From: owner-bomp-digest@xnet2.com (bomp-digest) To: bomp-digest@xnet2.com Subject: bomp-digest V2002 #98 Reply-To: bomp Sender: owner-bomp-digest@xnet2.com Errors-To: owner-bomp-digest@xnet2.com Precedence: bulk X-To-Unsubscribe: Send e-mail to majordomo@xnet2.com with "unsubscribe bomp-digest" in the body X-Bomp-web-site: http://www.bomp.com X-BompList-Administrator: efd@xnet2.com bomp-digest Saturday, February 16 2002 Volume 2002 : Number 098 This is the digest version of the Bomp list. ***HOW TO UNSUBSCRIBE:*** Send an e-mail with the words "unsubscribe bomp-digest" to majordomo@xnet2.com or go to . Here's what people are yacking about in this digest: Re: RE: Buddy Guy Moreen5000@aol.com Re: PINK FLOYD (the Syd Barrett years) Moreen5000@aol.com Judy to the Center of the Mind With Glasses Moreen5000@aol.com Re: soak my cake Moreen5000@aol.com Re: Brian Jonestown Massacar Iam Fuzzco Re: Five Day Week Straw People ( ummm this one ) Moreen5000@aol.com Saturday night in and around NYC "buscareno" RE: Waylon track to look for "Lindholm, Jeffrey" Re: Most garage bands really suck! Shake6677@aol.com Re: Most garage bands really suck! Moparlary@aol.com Melvin...man or myth "Chris Owen" Re: Saturday night in and around NYC Evan Davies Re: Most garage bands really suck! "Kip Shepherd" Sweet Drummer Mick Tucker Dead At Age 52 Evan Davies Judy to the Center of the Mind With Glasses Moreen5000@aol.com Re: PINK FLOYD (the Syd Barrett years) Moreen5000@aol.com I can't find all the right romantic rhymes "Jeff Lemlich" ---------------------------------------------------------------------- Date: Fri, 15 Feb 2002 06:10:34 EST From: Moreen5000@aol.com Subject: Re: RE: Buddy Guy In a message dated 2/7/02 1:52:28 PM, JRL6B@hscmail.mcc.virginia.edu writes: << Is this the "Sweat Tea" or something like that album? Heard that one was good. Jeffery Lindholm jrl6b@hscmail.mcc.virginia.edu University of Virginia Health System Marketing and Communications > -----Original Message----- > From: matt fiveash [SMTP:fiveash@hotmail.com] > Sent: Thursday, February 07, 2002 1:25 PM > To: bomp@xnet2.com > Subject: Buddy Guy > > > Hey Kids- > I picked up the new Buddy Guy album recently, and I think it's really > fantastic- it's raw scary Mississippi hill country stuff a la Junior > Kimbrough but with Buddy going apeshit on guitar. Very strange and > beautiful, and a far cry from the beer commercial vibe of a lot of his > > recent work. Now I see that he is playing soon at Irving Plaza here in > New > Yorkyville. My question is this: Has anyone heard anything about the > current > tour? Is he playing the material from the new album with the guys who > played > on it? Or is he doing "Mustang Sally" backed by an antiseptic Paul > Shaffer-type unit? > I know that blues music doesn't get discussed here too often but I > figure > maybe there's someone lurking out there who knows. > Thanks > -Matt >> ------------------------------ Date: Fri, 15 Feb 2002 06:33:40 EST From: Moreen5000@aol.com Subject: Re: PINK FLOYD (the Syd Barrett years) Hi Melvin !!! Those early Pink Floyd, Move and Traffic LPs and 45's are all great stuff. In answer to your question, the best source for those early pre first LP demos and most of the early 45's and some kool unreleased material and other goodies, and all in one place, is a bootleg that goes by the name " Interstellar Overdrive " . It's one of those series of neat digipaks that came out during the last year, and it does include the " Lucy Leave " and " I'm a King Bee " tracks, both from 1966 which are the closest Pink Floyd comes to the delta, in addition to " Arnold Layne ", " Candy and a Currant Bun " an alternate mono mix of " See Emily Play ", " Vegetable Man ", " Apples and - Oranges ", " Scream Thy Last Scream " and more, with solid sound quality to boot !!! Most definately well worth seeking out ... The same people who did this boot, also popped out digipak versions of both the mono " Piper at the Gates of Dawn " and " Saucerful of Secrets " albums, which were mixed differently from their stereo counterparts, tho' I'm kinda partial to the stereo versions myself, as I dig hearing stuff whoosh, swoosh and bounce back n' forth from the speakers or in the headphones ... tell Grimble Gromble, Kilroy and their 40,000 Headmen I sent ya !!! maureen In a message dated 2/8/02 12:33:10 PM, Redlabour@cs.com writes: << Greetings, Some Bompers are divided over Pink Floyd. I happen to listen to their earlier work. Yes, I like "The Piper at the Gates of Dawn" from 1967 and "Saucer Full of Secrets" from 1968. Some of their really early singles like "Arnold Layne" and "See Emily Play" are adequate cool enough for just about any fan of psychedelic garage rock. Anyway, I heard some MP3s of really early Pink Floyd songs never released from 1965 or 1966. It's more raw for them than they did when they started putting records out from 1967 on to now. I was wondering if there's a compilation CD out there that just focus on the Syd Barrett era Pink Floyd (1965-1968)? If you listen to "The Piper at the Gates of Dawn", you might be surprised with songs like "Lucifer Sam." Then again, I like the early Traffic, the Move, and some of the other psychedelic monstrosity that sucked as theatrical 70s progressive and dinosaur rock. Later, Melvin "Mod Mel" Little >> ------------------------------ Date: Fri, 15 Feb 2002 07:13:34 EST From: Moreen5000@aol.com Subject: Judy to the Center of the Mind With Glasses This is actually another group with the same name as Ted Nugent's Amboy Dukes. I know they came from England but couldn't tell ya exactly where, and they made around a half a dozen singles, in the mid to late 60's, all on Polydor, which is kinda wild when one realizes that Ted and his boys did a few LP's for Polydor after their stint with Mainstream, making for some definate confusion there. Can't say I remember anything good about this other Amboy Dukes records. I have a comp tape that someone made me a bazillion years ago somewhere around here, with both " Judy " and "Simon Says " on it, and I remember thinking they were pretty dire stuff, but then I didn't like the original " Simon Says " either, yet I love John Fred and his own band's " Judy in Disguise ", infectious little terror that it is. The guy who made it for me thought it was Ted Nugent's band, until I told him otherwise, as I remembered reading something about another Amboy Dukes years earlier in, I think the " Random Notes " section of Rolling Stone mag, tho' I can't remember the actual gist of the blurb, maybe a legal wrangle over the name, or something to do with Ted and his guys signing with Polydor and how Polydor already had a group called the Amboy Dukes in England. Judy to the Center of the Mind With Glasses ... maureen In a message dated 2/9/02 12:23:57 PM, cozmik.debris@home.com writes: << Found another Polydor single by the Dukes I never heard of: "Simon Says." What gives with all the European 45s? Is Maureen around? She'd probably know... Regards, cozmikdebris >> ------------------------------ Date: Fri, 15 Feb 2002 08:26:26 EST From: Moreen5000@aol.com Subject: Re: soak my cake In a message dated 2/8/02 11:56:36 AM, karikrome@hotmail.com writes: << what the fuck is a powersoak or a hotcake?!! >> Well said indeed !!! The Power Soak is a reference to the Tom Scholz Power Soak, which was developed by Tom Scholz ( yes Mr. " Boston " hisself ). Basically what it does, is allow you to run your amp at all out full volume, without blowing the ears off the folks in the club you're playin, by acting as a " speaker load " and " soaking up " some of the amps sound, before sending it off to your speakers, where it comes out at a much more " reasonable " level, so you essentially get that full cranked distortion but a volume level that won't drive soundmen insane and want to kill ya. There were / are several of these things out there. The Power Soak is the most well known, but there's other's like the Marshall Power Brake, but my fave was the old Altair unit. The Scholz Power Soak was the most successful, because unlike a lotta other similar units that came out back in the mid to late 70's, ( this was before the era of the " master volume " control on amps) when these things started coming out, the Scholz Power Soak was the most stable and reliable and least likely to fry, overheat and blow up yer amp, like many of the others, and that sealed it's reputation and success for years, and tho' it's no longer in production, my old one still works fine. It's interesting that Scholz of " Boston " fame came up with the first one of these things that could actually be trusted to work and not fry yer amp, because prior to the Power Soak, a lot of us guitarists in heavy bands using Marshalls ( I had eight 50 watt heads and eight cabs, which looked kool as all get out, but I rarely actually used more than two ) at the time, used to make up a hideous thing that we called actually called a " Boston Strangler ", named after the town where anyone could actually remember having first seen one ever used, and tho I can't recall who the band or guitarist was, I knew a few guys who could probably all make a good case for being the first to make and use one. A " Boston Strangler " was basically a whole bunch of resistors ( like in the Power Soak ) all wired and soldered together, and wrapped with black electrical tape ( unlike a Power Soak ) looking much like a garrotte ( or a snake after supper ) that we'd hook up between our amps outputs and the speaker cabs inputs, so we could crank our Marshalls and Ampegs up to 12, get a ton of kool amp distortion, and not blow people faces off in the front and back of the club or the high school gym. Unfortunately, there was really no proper balancing of impedences and ohmagges and stuff like that, so you were more than likely to cook a few amps with these homemade babies, as it was really a " trial and error thing ". What Scholz did was make these things reliable and practical to use, by actually applying some real knowledge and technology behind the inspiration. Some people dig the sound of these attenuators, some don't. Some feel that they sound too much like ( surprise ) Boston, and all that sort of classic rock sound. They were originally designed with Marshalls, Ampegs, Hi Watts, etc in mind, tho I know guys who used them sucessfully with Fender Twins, Dual Showman and Bassman amps as well ( of course the Marshall amp was patterened after the Fender Bassman but that's another story ). It's really a matter of taste, amp settings, and speakers. I preferred the Altair myself, and still have that and my old Power Soak, but once I stopped playing in metal and heavy rock type bands ( no more Alice Cooper tribute sets, and 20 minute versions of what sounded like Black Sabbath playing " Spoonful " ) and started playing what was called " power pop " or " new wave " and then on to garage and psych ( where I started as a kid years earlier ) I switched over to my Voxx AC 30's which were much better for that type of music and what the Not Quite and other bands I was in were doing, tho I did keep a Marshall 50 and cab in my stage setup for certain moments of required Marshall mayhem. Well that's a real long winded answer n' history of the Power Soak fer ya, and I'll end with an actual question we got hit with many times by nervous stage managers ... hey how come you guys have fire extinguishers on the back of yer amps ??? maureen ------------------------------ Date: Fri, 15 Feb 2002 06:12:21 -0800 (PST) From: Iam Fuzzco Subject: Re: Brian Jonestown Massacar - --- Redlabour@cs.com wrote: > > Greetings, > > I was a bit in a hurry when I email y'all about the > Brian Jonestown Massacar. Maybe Mopar Larry can enlighten us on who manufactures the Brian Jonestown Massacar? I don't think I've even seen one of these vehicles. Is it anything like a PT Cruiser? __________________________________________________ ------------------------------ Date: Fri, 15 Feb 2002 09:11:47 EST From: Moreen5000@aol.com Subject: Re: Five Day Week Straw People ( ummm this one ) Damn do I hate hittin ' the wrong damn button ... anyway that's a great CD, as is the Attack stuff. There's a whole LP of material by the Attack called " Complete - Recordings " worth checking out too. John Ducann is one of the great unknown guitarists if you ask me. In addition to his fantastic work on the Five Day Week Straw People LP, and with the Attack, he had a power trio ( along the lines of Cream, Gun, May Blitz, Three Man Army ) called Andromeda that have a 2 CD set out on John's own Angel Air label ( same label as the Five Day Week Straw People ), and he also did the guitar work on a couple Atomic Rooster LP's, " Death Walks Behind You " and " In - Hearing Of ". More along the lines of the Five Day Week Straw People CD and well worth checking out are these other goodies from the same time and era ... the Five Day Rain CD, the Mike Stuart Span CD, the Fleur Dy Lys CD, and the Gary Walker and the Rain CD. All great stuff that gets played around here endlessly ... turn up the Coloursound ... maureen In a message dated 2/11/02 12:15:56 PM, magrinha1@hotmail.com writes: << Found the above mentioned interesting looking CD with colorful, psychedelic artwork, at Borders, marked down 75%. I had no idea what it was but then noticed that songs by the Attack made up the second half of the CD. A small label wanted a psych album, so John DuCann organized the project by the seat of his pants and with a drummer who didn't even know the material when they went into the "studio" (jerry rigged in an off duty kindergarten school room). This is good, melodic, psychey freakbeat recorded in all of FOUR HOURS. The songs were written in the space of ten days, I think, and the title track is one I can relate to all too well (the 9-5ers then were popularly known as "Plastic People," but John DuCann thought he'd be more creative and call them "Straw People"). "Carwash" is a driving instro that could easily be the soundtrack for a party scene in a 60's Eurotrash movie. One song is a bit too reminiscent of Cream's "Strange Brew," and "Feel Like Havin' a Party" is silly and plodding, but the rest is pretty good. They played out a lot, opening for the Small Faces and the Move. Laura >> ------------------------------ Date: Fri, 15 Feb 2002 09:38:50 -0500 From: "buscareno" Subject: Saturday night in and around NYC Arlene Grocery - The Nines Sidewalk Cafe - The Rooks Oak Room at the Warsaw - The Fleshtones/Ton-Ups/What IV Uh... some other place in Brooklyn that I've forgotten... The Hissyfits And... for those looking to continue the fun as the night wears on: > [Unable to display image]SOUL IS OUR MUSIC. > ITS THE WAY WE DANCE, > AND THE WAY WE SING. > > So come get some! Thats right. This Saturday Nite, Feb 16th, at The Raven > Cafe (Ave A. and 12th St.) Michael "Dos Platos" Sansone will be guest > slinging the sloppy 6-T's stuff along with Host Johnny Metro and the Well > Sussed crew from 11pm-4am. No cover. Be prepared to sweat, hawg. Me? I'll be in DC catching the Dictators. _________________________________________________________ ------------------------------ Date: Fri, 15 Feb 2002 09:56:05 -0500 From: "Lindholm, Jeffrey" Subject: RE: Waylon track to look for Checked on www.allmusic.com, and Waylon's got three album's called "Burning Memories." Track listings aren't given for all of them. So, which one do you have? Thanks. Jeffery Lindholm jrl6b@hscmail.mcc.virginia.edu University of Virginia Health System Marketing and Communications > -----Original Message----- > From: davidrhoden@davidrhoden.com [SMTP:davidrhoden@davidrhoden.com] > Sent: Thursday, February 14, 2002 6:25 PM > To: bomp@screamer.xnet2.com > Subject: Waylon track to look for > > > bummer about Waylon. > > for some reason I bought a $4.99 budget Waylon CD called Burning > Memories, > very generic looking, and very good. anyway, it has his cover of > "Money > (that's what i want)" and some other basic rock songs of that ilk but > the > great track to look for, all you downloaders, is "Big Mamou" - it's a > Cajun > standard with semi-absurd lyrics about dirty rice and cold black > coffee, but > what makes it rock is the drumming on this track - sounds like Mo > Tucker > with extra hands, or a 55-gallon drum rolling down a hill. > > I got Waylon & jessi's Leather and Lace on vinyl ($.50) recently and > couldn't get past the 3rd song. Am I missing anything? > > Anyway, Waylon will be missed, and try to find his version of Big > Mamou. > > > ===> To unsubscribe, send "unsubscribe bomp" to majordomo@xnet2.com > <=== > ------------------------------ Date: Fri, 15 Feb 2002 11:10:04 EST From: Shake6677@aol.com Subject: Re: Most garage bands really suck! troll. lee/dead flowers - --- http://fade.to/DeadFlowers http://clubs.yahoo.com/clubs/rosesonyergrave ------------------------------ Date: Fri, 15 Feb 2002 11:39:40 EST From: Moparlary@aol.com Subject: Re: Most garage bands really suck! In a message dated 2/14/02 6:21:18 PM Eastern Standard Time, Sknoof@aol.com writes: > > It's February 14th, gang. My calendar says "St. Valentine's Day." Does > everyone else's calendar say "Paint A Big Red-And-White Target On Your Big > Stupid Fucking Forehead Day" ??? > > Mike F. > yeesh > > I'll warm up the car and get the gatts, Boss. next stop, Chicago! 38 snub nose loaded....Charleston on radio...Moparlary, ------------------------------ Date: Fri, 15 Feb 2002 09:41:04 -0800 From: "Chris Owen" Subject: Melvin...man or myth Melvin- I assumed you were about 17-21. Maybe it's that youthful vigor you bring to each topic... Chris - -Date: Fri, 15 Feb 2002 01:13:35 EST - -From: Redlabour@cs.com - -Subject: Re: how I discovered garage-rock (a late reply) - -Chris, - -Yes, I am 33 years old. How hold did you think I am? - -Melvin Little - -In a message dated 2/14/02 3:41:25 PM Pacific Standard Time, ChrisO@sfbg.com - -writes: << Subj: Re: how I discovered garage-rock (a late reply) -Date: 2/14/02 3:41:25 PM Pacific Standard Time -From: ChrisO@sfbg.com (Chris Owen) -Sender: owner-bomp@xnet2.com -Reply-to: bomp@xnet2.com -To: bomp@xnet2.com (Bomplist (E-mail)) -Wait a minute...you're 33 years old? -Seriously? ------------------------------ Date: Fri, 15 Feb 2002 11:30:02 -0800 (PST) From: Evan Davies Subject: Re: Saturday night in and around NYC > Uh... some other place in Brooklyn that I've forgotten... The Hissyfits That's at Northsix, on, uh, N. 6th St in Williamsburg. Also on the bill are Palomar and Crowns on 45, both recommended. I think that's where you'll find JD and me tomorrow night. __________________________________________________ ------------------------------ Date: Fri, 15 Feb 2002 13:41:53 -0600 From: "Kip Shepherd" Subject: Re: Most garage bands really suck! >From: Shake6677@aol.com > >troll. > Which one? Texas, Colorado or Chicago? Kip _________________________________________________________________ ------------------------------ Date: Fri, 15 Feb 2002 12:38:15 -0800 (PST) From: Evan Davies Subject: Sweet Drummer Mick Tucker Dead At Age 52 sad news... Sweet Drummer Mick Tucker Dead At Age 52 Fri Feb 15, 2:57 PM ET (2/15/02, 3 p.m. ET) -- Mick Tucker, drummer for glam-rock pioneers Sweet, died Thursday (February 14) at age 54. Born Michael Thomas Tucker, the drummer battled leukemia about five years ago, eventually getting a bone-marrow transplant from his brother. Tucker began to feel ill and was admitted to a British hospital on February 9--sadly, the anniversary of fellow Sweet mate Brian Connolly's 1997 death. Tucker's health failed to rebound, and he died with his wife Janet and daughter Ayston by his bedside. "He was the best drummer England ever produced and it is a sad loss to the music world," Sweet bassist Steve Priest told the BBC. "Mick Tucker was the best drummer around in the '70s. I played in the same band as him and was proud to do so. I feel extreme sadness therefore that he has now left us and my heart goes out to Janet and Ayston with their sad loss," Britain's NME quoted guitarist Andy Scott as saying. Sweet formed in 1968 as Sweetshop with Tucker, Connolly, Priest, and Frank Torpey. After shortening the name and releasing a few singles that stiffed, Torpey left and was replaced by Scott, and it was this lineup--working with the songwriting team of Mike Chapman and Nicky Chinn--that created such U.S. hit singles as "Little Willy" (Number Three in 1973) and "Ballroom Blitz" (Number Five in 1975). The group was also adept at writing its own material, as evidenced by the success of "Fox On The Run" (Number Five in 1976), "Action" (Number 20 in 1976), and "Love Is Like Oxygen" (Number Eight in 1978). "Ballroom Blitz" had a resurgence in popularity after its recreation in the 1992 movie Wayne's World. Sweet was even more successful in its native England, reaching the top 40 with hits including "Funny Funny," "Co-Co," "Alexander Graham Bell," "Little Willy," "Poppa Joe," "Wig-Wam Bam," "Hell Raiser," "Ballroom Blitz," "Teenage Rampage," "The Six Teens," "Fox On The Run," "Action," "The Lies In Your Eyes," and "Blockbuster," which topped out at Number One in the U.K. but only reached Number 73 in the U.S. Sweet continued to record and tour, but its sales continued to decline after the mid-'70s. Connolly's departure in 1978 led to the addition of Gary Moberly, but a continued lack of sales success forced the band to pack it in in 1982. In the years that followed, the members reconstituted the band on occasion, even doing a full tour in the mid-'80s. Before his death, Connolly toured with his own version of Sweet, while Scott has lined up European dates for his Sweet lineup in March, April, May, June, and October. __________________________________________________ ------------------------------ Date: Fri, 15 Feb 2002 16:08:31 EST From: Moreen5000@aol.com Subject: Judy to the Center of the Mind With Glasses This is actually another group with the same name as Ted Nugent's Amboy Dukes. I know they came from England but couldn't tell ya exactly where, and they made around a half a dozen singles, in the mid to late 60's, all on Polydor, which is kinda wild when one realizes that Ted and his boys did a few LP's for Polydor after their stint with Mainstream, making for some definate confusion there. Can't say I remember anything good about this other Amboy Dukes records. I have a comp tape that someone made me a bazillion years ago somewhere around here, with both " Judy " and "Simon Says " on it, and I remember thinking they were pretty dire stuff, but then I didn't like the original " Simon Says " either, yet I love John Fred and his own band's " Judy in Disguise ", infectious little terror that it is. The guy who made it for me thought it was Ted Nugent's band, until I told him otherwise, as I remembered reading something about another Amboy Dukes years earlier in, I think the " Random Notes " section of Rolling Stone mag, tho' I can't remember the actual gist of the blurb, maybe a legal wrangle over the name, or something to do with Ted and his guys signing with Polydor and how Polydor already had a group called the Amboy Dukes in England. Judy to the Center of the Mind With Glasses ... maureen In a message dated 2/9/02 12:23:57 PM, cozmik.debris@home.com writes: << Found another Polydor single by the Dukes I never heard of: "Simon Says." What gives with all the European 45s? Is Maureen around? She'd probably know... Regards, cozmikdebris >> ------------------------------ Date: Fri, 15 Feb 2002 16:08:02 EST From: Moreen5000@aol.com Subject: Re: PINK FLOYD (the Syd Barrett years) Hi Melvin !!! Those early Pink Floyd, Move and Traffic LPs and 45's are all great stuff. In answer to your question, the best source for those early pre first LP demos and most of the early 45's and some kool unreleased material and other goodies, and all in one place, is a bootleg that goes by the name " Interstellar Overdrive " . It's one of those series of neat digipaks that came out during the last year, and it does include the " Lucy Leave " and " I'm a King Bee " tracks, both from 1966 which are the closest Pink Floyd comes to the delta, in addition to " Arnold Layne ", " Candy and a Currant Bun " an alternate mono mix of " See Emily Play ", " Vegetable Man ", " Apples and - Oranges ", " Scream Thy Last Scream " and more, with solid sound quality to boot !!! Most definately well worth seeking out ... The same people who did this boot, also popped out digipak versions of both the mono " Piper at the Gates of Dawn " and " Saucerful of Secrets " albums, which were mixed differently from their stereo counterparts, tho' I'm kinda partial to the stereo versions myself, as I dig hearing stuff whoosh, swoosh and bounce back n' forth from the speakers or in the headphones ... tell Grimble Gromble, Kilroy and their 40,000 Headmen I sent ya !!! maureen In a message dated 2/8/02 12:33:10 PM, Redlabour@cs.com writes: << Greetings, Some Bompers are divided over Pink Floyd. I happen to listen to their earlier work. Yes, I like "The Piper at the Gates of Dawn" from 1967 and "Saucer Full of Secrets" from 1968. Some of their really early singles like "Arnold Layne" and "See Emily Play" are adequate cool enough for just about any fan of psychedelic garage rock. Anyway, I heard some MP3s of really early Pink Floyd songs never released from 1965 or 1966. It's more raw for them than they did when they started putting records out from 1967 on to now. I was wondering if there's a compilation CD out there that just focus on the Syd Barrett era Pink Floyd (1965-1968)? If you listen to "The Piper at the Gates of Dawn", you might be surprised with songs like "Lucifer Sam." Then again, I like the early Traffic, the Move, and some of the other psychedelic monstrosity that sucked as theatrical 70s progressive and dinosaur rock. Later, Melvin "Mod Mel" Little >> ------------------------------ Date: Fri, 15 Feb 2002 16:34:19 -0500 From: "Jeff Lemlich" Subject: I can't find all the right romantic rhymes > hey - everyone seems to be forgetting the Elton John classic 'I won't let > the sun go down on me'!! > -peter m > Even you appear to have forgotten, since the song's name is 'Don't let the sun go down on me'. Ah well, nobody's poifect!> I thought it was "Don't let your SON go down on me". NOT hot for teacher, Jeff Lemlich ------------------------------ End of bomp-digest V2002 #98 **************************** ===================================================================== You've been reading bomp-digest, the digest version of the Bomp list. To unsubscribe, send "unsubscribe bomp-digest" to majordomo@xnet2.com