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Subject: bomp-digest V2002 #87
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bomp-digest        Sunday, February 10 2002        Volume 2002 : Number 087



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Send an e-mail with the words "unsubscribe bomp-digest" to
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Here's what people are yacking about in this digest:
   Re: amps / sounds / etc.
     "Jason Killinger" <killingher@hotmail.com>
   Soupy.
     SOSBOMBS@aol.com
   Re: Credibility Gap
     Sknoof@aol.com
   Re: Sugar Shoppe
     troggman@webtv.net (Todd Lucas)
   Re: Young lions "In Sound" -- hear an excerpt
     Sknoof@aol.com
   bob seger & the last heard
     Euphorik6@aol.com
   Re: bomp-digest V2002 #83
     bob thurmond <slack@accessus.net>
   Re: Young lions "In Sound" -- hear an excerpt
     DaGreasyChicken@aol.com
   Re: Amboy Dukes
     "cozmikdebris" <cozmik.debris@home.com>
   Re: bob seger & the last heard
     "cozmikdebris" <cozmik.debris@home.com>
   Re: bomp-digest V2002 #86
     "Alan Wright" <dothepop@ix.netcom.com>
   Ty on: Bo, Capitol Promos & More
     "Ty Jesso" <tymesup@hotmail.com>
   Re: Richard & The Young Lions/Pair Extraordinaire 
     HOODOO3005@aol.com
   Re: Rockin' Accordion
     HOODOO3005@aol.com
   Re: bob seger & the last heard
     TSanc43763@aol.com
   Re: Biting off more than they should chew
     Mndbgr1@aol.com
   Rocky !!
     "Jahna" <innuendos1@hotmail.com>
   Re: bob seger & the last heard
     "Laurent Bigot" <jerk@club-internet.fr>
   Re: Rockin' Accordion
     "Astroboy" <astroboy@triad.rr.com>
   Re: Comp Question
     "Rocky Serkowney" <rocky.serkowney@sympatico.ca>
   Re: bob seger/east side story
     Shake6677@aol.com
   intro to garage
     "Jahna" <innuendos1@hotmail.com>
   Re: Still dreaming of utopia
     Deena Canale <roots66@sympatico.ca>
   Amps and point to point wiring
     "Barry Stevenson" <BaronBlood@mediaone.net>
   Ghost World DVD
     Deena Canale <roots66@sympatico.ca>
   Re: Comp Question
     Rat Pfink <ratpfink@akamail.com>
   Re: bomp-digest V2002 #85
     boldface@easynet.co.uk
   Re: bomp-digest V2002 #84
     Sugar Town <townsugar@yahoo.com>
   Re: Ghost World DVD
     Dj45rpm@aol.com
   The Bellrays
     boldface@easynet.co.uk
   Re: Swamp Sounds
     Larry Shell <lawrenceshell@comcast.net>

----------------------------------------------------------------------

Date: Sun, 10 Feb 2002 13:52:21 
From: "Jason Killinger" <killingher@hotmail.com>
Subject: Re: amps / sounds / etc.

<<<<Date: Thu, 07 Feb 2002 08:58:52 -0500
From: "Ryan Pusher" <theepushers@hotmail.com>
Subject: Re: bomp-digest V2002 #80

What kind of guitar is he playing on?>>>>

he's playing some guitar from ( i think) the early 70s called a Degas. I 
think supposed to be a generic version of a 70s Les Paul.

- -jason

btw. thanks everyone for all of the help. you guys are great!


_________________________________________________________________
Chat with friends online, try MSN Messenger: http://messenger.msn.com

------------------------------

Date: Sun, 10 Feb 2002 09:17:15 EST
From: SOSBOMBS@aol.com
Subject: Soupy.

Just heard a version of Soupy Sales singing "Do the Mouse".  He actually had 
a pretty good "60's sounding voice" and the songs not bad.

------------------------------

Date: Sun, 10 Feb 2002 09:19:43 EST
From: Sknoof@aol.com
Subject: Re: Credibility Gap

<< The Credibilty Gap were a hipster comedy group from the late 60's-early 
70's, 
ala the Firesign Theater or the Conception Corporation. They had other elpees 

on Reprise and Blue Thumb, but as I recall their Capitol longplayer was a 
Woodstock parody (WOODSCHTICK, I think???). >>

Yes.  It's droll but utterly hilarious.  Side one is "Woodschtick", a parody 
of the "Woodstock" film.  It's about a gathering of hindreds of 
Catskills-style comedians in one hotel room.  Side two, "Earwitness news" is 
even better.

<< Members of the group included Harry Shearer (among other things, he 
provides several voices on THE SIMPSONS) and the duo of Michael McKean and 
David Lander (a/k/a Lenny & Squiggy of LAVERNE & SHIRLEY/Lenny & the 
Squigtones fame), but I don't know if they were around during their Capitol 
Records period. >>

Yes, it was all three of them plus Richard Beebe.  Actually, McKean, Shearer, 
and Lander were the latecomers.  The earlier album, on Blue Thumb, was Beebe, 
Lew Irwin, Thom Beck, and John Gilliland.

On "Woodschtick", McKean is not an "official" member of the group.  He's all 
over the record and he's listed as an "additional writer" along with 
Christopher Ross and Morgan Upton.

The REAL treat on that album is seeing the way Shearer and Lander LOOKED...

My favorite one, though, is still "A Great Gift Idea", on Reprise.  They had 
a much bigger budget for that one.  It's hysterical.  And it ends with, bar 
none, the BEST Johnny Carson parody I've ever heard by ANYONE.  Shearer, as 
Carson, and McKean, as Don Rickles, are scary-perfect.

There are two other LPs, both excerpted from their L.A. radio show......"The 
Bronze Age Of Radio", on Waterhouse Records in 1977, and another one I can't 
recall the title of......each year, during the Tournament Of Roses parade, 
they would provide improvised "alternative commentary" during the parade, on 
the radio......in other words, they just made shit up.  The idea was, you 
would turn the sound down on your TV and listen to this instead......and at 
some point they put it on an LP.

Mike F.

------------------------------

Date: Sun, 10 Feb 2002 09:26:51 -0500 (EST)
From: troggman@webtv.net (Todd Lucas)
Subject: Re: Sugar Shoppe

>The lady I bought (a Human Beinz 45) from had
>a whole BOXFUL of unplayed Capitol promos
>from the mid-late 60s - most of 'em were
>outside my radar, but there were a few that
>piqued my interest - the Blue Boys, the
>Credibility Gap, and the Sugar Shoppe

I have a 45 by the Sugar Shoppe, "Poor Papa/Privilage" from about 1968.
Based on the group name, I was hoping for a couple of good bubblegum
tunes but "Poor Papa" sounds kinda like "Winchester Cathedral".
"Privilage" is a little better, sort of like the Mamas and the Papas but
not anything special really.

Todd    

------------------------------

Date: Sun, 10 Feb 2002 09:28:07 EST
From: Sknoof@aol.com
Subject: Re: Young lions "In Sound" -- hear an excerpt

<< That's pretty cool. Richard & The Young Lions were also on another show 
like 
that called "The In Sound" hosted by Harry Harrison, it exists on vinyl, but 
I've never seen a copy. >>

I've heard this.  Twig has a copy.  We excerpted it to play as their intro at 
Cavestomp 2000.  I don't have the whole tape -- Twig has it -- but I kept the 
excerpt we used.  It's hilarious.  You have to hear Harrison trying to hide 
his skepticism when the girl on the phone makes her Hit Pick To Click, as it 
were.  I found it, and just posted it as an MP3:

http://portfolio.fdu.edu/wsc/fornatale/mp3/lions.mp3

Mike F.




Mike F.

------------------------------

Date: Sun, 10 Feb 2002 10:03:13 EST
From: Euphorik6@aol.com
Subject: bob seger & the last heard

    hey, last week i picked up a boot comp of cameo-parkway tracks, and my 
favorites on there are "persecution smith," "chain smokin," "sock it to me 
santa," and "vagrant winter" by bob seger & the last heard. this is some 
fuckin grade-a primo michigan garage rock & roll, tons of attitude!! i want 
more of this stuff!! can anybody provide some basic details on seger's early 
stuff? how many singles, on what labels, release dates & all that. also, have 
all of his 60s tracks been comped onto a single boot? damn, that is some 
really good stuff....any details at all are appreciated. i couldn't find 
anything about early seger in "fuzz acid & flowers."

chaaaaaaaaaaaaaaiiiin smokin,
rob

------------------------------

Date: Sun, 10 Feb 2002 09:42:34 -0600
From: bob thurmond <slack@accessus.net>
Subject: Re: bomp-digest V2002 #83

A powersoak is a device that is used with an amp to lower the volume of the
amp while it is running full tilt. It simulates a speaker load and "sucks"
the volume from the amp and sends some of that volume to the actual
speakers. The amp distorts as if it were cranked up full, but the powersoak
lowers the actual volume.
bob
NOTE!: POWERSOAK TYPE DEVICES SHOULD ONLY BE USED WITH A TUBE AMP! NEVER A
TRANSISTOR AMP! BUT WHO DOESN"T PLAY WITH TUBES?
> From: owner-bomp-digest@xnet2.com (bomp-digest)
> Reply-To: bomp@screamer.xnet2.com
> Date: Fri, 8 Feb 2002 15:37:45 -0600
> To: bomp-digest@xnet2.com
> Subject: bomp-digest V2002 #83
> 
> what the fuck is a powersoak or a hotcake?!!

------------------------------

Date: Sun, 10 Feb 2002 11:54:37 EST
From: DaGreasyChicken@aol.com
Subject: Re: Young lions "In Sound" -- hear an excerpt

 Sknoof@aol.com writes:<< I've heard this.  Twig has a copy.  We excerpted it 
to play as their intro at Cavestomp 2000.  I don't have the whole tape -- 
Twig has it -- but I kept the excerpt we used.  It's hilarious. >>

There also exists an aircheck from some Pacific Northwest station, perhaps 
KJR Seatle, where you can hear the Richard & The Young Lions episode of The 
In Sound played in context. It is a scoped aircheck, meaning all of the 
music, and the meat of The In Sound, has been edited out, but you do get to 
hear how that program was presented on air.

Andre

------------------------------

Date: Sun, 10 Feb 2002 12:26:53 -0500
From: "cozmikdebris" <cozmik.debris@home.com>
Subject: Re: Amboy Dukes

Yes, it was the B-side of "Journey." The British Amboy Dukes recorded 6
singles for Polydor between 1966-8. Makes me wonder who had the name first.

Regards,
cozmikdebris

- ----- Original Message -----
From: <HOODOO3005@aol.com>
To: <bomp@screamer.xnet2.com>
Sent: Sunday, February 10, 2002 2:58 AM
Subject: Amboy Dukes


>
> In a message dated 2/9/02 8:50:15 PM Central Standard Time,
> owner-bomp-digest@xnet2.com writes:
>
> << the Amboy Dukes released 3 singles during
>  their time with Mainstream Records ("Baby Please Don't Go," "Journey To
the
>  Center of the Mind," and "Scottish Tea"). >>
>
> Are you forgetting the non-LP "You Talk Sunshine, I Breathe Fire?" Or was
it
> the other side of "Scottish Tea?"
>
> <<Maybe Polydor had the rights in
>  Europe. I don't know that much about Mainstream, except that it was a
jazz
>  label. >>
>
> That's about right. Around 1975 Mainstream released this album called THE
> GUITAR PLAYERS, and they had the nuts to include the Dukes'"Baby, Please
> Don't Go" amongst all these blues and jazz songs from their vaults.
> Personally, I dig the entire album (which ranges from straight-ahead jazz
to
> jazz-funk to acoustic blues), but for most potential buyers, "Baby Please
> Don't Go" is as out of place as a giraffe in the back seat of a
Volkswagen.
>
> JP
>
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>
>

------------------------------

Date: Sun, 10 Feb 2002 12:28:06 -0500
From: "cozmikdebris" <cozmik.debris@home.com>
Subject: Re: bob seger & the last heard

http://www.segerfile.com

Regards,
cozmikdebris

- ----- Original Message -----
From: <Euphorik6@aol.com>
To: <bomp@xnet2.com>
Sent: Sunday, February 10, 2002 10:03 AM
Subject: bob seger & the last heard


>
>     hey, last week i picked up a boot comp of cameo-parkway tracks, and my
> favorites on there are "persecution smith," "chain smokin," "sock it to me
> santa," and "vagrant winter" by bob seger & the last heard. this is some
> fuckin grade-a primo michigan garage rock & roll, tons of attitude!! i
want
> more of this stuff!! can anybody provide some basic details on seger's
early
> stuff? how many singles, on what labels, release dates & all that. also,
have
> all of his 60s tracks been comped onto a single boot? damn, that is some
> really good stuff....any details at all are appreciated. i couldn't find
> anything about early seger in "fuzz acid & flowers."
>
> chaaaaaaaaaaaaaaiiiin smokin,
> rob
>
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>
>

------------------------------

Date: Sun, 10 Feb 2002 09:33:06 -0800
From: "Alan Wright" <dothepop@ix.netcom.com>
Subject: Re: bomp-digest V2002 #86

Alan Wright..  to get that James Brown sound, without losing the tone he
has, he may want to get another amp with a clean tone and run them in stereo
(always a pain in the ass but will solve the problem) >>>


Hmmmm, last time  checked, drums didn't need amps, but thanks anyway! :)

Alan

------------------------------

Date: Sun, 10 Feb 2002 12:34:02 -0500
From: "Ty Jesso" <tymesup@hotmail.com>
Subject: Ty on: Bo, Capitol Promos & More

On Bo-

Well, needless to say The Bo Diddley non-performance was, what many Bompers 
already prophesized...A DISAPPOINTING & LACK LUSTER appearance. I say 
appearance because diehard fans & curious clubgoers were both spotted 
outside the venue bitterly cursing the non-Rn'R performance by Bo Diddley. 
Long extended repetitive jams clocking in at nearly 15 to 20 mins. per jam 
made it too easy to go to the bar & commiserate with the like minded that 
this'd be the last time we'd attend a Bo "non-show". The backing band, 
Entrain-a hippy world beat jam band (who performed their upbeat peppy 
worldbeat music 1 hour  prior to Bo's entrance-Yikes!) rolled their eyes and 
wore mammoth frowns as the feat of endurance meandered on and on and on...

Two minute rockers were no where to be found.

Of course- Bo dragged out a few faves: Im a Man, Crackin Up, Hey Bo, a way 
too short version  of Road Runner, and then all I recall is big long 
extended Roland Chorused-Flanged out jams...and well, the by the end of the 
evening, we, The Fabulous Itchies & Wyld Card DJs, decided to dedicate 
ourselves to consuming our rider of Bass side stage....

I will say that as promised , the Fab Itchies delivered a set full of 
hipshakers and floor twisters to a pretty receptive crowd and Wild Card DJs 
got lots of props- hey we spun Andre Williams, Howlin Wolf, Joe Tex, Johnny 
King, BB King, Baby Huey, Sebastian & the Houserockers, and tons of great 
desperate RnR & Stompin RnB & soul, so how could we go wrong. Even Bo 
commented on our fine choice of music for djing(Hint Hint) so perhaps the 
evening wasn't a total loss.

On another note:

When I saw Ike Turner a few years back,I really dug his schtick. He was a 
bit loose and his gave out but he played Rocket 88, a few whammy bar instros 
& entertained us hecklers by suggesting that we "couldn't handle "Jack 
Rabbit" after our repeated requests got him to smiling...
He made the night even better when he got us some signed photos that had  
info & address for joining the "I Still Like Ike" Fanclub!


And on another note:

CAPITOL PROMOS:

Green Capitol Promos Worth Seeking Out:

The Action "Never Ever/24th Hour"
First Century "Dancing Girl"
Leaves "Lemmon Princess"
Shanes "Criscraft no. 9"

Hope that helps!

Ty


LIVE RN'R REMINDER:

FEB. 22ND & 23RD: DownBeat 5 & Fabulous Itchies in Boston  & Providence!





_________________________________________________________________
Chat with friends online, try MSN Messenger: http://messenger.msn.com

------------------------------

Date: Sun, 10 Feb 2002 12:42:39 EST
From: HOODOO3005@aol.com
Subject: Re: Richard & The Young Lions/Pair Extraordinaire 

In a message dated 2/10/02 4:58:06 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:

<< johntrembly@netzero.net writes:<< Title of item:    Rare 60s Radio 
 Show-Richard & The Young Lions >>
 
 That's pretty cool. Richard & The Young Lions were also on another show like 
 that called "The In Sound" hosted by Harry Harrison, it exists on vinyl, but 
 I've never seen a copy. >>

These guys probably aren't considered Bompworthy (if anybody's ever heard of 
'em), but this radio show also has an appearance by the Pair Extraordinare, a 
remarkable African-American lounge-type duo who worked the L.A. club circuit 
in the 1960's and had four albums on the Liberty label. Featuring Carl Craig 
on vocals and Marcus Hemphill on upright bass...and nobody else!!! All these 
two-person rock bands on the scene (from Bantam Rooster to Evil Beaver) had 
nothing on the Pair Extraordinaire!! 

(Well, they usually had session drummer Earl Palmer playing drums, but it was 
still a stark concept that worked...)

Three of their albums were recorded live, with all of Carl Craig's 
hip-for-the-mid-sixties jokes left in; the final album, which I think was 
called IT'S A WONDERFUL WORLD (don't have it right in front of me) augmented 
the vocals/bass/drums sound with a string section, who are tastefully mixed 
down low, never imposing on the material. These guys have been a "whatever 
happened to?" on my list for some time now, ever since Domenic Priore hipped 
me to 'em. I'd seen the LP's in used record stores, but I wrongly assumed it 
would be something far more square, somewhere between the Smothers Brothers 
and Joe & Eddie. After scoring a couple of their albums, I realized the Pair 
Extraordinare had far more to give than that...

I don't know who that third performer on the show was, but to have Richard & 
the Young Lions together with the Pair Extraordinare is too much sugar for a 
dime!!

James Porter

------------------------------

Date: Sun, 10 Feb 2002 12:47:06 EST
From: HOODOO3005@aol.com
Subject: Re: Rockin' Accordion

In a message dated 2/10/02 4:58:06 AM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:

<< <<  If you have the rock'n'roll burning inside of
  >you, you could make a fucking ACCORDION rock!  >>
 
 Absolutely! Gus Cordovox of the old Ben Vaughn combo proved this in Philly 
back in the 80's. Heart and attitude! 
  >>

Gus' last name should have been the tipoff...Cordovox was a 1960's accordion 
that sounded remarkably like an organ. I think it was this company who had 
the ad that used to run in Down Beat magazine back then...a square, clean-cut 
guy in a suit, playing an accordion, while these garage-era hippie types 
stand around him looking amazed. The caption read something like..."THEY 
LAUGHED WHEN I SAT DOWN TO PLAY THE ACCORDION...but they gasped when they 
heard the organ sounds coming from it" or something like that...

JP

------------------------------

Date: Sun, 10 Feb 2002 13:04:10 EST
From: TSanc43763@aol.com
Subject: Re: bob seger & the last heard

In a message dated 2/10/02 7:04:58 AM Pacific Standard Time, 
Euphorik6@aol.com writes:


>  hey, last week i picked up a boot comp of cameo-parkway tracks, and my 
> favorites on there are "persecution smith," "chain smokin," "sock it to me 
> santa," and "vagrant winter" by bob seger & the last heard. this is some 
> fuckin grade-a primo michigan garage rock & roll, tons of attitude!! i want 
> 
> more of this stuff!! can anybody provide some basic details on seger's 
> early 
> stuff? how many singles, on what labels, release dates & all that. also, 
> have 
> all of his 60s tracks been comped onto a single boot? damn, that is some 
> really good stuff....any details at all are appreciated. i couldn't find 
> anything about early seger in "fuzz acid & flowers."
> 
East Side Story/East Side Sound (HideOut 1013)  1966    
Persecution Smith/Chain Smokin' (HideOut 1014)  1966    
East Side Story/East Side Sound (Cameo 438) 1966    
Sock It To Me, Santa/Florida Time   (Cameo 444) 1966    
Persecution Smith/Chain Smokin' (Cameo 465) 1966    
Vagrant Winter/Very Few (Cameo 743) 1967    
Heavy Music/Heavy Music, pt 2   (Cameo 494) 1967    
2+2=?/Death Row (Capitol 2143)  1968    

I included 2+2=?/deathrow because it is hands down my favorite of his and 
released as the Bob Seger System. It has powerful protest lyrics.  Tony

 

Check out Fuzz, Flaykes & Shakes
http://www.tonythetyger.com

------------------------------

Date: Sun, 10 Feb 2002 13:14:26 EST
From: Mndbgr1@aol.com
Subject: Re: Biting off more than they should chew

In a message dated 2/9/02 8:34:28 PM Central Standard Time, 
owner-bomp-digest@xnet2.com writes:


> Yummy Yummy Yummy - Ohio Express
> Sweeter Than Sugar - Ohio Express
> Mercy - Ohio Express
> Little Bit Of Soul - Music Explosion
> Do Something To Me - British Road Runners
> Snoopy Vs. The Red Baron - Royal Guardsmen
> Green Tambourine - Lemon Pipers
> Chewy Chewy - Ohio Express
> Down At Lulu's - Ohio Express
> Beg Borrow And Steal - Rare Breed
> Little Girl - Syndicate Of Sound
> Sunshine Games - Music Explosion
> I Think I Love You - Partridge Family
> Bubble Gum Music - Rock N'Roll Dubble Bubble Trading Card Company Of
> Philadelphia 1941
> 

There is always some bigtime stretching genre with bubblegum.
Maybe because there wasn't as much of it as other catagories.
And of course, it's convenient to include some stuff just because
it was on the same label as other bubblegum. Damn the compiler!
                                                                              
 Dr. M.

------------------------------

Date: Sun, 10 Feb 2002 13:20:05 -0500
From: "Jahna" <innuendos1@hotmail.com>
Subject: Rocky !!

Welcome back to the list, Rocky!


Jahna

------------------------------

Date: Sun, 10 Feb 2002 19:32:05 +0100
From: "Laurent Bigot" <jerk@club-internet.fr>
Subject: Re: bob seger & the last heard

> East Side Story/East Side Sound (HideOut 1013)  1966
> Persecution Smith/Chain Smokin' (HideOut 1014)  1966
> East Side Story/East Side Sound (Cameo 438) 1966
> Sock It To Me, Santa/Florida Time   (Cameo 444) 1966
> Persecution Smith/Chain Smokin' (Cameo 465) 1966
> Vagrant Winter/Very Few (Cameo 743) 1967
> Heavy Music/Heavy Music, pt 2   (Cameo 494) 1967
> 2+2=?/Death Row (Capitol 2143)  1968
>
> I included 2+2=?/deathrow because it is hands down my favorite of his and
> released as the Bob Seger System. It has powerful protest lyrics.  Tony


Tony, you forgot the great/sick "Florida time/Ballad of the yellow beret" as
the Beach Bums ('66 Are You Kidding Me 1010)


Laurent

------------------------------

Date: Sun, 10 Feb 2002 13:33:57 -0500
From: "Astroboy" <astroboy@triad.rr.com>
Subject: Re: Rockin' Accordion

A north carolina three piece band called "The Chicken Wire Gang" used to
feature an accordion (can't remember but I think they also had stand up bass
and snare, but it's been a while. They later changed to a more conventional
electric lineup) Anyway, they did absolutely amazing rocking covers of some
70s "classic" rock stuff, and it was mind blowing! Best of all was a cover
of 'Born to Run', which left everyone breathless! I want to say they also
did 'Free Bird', but that may just be wishful thinking  (If anyone out there
has tapes of this stuff, I'd love to get copies!) I figured out a tango
arrangement of Bowie's "The Man Who Sold the World", which really works
nicely on accordion.
- ----- Original Message -----
From: <HOODOO3005@aol.com>
To: <bomp@screamer.xnet2.com>
Sent: Sunday, February 10, 2002 12:47 PM
Subject: Re: Rockin' Accordion


>
> In a message dated 2/10/02 4:58:06 AM Central Standard Time,
> owner-bomp-digest@xnet2.com writes:
>
> << <<  If you have the rock'n'roll burning inside of
>   >you, you could make a fucking ACCORDION rock!  >>
>
>  Absolutely! Gus Cordovox of the old Ben Vaughn combo proved this in
Philly
> back in the 80's. Heart and attitude!
>   >>
>
> Gus' last name should have been the tipoff...Cordovox was a 1960's
accordion
> that sounded remarkably like an organ. I think it was this company who had
> the ad that used to run in Down Beat magazine back then...a square,
clean-cut
> guy in a suit, playing an accordion, while these garage-era hippie types
> stand around him looking amazed. The caption read something like..."THEY
> LAUGHED WHEN I SAT DOWN TO PLAY THE ACCORDION...but they gasped when they
> heard the organ sounds coming from it" or something like that...
>
> JP
>
> ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com <===
>

------------------------------

Date: Sun, 10 Feb 2002 13:37:14 -0500
From: "Rocky Serkowney" <rocky.serkowney@sympatico.ca>
Subject: Re: Comp Question

Hey Michael,

Thanx a lot for the memory jog!  Funny thing was I came sooo close to
finding it last night on the comp database, but foolishly stop scrolling
down song titles just at "I Believe".  It's great to hear this Jersey Teens
comp again.  Anyone know why Vol. 2 never came out?  I remember reading that
one was scheduled back in the late 80's...but nothin' materialized.

Teensquirrel.

N.P. "Through My Window" - brilliant moody Janlin'!



- ----- Original Message -----
From: "Rat Pfink" <ratpfink@akamail.com>
To: <bomp@xnet2.com>
Sent: Sunday, February 10, 2002 12:54 AM
Subject: Re: Comp Question


>
>
> That would be "I Believed You" by The Young Monkey
> Men. It's on "Attack Of The Jersey Teens" and
> "Teenage Shutdown #6"...
>

------------------------------

Date: Sun, 10 Feb 2002 14:19:40 EST
From: Shake6677@aol.com
Subject: Re: bob seger/east side story

there's a boot cd called *early trax* (on "el gato ltd.") that includes all the last herd and system single cuts, as well as the withdrawn beach bums single and a few lp cuts (offa *noah* and *brand new morning*). killer stuff all around -- i too WISH this stuff would finally get a proper reissue!

here's two questions: how in heck did the uk band, st. louis union get a hold of "east side story" to cover (released on decca, '66); and what's the deal with the "2+2..."? i've got it on a 45 as the flip of the MONSTER "rambling gambling man" and it's definitely the weaker, though still great, lp version, not the single version -- why was it released twice, and as an a-side first, then a b-side?

lee/dead flowers

------------------------------

Date: Sun, 10 Feb 2002 14:22:28 -0500
From: "Jahna" <innuendos1@hotmail.com>
Subject: intro to garage

"Andy Shelton" <ashelton@hargray.com> asked:
<<What was your first introduction to garage/punk music?>>

Well, many of my musical preferences definately came of having parents with
cool taste - my mom was a huge Janis Joplin fan, and was really into reggae
(we went to Jamaica a couple of times around 1972-73), and my dad was really
into bossa nova & be bop jazz, and they *both* were huge soul & r& b fans.
(Back when I was about 14, I, uh, borrowed... since I still have them - 20
years later - I guess you had better say stole... some of my favorite Wilson
Picket, Aretha, Ray Charles, Etta James, Bar-Kays & Booker T records from
their collections!)

However, as an introduction to 60's garage goes... I moved to Tampa  in the
summer of 1987. I was 18 and I was REALLY into punk rock at the time....
While there, through a total coincidence, (I met these people in the hall of
my dorm) I got to see the Immediates.  They were a *fantastic* mod/garage
band, (of whom Ed from the Unrequited Loves is on this list) with soulful
vocals, ripping guitars, high energy bashing Keith Moon style drums and ---
all of them were REALLY cute. I was hooked!  They played a bunch of cool
records at the what seems like daily in my memory - parties at their houses
and whatnot.  Thanks to them, the Lyres became my MOST favorite band.

After ten months in Tampa, I moved to NYC (we lived at 52nd & 2nd - I used
to sing 53rd & 3rd every day as I went to work around the corner!) to live
with my mom and sister.  While in Tampa, I had become friends with a gal
from Long Island who booked the shows at USF (ahhh, the Empty Keg!  I saw
sooo many good shows there in such a short period of time!).  So when I
moved to NY, she introduced me to the whole Long Island mod crowd.  Thanks
to her, not only did I get to see some great Secret Service shows (another
GREAT mod/garage band!),  I met many of the folks who are still my close
friends up here & they completed the indoctrination! <grin>

Also thanks to my pal from Long Island, I finally got to see the Lyres for
the first time -- it was in the summer of 1988 at a club called "The Big
Kahuna" located on Broadway and Houston.  That place was sooo cool.  I saw
some great shows there!  Sadly, the Lyres show - that I had anticipated
sooooo much - was NOT one of the great shows. (Musically, that is.  As punk
rock goes, it was a doozy.  I HATED it.)  Monoman only made his way through
about 4 songs.  Kept shoving his keyboard into the audience. He played a
vodka bottle instead of a cowbell and shattered the bottle all over himself
and the audience, slipped on the glass on the stage, & got up covered in
blood.  Mumbled and grumbled the whole set through.  Man, it was depressing.

Tellin' stories outta school,

Jahna

------------------------------

Date: Sun, 10 Feb 2002 14:49:13 -0400
From: Deena Canale <roots66@sympatico.ca>
Subject: Re: Still dreaming of utopia

Andy Shelton wrote:

 I would also like to add-I'm looking for
> a town that has affordable housing, a good public transportation system, and
> employment opporturnities in a Compact disc/bookstore/library field. Also, the
> town would have to be on the east coast.


Holey moley!  And near a beach and with a warm climate AND with a decent
rock & roll scene too?  There's nothing wrong with desiring any of these
qualifications, but please keep reality in mind and understand that a town
encompassing the combination of ALL these groovy aspects probably doesn't
exist.  Maybe in Florida, but Jumpin' Jeff Lemlich or Terrific Tom Walls
would have to fill you in on that.  There ain't no such thing as "affordable
housing" anymore, especially for record store/bookshop/library workers.

Deena Canale, M.L.S.
(who managed to eke out a decent living in New York City on a librarian's
salary, but just by the skin o' my teeth, and by living at my parents' house
for an embarrassingly looooong time in my 20s, during- and post-grad
school...)   

------------------------------

Date: Sun, 10 Feb 2002 11:57:58 -0800
From: "Barry Stevenson" <BaronBlood@mediaone.net>
Subject: Amps and point to point wiring

I would have to agree with you on this one, and I am hardly a purist..  I have not found a new amp on the market that sounds as good as the old ones..  Who wants to sit down and wade through all of these new amps, when you know exactly what sounds are possible in the Recycler for around $500...   My friend just snagged a 72 Twin for $450...  Deals are still out there..    I don't know about point to point wiring, but I will agree on the sound...  I guess that is why Matchless, and Mesa Boogie still hold up their value.. Matchless cost more now than they did when they were in business, and I have never heard a bad sounding one.. Fenders are trial and error, you may have to wade through some to find a good one, so many people have done Frankenstein routines to them, you have to be careful buying a used one..  I just realized I have never purchased a brand new amp in my life!!  and this is 20 years in...  Soo.. BUY OLD!!!  and beware!!
      

------------------------------

Date: Sun, 10 Feb 2002 15:19:30 -0400
From: Deena Canale <roots66@sympatico.ca>
Subject: Ghost World DVD

If you've got a DVD player, rent or purchase this one pronto!  There aren't
as many extra goodies on it as one would hope, but it does include the
entire "Jaan Pehechaan Ho" segment--about six minutes of lone-ranger masked,
frantic head-shakin' fun!  I love those guys at Seymour's party, arguing
about CD sound quality, shitty graphic equalizers, hairline cracks and
enlarged holes.

Also highly recommeded is the expanded "bootleg" edition of "Almost Famous."
The extra 40 minutes make for a long movie, but also a surprisingly better
one.  Also includes a few minutes of a filmed Lester Bangs video and some of
Crowe's '70s Rolling Stone articles--too bad he focused on bands of the
Allmans and Eagles ilk.

Kael-ly yours,
Deena

 

------------------------------

Date: Sun, 10 Feb 2002 15:40:44 -0500
From: Rat Pfink <ratpfink@akamail.com>
Subject: Re: Comp Question

Rocky -

You're welcome but I'm not Michael, I'm the other 
Rat (fink vs. Pfink)...

For future clarification:

Michael = rat fink --> Rock And Roll Dance Party

Me = Rat Pfink --> Online Garage Compilation Database


At 01:37 PM 2/10/02 -0500, you wrote:
>
>Hey Michael,
>
>Thanx a lot for the memory jog!  Funny thing was I came sooo close to
>finding it last night on the comp database, but foolishly stop scrolling
>down song titles just at "I Believe".  It's great to hear this Jersey Teens
>comp again.  Anyone know why Vol. 2 never came out?  I remember reading that
>one was scheduled back in the late 80's...but nothin' materialized.

------------------------------

Date: Sun, 10 Feb 2002 20:56:17 +0000 (GMT)
From: boldface@easynet.co.uk
Subject: Re: bomp-digest V2002 #85

> From: Steve Coleman <garage@clara.co.uk>
> 
> sadly I know nothing but PJ might!

Don't ask me. I vaguely remember them playing at the club, but the 
last time was about five years ago. -- PJ

------------------------------

Date: Sun, 10 Feb 2002 12:59:58 -0800 (PST)
From: Sugar Town <townsugar@yahoo.com>
Subject: Re: bomp-digest V2002 #84

I saw Stereo Total open for The Strokes in Philly, but
it was only two members for some reason. I really dug
it but I was clearly in the minority, as most of the
folks there were there to see what they'd seen on MTV
or on the modern "rock" station. I bought ST's M.A.
disc right after the show. 


Date: Fri, 8 Feb 2002 18:53:49 EST
From: DJKevin891@aol.com
Subject: Re: Stereo Total

Well...at least this is a recent thread.   Glad that
Bill Kelly is playing the new one on his "Teenage
Wasteland" show.    I've been featuring tracks from
"Musique Automatique" on my show recently, too.
The lastest one has more has more Kraut-synth 
elements (guess that's Breznel), then usual for them.
There's also a great cover of "(Route) Nationale 7"
which was covered by the Belgium band 
The Honeymoon Killers back in 1982!
Got to meet and talk to Francoise Cactus at
a Stereo Total show from about a year ago
and she indeed is a total sweetie.   The reason
that you might not hear Stereo Total much on
even your local college music stations is because
Bobsled Records doesn't believe in "servicing"
college radio stations.    Our music director paid
for our copy of "M.A.".     Recommended are "My
Melody" 
and their self-titled CD as well.

__________________________________________________

------------------------------

Date: Sun, 10 Feb 2002 16:00:05 EST
From: Dj45rpm@aol.com
Subject: Re: Ghost World DVD

In a message dated 2/10/02 11:55:32 AM Pacific Standard Time, 
roots66@sympatico.ca writes:

<< If you've got a DVD player, rent or purchase this one pronto!  There aren't
 as many extra goodies on it as one would hope, but it does include the
 entire "Jaan Pehechaan Ho" segment--about six minutes of lone-ranger masked,
 frantic head-shakin' fun!  I love those guys at Seymour's party, arguing
 about CD sound quality, shitty graphic equalizers, hairline cracks and
 enlarged holes. >>

Does it include some of the "deleted scenes" such as the ones from the love 
triangle (most of which was seemingly cut but some of the frames made it into 
the "Ghost World" screenplay-book) or are they waiting to put those in the 
"Bootleg"/"Supreme"/"Special Edition" version?  Not that'll stop me either 
way from picking up the DVD for the JPH segment...
- -DavidH

------------------------------

Date: Sun, 10 Feb 2002 21:03:13 +0000 (GMT)
From: boldface@easynet.co.uk
Subject: The Bellrays

The label that just sold nearly 200,000 copies of an album by the 
Hives, Poptones, is planning to do the same with The Bellrays it 
seems. Someone from the label came to the Buff Medways gig on Friday 
night - a brilliant night, by the way - and brought me a copy of the 
forthcoming album. Even though the CD that he gave me was unmastered 
it sounds GREAT. It's just the straight recording, no mixing or 
anything yet, and so it doesn't have a title or a specific release 
date. But if Poptones can sell the Hives then they can surely do the 
same with the Bellrays judging by what it sounds like already. -- PJ

------------------------------

Date: Sun, 10 Feb 2002 16:20:22 -0500
From: Larry Shell <lawrenceshell@comcast.net>
Subject: Re: Swamp Sounds

Speaking of rockin' accordian, check out Johnny Allan's "Promised Land,"
one of the best Chuck Berry covers ever!!!! The rockin' accordian on
there is amazing, its one of my all-time faves!!! Johnny Allan is a
swamp pop legend in the Big Easy!

I know its on the Ace Records CD, LOUISIANA SATURDAY NIGHT, a collection
of ragin' cajun tunes, which came out years ago but was still available
last time I looked. I have a UK 45 release of this, but don't recall the
label offhand as its been eons since I've spun it. 

Larry Shell

------------------------------

End of bomp-digest V2002 #87
****************************

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