree that the Bangles' debut EP on IRS Records was superior to
anyother work, but I also did really dig "All Over the Place" from
1984, inspite of it being on CBS Records.  In the mid 1980s, I would 
have sworn that the Bangles were better than the Go Go's.  Today, 
I think that the Go Go's were better.

The Three O'Clock did wonderful 60s psychedelic material with the
occasional 80s synthesizer to add a new wave flavour.  "Sixteen
Tambourines" was great.  "Arrive Without Traveling" was pretty
good too.  Although I was disappointed with "Ever After" in 1987,
I think it was quite adequate for that year.  In 1988, I detested 
"Vermillion."  I still detest "Vermillion" to this day.

Although I always thought that the Long Ryders sounded way
too country at times, they were an energetic paisley underground
power pop band.  I like "Native Sons."  They had good Byrds-esque
Rickenbacker jangly guitar and vocal harmonies.  Their follow up,
which title escap[es me at the moment from 1985, had decent
songs as well.  I really like "Two Kinds of Love."  "Two Fisted Tales"
was alright.

Melvin Little
 
In a message dated 1/12/02 9:31:55 AM Pacific Standard Time, 
data.panik@verizon.net writes:

<< Subj:     RE: The Paisley Underground Compromise/Bangles
 Date:  1/12/02 9:31:55 AM Pacific Standard Time
 From:  data.panik@verizon.net (James)
 Sender:    owner-bomp@xnet2.com
 Reply-to:  bomp@xnet2.com
 To:    bomp@xnet2.com
 
 
 Greetings,
 
 The Bangles continued to make beautifully crafted hook driven pop songs,
 but they ruined it with the likes of "Walking Like An Egyptian."
 
  Yep, the Bangles' first EP on Faulty Records is a -great- jangle-pop album.
 Sounds about a thousand times better than the overproduced records they cut
 for whatever major label (CBS?). One of my favorite 80's pop albums.
 
 
 James
 
 
 
 ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
 
 
 

------------------------------

Date: Sat, 12 Jan 2002 13:25:33 EST
From: Dj45rpm@aol.com
Subject: Re: Julian Cope

In a message dated 1/10/02 8:43:22 PM Pacific Standard Time, Sknoof@aol.com 
writes:

<< I hear what you're saying, but in Cope's case I have to disagree.  While I 
do 
 prefer his more "out-there" albums ("Fried" is still my favorite) I do think 
 that his songs really lent themselves to that kind of overdone 80s Lincoln 
 Tunnel Snare Drum sound.  I LOVE "St. Julian", and I wouldn't change a thing 
 about it.  I'm as glad that they used that BIG SOUND on that one as I am 
that 
 they DIDN'T use it on "Fried" or "Autogeddon."  Hell, if "Spacehopper" 
 doesn't have you jumping around the room, there's somethin' wrong with your 
 feetses. >>

Count me in as another "St. Julian" fan.  Yes it has that big "modern rock" 
sound but it's dated FAR better than anything he did with the Teardrop 
Explodes.  Saw him opening up for the 3:00 when he toured that album (don't 
remember if he did any Teardrop songs - I wasn't that familar with their 
repertoire at the time - but he did play some earlier solo tunes such as 
"Reynard the Fox") and was not disappointed.  Can't say I was as big on "My 
Nation Underground" though. (I liked "Droolian" and "Skellington" but I lost 
track of him during the rest of his tenure on Island and American).  I also 
noticed that, when I left before the 3:00 came on, I wasn't the only one 
leaving...
- -DavidH

------------------------------

Date: Sat, 12 Jan 2002 18:32:32 +0000
From: "Mimi la Twisteuse" <twistmimi@hotmail.com>
Subject: view a scopitone here!

I've just visited the site for the label Disques Mérites and I thought some 
of you might be interested. You can view some scopitones by Les Classels and 
purchase cd reissues by Les Misérables, Les Lutins or Les Sultans, etc. at a 
cheap price if you're in the States. Cool site!

http://www.disquesmerite.com/

Unfortunately, the mp3's are not free!

Mimi

_________________________________________________________________
Téléchargez MSN Explorer gratuitement à l'adresse 
http://explorer.msn.fr/intl.asp.

------------------------------

Date: Sat, 12 Jan 2002 13:40:02 EST
From: Moparlary@aol.com
Subject: Re: Rock n Roll High School cut scenes..

The most  common thing that gets  edited from "broadcast" versions of R&R HS is the Riff Randall smokin' a joint and hallucinating that the Ramones are singing to her in her bed and bath.
  In addition to the nasty drug reference, P.J. Soles appears (gasp) in her underwear, which is pretty tame by today's Baywatch/MTV standards.
  Too bad because it is  one of the funnier scenes in the movie,  complete  with Dee Dee playing the bass in the shower while the water's on. And the music is one the best Ramones ballads, "I want you Around" delivered in classic Joey meets Peter Noone.

  and yeah, AMC is a shadow of it's former self. I guess this means Turner Classic Movies wins.

   for unexplained mysteries, I'm Moparlary
In a message dated Sat, 12 Jan 2002  2:11:43 AM Eastern Standard Time, "cozmikdebris" <cozmik.debris@home.com> writes:

> 
> Tonight was the first time I've ever seen this. First time in ages I've
> watched AMC. When did they start showing commercials!? And I don't recall
> them ever editing a movie (at least they never told us so at the beginning).
> Can anyone tell me what content was edited from this showing (which I
> accidentally taped using the EP speed instead of SP, meaning I've gotta set
> my alarm for 6:30 to redo it)?
> 
> Regards,
> cozmikdebris
> 
> ----- Original Message -----
> From: <Redlabour@cs.com>
> To: "Bomp/Voxx Records" <bomp@xnet2.com>
> Sent: Saturday, January 12, 2002 1:18 AM
> Subject: Rock n Roll High School on AMC...
> 
> 
> >
> > Greetings,
> >
> > I am up at 1:20 AM right now, and I just found out that "Rock n Roll
> > High School" is being shown.  If any of y'all are up and has cable with
> > (currently lacking a girlfriend), then by all means watch "Rock n Roll
> > High School."
> >
> > Gabba Gabba Hey!!!
> > Melvin Little
> >
> > ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
> >
> >
> 
> 
> 
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===

------------------------------

Date: Sat, 12 Jan 2002 13:41:31 EST
From: Moparlary@aol.com
Subject: Re: Rock n Roll High School on AMC...

The VHS version has a nice interview with Roger Corman. The DVD has all the concert footage they shot for the movie and didn't use. You be the judge.

  George foreman of the jury...Moparlary 


In a message dated Sat, 12 Jan 2002  2:23:44 AM Eastern Standard Time, "mykel" <satch.mykels@worldnet.att.net> writes:

> 
> > Can anyone tell me what content was edited from this showing (which I
> > accidentally taped using the EP speed instead of SP, meaning I've gotta
> set
> > my alarm for 6:30 to redo it)?
> >
> 
> wouldn't it be easier to just go buy the dvd?
> 
> 
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===

------------------------------

End of bomp-digest V2002 #29
****************************

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