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bomp-digest        Sunday, February 10 2002        Volume 2002 : Number 086



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Here's what people are yacking about in this digest:
   Interesting item on eBay web site item#1511670068: Rare 60s Radio Show-Richard & The Young Lions
     johntrembly@netzero.net
   Still dreaming of utopia
     Andy Shelton <ashelton@hargray.com>
   Carl Driggs:  he ain't no Mark Lindsay!
     "Jeff Lemlich" <limeston@bellsouth.net>
   AMPS..
     "Barry Stevenson" <BaronBlood@mediaone.net>
   Re: Kracker
     "John Trembly" <johntrembly@netzero.net>
   Comp Question
     "Rocky Serkowney" <rocky.serkowney@sympatico.ca>
   Re: Flea market fun!
     DaGreasyChicken@aol.com
   Rocky's back!!
     "Justina Davies" <Justina@whatawaytodie.com>
   Re: Interesting item on eBay web site item#1511670068: Rare 60s Radio Show-Ri...
     DaGreasyChicken@aol.com
   Re: Flea market fun!
     brian marshall <noisejunkie@rocketmail.com>
   swamp sounds
     "Douglas E. Webber" <D.Webber2@home.com>
   Re: Comp Question
     Rat Pfink <ratpfink@akamail.com>
   Intro to Garage [was Re: Still dreaming of utopia]
     "Lenny Smith" <vze3c488@verizon.net>
   Amps and point to point wiring
     TheReedGuy@aol.com
   Re: amps
     Moparlary@aol.com
   Amboy Dukes
     HOODOO3005@aol.com
   Re: Flea Market Fun!
     HOODOO3005@aol.com
   Re: Amps and point to point wiring
     TheJewws@aol.com

----------------------------------------------------------------------

Date: Sat, 09 Feb 2002 18:32:54 PST
From: johntrembly@netzero.net
Subject: Interesting item on eBay web site item#1511670068: Rare 60s Radio Show-Richard & The Young Lions

Did you guys see this? 

Title of item:	Rare 60s Radio Show-Richard & The Young Lions
Seller:	gibsonsgfreek
Starts:	Feb-06-02 19:45:02 PST
Ends:	Feb-11-02 19:45:02 PST
Price:	Currently $13.99
To bid on the item, go to:	http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItem&item=1511670068


Item Description:		
	
 
  
  
  
  
  
  Untitled
  
 
 
  
   RARE 
   "VOICES OF VISTA" 1960'S PUBLIC SERVICE RADIO SHOW 
   TRANSCRIPTION DISC
  
   FEATURING 
   GARAGE LEGENDS RICHARD AND THE YOUNG LIONS (WITH BAND MEMBER VOICE 
   OVER!), WILLIAM BONNY & THE PAIR EXTRAORDIAIRE 
  
   
  
   THIS
    IS A 12" LP TYPE DISC, CONTAINING RADIO PROGRAMS ENTITLED 
   "VOICES FOR VISTA". IT WAS A PUBLIC SERVICE TYPE SHOW, AND 
   FEATURED A POPULAR ARTIST AND A POPULAR SONG TO GET PEOPLE 
   TO LISTEN TO THE MESSAGE.
  
   EACH
    SHOW STARTS OUT WITH A SPOKEN PASSAGE FROM THE STAR (OR GROUP 
   MEMBER), WELCOMING EVERYONE TO THE SHOW, THEN THEY INTRODUCE THE D-J 
   (HERB OSCAR ANDERSON). THEY PLAY A SONG BY THE ARTIST, DO AN 
   INTERVIEW WITH SOMEONE WHO IS INVOLVED IN THE "VISTA" 
   PROGRAM, THEN THE ARTIST GIVES A SPOKEN GOODBYE MESSAGE AND A PLUG 
   FOR VISTA! (WHICH STANDS FOR "VOLUNTEERS IN SERVICE TO 
   AMERICA") 
  
   THIS
    DISC IS IN FANTASTIC CONDITION, ALMOST MINT! 
  
   PAYMENTS ACCEPTED ONLY 
   THROUGH PAYPAL OR DIRECT CREDIT CARD! PHONE NUMBERS WILL BE PROVIDED 
   FOR THIS TO WINNERS!
  
   SHIPPING POLICY
  
   U.S. Priority shipping $3.50 plus insurance for 
   Priority, Overnight shipping is available for $12.00.
  
   Overseas $6.00 for up to two records for Regular Air 
   Mail, Global Priority is $9.00. Postage discounts available for 
   multiple winners.
  
   ALL ORDERS WILL BE SHIPPED WITHIN 48 HOURS OF RECEIPT 
   OF PAYMENT OR POSTAGE WILL BE REFUNDED!!!!
  
   Overseas packages sent uninsured air mail with 
   declared value of $20 unless other arrangements are made. I cannot be 
   responsable for items damaged during shipping to overseas customers.
  
   
  
    
 


	Visit eBay, The World's Online Marketplace TM at http://www.ebay.com

------------------------------

Date: Sat, 09 Feb 2002 21:54:06 -0500
From: Andy Shelton <ashelton@hargray.com>
Subject: Still dreaming of utopia

First, I would like to thank Jason and Kip for responding to my previous post. I will keep both suggestions in mind. I would also like to add-I'm looking for a town that has affordable housing, a good public transportation system, and employment opporturnities in a Compact disc/bookstore/library field. Also, the town would have to be on the east coast. I thank you for your assistance.Music related question-What was your first introduction to garage/punk music? I ws first introduced to the genre through the Maximumrocknroll radio show. I remember hearing a track from either Pebbles#11 0r#12. The song I enjoyed was "E.S.P" by the Beaver Patrol which was a cleaner version of "L.S.D" by the Pretty Things. This was way back in 1983. I apologize for the ramble.

Andy Shelton ashelton@hargray.com

------------------------------

Date: Sat, 9 Feb 2002 22:04:33 -0500
From: "Jeff Lemlich" <limeston@bellsouth.net>
Subject: Carl Driggs:  he ain't no Mark Lindsay!

JP wrote:  < Yes indeed! I saw them a couple of years ago...Revere himself
acted like he
was doped up on something (I don't think it was an act); I could have sworn
that his famed "organ shaped like a '57 Chevy" was unplugged for most of the
gig; his lead singer, Carl Driggs, has a greasy mullet and a resume that
includes singing with the disco daddies in Foxy, famed for their 1978 hit,
"Get Off." >

And before Foxy, he was with the Dunhill band KRACKER, that recorded a
couple of albums with Jimmy Miller as producer.  Horrid 70s rawk!  His
resume actually goes back to 60s Miami bands, back when he was still known
by his real name, CARLOS Driggs.

Ooh oooh oooh oooh oooh oooh ooh get off, get off, get awwwwwfffff,
Jeff Lemlich

------------------------------

Date: Sat, 9 Feb 2002 19:14:42 -0800
From: "Barry Stevenson" <BaronBlood@mediaone.net>
Subject: AMPS..

I have to agree with the Majority of Fender Twin and Super Reverb supporters...  The Reverb is the main reason I dig Fenders, I replaced one of the JBL's with an old Altec Lansing speaker in my Twin, and it sounds really fucked up... It doesn't get much of a clean sound, but I can get a pretty cool tone without having to crank the distortion.. I tend to like the natural overdriven sound to distortion pedals (although I like them too)   If you can't afford A Mesa Boogie, or a Matchless, or the Vox AC30 or the Hiwatt Bulldog (all VERY expensive) The Super Reverb or The Twin can't be beat..  

I like Marshalls, but I tend to get more versatility out of Fenders..  My buddy actually removed a couple of tubes from his Marshall, and uses a thing called a Hot Plate..  He gets a very cool 70's sludgy rock sound, without blowing everyone out of the room...  I for one, have to have REVERB.. (and not DIGITAL..goes without saying)  

The Rat is a great pedal!!   I love the way a bass sounds through one!!!!

Alan Wright..  to get that James Brown sound, without losing the tone he has, he may want to get another amp with a clean tone and run them in stereo (always a pain in the ass but will solve the problem) My guitarist runs a Twin and a Marshall halfstack in stereo, one for twang, and one for overdrive, and although it is more gear than I like to have on stage, It certainly gets some great sounds and was worth he hassle...

my 2 cents..

      

 

------------------------------

Date: Sat, 9 Feb 2002 22:13:30 -0500
From: "John Trembly" <johntrembly@netzero.net>
Subject: Re: Kracker

<<And before Foxy, he was with the Dunhill band KRACKER, that recorded a
couple of albums with Jimmy Miller as producer.  Horrid 70s rawk!  His
resume actually goes back to 60s Miami bands, back when he was still known
by his real name, CARLOS Driggs.>>>

Is that the same Kracker that made one album for Rolling Stones Records in the mid-seventies?

John

www.izzymusic.com

------------------------------

Date: Sat, 9 Feb 2002 22:44:19 -0500
From: "Rocky Serkowney" <rocky.serkowney@sympatico.ca>
Subject: Comp Question

    Hey,

Dee and I have so many 60's comps these days that we sometimes lose track of where to find particular tunes.  This is especially irratating when neither of us can recall the band name or figure out the song title (y'know...when it ain't obvious and therefore easy to find on the Garage Comp Database).

So here's what we have to go on - a mid-tempo moody ditty featuring the key lines:

I believed you, trusted you
And then you broke my heart

I should know this, but I'm glad I can count on yu folks in the fuzz fraternity to remind us of the answer.  Thanks.

Head scratchin' squirrel.        
    

------------------------------

Date: Sat, 9 Feb 2002 22:58:58 EST
From: DaGreasyChicken@aol.com
Subject: Re: Flea market fun!

timdog_66@yahoo.com writes:<< but there were a few that piqued my interest - 
the Blue Boys, the Credibility Gap, and the Sugar Shoppe...I'd appreciate it 
if somebody could let me know if those three are any good, so I can go back 
and snap 'em up tomorrow! >>

The Credibility Gap feature a pre-Spinal Tap Harry Shearer and Michael McKean.

Andre

------------------------------

Date: Sat, 09 Feb 2002 21:00:53 -0700
From: "Justina Davies" <Justina@whatawaytodie.com>
Subject: Rocky's back!!

Oh yay, Rocky's back on bomp!  I'll be watching closely for all your 
recommendations. And yes Yes YES to the live Woggles CD.  If you've ever 
been to a live Woggles show, you can't help but smile throughout the 
entire CD.  Gloriously chaotic!  And give that honey of your a hug for 
me, ok?

------------------------------

Date: Sat, 9 Feb 2002 23:02:59 EST
From: DaGreasyChicken@aol.com
Subject: Re: Interesting item on eBay web site item#1511670068: Rare 60s Radio Show-Ri...

johntrembly@netzero.net writes:<< Title of item:    Rare 60s Radio 
Show-Richard & The Young Lions >>

That's pretty cool. Richard & The Young Lions were also on another show like 
that called "The In Sound" hosted by Harry Harrison, it exists on vinyl, but 
I've never seen a copy.

Andre

------------------------------

Date: Sat, 9 Feb 2002 21:18:38 -0800 (PST)
From: brian marshall <noisejunkie@rocketmail.com>
Subject: Re: Flea market fun!

- --- Tim Lakritz <timdog_66@yahoo.com> wrote:
> 
> The lady I bought it from had a whole BOXFUL of
> unplayed Capitol promos from the mid-late 60s - most
> of 'em were outside my radar, but there were a few
> that piqued my interest - the Blue Boys, the
> Credibility Gap, and the Sugar Shoppe...I'd
> appreciate
> it if somebody could let me know if those three are
> any good, so I can go back and snap 'em up tomorrow!

I don't know about the other two, but I do know that
The Credibility Gap was a comedy group, unless this is
a different Credibility Gap.  Check it out and see. 
The Blue Boys may be a bluegrass group, if they're the
same ones on RCA that I've once bought a 45 from.  

Brian
NFTG
>   
> Tim
> 
> 
> __________________________________________________
> 
> ===> To unsubscribe, send "unsubscribe bomp" to
> majordomo@xnet2.com <===
> 


__________________________________________________

------------------------------

Date: Sun, 10 Feb 2002 00:25:18 -0500
From: "Douglas E. Webber" <D.Webber2@home.com>
Subject: swamp sounds

<<  If you have the rock'n'roll burning inside of
 >you, you could make a fucking ACCORDION rock!  >>

Absolutely! Gus Cordovox of the old Ben Vaughn combo proved this in Philly back in the 80's. Heart and attitude! 

------------------------------

Date: Sun, 10 Feb 2002 00:54:43 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: Re: Comp Question

That would be "I Believed You" by The Young Monkey 
Men. It's on "Attack Of The Jersey Teens" and 
"Teenage Shutdown #6"...


At 10:44 PM 2/9/02 -0500, you wrote:
>
>So here's what we have to go on - a mid-tempo moody ditty featuring the
key lines:
>
>I believed you, trusted you
>And then you broke my heart

------------------------------

Date: Sun, 10 Feb 2002 01:20:50 -0500
From: "Lenny Smith" <vze3c488@verizon.net>
Subject: Intro to Garage [was Re: Still dreaming of utopia]

"Andy Shelton" <ashelton@hargray.com> asked:
<<What was your first introduction to garage/punk music?>>

For me, it was just straight up 60's radio--you know, "Dirty Water" and "Too
Much to Dream" and "Nobody but Me" et al, when they were hits.  And I should
add 60's R&R TV, too--Where the Action Is, Am. Bandstand, What's Happening,
Shindig, Hullaballoo, etc...  yeahhhhhhhhhhhhhhhh.  I was lucky to have a
bro' 4 years older than me who played the radio incessantly.

Lenny

------------------------------

Date: Sun, 10 Feb 2002 01:34:52 EST
From: TheReedGuy@aol.com
Subject: Amps and point to point wiring

For crying out loud, is there a conspiracy or something.  It seems that 
everyone I talk to is into these old Fender amps that have point to point 
wiring.  Why in hell does fender not re release these amps built EXACTLY the 
way they were in the 60's.

I know that some of the caps and transformer materials are not still 
available (I've been told this) But it seems like when I talk about some of 
the re issues they have people are always saying that they have printed 
circuit boards so they are not REALLY like the old ones.  Matchless went out 
of business and I'm not sure in Tophat is point to point.  I've been told 
they would be really expensive but I think people would pay for it.  Can 
anyone shed some light on this?  Is there anyone making amps that are built 
like they used to?

Speaking of tones, I saw some band play the Hotel Utah in San Fran not too 
long ago.  This guy was playing a Les Paul in a band through a Marshall 
Plexitone? Plexi something?  It was going through a 4 x10.  Sounded great.  

Maybe I can have someone make an amp from the schematic of this plexi 
something Marshall.

Reed

------------------------------

Date: Sun, 10 Feb 2002 02:58:03 EST
From: Moparlary@aol.com
Subject: Re: amps

In a message dated 2/8/02 12:31:47 PM Eastern Standard Time, 
jeff.kopp@phoenixcreative.com writes:


> I'm gonna go out on a limb and weigh in with my hearty recommendation for 
> 

and they reissued the Reverbrocket...friend of mine had one and he was a 
tried and true Fender man...Rosewood  tele and all! 
   Something related, WCBS news radio had a technical problem Friday night 
with a report from the Olympics and the guy had heavy reverb behind his voice 
like a 60's hit radio DJ. Let's start a drive to get all the news read with 
reverb and echo! 

   Uncle walter in the cave......Moparlary

------------------------------

Date: Sun, 10 Feb 2002 02:58:22 EST
From: HOODOO3005@aol.com
Subject: Amboy Dukes

In a message dated 2/9/02 8:50:15 PM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:

<< the Amboy Dukes released 3 singles during
 their time with Mainstream Records ("Baby Please Don't Go," "Journey To the
 Center of the Mind," and "Scottish Tea"). >>

Are you forgetting the non-LP "You Talk Sunshine, I Breathe Fire?" Or was it 
the other side of "Scottish Tea?"

<<Maybe Polydor had the rights in
 Europe. I don't know that much about Mainstream, except that it was a jazz
 label. >>

That's about right. Around 1975 Mainstream released this album called THE 
GUITAR PLAYERS, and they had the nuts to include the Dukes'"Baby, Please 
Don't Go" amongst all these blues and jazz songs from their vaults. 
Personally, I dig the entire album (which ranges from straight-ahead jazz to 
jazz-funk to acoustic blues), but for most potential buyers, "Baby Please 
Don't Go" is as out of place as a giraffe in the back seat of a Volkswagen.

JP 

------------------------------

Date: Sun, 10 Feb 2002 03:16:12 EST
From: HOODOO3005@aol.com
Subject: Re: Flea Market Fun!

In a message dated 2/9/02 8:50:15 PM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:

<< The lady I bought (a Human Beinz 45) from had a whole BOXFUL of
 unplayed Capitol promos from the mid-late 60s - most
 of 'em were outside my radar, but there were a few
 that piqued my interest - the Blue Boys, the
 Credibility Gap, and the Sugar Shoppe >>

The Credibilty Gap were a hipster comedy group from the late 60's-early 70's, 
ala the Firesign Theater or the Conception Corporation. They had other elpees 
on Reprise and Blue Thumb, but as I recall their Capitol longplayer was a 
Woodstock parody (WOODSCHTICK, I think???). Members of the group included 
Harry Shearer (among other things, he provides several voices on THE 
SIMPSONS) and the duo of Michael McKean and David Lander (a/k/a Lenny & 
Squiggy of LAVERNE & SHIRLEY/Lenny & the Squigtones fame), but I don't know 
if they were around during their Capitol Records period.

------------------------------

Date: Sun, 10 Feb 2002 04:30:28 EST
From: TheJewws@aol.com
Subject: Re: Amps and point to point wiring

In a message dated 2/9/02 10:35:21 PM Pacific Standard Time, 
TheReedGuy@aol.com writes:


> For crying out loud, is there a conspiracy or something.  It seems that 
> everyone I talk to is into these old Fender amps that have point to point 
> wiring.  Why in hell does fender not re release these amps built EXACTLY 
> the 
> way they were in the 60's.
> 
> 

well you said it yourself, they'd be really expensive. matchless and tophat 
amps are like twice as much as fender amps last time i saw. i think the 
biggest difference between the original amps and the reissues (as far as 
sound goes) would be that the old ones are just old. all the parts have aged 
for thirty or forty years now. when it comes to electronics age makes a big 
difference in how they react. also like ive said before; tubes,tubes,tubes. 
if you can afford to get some NOS tubes go for it, or just be like me and get 
some that are copies of the old original tubes. thats one of the best ways to 
get your brand new amp to sound more like an old one.

Omari Yoshihiro

------------------------------

End of bomp-digest V2002 #86
****************************

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